Dredge The Foundry | For Dirt And Era, 2020 Fort Hays State University
Dredge The Foundry | For Dirt And Era, Woody Stauffer
Billions of years are past us and billions of years await. Shaping earthen material into sculptural abstractions is my way to sense and convey the lethargic natural progression of the planet. Fossilization, rot, dirt, plant growth, animal existence, and rust are aesthetics I endow with new perspectives and form through mold making and casting. The dichotomy between the eons of time behind us and the endless possibility of a technological future has inspired the addition of a science fiction aesthetic. To rust these computerized constructed geometric forms demonstrates how futuristic ideals will also wither away. In many ways we are ...
Downey, John Michael, B. 1951 (Fa 1350), 2019 Western Kentucky University
Downey, John Michael, B. 1951 (Fa 1350), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1350. Folklife project titled "Antiques" by John Michael Downey for a folk studies class at Western Kentucky University. Project includes an illustrated paper about the acquisition and use of antiques collected by friends and family members in DeKalb and Haralson counties in Georgia, Warren County, Kentucky and Rockingham County, Virginia. Survey sheets may include brief description of antique’s origin, use, sample of handwoven coverlet, color photo, illustration, text classification, and bibliographic source.
American Slavic : And Other Writings, 2019 Rhode Island School of Design
American Slavic : And Other Writings, Zac Banik
My current cycle of work deals with the exploration, digestion and reinvigoration of traditional Slavic craft and material culture with goal of contributing to a contemporary design vernacular which eschews the idealization of Western-European forms and stands on its own: aesthetically discrete and externally respected. This line of inquiry arose from my own journey to understand myself as a Slavic-American; what it means to be such a thing; how to reconcile assimilation against perceived authentic identity and what value the voice of the diaspora can bring to the discourse of the old world. The outward mission of this project is ...
Works And Process, 2019 Rhode Island School of Design
Works And Process, Alex Hsu
This thesis is a collection of furniture and objects that seek to embody the harmonious pleasantness of things through thoughtful consideration of their aesthetics, utility, and place. It reflects on the ownership and creation of objects and the role they play defining who we are. More specifically, it’s a reflection on how where I’ve come from and learning how to create have influenced these complex ideas. It’s a document that looks inward and serves as a manifestation of my developing process and its effects on my identity as a result. It grapples with my desire to create ...
Conversations In 2019, 2019 Rhode Island School of Design
Conversations In 2019, Kit Howland
This thesis is a collected series of interview questions and my responses. The topics include aesthetics, phenomenology, queerness, the void, distinctions between art and design, designing emotional content, scale, minimalism, duality, multiplicity, formalism, intellectualism, the experience of living with your work, the critique, presentational strategies, and otherness.
Sky Is Sinking Below The Trees : Two Years Of Documentation And Observations, 2019 Rhode Island School of Design
Sky Is Sinking Below The Trees : Two Years Of Documentation And Observations, Xuelun Li
I see landscape through my own eyes, hands and body, and also through the lenses of Chinese poetry, calligraphy and ink painting. These art forms are rich in metaphor. The way they imagine and depict landscape is romantic, often including observations on dual concepts as lightness and heaviness, movement and stillness, change and stability, all of which have inspired this collection of work.
These furniture pieces include benches, tables and lamps. They are abstracted landscapes, to spark imagination about natural forces and transformations, both through the process with which they’ve been made and through their final forms. I engage ...
Stepping Aside, 2019 Rhode Island School of Design
Stepping Aside, Juan Pablo Gutiérrez García
Over time, our connection with materials has changed. Centuries ago, artists interacted with just one material for years, gradually integrating the knowledge of its different properties into their existing expertise. They were learning processes which were acquired through the sum of different personal experiences and the reciprocal action between artist and material. Now, times run fast; we are exposed to a wide range of materials, and knowledge is indirect. We learn through books or by copying established industry processes, replacing our practical experiences. New potentialities of material are not sought frequently, and we end up validating only what has already ...
Externalized : Origins Of Aesthetic Motivations, 2019 Rhode Island School of Design
Externalized : Origins Of Aesthetic Motivations, Tim Miller
My thoughts and behaviors are influenced by a compulsive disorder. Observing this, I’ve learned how much my outlook can be shaped by my own ritualistic patterns. I live with a heightened sense of awareness toward my particular compulsions which has shaped how I see the world. In this thesis writing and collection of designed objects, I am seeking to further explore my own experience with compulsive thoughts and behaviors, unpacking how they manifest in the day-to-day, how they direct my perception, and ultimately how they serve as a driving force behind my design process. By observing these tendencies and ...
Mis Jarrones, 2019 Rhode Island School of Design
Mis Jarrones, Marco Sebastián Arroyo Hoebens
This thesis offers an insight into the complex relationship between identity, memory and the creative process. A Q&A follows, designed to deepen the understanding of the self in different situations, places, cultures and design objects.
Apparently, memory has a leading role in triggering creative processes and this has forced me to do further research on my own past and on the objects that my memory retains. In the end, this “research on the self” has produced an interesting view on this particular creative process of designing.
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, 2019 Chapman University
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes
Student Scholar Symposium Abstracts and Posters
During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of ...
The Home As An Object: Material Culture In The Age Of Ikea, 2019 Trinity College
The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik
Senior Theses and Projects
The curiosity of everyday objects looms large in every human’s life. And naturally, these objects are almost as diverse in character as the person who bought them. This variation can be in style, period, shape, origin but also in the arrangement it is given in relation to other objects or persons in a space. On one level, the objects we surround ourselves with are meaningless, purely functional, utilitarian and banal. Especially on a budget, one may not consider aesthetic or design issues at all and purely buy a toaster because they want toast. Why would one buy a SMEG ...
Masterpieces Of Simplicity: Newport Desks And Chairs, 1740-1780, 2019 Salve Regina University
Masterpieces Of Simplicity: Newport Desks And Chairs, 1740-1780, Joseph K. Ott, Daniel Snydacker, Deborah Walker
The exhibit mounted at the Newport Historical Society from the fall of 1986 to the fall of 1987 answered one question and posed another. It answered the question: what characteristics identify a piece of colonial furniture as having been made in Newport? The question posed by the exhibit is why did Newport cabinetmakers develop their own unique and remarkable style? This article examines and describes the exhibit itself and seeks to answer these questions regarding colonial furniture design and creation.
From Eye Sore To Eye Catching: Improving Function And Appeal Of Campus Spaces, 2019 University of Rhode Island
From Eye Sore To Eye Catching: Improving Function And Appeal Of Campus Spaces, Katherine E. Gorham
Senior Honors Projects
An interior space has a lot of power over an individual. It can dictate one’s mood, efficiency, confidence, and more. Most people can recall a time when a room had a negative effect on their mindset and productivity level due to its lack of color, light, or comfort. A functional, well lit, warm space makes for an uplifting and motivating work environment. Throughout my college career, I have encountered several spaces across the University of Rhode Island campus that aren’t the most visually appealing, comfortable, or inspiring, yet they still have plenty of potential. The goal of my ...
Contemplative Interiors: Ceramics And Furniture, 2019 SUNY Geneseo
Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson
Exhibit Catalog for the show Contemplative Interiors exhibited at the Lockhart Gallery at SUNY Geneseo from February 6, 2019-March 15, 2019. Exhibit Curator: Alla Myzelev.
Dress Up, 2019 CUNY Hunter College
Dress Up, Ye'ela B. Wilschanski
School of Arts & Sciences Theses
Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.
Lotion In Your Lungs, 2019 Virginia Commonwealth University
Lotion In Your Lungs, Raul H. De Lara
Theses and Dissertations
This is a document explaining in detail my artistic practice from childhood to the day I graduated VCU. It will perhaps only be understood by those who have themselves already felt such ways, or similar ways – words and ghosts are mostly invisible.
Bone Of My Bone, 2019 Virginia Commonwealth University
Bone Of My Bone, Dylan A. Loftis
Theses and Dissertations
This is a noticing and a return - a good old-fashioned call and response.
An understanding and a becoming.
At present, the noticing is on brokenness and the response on reparation. The work is filtered and guided through my background in traditional woodworking and furniture design.
A lifetime love of comic books, storytelling, and illustration refuses silence, and it escapes in bursts as I work intuitively through design and material. A newly discovered love of writing finds meaning in that intuition.
It’s impossible, even irresponsible, for me to notice and question the brokenness around me without questioning the brokenness within ...
A Spectacle And Nothing Strange, 2019 Virginia Commonwealth University
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in ...
Coffee Table, 2018 University of Iowa
Coffee Table, Griffin Mceniry
No abstract provided.
Rizer, Michael C. (Fa 1186), 2018 Western Kentucky University
Rizer, Michael C. (Fa 1186), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1186. Student paper titled “Early Toy Making” in which Michael Rizer interviews two sets of couples, the Barnes and the McKees, regarding their crafting ability as it relatesto miniature, hand-carved furniture. Rizer offers a brief description of each toy maker and details the various types of materials, models, and carving techniques used in the creation of the miniatures. Included in the paper are color photographs of the craftsmen and women along with pictures of their wooden furniture pieces and one reel-to-reel audio tape of interviews conducted by Rizer.