Latin American Languages and Societies Commons^™

Rhétorique De La Réception Des Oeuvres Francophones Dans Présence Africaine, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

This article analyses the Reception discourse towards African and Caribbean Literatures in French. We will analyse some articles published in Présence africaine to show how this journal played a leading part in the promotion of African and Caribbean Literatures in French since its beginning in 1947 to now.

Simone Schwarz-Bart : Quel Intérêt? Classer L’Inclassable, Christiane Ndiaye

Présence Francophone: Revue internationale de langue et de littérature

Critics do not agree on what constitutes the interest of the works of Schwarz- Bart. However, four major tendencies are apparent in the many critical studies of her works: some are interested in the "creole experience" her novels are said to portray, others in the "feminine experience", while others again in the "mythological" dimension and the question of what is borrowed from oral literature. These different approches interpret the works of Schwarz-Bart essentially in the perspective of "testimony" and, even though there is a consensus as to the originality of her writing, there is little analysis of the specific techniques …

Réceptions De L’Oeuvre D’Émile Ollivier : De La Difficulté De Nommer L’Écrivain Migrant, Joubert Satyre

Présence Francophone: Revue internationale de langue et de littérature

Abstract: Who is a migrant writer? That’s the question asked by Québec institutions which legitimatize literature, including journalistic critics and scholars. The aim of our paper is to make an inventory of the terms employed by these institutions to name Émile Ollivier (1940-2002), an Haitian novelist who has been exiled in Québec since the mid-sixties. These terms reveal a discontent and vagueness in the attempt to link the novelist to a nationality or a country. Between appropriation and dismissal, this multiplicity symbolizes a resistance to frankly consider this writer as a Quebecer. We also refer to the "in-between" of all …

2003 Fall Courses Las, Jordana Dym

LALS Curriculum Materials

No abstract provided.

Boletín V.9:No.1 (2003), Fordham University Latin American And Latino Studies Institute

Boletín (Fordham University. Latin American and Latino Studies Institute)

No abstract provided.

Review Of Women In Argentina: Early Travel Narratives By Mónica Szurmuk, Women At Sea: Travel Writing And The Margins Of Caribbean Discourse Ed. By Lizabeth Paravisini-Gebert And Ivette Romero-Cesareo, And In Praise Of New Travelers: Reading Caribbean Migrant Women’S Writing By Isabel Hoving., Lee Joan Skinner

CMC Faculty Publications and Research

In recent years, travel writing, once considered a minor genre, has been the subject of increased critical attention. Critics have focused on the ways in which travel narratives serve both to construct and to destabilize notions of identity at the individual, regional, and national levels. As the books under consideration here show, travel narratives produced by Caribbean and Latin American women writers in particular, demonstrate the malleability of subject positions, as the women travelers interrogate their shifting roles vis-à-vis the metropolis as well as male-dominated writing traditions.

Variations Sur La Langue De Molière; L’Enseignementdu Français Aux États-Unis, Thomas C. Spear

Présence Francophone: Revue internationale de langue et de littérature

French has always been among the top foreign languages taught in the American university, even if Spanish occupies the first place. As a result of the social transformations of the 1960s and 1970s and the development of new fields of learning, changes were also introduced gradually into French department programs to include francophone literatures, although in a manner that some have deemed disturbing.

This openness, which is not found in France, has brought about the creation of new faculty positions, some of which are occupied by teachers and writers from Africa and the Caribbean who are making a significant contribution …

La « Littérature Francophone » En Question, Roberta Hatcher

Présence Francophone: Revue internationale de langue et de littérature

While literatures from Africa, the Caribbean and Québec have been taught in U.S French programs since at least the 1970s, the widespread incorporation of «francophone» literature and culture into all levels of the curriculum is a relatively recent phenomenon. Yet the organization of these heterogeneous fields under the umbrella of Francophone Studies has generated little discussion concerning the field’s definition and its relation to French Studies as a whole. This essay examines the category of Francophone Literature, arguing that it is no longer adequate for understanding today’s complex literary and cultural terrain.

Enseigner La Littérature Francophone : À La Recherche De La Banalisation, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

The emergence of francophone literatures as a field that is increasingly taught in departments of French has led to the creation of numerous positions dedicated to this area. The natural question that specialists face is how to devise strategies to develop and entrench this new discipline in American universities, concerned as they are with budgetary issues. The present study argues that only the constant search for cooperation between Francophonie and related academic fields will facilitate its institutionalization.

Playing Miami : Afrocuban Performance Artists Negotiating Cubanidad, Kameelah Nicole Benjamin-Fuller

FIU Electronic Theses and Dissertations

The social scripts that are deeply involved in cultural production by AfroCuban identified artists in Miami, during the late nineties to the present, participate in a climate that is informed by and feeds from the so-called Latin Explosion of this time period. More specifically, varying historical, socioeconomic, and geopolitical trajectories have placed Africa and African-based religion and cultural production (via music and theatre) at the center of Cuban national identity. The purpose of this study is to facilitate a discussion of the experiences of AfroCuban performance artists and the climate for production, given the aforementioned dynamics, in mass media. These …

Boletín V.8:No.2 (2003), Fordham University Latin American And Latino Studies Institute

Boletín (Fordham University. Latin American and Latino Studies Institute)

No abstract provided.

Latin American Cinema

Hemisphere

No abstract provided.

Poemas, Jorge Lerma, Jessie Armenta, Marco A. Solís, Enrique Franco, Juan Gabriel

Diálogo

Poems include "Los mandados"; "Vivan los mojados"; "Los alambrados"; "Jaula de oro"; "Pobre Juan"; "Canción 187"

The Myth Of Conflict And The Formation Of Latino Identities: Mexicans And Puerto Ricans In Chicago, José Soltero

Diálogo

No abstract provided.

Debunking Urban Legends On Bilingual Education, Sonia Soltero

Diálogo

No abstract provided.

The Mariel Boatlift Of 1980: Consequences Of A Politicized Immigration Policy, Félix Masud-Piloto

Diálogo

No abstract provided.

Holding A Callused Hand, Ray Salazar

Diálogo

No abstract provided.

Behind The Luna Family Reunions, Cesar Garza

Diálogo

No abstract provided.

Mexican Immigration And Economic Transformation: The Case Of Chicago, John P. Koval

Diálogo

No abstract provided.

Novelistas Cubanas En Exilio: Entre La Memoria Y La Invención, Madeline Cámara

Diálogo

No abstract provided.

Contemplating Greek Mythology While Gazing At The Waters Of San Juan Bay, Frank Varela

Diálogo

No abstract provided.

Epitafio, Manuel Cuautle

Diálogo

No abstract provided.

The Chicano Experience During The Viet Nam War Era As Seen In Chicano/A Literature, Raymundo E. Rojas

Diálogo

No abstract provided.

The Seven African Gods (Los Siete Dioses Africanos), Frank Varela, Johanny Vázquez Paz

Diálogo

No abstract provided.

Endurance On The Looking Glass: An Art Exhibition Of Cuban Art, Egberto Almenas-Rosa

Diálogo

No abstract provided.

Diálogando Con Claribel Alegría, María Masud

Diálogo

No abstract provided.

In Memory Of My Grandfather, Frank Varela

Diálogo

No abstract provided.

Anaida Hernandez, Magdalena Sagardía

Diálogo

No abstract provided.

Jesus Perez And The Transculturation Of The Cuban Batá Drum, Ivor Miller

Diálogo

No abstract provided.

Mexican Suite: A History Of Photography In Mexico, Susana Martínez

Diálogo

No abstract provided.