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Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb 2017 Rochester Institute of Technology

Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb

Articles

This article provides context for and examines aspects of the design process of a game for learning. Lost & Found (2017a, 2017b) is a tabletop-to-mobile game series designed to teach medieval religious legal systems, beginning with Moses Maimonides’ Mishneh Torah (1180), a cornerstone work of Jewish legal rabbinic literature. Through design narratives, the article demonstrates the complex design decisions faced by the team as they balance the needs of player engagement with learning goals. In the process the designers confront challenges in developing winstates and in working with complex resource management. The article provides insight into the pathways the team found ...


Deconstructing Cultural Values Of Products: Implications For Sustainable Design, Tejas Dhadphale 2017 Iowa State University

Deconstructing Cultural Values Of Products: Implications For Sustainable Design, Tejas Dhadphale

Tejas Dhadphale

In a global era where products are reaching across international boundaries, designers are increasingly challenged to design for diverse cultural context. Designers are agents of cultural change and should be cognizant of the impact their products have on local markets. The key for developing culturally appropriate products lies in understanding how cultural objects acquire and communicate cultural meanings. The goal of this paper is to deconstruct and categorize cultural meanings associated with objects and highlight the key determinants that contribute to cultural values. Cultural product images and phrases were analysed using a four-layered model for classifying cultural meanings. Participants were ...


Par-Delà Toute Comparaison : Présentation, Alain Agnessan 2017 University of Western Ontario

Par-Delà Toute Comparaison : Présentation, Alain Agnessan

Mouvances Francophones

Présentation sur la dévaluation de la primauté du verbal sur le visuel dans la bande dessinée vue d'Afrique


« Je Suis Fier D’Amener ‘Mon Soleil’ Dans La Bd Universelle. » Entretien Avec Barly Baruti, Alain Agnessan 2017 University of Western Ontario

« Je Suis Fier D’Amener ‘Mon Soleil’ Dans La Bd Universelle. » Entretien Avec Barly Baruti, Alain Agnessan

Mouvances Francophones

Interview de Barly Baruti par directeur de ce numéro, Alain Agnessan


Deconstructing Cultural Values Of Products: Implications For Sustainable Design, Tejas Dhadphale 2017 Iowa State University

Deconstructing Cultural Values Of Products: Implications For Sustainable Design, Tejas Dhadphale

Industrial Design Conference Presentations, Posters and Proceedings

In a global era where products are reaching across international boundaries, designers are increasingly challenged to design for diverse cultural context. Designers are agents of cultural change and should be cognizant of the impact their products have on local markets. The key for developing culturally appropriate products lies in understanding how cultural objects acquire and communicate cultural meanings. The goal of this paper is to deconstruct and categorize cultural meanings associated with objects and highlight the key determinants that contribute to cultural values. Cultural product images and phrases were analysed using a four-layered model for classifying cultural meanings. Participants were ...


The Culturator: Film Noir Meets Bike Culture, Daniel Dean 2017 Marshall University

The Culturator: Film Noir Meets Bike Culture, Daniel Dean

Daniel Dean

Part of this weekend’s nuit blanche Northern Spark festival, project Mobile Experiential Cinema invites goers to embark on a rambling, bicycle-mounted, multi-location cinematic experience that blends bike culture with locally-bred film. Created by artists Daniel Dean and Ben Moren, the project launched alongside the inaugural Northern Spark fest last year as an interactive projected film-focused group ride featuring live performance elements and urban exploration embodying all plot twists and theatrical curve balls we’ve come to expect from the mystery genre. We caught up with Mobile Experiential Cinema collaborators Dean and Moren to chat about the project’s creation ...


Pinpoint Magazine: A Student’S Guide To Preparing For A Career In Design, Hannah Blankenship 2017 Liberty University

Pinpoint Magazine: A Student’S Guide To Preparing For A Career In Design, Hannah Blankenship

Senior Honors Theses

Pinpoint magazine’s purpose is to inspire and educate design students in their path toward a design career. Pinpoint is a magazine that features articles filled with insight and practical advice about entering the design industry. The information gathered is presented in a printed magazine format that will help college students pursuing degrees in art and design become informed about how to best pursue their career, how to navigate the world of design, and how to develop their design skills effectively. By reading a magazine filled with practical information on how to become a professional designer, design students will have ...


Graphic Language In The Library: A Visual Glossary Of Information Literacy Terms, Gayle Schaub, Vinicius Lima, Stephen Dobrzynski, Jacob Luet, Micah Martin, Carissa Storms 2017 Grand Valley State University

Graphic Language In The Library: A Visual Glossary Of Information Literacy Terms, Gayle Schaub, Vinicius Lima, Stephen Dobrzynski, Jacob Luet, Micah Martin, Carissa Storms

Open Teaching Tools

Understanding a discipline requires a fundamental understanding of its terminology. The terminology of information literacy, used by librarians and professors, comprises a language integrated within all disciplines. Critical to academic success, it’s often assumed to be widely understood by students.

The students of Graphic Arts V, fall 2016, created a visual glossary to help students learn this critical terminology. This bold, eye-catching informational campaign, produced and disseminated in and outside of the Library, promotes learning through innovative designs created by students for students. The materials, introduced in a 2017 ACRL presentation, Warning! This Program Contains Graphic Content: Facilitating Understanding ...


Dotphotozine Issue 7, August 2017, Students of the CSUSB Art Department, Thomas McGovern 2017 CSUSB

Dotphotozine Issue 7, August 2017, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.


Geekreformation.Com, Jacob Leonhardt 2017 Western Kentucky University

Geekreformation.Com, Jacob Leonhardt

Honors College Capstone Experience/Thesis Projects

Several years back, my best friend and I were discussing how there seemed to be no outlets for Christian geeks to enjoy being geeks without having to worry about inappropriate content. As there did not seem to be a place, we thought we should make one. Fast-forward to my senior year at Western Kentucky University, I am an Interactive Design major, and my friend has graduated with a degree in Film and Marketing; and what was once just conversation has now become a reality. This work explains what Geek Reformation is and how we went about branding and designing it ...


Stitched Past, Sawyer Smith 2017 Western Kentucky University

Stitched Past, Sawyer Smith

Honors College Capstone Experience/Thesis Projects

“Stitched Past” tells the stories of vulnerable women in Lima, Peru. Despite the emotional and physical impacts of poverty, the women seek mentorship, education, and job security through Krochet Kids International. Krochet Kids, a U.S.-based non-profit organization, offers women in Peru and Uganda the opportunity to create knitwear to be sold online. In addition to gaining a new job and skill, the women receive counseling, affordable childcare, and supportive community. Krochet Kids approaches empowerment from a holistic perspective. The mentors encourage growth in five categories: financial, intellectual, physical, social, and psychological. This model of personal development ensures that ...


Trends Within Craft Beer Packaging, Aurelia See 2017 California Polytechnic State University, San Luis Obispo

Trends Within Craft Beer Packaging, Aurelia See

Graphic Communication

While the print industry is facing a changing atmosphere, one thing is as sure as death and taxes— there will always be a market for print within the packaging industry. There is a growing market within the craft beer industry, and with that comes competition for each brewery. Many breweries are finding it difficult to use their beer’s first point of sale, the packaging, to their advantage when attracting consumers to their product. The purpose of this research is to provide the reader with knowledge and insight into package design, with special emphasis on designing for current trends and ...


Effective Methods Of Marketing An On-Campus Resource To College Students, Samantha Gary 2017 California Polytechnic State University, San Luis Obispo

Effective Methods Of Marketing An On-Campus Resource To College Students, Samantha Gary

Graphic Communication

The problem this research it attempting to solve is how to market an on-campus resource to college students. Through conducting surveys, gathering research, reviewing case studies, and analyzing data, the author has found that the answer is to not to segment college students by major. It is more effective to figure out what a typical students’ needs are and address them by providing a solution to their problems. By strategically placing printed posters around campus that capitalized on student’s needs for study breaks and outlets to tap in to their ideas, the author found that more students respond to ...


Otra Vez : Hierarchy As Designer, Jordyn Alvidrez 2017 Rhode Island School of Design

Otra Vez : Hierarchy As Designer, Jordyn Alvidrez

Masters Theses

Methods of hierarchy are often represented in graphic forms. They shape our world into subjective places/spaces of belonging or oppression. The need for order is a human condition. There is constant tension between the utility of ordered systems against the manipulative and ultimately subjective manner in which they are created. Where there is a system, there is a story. The narrative the hierarchy tells is just as crucial to me as the mechanics.

I position myself within various hierarchal systems as a way to understand the logistics of their becoming, but also, to manipulate (or justify) my cultural and ...


Design Syncopations, Mary Yang 2017 Rhode Island School of Design

Design Syncopations, Mary Yang

Masters Theses

Design Syncopations is an inquiry into space and intervention. Central to this work, is the orchestration of scenarios to prompt visual, auditory, and physical engagement. My background as a musician strongly informs this practice as I borrow from and disassemble musical structures—time, rhythm, composition, and counterpoint. Through designed prompts and invitations, I incorporate musical themes of chance and improvisation, setting up programs, altering spaces, and interrupting existing conditions. Working at the intersection of sound and design allows me to conduct audience-led musical performances, reprogram gallery spaces, and collaborate with artists and musicians. The ensemble of works adds up to ...


Playgrounds, Cem Eskinazi 2017 Rhode Island School of Design

Playgrounds, Cem Eskinazi

Masters Theses

Playgrounds defies the idea of singularity and control through a practice of design aiming to offer generous universes3 for one to explore freely. Building blocks of cognition such as modular thinking, hyper-linking, recursion, repetition, self-referencing and self-representation are utilized for designing honest and slightly uncomfortable experiences in order to keep the reader awake and aware.


Space As A Practiced Place, Elizabeth Leeper 2017 Rhode Island School of Design

Space As A Practiced Place, Elizabeth Leeper

Masters Theses

This thesis examines and retraces ways in which graphic design is fundamentally concerned with relational space, and tests spatialized theories, methods, and potential for praxis.

My practice investigates the relational qualities and dimensions of graphic design at three distinct scales.

1. Spatial logic (format) within a design object [Design space, book space, format, structure, sequence, counterforms, etc. (authority structure vs agency of user) within the design].

2. Spatial relations (sequence) between participants across a network. [Space to hear & see each other; to relate and connect].

3. Space within the world (circulation) [Space as composition, product, relational; not container, not fixed. Power and agency ...


Content-Aware : Investigating Tools, Character & User Behavior, Llewellyn Hensley 2017 Rhode Island School of Design

Content-Aware : Investigating Tools, Character & User Behavior, Llewellyn Hensley

Masters Theses

Content—Aware serves as a platform for investigating structure, corruption, and visual interference in the context of present-day technologies. I use fragmentation, movement, repetition, and abstraction to interrogate current methods and tools for engaging with the built environment, here broadly conceived as the material, spatial, and cultural products of human labor.

Physical and graphic spaces become grounds for testing visual hypotheses. By testing images and usurping image-making technologies, I challenge the fidelity of vision and representation. Rooted in active curiosity and a willingness to fully engage, I collaborate with digital tools, play with their edges, and build perceptual portholes. Through ...


Identity Production, Boyang Xia 2017 Rhode Island School of Design

Identity Production, Boyang Xia

Masters Theses

What are we talking about when we talk about identity? People are likely to define themselves in terms of what is relevant to their time and place, in other words, context. This indicates that identity is not a fixed definition, but more of a malleable construction; it develops its attributes via context. I am constantly recalibrating the relationship between the two. Context is ubiquitous, unnoticed, coexistent and interchangeable. Identity is reflexive, fragmented, shapeable and fluid. Identity Production explores and unveils how identity is adapted and manifested in contemporary conditions, as well as its external validation which paradoxically defines this indefinable ...


When It Won't Fit : A Book About Containers, Procedures, And Transformations, Bo-Won Keum 2017 Rhode Island School of Design

When It Won't Fit : A Book About Containers, Procedures, And Transformations, Bo-Won Keum

Masters Theses

This book is a container.

The perennial challenge of the graphic design brief is such that it is always dictated by the conditions of the container it must fill. A 24 x 36 printed poster; a 48 footwide billboard; a tiny (or large!) exhibition space; a 200-page book. Sometimes, the forms that we are asked to produce are flexible, depending on the content, the client, and the situation, and if we are lucky, we are able to mold the format to the content. The likelier event, however, is working with a form that is fixed, or a system that is ...


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