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Articles 7681 - 7710 of 7727

Full-Text Articles in Comparative Literature

French Origins Of American Imagist Poetry, Beatrice Hope Zedler Jan 1937

French Origins Of American Imagist Poetry, Beatrice Hope Zedler

Bachelors’ Theses

Every reader, I am sure, has at one time or another chanced upon a passage which instantly struck his attention by its resemblance to something else which he had read. He may have dismissed this occurrence as a merely accidental similarity, or he may have questioned whether one work had influenced the other. The latter has been my experience. In reading the poetry of Theophile Gautier, I was startled by its similarity to some of the poetry of Amy Lowell and by its adherence to two of the principles of Imagism, as set forth by Miss Lowell in the preface …


A Comparison Of The Novel Technique Of Thomas Hardy And Anthony Trollope, Mary Celine Sandwell Apr 1936

A Comparison Of The Novel Technique Of Thomas Hardy And Anthony Trollope, Mary Celine Sandwell

Bachelors’ Theses

Ages ago the master of the revels thrilled his convivial audience with the sagas - those narrations of heroic exploits and marvelous adventures of daring knights. Later jovial troubadours traversed the southern lands of Europe entertaining courtly assemblies with their lyrics and romantic tales; but with the advent or the printing press, books became the conveyance of thought. and stories bearing the individual notes to each author penetrated the homes or all lovers of chivalrous deeds. love. adventure end even life itself.


Herrick & His Horatian Influence, Maude Wright Feb 1936

Herrick & His Horatian Influence, Maude Wright

Masters Theses & Specialist Projects

Much has been written concerning Quintus Horatius Flaccus, a Roman poet and satirist born two thousand years ago, and Robert Herrick, and English lyrist of the seventeenth century. Notable literary histories of the two languages, criticisms of the writings of each of the two men and his contemporaries, short biographical studies of the two authors, discussions in literary and classical magazines, and many treatises on the Horatian influence have been written, but no individual parallel of these two authors has been issued.

As it has been pointed out above, no parallel of the two authors in question has been issued. …


A Swedish-English Vocabulary For Foresters, Joshua Lee Deen, Adolph Burnett Benson, Matts Juhlin Dannfelt Jan 1935

A Swedish-English Vocabulary For Foresters, Joshua Lee Deen, Adolph Burnett Benson, Matts Juhlin Dannfelt

Yale School of the Environment Bulletin Series

This little volume is the result of the growing interest in Swedish forestry in English-speaking countries.


Hermann Und Dorothea And Luise : A Comparative Analysis, Bettie Louise Kroeck Jan 1933

Hermann Und Dorothea And Luise : A Comparative Analysis, Bettie Louise Kroeck

University of the Pacific Theses and Dissertations

Critics have not yet come to an agreement as to how much Goethe took from Voss's Luise for his Hermann und Dorothea: and how much credit we are justified in giving to Goethe's originality for his production. When Hermann und Dorothea first appeared, it was scorned by a great many readers as being a rather poor imitation of Luise. Now it is undoubtedly regarded as the better productions of the two. However many critics still consider it to be an imitation of Voss, although perhaps an improvement. Certainly, Goethe was inspired to the use of the hexameter, in the …


Alan Seeger & Joyce Kilmer, American World War Poets, Mary Gardner Aug 1932

Alan Seeger & Joyce Kilmer, American World War Poets, Mary Gardner

Masters Theses & Specialist Projects

American war poetry did swell to greater volume, but much has been written already about this poetry and much more will be written before it has passed the test of time and found its proper rank in the literature of the ages. Numerous collections and classifications have been made, but, strange to say, very little attention has been paid to the poets themselves. We have brief sketches or scattered magazine articles on the lives of some of the war poets, but it seems that the most interesting phase of work has been neglected, that of making a detailed study of …


Goethe And Beethoven By Roman Rolland, Lillian S. Thekan Jun 1932

Goethe And Beethoven By Roman Rolland, Lillian S. Thekan

Bachelors’ Theses

Goethe, the great poet and Beethoven, the likewise great musician had known each other for a long time, but only from a distant. Beethoven, no doubt, had the greatest comprehension of the two. From his infancy he nourished himself with the works of Goethe. He read his works every day and finally Goethe occupied the place of Klopstock in his heart. Beethoven remarks, "Klopstock always wished to die and this happened very soon. Goethe, on the other hand, lived and we all must live with him. This is the reason that his works can be so easily set to music."


On The Dating Of The English And Scottish Ballads, Louise Pound Mar 1932

On The Dating Of The English And Scottish Ballads, Louise Pound

Department of English: Faculty Publications

HE practice has established itself among literary historians and anthologists of associating the English and Scottish ballads primarily with the fifteenth century, sometimes with the fourteenth and fifteenth centuries. One of the best and most popular of the histories of English literature now used in schools and colleges states in its revised editions: "These ballads appear to have flourished luxuriantly among the folk in the fourteenth and fifteenth centuries, after which their composition ceased. Over three hundred of them, in 1,300 versions, have survived, and have been collected and printed."' The now widely used History of English Literature by M. …


The Skepticism Of Anatole France, Margaret E. Camp Jan 1931

The Skepticism Of Anatole France, Margaret E. Camp

University of the Pacific Theses and Dissertations

When Anatole France died 1n 1924, he had the satisfaction of knowing that he had lived long enough to enjoy the honors which are not usually bestowed upon men until their death. His long life filled with years of labor and earnest endeavor to improve the lives of his fellow-men, through a better adjustment to society, culminated in his election to the French Academy.

By some critics he has been called the greatest writer of today. It is difficult to tell exactly upon what merits this distinction is based. Anatole France was not content to simply call himself a skeptic. …


Extensions Of Usage Of A Pronoun, Louise Pound Dec 1930

Extensions Of Usage Of A Pronoun, Louise Pound

Department of English: Faculty Publications

[This article treats briefly, in the chronology of their appearance, the substantive uses of the pronoun of the third person neuter: the English and American game usage, two American colloquial or dialectal usages, and the newest usage, emerging from Hollywood, with its adjectival and nominal derivatives.]

The English pronoun of the third person neuter, it, has established itself as a substantive in various meanings, some of which are so widely current as to augur for them considerable vitality. An enumeration of these substantive uses in American English yields the following-- approximately, I think, in the order of their appearance.


Sixty Literary Years: The Foundation Of The George Eliot Fellowship, Kathleen Adams Nov 1930

Sixty Literary Years: The Foundation Of The George Eliot Fellowship, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

When the George Eliot Fellowship was born sixty years ago, the infant had emerged after a labour of some 25 years. A.F. Cross, its founder, had been editor of Nuneaton newspapers since 1895. For much of that time he had been campaigning for a memorial to George Eliot in her native town, but had met with apathy at every turn. For two weeks during the summer of 1930, Mr. Cross handed over the Editorial chair of the Nuneaton Chronicle to a Cambridge undergraduate, to give the young man an opportunity to gain an inside knowledge of newspaper production. His young …


The Autobiographical Elements In Francis Thompson's Hound Of Heaven And St. Augustine's Confessions, Ages Blanchard Jan 1930

The Autobiographical Elements In Francis Thompson's Hound Of Heaven And St. Augustine's Confessions, Ages Blanchard

Electronic Theses and Dissertations

No abstract provided.


Meredith And Galsworthy: A Comparison Of Their Arts, Paula Joan Peckarsky Jan 1930

Meredith And Galsworthy: A Comparison Of Their Arts, Paula Joan Peckarsky

Bachelors’ Theses

the purpose of this thesis is to institute a comparison between George Meredith and John Galsworthy. The points of comparison will be based on the differences or similarities in the style, philosophy, and general characteristics of each man as found through a careful study of the novels written by each. The novels compared were chosen by their importance in the literary periods of each man and not by any outstanding similarities between some novel of Galsworthy's and another of Meredith's. The following books have aided me very much: "George Meredith," by J.B. Priestley, "George Meredith, A Study and An Appraisal," …


A Recent Theory Of Ballad-Making, Louise Pound Jun 1929

A Recent Theory Of Ballad-Making, Louise Pound

Department of English: Faculty Publications

Professor Gordon Hall Gerould's article entitled "The Making of Ballads"' is an attractive essay, written in the fluent and polished manner that we are accustomed to expect from this scholar. It has charm of style, and its positions, taken as a whole, may be termed accepted positions. Because of its literary quality, because it brings together in one paper what has hithert been stressed in scattered places, and because of its appreciation of the poetical quality of those English and Scottish ballads sough out by the notable collectors of the earlier nineteenth century and made available in the volumes of …


Echoes Of Horace In English Literature Or The Influence Of The Ars Poetica On The Essay Of Criticism, M. Francis Slattery May 1929

Echoes Of Horace In English Literature Or The Influence Of The Ars Poetica On The Essay Of Criticism, M. Francis Slattery

Bachelors’ Theses

Since the Renaissance, Horace has continued to exercise a wide influence on the poetry of all modern nations, and especially on the poetry of England. Even before the Renaissance, in the poetry of Chaucer, we find at least a few traces of Horace - and these few from his didactic works which seem to have been the only part of his works that were then in much repute.


The Romantic Movement Of The Nineteenth Century In Its Relation To The French Spirit, Clarence R. Wilkinson May 1929

The Romantic Movement Of The Nineteenth Century In Its Relation To The French Spirit, Clarence R. Wilkinson

Bachelors’ Theses

Recently some prominent German stated that our literature of to-day is cheapened, because of the vast quantities of it now printed. Ever since the invention of the printing-press made possible a wider and less expensive circulation of reading material, there has been an ever-increasing supply of printed matter. Owing to the continually-growing circle of readers, whose demands vary, there have been found writers who would cater to the lower tastes which are lurking in the nature of every man, but which the well-balanced individual crushes with the heel of his will-power. Coupled with the productions of other authors, those of …


The Rise Of The Short Story In American Letters, Mary M. Barra Jan 1929

The Rise Of The Short Story In American Letters, Mary M. Barra

Electronic Theses and Dissertations

No abstract provided.


A Comparison Of The Work Of B. Perez Galdos And A. Palacio Valdes, Kathryne Oelhafen Jun 1928

A Comparison Of The Work Of B. Perez Galdos And A. Palacio Valdes, Kathryne Oelhafen

Bachelors’ Theses

At the beginning of the nineteenth century Spain was swept by the tide of Romanticism but after the first fervor had spent itself, the Spaniards returned to realism, their natural bent.


Comparison Of Dante's Inferno With Virgil's Aeneid, Book Vi, Mary Ludwigis Brinkmann Jul 1927

Comparison Of Dante's Inferno With Virgil's Aeneid, Book Vi, Mary Ludwigis Brinkmann

Bachelors’ Theses

In the realms of literature no work of man has ever answered the question of St. Augustine, "Am I immortal or not?" with greater vividness of imagery, based in a large measure on the teaching of Christianity, than Dante has in his Divine Comedy. Not only the condition of the soul after death does he visualize, but as a philosopher he proposes for our instruction in the course of his journey many questions of dogmatic thought, affecting the Hereafter.


The Etymology Of An English Expletive, Louise Pound Jan 1927

The Etymology Of An English Expletive, Louise Pound

Department of English: Faculty Publications

Professor G. P. Krapp makes an attractive case for his derivation of darn, darned in the brief essay on this word in his recent The English Language in America. He discards the usual explanation that darn is a variant or minced form of damn, and believes that, although it now stands in intimate relation to damn, it had an independent origin. He takes as his starting point the Old English adjective dierne, 'secret,' Middle English derne, Elizabethan dern, and assumes a transition from a descriptive adjective or adverb to an imprecation. The adjective took …


The Affinity In Ideals And Ideas Between Robert Browning And Edmond Rostand, John Berhold Lorenze Jun 1926

The Affinity In Ideals And Ideas Between Robert Browning And Edmond Rostand, John Berhold Lorenze

Bachelors’ Theses

The scope of the following thesis is confined to a comparison and a collation of the ideas and ideals of Robert Browning as expressed in his poems, with those of Edmond Rostand, as expressed in his plays; to point out their similarity and their dissimilarity; to demonstrate the fact that Browning lived in an age of skepticism and was himself free from doubt, while Rostand lived in an age of realism and was himself an idealist; to show, therefore, that both stood outside the influences of their age, in that they held fast to certain optimistic conceptions of life, while …


The Value Of English Linguistics To The Teacher, Louise Pound Nov 1925

The Value Of English Linguistics To The Teacher, Louise Pound

Department of English: Faculty Publications

WHAT is included in the usual course in the history of the English language? Presumably some teachers emphasize the translation of older monuments, some emphasize training in etymologies, some phonetic changes, and some changes in language structure and forms. Some offer courses in the hope of fostering a more accurate use of language, some because of the discipline ~o be gained from the study of language ID the abstract, and some in order to afford the necessary preparation for the scholar. All have in mind the development, on the part of the student, of a scientific attitude toward language. Any …


The Kraze For "K", Louise Pound Jan 1925

The Kraze For "K", Louise Pound

Department of English: Faculty Publications

As illustrated by the Klassy Klown and the Kute Kid, the present slump toward alliteration is mostly confined to the letter "k," and the hunting of it appears most prominently in the language of advertising. For "k" in poetry there was Coleridge's (one is tempted to write Koleridge's) "Kubla Khan," and one recalls Walt Whitman's picturesque respellings "Kanada" and "Kanadian." But love of "k" plays little part in comtemporary verse, although it appears abundantly elsewhere. Its rise in favor seems to be bound up with the late agitation for simplified spelling, or the oncoming tide of interest in phonetics. Simplified …


Xx. The Term "Communal", Louise Pound Jun 1924

Xx. The Term "Communal", Louise Pound

Department of English: Faculty Publications

I. The Doctrine of Communal Origins

The period following the French Revolution was deeply interested in "the people" as a mass conception, in all that belonged to them and all that they created. It was in this period that theorists on the origin of law, customs, religion, language, literature--particularly the folk-song and the folk-tale--liked to advocate the doctrine of spontaneous, unconscious growth "from the heart of the people," as the phrase went. Such conceptions of origin had their critics from the first; but they remained more or less orthodox throughout the nineteenth century, and they still have foothold in both …


The "Uniformity" Of The Ballad Style, Louise Pound Apr 1920

The "Uniformity" Of The Ballad Style, Louise Pound

Department of English: Faculty Publications

" It is a significant fact," says a well-known writer on ballads,' "that wherever found, the ballad style and manner are essentially the same." Many make the same generalization. But this is true only in the most general sense. It presupposes too great fixity ill the ballad style. The ballad is a lyric type exhibiting epic, dramatic, and choral elements; but within the type there is as great variation as within other lyric types. The ballad style is hardly more" essentially the same" than the song style in general, or the sonnet style, or the ode style. There is no …


The English Ballads And The Church, Louise Pound Jan 1920

The English Ballads And The Church, Louise Pound

Department of English: Faculty Publications

Many origins have been suggested for the type of narrative song appearing in the English and Scottish traditional ballads: minstrel genesis, origin in the dance, improvisations of media3val peasant communes, or descent from the dance songs of primitive peoples. The hypothesis of minstrel origin was that first to be advanced and it has always retained supporters. There remains a possibility not yet brought forward which deserves to be presented for what it is worth, since the problem, though it may be insoluble, has its attraction for critic and student. We have but meager knowledge of the ballad melodies of pre-Elizabethan …


King Cnut's Song And Ballad Origins, Louise Pound Mar 1919

King Cnut's Song And Ballad Origins, Louise Pound

Department of English: Faculty Publications

King Cnut's song, according to Professor Gummere gives us our “first example of actual ballad structure and the ballad's metrical form, which is to be met in English records." He quotes the account from the Historia Eliensis of 1166. Cnut, with his queen Emma and divers of the great nobles, was coming by boat to Ely, and, as they neared land, the King stood up, and told his men to row slowly while he looked at the great church and listened to the song of the monks which came sweetly over the water. "Then he called all who were with …


Xvii. The Ballad And The Dance, Louise Pound Jan 1919

Xvii. The Ballad And The Dance, Louise Pound

Department of English: Faculty Publications

It is the purpose of the following paper to examine the relationship of the mediceval ballad to the dance, in origin and in traditional usage. Particular reference is had to the English and Scottish ballad tvpe. In various preceding papers I have considered the theory currently accepted in America of the inseparableness of primitive dance, music, and song and have shown that primitive song is not narrative in character. I have also questioned the assumption that the ballad is the archetypal poetic form--this position should be assigned to the song, not the ballad--and the assumption of " communal " as …


The Purple, February 1917 Feb 1917

The Purple, February 1917

The Purple

The Purple is a student publication offering news of the month, editorials, poetry, college news and alumni news. This issue contains the following:

  • Charity
  • The Bronze-Man
  • A Winter Idyl
  • The Great American home
  • Savoyan Songs
  • Modern versus Method
  • Sonnet to a Babe
  • For a Wedding Anniversary
  • Doubts and Mysteries
  • A Winter Minster
  • Communications
  • Under the Rose
  • Editorial
  • College Chronicle
  • Alumni
  • Athletics


The Beginnings Of Poetry, Louise Pound Jan 1917

The Beginnings Of Poetry, Louise Pound

Department of English: Faculty Publications

The songs of primitive peoples have received much attention in recent years, especially the songs of the American Indians. An immense amount of material has been collected and made available; and this has been done in a scientific way, with the help of countless phonographic and -other records. Instead of having to rely on the stray testimonies of travellers, explorers, historians, and essayists, the student of primitive poetry has now at his disposal an amount of data unavailable to his predecessors. He need not linger among the fascinating mysteries of roman- tic hypotheses, but can supply himself with the carefully …