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Articles 991 - 1020 of 7714
Full-Text Articles in Comparative Literature
C.S. Lewis’S Inferno: Did The Two Queens Wish To Leave Hell?, Kyoko Yuasa
C.S. Lewis’S Inferno: Did The Two Queens Wish To Leave Hell?, Kyoko Yuasa
Online Midwinter Seminar (OMS)
C.S. Lewis depicts “inferno” not only as the otherworldly vision of Hell, but also as how you would choose your life in the present. In Beyond the Shadowlands, Wayne Martindale discussed, in separate chapters, how Jadis and Orual chose Hell. This presentation will add to his research a comparison of the two queens’ choice of “living in the self” and refusal to abandon themselves. In The Great Divorce and The Silver Chair, a protagonist moves out of the present world into a dimension of Inferno or Elysium, while Jadis in The Lion, the Witch, and the Wardrobe, and Orual …
The Good, The Bad, And The Mind-Body Problem: Dualistic Punishment And Torture In The Good Place, Katelynn Baerg
The Good, The Bad, And The Mind-Body Problem: Dualistic Punishment And Torture In The Good Place, Katelynn Baerg
Online Midwinter Seminar (OMS)
Theories about the afterlife have been a constant fixation of humanity throughout history, illustrated through diverse mediums and genres. Literary and philosophical movements reflect and influence the shifts between the worldviews of traditional and modern writers. In comparing Michael Schur’s sitcom The Good Place with Dante Alighieri’s Inferno, this paper demonstrates how the writer’s depictions of torture and punishment reflect their respective positions on philosophical concepts of the human self. Through the lens of the mind-body problem proposed by Rene Descartes, I analyze how the relationship between the mind and body in the afterlife is explored in each depiction. …
Hell In Anime And Manga, From Go Nagai’S Devilman, Kentaro Miura’S Berserk, Hell Girl Project’S Hell Girl, The Works Of Junji Ito And Everything In Between, Minna Nizam
Online Midwinter Seminar (OMS)
This paper will explore the influence of Hell in Anime and Manga. The discussion will begin with Go Nagai’s Devilman then lead into other examples of anime/manga with the same theme. The focus will be on the titular character, Akira Fudo, his transformation, and the villains throughout the story. Then a larger discussion on Kentaro Miura’s Berserk and his interpretation of hell will be taken into account. From Griffith’s transformation to Femto, to the iconography of the monsters Guts battles. Then another popular anime franchise will be discussed: Hell Girl and its impact on modern media. The story of revenge …
"Nor Am I Out Of It": The Modern Bureaucratic Hell On Page And Screen, Janet Brennan Croft
"Nor Am I Out Of It": The Modern Bureaucratic Hell On Page And Screen, Janet Brennan Croft
Online Midwinter Seminar (OMS)
SESSION VI
5:30 PM—6:20 Eastern
4:30 PM—5:20 Central
3:30 PM—4:20Mountain
2:30 PM—3:20 Pacific
9:30 PM—10:20 GMT
Reforming Xibalba In Gods Of Jade And Shadow, Anne Acker
Reforming Xibalba In Gods Of Jade And Shadow, Anne Acker
Online Midwinter Seminar (OMS)
When Gods of Jade and Shadow was published in 2019, it was acclaimed both for its excellent writing and its revisioning of Mesoamerican mythology. While there is certainly a centering of indigenous American myth over the Western religion, depicted as alien and imposed, the novel also belongs to a growing body of feminist literature in the #MeToo era that critiques and reimagines the power structures of the original stories. This paper explores the literary reconstruction of Xibalba, the underworld of Mayan myth, as Casiopea Tun seeks to restore the god Hun-Kame to his rightful throne at great personal cost. The …
Panel: Deep Places Of The World: Journeys In The Underworlds Of Middle-Earth, Alicia Fox-Lenz, Laura Grabowski, Constance Wagner, Jim Wert
Panel: Deep Places Of The World: Journeys In The Underworlds Of Middle-Earth, Alicia Fox-Lenz, Laura Grabowski, Constance Wagner, Jim Wert
Online Midwinter Seminar (OMS)
In many world mythologies, underworlds are typically subterranean lands that house the dead. Sometimes these underworlds are visited by living heroes who pass trials only to return to the land of the living transformed. Tolkien uses this mythological theme to great effect throughout his legendarium. From The Hobbit to the Silmarillion, Tolkien’s world is littered with underworlds through which characters journey and emerge forever changed. Join us for a lively discussion of Tolkien’s underworlds and how they transform the characters who enter them, as well as the shape the larger events of Middle-earth.
Grey Town: The Practical Theology Of The Great Divorce, Reggie Weems
Grey Town: The Practical Theology Of The Great Divorce, Reggie Weems
Online Midwinter Seminar (OMS)
As one of the most-read Protestant authors of the last two centuries, the legacy of C.S. Lewis is surprisingly rooted in his various writings about Hell. And yet, even though his works are permeated with the mysterium tremendum et fascinans, Lewis rarely spoke directly or clearly about Hell, such as he did in a single chapter in The Problem of Pain (1940). He nonetheless attempted to demythologize Hell from God’s viewpoint in The Pilgrim’s Regress (1933), Satan’s outlook in The Screwtape Letters (1942), and the human perspective in The Great Divorce (1945), his last and perhaps, most insightful …
The Road To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado
The Road To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado
Online Midwinter Seminar (OMS)
Adapting Greek mythology provides a framework to reapproach classic works through a contemporary lens to better understand the present. Of particular interest is the depiction of characters traveling to Hell in search of a better future. Looking at two myth-inspired musicals—The Frogs by Stephen Sondheim and Burt Shevelove and Hadestown by Anaïs Michell—we see two disparate journeys to the Underworld given contemporary relevance. The Frogs (1974) depicts Dionysus’ journey to Hades to bring back a poet (originally Euripides, now George Bernard Shaw). However, it was not until the 2004 Broadway adaptation that overtly anti-authoritarian messages were added, aimed at …
Re-Visioning Underland: C. S. Lewis’S The Silver Chair As Dystopian Fiction, William Thompson
Re-Visioning Underland: C. S. Lewis’S The Silver Chair As Dystopian Fiction, William Thompson
Online Midwinter Seminar (OMS)
In C. S. Lewis’s The Silver Chair, Jill, Eustace, and Puddleglum follow the four signs given to them by Aslan and descend into the underworld in order to rescue the lost prince. They find the enchanted Prince Rilian, along with thousands of Earthmen, enslaved to the Green Lady, who has a plan to subjugate the people and creatures of Narnia. Michael Ward, in Planet Narnia: The Seven Heavens and the Imagination of C. S. Lewis, takes a primarily Christological approach to the Narnia series, but finds a further analogue to Underland of The Silver Chair in the underworld …
Thinking Makes It So? Hell As A (Fixable) State Of Mind In The Good Place And Lucifer, Erin Giannini
Thinking Makes It So? Hell As A (Fixable) State Of Mind In The Good Place And Lucifer, Erin Giannini
Online Midwinter Seminar (OMS)
While different in genre, sitcom The Good Place and drama Lucifer share a certain irreverent tone and a somewhat unique approach to the afterlife. In The Good Place, there is no mention of gods or devils, only demons, a Good Place committee, and a judge. Lucifer, loosely based on Neil Gaiman’s graphic novels, however, features angels, demons, God, and the Devil, providing its own spin on established cosmology with embodied versions of prominent figures such as the archangel Michael and biblical brothers Cain and Abel. Yet what ties The Good Place and Lucifer together is a focus on …
Panel: “Hell Is Other People: Looking At The Political Rage Machine In Tolkien Fan Spaces And Media”, Alicia Fox-Lenz, Grace Moone, Cara Marta Messina
Panel: “Hell Is Other People: Looking At The Political Rage Machine In Tolkien Fan Spaces And Media”, Alicia Fox-Lenz, Grace Moone, Cara Marta Messina
Online Midwinter Seminar (OMS)
Following the backlash against the Tolkien Society’s “Tolkien and Diversity” seminar and the airing of the first season of Rings of Power, social media fan spaces for Tolkien remain politically charged and reactionary. Building on the foundation of Mythcon 51’s Roundtable “Race, Racisms, and Tolkien,” and Craig Franson’s work showcased there and on the podcast “American Id,” we will discuss the current state of Tolkien discourse on social media and how to navigate the landscape as safely as possible.
Substance Abuse: C.S. Lewis And The Symbolic Geography Of Hell, Richard Angelo Bergen
Substance Abuse: C.S. Lewis And The Symbolic Geography Of Hell, Richard Angelo Bergen
Online Midwinter Seminar (OMS)
The Marriage of Heaven and Hell by William Blake the Romantic, proffers a Romantic vision of hell, and a geographical representation of capacity and scope with an energetic apology. On the other hand, C.S. Lewis’s vision of hell in The Great Divorce is that of a land without substance: a land of addiction to mental maladies, an endless mental substance abuse, an emptying of presence. As one surveys the conversations throughout the book, one gets an increasing sense of the importance of understanding place correctly, as a matter of eternal consequence. One chapter concerns a well-travelled ghost who repeats his …
“Hell Is Only A Word. The Reality Is Much, Much Worse”: Black Holes As Fantasy Gateways To Hell, Kristine Larsen
“Hell Is Only A Word. The Reality Is Much, Much Worse”: Black Holes As Fantasy Gateways To Hell, Kristine Larsen
Online Midwinter Seminar (OMS)
Black holes are frequently described as the scariest objects in the universe, even by the normally staid scientists who study them. Like the warning on the gate of Hell in Dante’s Inferno, any (hu)man or matter that dares to cross the event horizon abandons all hope before literally being ripped to shreds by the object’s extreme tidal forces. As the heart of the beast is approached, the laws of physics break down, time loses its simple everyday meaning, and mathematical madness reigns supreme. It is no wonder that Hollywood has repeatedly adopted the black hole as more than merely …
Hell On Earth In Garth Nix’S Old Kingdom, John Rosegrant
Hell On Earth In Garth Nix’S Old Kingdom, John Rosegrant
Online Midwinter Seminar (OMS)
I explore psychological meanings embedded in the Old Kingdom. Its River of Death is a hell impinging on life: Like Dante’s Inferno it has nine sectors; the dead take hideous Boschian forms; and helped by necromancers wielding “free magic” they often return to life. On this metaphor Nix builds the insight that desiring to live deeply and joyously risks turning hellish if early life was loveless. Necromancers and Free Magic are battled by Abhorsens and others wielding “Charter magic,” Free Magic transformed by symbols. Immersion in the Charter gives a joyous experience of connection to all life. Symbolization must …
Those Queer Devils: Queercoding Villains, Devils, And Demons In Mythopoeic Film And Media, Grace Moone
Those Queer Devils: Queercoding Villains, Devils, And Demons In Mythopoeic Film And Media, Grace Moone
Online Midwinter Seminar (OMS)
In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable …
Animated Dancing To Hell And Back: Disney’S Fantasia, Matthew Elfenbein
Animated Dancing To Hell And Back: Disney’S Fantasia, Matthew Elfenbein
Online Midwinter Seminar (OMS)
Imaginative images of Heaven and Hell capture the sociocultural engagement with Walt Disney’s Fantasia (1940), which demonstrates animated dancing bodies to represent the descent and passage of the hero’s journey. This journey is presented with many different forms of conflict and images that become unique through the qualities of the animated screendance. This form of dance on film is accentuated by the visualization of imaginative bodies, a conflict between knowledge and curiosity, and the spectacle of layering images on top of symbolic meanings to emphasize the power of identification with the audience. The spectators of this film are engaged with …
From Hell (Or Not): Representations Of Merlin And His Origins In The Comics, Michael A. Torregrossa
From Hell (Or Not): Representations Of Merlin And His Origins In The Comics, Michael A. Torregrossa
Online Midwinter Seminar (OMS)
The Arthurian figure of Merlin has a long literary history, but he never seems able to shake off the effects of his parentage. In medieval tradition, Merlin is sired by inhuman powers: first a seemingly benign dæmon and then a decidedly wicked demon. This preternatural aspect to his conception grants Merlin the skills and powers he uses to support the realm, yet it also taints him as someone potentially dangerous. Although Merlin’s background cannot be changed, creative artists often choose to ignore or alter his origins, especially when retelling his story for mass audiences. In contrast, other creators, usually those …
Denethor’S Descent Into Hell, Craig Boyd
Denethor’S Descent Into Hell, Craig Boyd
Online Midwinter Seminar (OMS)
One character in Tolkien’s Legendarium stands out as one of the more morally sad and complicated individuals: Denethor, the Steward of Gondor. Although he tries to defend the kingdom he cares for, his own significant moral weaknesses subvert even the best of his intentions. His despair, provoked by the death of his favorite son—and the apparent death of his other son—sends him into a spiral of self-destructive harm from which there is no return. What accounts for this are three factors. First, his self-imposed isolation from others cuts him off from the necessary fellowship that could sustain his character; his …
Feasting At The Threshold: Transubstantiation, Queer Desire, And Homonationalism In Diane Duane’S The Tale Of The Five, Taylor Driggers
Feasting At The Threshold: Transubstantiation, Queer Desire, And Homonationalism In Diane Duane’S The Tale Of The Five, Taylor Driggers
Online Midwinter Seminar (OMS)
Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess …
The Underworld As The Heroine’S Journey Home: Marvel, Xena, And Mythic Reimaginings, Valerie Estelle Frankel
The Underworld As The Heroine’S Journey Home: Marvel, Xena, And Mythic Reimaginings, Valerie Estelle Frankel
Online Midwinter Seminar (OMS)
Hell is traditionally a place of torment, where the young heroine, like Persephone or Eurydice, is kidnapped by the patriarchy, leaving others to rescue her. The last few decades, however, have offered a model closer to Sumerian Inanna, in which the heroine is enlightened by hell or even conquers it. Angela, Queen of Hel: Journey to the Funderworld by Marguerite Bennett (2016) gives its heroine this path. Winning back her beloved, Angela, sister of Thor and Loki, becomes queen of the underworld but then prefers to bring Sera back to earth in a flip on Eurydice. The Xena episode “Fallen …
Infernal Landscape In Jacob’S Ladder (1990) In Light Of Carl G. Jung’S Theory Of Individuation, Fryderyk Kwiatkowski
Infernal Landscape In Jacob’S Ladder (1990) In Light Of Carl G. Jung’S Theory Of Individuation, Fryderyk Kwiatkowski
Online Midwinter Seminar (OMS)
Carl G. Jung’s conception of the human psyche as an inner realm that gives access to profound, numinous experiences inspired many artists and popular culture authors to portray heaven and hell as symbolic expressions of the opposite forces within the human psyche rather than cosmological or supernatural regions. In my paper, I will concentrate on how the Hollywood film Jacob’s Ladder (1990) directed by Adrian Lyne, by portraying the main character’s descent into a deathbed vision depicted as hellish reality, reflects Jung’s theory of individuation, a process of self-realization that aims at reconciling various elements of the psyche and achieving …
Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino
Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino
Online Midwinter Seminar (OMS)
Season three of Supernatural (2005-2020) closes with a shot of Dean Winchester (Jensen Ackles) in Hell. The place has no discernible features and resembles neither the long waiting line nor the gothic castle of later seasons. The few elements that do characterize it, however, make it look like a brain, the labyrinth of ropes reminiscent of neurons. This association introduces Hell as a place that exists first and foremost in Dean’s dead. The lack of establishing shots and the abstract terms used to discuss Hell, damnation, and Dean’s experience further support this claim, working in its favor. After all, the …
The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui
The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui
Online Midwinter Seminar (OMS)
The paper will examine the nature of the damned in Jeffrey Konvitz’s 1970s pulp horror novel The Sentinel by using a framework utilized by C.S. Lewis in The Great Divorce, wherein damnation involves a species of spiritual blindness that masquerades as righteousness and shields the damned (for a time) from an awareness of their ultimate condition. Specifically, the paper will provide a character analysis of the co-protagonist Michael, arguably one of Konvitz’s more complex literary creations, and the role he plays in briefly elevating a generic genre-contrived plot into the realm of true spiritual horror. While making such a …
Welcome And Announcements, Mythsoc Stewards
Welcome And Announcements, Mythsoc Stewards
Online Midwinter Seminar (OMS)
Welcome and Announcements
Join us for a screening of the Welcome and Announcements video, and have a cup of coffee before we get started!
Discussing Yasmina Khadra’S Novel The Sirens Of Baghdad In The Upper Secondary Classroom To Promote Intercultural Learning, Karl Ågerup
Essays in Education
Based on interviews with four teachers who engaged in discussions about Yasmina Khadra's novel The Sirens of Baghdad with a total of 92 students, this article explores the potential of using fictional narratives to achieve Global Citizenship-related goals in upper secondary education. The novel, which portrays the journey of a young aspiring Al Qaeda terrorist in Iraq, emerged as a response to the increasing need in the Western world to mitigate intercultural tensions following the September 11 attacks. The article addresses the novel's capacity to promote intercultural understanding while acknowledging practical challenges such as intense emotions in the classroom, potential …
Civilizational Security: Why The Russian Invasion Of Ukraine Shows That ‘National Security’ Is Not Enough To Understand Geopolitics, Greg (Grzegorz) Lewicki
Civilizational Security: Why The Russian Invasion Of Ukraine Shows That ‘National Security’ Is Not Enough To Understand Geopolitics, Greg (Grzegorz) Lewicki
Comparative Civilizations Review
This paper argues that the idea of “national security” is sometimes overwritten by “civilizational security” in security-related considerations. Civilizational security, as understood in this paper, refers to a country's security stemming from its belonging to a cultural zone or a civilization. The author clarifies the terms “a civilization,” “civilizational identity,” and “civilizational security.” Citing the examples of Poland, Ukraine, and Russia when considering the parameter of civilizational security allows us to better analyze and predict some processes, including geopolitical dilemmas and civilizational trends. It is argued that prior to the 2022 invasion of Ukraine, Russia misunderstood its own civilizational security …
Editor's Note, Joseph Drew
Editor's Note, Joseph Drew
Comparative Civilizations Review
Claude-Henri, Comte de Saint-Simon, a father of modern sociology, observed that the history of the world alternated between two poles: organic periods (in which the social and political institutions are in harmony with the state of civilization), followed by critical periods, which are transitional and marked by conflict and destructive criticism.
Rector's Welcome, Robert Kosowski Phd
Rector's Welcome, Robert Kosowski Phd
Comparative Civilizations Review
With immense pleasure, we welcome the beginning of cooperation of the War Studies University with the International Society for the Comparative Study of Civilizations (ISCSC). As an Organizing Partner of the 2023 ISCSC annual conference entitled "Civilizational Security", we will facilitate solutions to make the conference impactful, memorable and internationally fruitful.
Here, There, And In-Between: On The Civilizing Process And Civilizational Analysis, Michael Palencia-Roth
Here, There, And In-Between: On The Civilizing Process And Civilizational Analysis, Michael Palencia-Roth
Comparative Civilizations Review
This essay presents a cautionary tale about certain problems with systematization and abstraction in comparative civilizational studies. It advocates instead for the analysis of single works, limited events, or particular figures, within larger issues pertaining to what is understood as a “civilization” or “culture”. It prioritizes certain aspects of the civilizing process: the here, or the civilizing and interpretive gaze; the there, or the Other that is the object of that gaze; and the in-between. It further suggests that insights and methods from Mikhail Bakhtin, Hans-Georg Gadamer and others from the humanities, social sciences, and philosophy can …
The Applicability Of Lessons From American Society For The European Union: Tolerance, Demographic Change, And Social Structure, Joseph Drew
Comparative Civilizations Review
While Americans have long tended to see our society and civilization as exceptional, in fact the civilization is primarily based on European precedent. We see ourselves, in the words of one of our most significant poets, Emma Lazarus, as the new colossus, “Keep, ancient lands, your storied pomp cries she... I lift my lamp beside the golden door.” We claim to be an exception; that means that we are unique, different, what many, alluding to the New Testament as viewed by the Pilgrim founding fathers, have called “a shining city upon a hill.”2 And as “a beacon of hope.”