Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, 2022 Washington University in St. Louis
Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl
MFA in Illustration & Visual Culture
Since the rise of consumer culture in the late 19th century, Americans have had a complicated relationship with decorative objects, the idea of taste, and the cycle of trends within our classist society. This essay examines some of the decorative objects in my childhood home such as patterned wallpaper and an antique chair as well as a contemporary brand name mascara. While these objects do not have major functional properties, their decoration and superficiality bring me joy. To better understand my appreciation of decoration and aesthetics, I assess how an object or fashion is considered in good or bad taste ...
Dregs / Lessons From The Things Around Us, 2022 Virginia Commonwealth University
Dregs / Lessons From The Things Around Us, Juan-Manuel Pinzon
Theses and Dissertations
The writing in Lessons From the Things Around Us is in support of the work in my MFA thesis show, dregs. I detail the progression of my making and thinking over the last two years. I expand on the material and personal relationships that have manifested themselves in the work and influenced my approach to the things that surround me. Finally, I point to a more expansive definition of Craft, rooted in its material sensibilities, and the possibilities already present in the field that this definition creates.
Defiantly Childlike: Using Aesthetic Resistance To Heal, 2022 Virginia Commonwealth University
Defiantly Childlike: Using Aesthetic Resistance To Heal, Sarah K. Reagan
Theses and Dissertations
This thesis examines an alternative processing mechanism surrounding the act of healing after traumatic experiences in life. Using a methodology of iterative patterning and tool-pathing, a collection of inflatable garments and wooden mannequins analyzes defense mechanisms learned in early childhood development. This work highlights an essential body of recent scholarship that takes cuteification seriously to restore a childlike approach to mastering fear. This paper will review the definitions of cuteness and childlike humor and then describe how visual culture has implemented these components to subvert established power.
Misled Youth, 2022 Virginia Commonwealth University
Misled Youth, Mark Tan
Theses and Dissertations
I’m a first-generation Canadian who was born and raised in Toronto, Ontario by Asian immigrants. I have migrated to the United States and lived here for 7 years. Through my work, I express the emotional value of preconceived notions, disconnectedness, and longing in search of finding place and acceptance within a community. Drawing from memory, personal narrative, emotion, and perception, I manipulate data into lines, forms, and materials through a subjective human experience from the lens of a non-citizen. By projecting the migration movement of my family lineage from China and the Philippines to Canada as well as my ...
An Evolving Process: Patterns And Objects, 2021 Rhode Island School of Design
An Evolving Process: Patterns And Objects, Shreya Tuli
This thesis investigates my life experiences,inspired by the surroundings in New England and India.
My process is characterized by a multidisciplinary approach. I integrate diverse media moving fluidly between two dimensional and three dimensional work, creating multiple layers of pattern and objects.
Loose Threads / Hilos Sueltos, 2021 Rhode Island School of Design
Loose Threads / Hilos Sueltos, Estefanía De Ros
In this body of work, I’ve collaborated with four artisans from my home country, Guatemala: Apolonio Vicente, Vinicio Vicente, Mario Poz and Manuel Otsojay. They all use traditional craft methods with natural materials: wicker, wool, and cotton. I interweave, overlap, and knot mementos from my childhood with current ideas and dialogues that contain loose threads to the work. All of the layers merge in fluid forms with texture and movement. The curtains let light in, the rug sets warmth, and the “cayuco” invites you to slow down.
I aim to push back against the devaluing of craft traditions, especially ...
What Do I See Between 2 To 8 O'Clock, 2021 Rhode Island School of Design
What Do I See Between 2 To 8 O'Clock, Youtian Duan
We record our daily life, our daily emotions. But maybe we lie to ourselves. Or our expression is a kind of hope: what we want to look like or want others to think we are like. Unfortunately, it’s usually not our natural appearance, not the honest thoughts in our hearts. Maybe we don’t understand ourselves.
I like to record my dreams. In the dream world, sometimes I relax, sometimes nervous, and unconsciously wander around. That is the real me. In my unconscious dream state, I identify myself, know myself, again and again. I can live in peace with ...
Polyrhythms, 2021 Rhode Island School of Design
Polyrhythms, Kevin Costante
This work strives to integrate seemingly ‘distant’ practices into a concept by emphasizing their differences. A syncopation between a maker and designer, a planner and improviser. A search for commonalities in the middle of what otherwise creates conflict. I cultivate a space to play alongside my inherent formalities by incorporating color and movement. I find rhythm persists uninterrupted through the discrepancies of my process and inspirations. I want to see it in the outcomes of my work.
How can I be compatible with this world of rudiments and structure and also comply with my reliance on ‘chance’?
Taking Care, 2021 Rhode Island School of Design
Taking Care, John Dixon
We’ve come to live our lives on a quest for what we deem as efficiency, but has our view on the matter been focused on the wrong measures? Taking Care investigates efficiency utilizing a variety of different comparative measures through the creation of 8 chairs. When our emphasis on certain variables is shifted, is mass production the most efficient means of making? What about one-off production utilizing local materials? Does industry’s approach to ergonomics focus on efficiencies benefitting the employer while sacrificing those of the employee? Working from a Wendell Berry quote contrasting care to efficiency as a ...
Dress Your Chair, 2021 Rhode Island School of Design
Dress Your Chair, Yumeng Gai
Upholstery is the dress for furniture. As apparel for humans, upholstery has the power to shape the identity of furniture. By changing different upholsteries, furniture will have fresh identities that bring vitality to both the furniture itself and the surrounding environment. And during the process of changing “cloth” for furniture, people will build a deeper relationship with the furniture they already have.
This Trash Is Someone Else's Problem, 2021 Rhode Island School of Design
This Trash Is Someone Else's Problem, Lauren Goodman
This Trash is Someone Else’s Problem reimagines object design practices through a decolonial lens that embraces responsive approaches to the local environment and the communities that steward it. It advocates for design justice and social equality. The physical work was developed from discarded scraps of industrial waste harvested from the Providence area, such as wire fencing, oil drums, rebar and steel tubing. It was created without the use of expensive tools, machinery and materials in favour of a less extractive approach to design. In conjunction with the studio work is a series of community gatherings focused on low-fi ceramic ...
Making Meaning, 2021 Rhode Island School of Design
Making Meaning, Eric Loucks
Making Meaning explores mental health through the lens of a contemporary craft-based design practice. Themes of identity, catharsis, connection, flow, teaching, and community create a framework for understanding the role craft plays in developing and maintaining a healthy mindset. The physical pieces that result from this approach are meticulously made, highly considered, and given the quality of contemporary heirloom: a piece that promotes a kind of emotional connection and wellness in their owner.
Negotiating Balance, 2021 Winthrop University
Negotiating Balance, Oscar Adolfo Soto
When we enter a room with a bed and dresser, we imagine that someone goes there to sleep. When we enter a larger room, with rows of uniform desks facing a whiteboard or lectern, we understand that people go there to learn. In most cases, the intention for the space and how we are to conduct ourselves in it is determined before the furniture is selected. When we are not privy to those intentions, the furniture itself can offer clues that help us understand what we are to do. As a contemplative device, I apply this framework to the world ...
Zero Waste Design Exploration, 2021 Western Michigan University
Zero Waste Design Exploration, Rosemarie Soma
This creative project encompasses the creation of four zero-waste garments. Zero waste design is a technique which involves designing in a way that produces little to no byproduct. The intent of this project was to create garments that are functional, marketable, and contribute to the sustainable fashion movement.
There is currently a serious push in the fashion industry for brands to contribute to a circular economy. This can be done in a multitude of ways: upcycling, recycling, using natural textiles, or utilizing zero waste design. Textile waste is one of the most important issues regarding the fashion industry. There are ...
Form Follows Culture, 2021 Virginia Commonwealth University
Form Follows Culture, Nada Raafat Elkharashi
Theses and Dissertations
We all use everyday objects as part of our daily routines, but the way we use them varies from one culture to another. Using George Herbert Mead’s study of human conduct and Louis H. Sullivan’s credo, “Form follows function,” this thesis examines the cultural meanings and implications surrounding the fundamental act of drinking water. Using a methodology of iterative, exploratory making, a collection of glass vessels explores philosophical and physical manifestations of Islamic cultural principles derived from the Sunnah of Prophet Muhammad صلى الله عليه وسلم. With the goal of restoring cultural integrity to our daily activities, the ...
Quimby's Quests, 2021 Bard College
Quimby's Quests, Jamie E. Hoelzel
Senior Projects Spring 2021
Introduction to Quimby:
Quimby, the little green pom-pom with googly eyes and pipe-cleaner limbs, was my quarantine companion last Spring Semester while I was on the mostly empty campus. He was created during the beginning stages of the pandemic while I was stuck here at Bard finishing my classes remotely. They could go on adventures using his imagination while we were in quarantine, and they have followed me in my work ever since.The purpose of their creation was for their cute and simple character to use their imagination to have some wholesome fun, hopefully bringing smiles to people’s ...
Waiting Room, 2020 Utah State University
Waiting Room, Adam Lefebvre
All Graduate Plan B and other Reports
Waiting can be exasperating, but sometimes that helplessness, knowing there is nothing to do but wait, is a comfort.
I have come to understand the value of the handmade through using and living with thoughtfully crafted objects. I am attracted to goods made by people who give voice to their material. When this is done well, I slow down and pay more attention to the object and the task they are performing.
Attraction and distraction. What are the differences between objects meant to attract our attention and those meant to distract? I would much rather lead a life full ...
Erik Degiorgi, 2020 Rhode Island School of Design
Erik Degiorgi, Erik Degiorgi
Where I started two years ago is a very different place from where I am today. At the outset of my time at RISD I knew very little about what it meant to be a designer. I lacked confidence, yet still entered this program with strict ideas about the nature and outcome of my work.
Over the course of four traditional semesters and two winter sessions, I gradually moved away from my original, self-imposed fears and constraints. Not coincidentally, my work expanded into areas I had not conceived of previously. It has been an illuminating journey, and while I am ...
Internal Resonance, 2020 Rhode Island School of Design
Internal Resonance, Xiangyu Wang
This thesis explores the interaction between my inside and outside worlds. It includes my discussion towards Zen methodology, homeostasis, nature, antiquity, inner order and the concept of Qi. It can also be seen as a process that scrutinizes my daily life and looks deep into those things which slowly echo in my body and push me to make my own response.
This Feels Familiar, 2020 Rhode Island School of Design
This Feels Familiar, E. Winslow Funaki
This is a book about in-betweenness. It’s an examination of how we identify people and objects, the categories we use to do so, and those that don’t fit squarely into one or the other. It considers the grey areas of identity--race, gender, species, function, living, inanimate. It slips and slides through the ambiguous and indefinite, forever moving, always simultaneously being “both,” “all,” “neither,” and “none.”