Visibility, 2022 California State University, San Bernardino
Visibility, Jamie Valdez
Electronic Theses, Projects, and Dissertations
I am a woman, activist, artist, mother, and wife. My art practice questions the role of
institutions in disseminating outdated traditions and unfair rituals in relation to women. Bringing
visibility to what is ignored, I create works that are critical to the unfair expectations that society
fosters, expectations which ultimately oppress women vis- -vis the (art) institution. Through
different conceptual strategies, my work questions what society has taught us about gender
roles and explores the pedagogies that our institutionalized education has systematically
perpetuated for women and girls from early educational experiences.
La Cultura Que No Cambia, 2022 Washington University in St. Louis
La Cultura Que No Cambia, Karina Arreola-Gutierrez, Karina Arreola-Gutierrez
MFA in Visual Art
In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about ...
Tiempo De Hibridos, 2022 Louisiana State University and Agricultural and Mechanical College
Tiempo De Hibridos, Paul Acevedo Gomez
LSU Master's Theses
Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.
The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects ...
Genius Loci: Capturing The Distinctive Roman Spirit Through Pochoir, 2022 University of Arkansas, Fayetteville
Genius Loci: Capturing The Distinctive Roman Spirit Through Pochoir, Carlee Mcguire
Interior Design Undergraduate Honors Theses
This capstone explores the concept of genius loci through photographic and artistic exploration and does so through a lens of study set on Rome, Italy. The first major goal of the process has been to discover the elements, moments, physical textures, and other design elements that comprise the genius loci of a city or space. The second goal has been to partake in a process that can be used by myself and other designers in efforts to make more conscious design decisions — gaining a better understanding of ‘sense of place’ can assist designers in straying from globalized, placeless design.
Creating A Digital Database And Manuals To Document Our Extensive Collection Of Historic Printmaking Equipment And Ephemera, 2022 Kennesaw State University
Creating A Digital Database And Manuals To Document Our Extensive Collection Of Historic Printmaking Equipment And Ephemera, Luci Wilgus
Symposium of Student Scholars
We were inspired to do this research project after realizing the importance and significance of our extensive collection of historic printmaking equipment and ephemera. As scholars we felt that it would benefit our department as well as our community to document and share information about our printmaking materials. Thus far the primary focus of our research has been researching and building a database of information that is best suited to our goal.
Our methodology included researching best practices to document this collection into a researchable database to share with the intellectual community. Once we identified software for the database, we ...
The Ghosts Shed Tears, 2022 University of Nebraska-Lincoln
The Ghosts Shed Tears, Sarah Jentsch
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.
Many of my formative experiences I came to understand through animals. My family home ...
Larry Martin Prints: Finding Aid, 2022 Jacksonville State University
Larry Martin Prints: Finding Aid, Bethany Latham
This collection contains framed prints created by local artist Larry K. Martin. Martin is a native of Alabama and holds a Ph.D. from Tulane University. He pursued a career in tropical medicine, having researched at Walter Reed National Medical Center in Bethesda, Maryland, and in the field in the Amazon rainforests of Colombia and Brazil. He eventually began to work in wildlife conservation, and was the curator of the Anniston Museum of Natural History. He began painting circa 1976, primarily using soft acrylics. He sells his paintings and prints of said paintings through the Wren’s Nest Gallery located ...
Water Bearer, 2022 CUNY Hunter College
Water Bearer, Whitney Harris
Theses and Dissertations
My work explores fantasy and mythological archetypes. The exhibition features works on paper depicting mermaids, and a fountain featuring two figures submerged in water, one spitting into the other's mouth. I use black ink and glazes to create variegated surfaces. In these works, I reimagine ideas about power and intimacy.
Art/Work: Labor, Identity, And Society, 2022 Gettysburg College
Art/Work: Labor, Identity, And Society, Zirui Feng, Elinor G. Gass, Ran Li, Lauren C. Mcveigh, Matthew S. Montes, Lin Zhu, Yan Sun
Schmucker Art Catalogs
Artists, perhaps to emphasize their own dedication to the intellectual and manual skills required for making art, have long been drawn to the theme of labor, both in their depictions of workers and scenes of making. In the late seventeenth century, Dutch paintings frequently portrayed earnest and diligent artisans performing trades at shops or on the streets. Later, rapid economic, social and political changes throughout Europe in the mid-nineteenth century led to a more radical approach to realist representations of labor. This exhibition ART/WORK: Labor, Identity, and Society considers these art-historical precedents to explore the issues of labor in ...
Pain & Glory, 2022 Minnesota State University, Mankato
Pain & Glory, Wardah Sabrie
All Graduate Theses, Dissertations, and Other Capstone Projects
Behind the glass, the work exists in many styles. Through all of them, Sabrie finds a release of her emotional extremes, leading her to a place of tranquility. In this print and installation collection, Sabrie intends to show her perspective on Somali culture as well as her emotional and mental health issues through delightful patterns and colors. She creates works about her relationships with the people that she cares so much about in her life. They are the leading muses for her ideas that then are compose into prints. In addition to that, her culture plays a huge role in ...
Bitter Sweet, 2022 WVU
Bitter Sweet, Hanna M. Kesty
Graduate Theses, Dissertations, and Problem Reports
This written document is the accompanying thesis for my Master of Fine Arts Exhibition, Bitter Sweet. The exhibition featured traditional framed prints with sculptural accents that reveal brutally honest negative personal experiences, interactions, and emotions, paired with delicately cute aesthetics. My work embodies the necessity of personal artistic expression to process years of emotional repression. The prints and sculptures in the exhibition focus around a collection of insults and harsh comments coupled with feelings of loneliness and isolation. I allow personal vulnerability to show, to reinforce that these moments have molded and shaped who I am and will continue to ...
The Printmaking Boom And Its Effect On The Future For The Market For Prints And Multiples, 2022 Sotheby's Institute of Art
The Printmaking Boom And Its Effect On The Future For The Market For Prints And Multiples, Helen H. Condo
The purpose of this study is to examine the history of the market for prints and multiples beginning with the print renaissance of the 1960s to discover the underlying drivers of a successful editions market and make predictions for the future. Before the print boom of the 1960s, driven by the departure of printmakers from Europe during World War II, who reinvigorated a passion for the artistic process, printmaking was considered that of a craft. Once it was elevated from its secondary status, due to excitement from Contemporary artists and institutional accreditation, a market structure was solidified. By examining the ...
Ten Tennessee Printmakers, 2021 The University of Tennessee, Knoxville
Ten Tennessee Printmakers, Department Of Art
Brochure published for Ten Tennessee Printmakers, an exhibition organized by the Department of Art at the University of Tennessee. This exhibition was co-sponored by the Tennessee Arts Council and the Tennessee Arts Commission.
Exhibiting artists were: J. Clement Allison, Larry W. Brooks, Merlin Dailey, David C. Driskell, William Loy, Byron McKeeby, J. Terrance Morrow, Joseph M. Ruffo, John M. Steele, and Daniel L. Ziembo.
Amidst The Cardboard City, 2021 Clemson University
Amidst The Cardboard City, Olaf Tollefsen
Amidst the Cardboard City examines moments where joyous potential is brought into the seemingly bland moments of daily life. The focus of this inquiry takes the form of a narrative that follows the character Birdman as he journeys through his environment, becoming more and more active within it as he strives for a greater freedom within his world. The thesis artworks take the form of nine multiple-block woodcut prints made through a unique photomechanical process involving set building, digital photography, color separations, hand printing, and laser engraving. A large, eight-foot by eight-foot by eight-foot gallery installation was also exhibited. This ...
"Illumination The Sculpture Of James O. Clark" Catalogue, 2021 Murray State University
"Illumination The Sculpture Of James O. Clark" Catalogue, T. Michael Martin
Faculty & Staff Research and Creative Activity
It has been a challenging journey to mine and sift through the body of work of James O. Clark to select a representation of his studio practice and 50-year career. While curating "Illumination: the Sculpture of James O. Clark," I encountered more than the common curatorial concerns such as artwork availability, scale, aesthetic and conceptual themes, transportation and presentation issues. During my conversations with Clark, we found ourselves in an unprecedented pandemic – impacting travel, shipping, and studio visits.Throughout this process, Clark and I remained flexible to ensure a representation of his career could be exhibited without compromise. Selections for ...
Color, Texture, Form: Modern European And American Art From The Brummel Collection, Kruizenga Art Museum, Lisa Barney
Kruizenga Art Museum Posters
A poster advertising an exhibition of artwork from the collection of Mike Brummel, Hope College Class of 1957, held September 10-December 11, 2021. A reception held on September 24, 2021, is also advertised.
Native American Art: Recent Acquisitions From The Kruizenga Museum Collection, Kruizenga Art Museum, Lisa Barney
Kruizenga Art Museum Posters
A poster advertising an exhibition of recent acquisitions of Native American art held September 10-December 11, 2021.
I Bloomed In The Dark, 2021 University of North Florida
I Bloomed In The Dark, Izzy (Kiara) Narvais
PANDION: The Osprey Journal of Research and Ideas
We come from different places and different backgrounds. Our lives are a constant trial and error. Our past lives on and makes us bloom into the people that we are today. I want to share my story to create a safe place to talk about our trajectories. In a place of darkness and sadness that I sat in for so long, a bright light and a flower grew through it all within me. I have been bullied, abused, and sexually assaulted. I take that as not a place of weakness but a place of strength. I stand strong to be ...
The Anxiety Of Presenting Identity, 2021 University of North Florida
The Anxiety Of Presenting Identity, Savannah Fleming
PANDION: The Osprey Journal of Research and Ideas
This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.
Mélange De Motifs: Custom Pattern Designs Inspired By The Interiors, Architecture, And Gardens Of Vaux-Le-Vicomte, Jill Christine Harmon
All Graduate Plan B and other Reports
How can a historic precedent be successfully employed to inform modern design? History will always provide a degree of influence in contemporary design. In design, a historic precedent can be the backbone of a creative concept and stands as a relevant and informative aspect throughout the project. The precedent acts as a basis in developing designs with substance and meaning and is a fundamental practice in architecture, landscape architecture, and interior design. Delving into the history of Vaux-le-Vicomte, often referred to as Vaux, provided three relevant aspects which compose the historic precedent for this MFA project. First, the creative initiative ...