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Raeleen Kao Interview, Beena Patel 2017 DePaul

Raeleen Kao Interview, Beena Patel

Asian American Art Oral History Project

BIO: Raeleen Kao is a drawer, printmaker, and amateur competitive eater aka glutton residing in Chicago with a Charles Brand etching press, a red tabby, and forty plants.

Her prints and drawings have been exhibited in museums and galleries across the country most notably at the International Museum of Surgical Science, the Monmouth Museum of Art, Bert Green Fine Art, the Smith College Museum of Art, Tory Folliard Gallery, Firecat Projects, and Normal Editions Workshop. Her work has been represented at SELECT Fair New York, the Editions and Artist Books Fair in New York, the Cleveland Fine Print Fair, the ...


Wesley Sun Interview, Chad Novotny 2017 DePaul University

Wesley Sun Interview, Chad Novotny

Asian American Art Oral History Project

Bio: BA, 2004, Stetson University, DeLand, Florida; M.Div, 2008, The University of Chicago. Both Wesley Sun and his brother (Brad Sun) were born and raised in Orlando, Florida, by their parents who are Chinese immigrants from Malaysia. Wesley serves as the Director of Field Education and Community Engagement at the University of Chicago Divinity School and is a volunteer chaplain at Cook County Jail. He also does creative writing for graphic novels that both he and his brother have collaborated on. His completed graphic novels include: Chinatown, Apocalypse Man, and Monkey Fist. Eisegesis: Kings + Queens is expected to be ...


Kevin J. Miyazaki Interview, Anthony Santoro 2017 DePaul University

Kevin J. Miyazaki Interview, Anthony Santoro

Asian American Art Oral History Project

Bio: Kevin J. Miyazaki is an artist and photographer born and raised in Milwaukee, Wisconsin, to Japanese American parents originally from Hawai‘i and Washington state. His artwork often focuses on issues of ethnicity, family history and memory. The incarceration of Japanese Americans during World War II is of particular interest to Miyazaki, whose father spent time at both Tule Lake and Heart Mountain camps. His work has been exhibited in a variety of locations, including The Center for Photography at Woodstock (New York), The Haggerty Museum of Art (Milwaukee) The Rayko Photo Center (San Francisco) and Photographic Center Northwest ...


Mario Rufino Méndez Y La Caricatura Política En Nuestra Raza: Estudio Testimonial De Una Rica Producción Cultural De Los Afro-Uruguayos (1933-1948), María Cristina Burgueño 2017 Marshall University

Mario Rufino Méndez Y La Caricatura Política En Nuestra Raza: Estudio Testimonial De Una Rica Producción Cultural De Los Afro-Uruguayos (1933-1948), María Cristina Burgueño

María Cristina Burgueño

This work is a one volume published by the National Library of Uruguay with a prologue by Dr. George Reid Andrews. It provides an in depth analysis of the corpus of caricatures made by Mario R. Mendez, an afro-Uruguayan artist, for the magazine “Our Race” during its second period 1933-1948. These editorial caricatures made a strong statement against the Fascism in Europe and the League of Nations’ attitude towards the invasion of Ethiopia ordered by Benito Mussolini. They also satirized the political and social reality in Uruguay. Both, the caricatures and the magazine provide a testimony of an extensive cultural ...


Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt 2017 University of Iowa

Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt

Mime Journal

Cover, front matter, and contents for Mime Journal Special Issue, "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig." Guest editors: Jennifer Buckley and Annie Holt.


Picturing Robinson Crusoe: Edward Gordon Craig, Daniel Defoe And Image-Text Inquiry, Eric T. Haskell 2017 Scripps College

Picturing Robinson Crusoe: Edward Gordon Craig, Daniel Defoe And Image-Text Inquiry, Eric T. Haskell

Mime Journal

Haskell focuses on Craig’s work with art books in this essay. He offers a wealth of visual images to investigate influences upon Craig’s engraved illustrations for an edition of Defoe’s Robinson Crusoe, a project planned for the Cranach Press, executed during the late 1930s, and published posthumously by the Basilisk Press in 1979. Haskell calls attention to the way that this fascinating edition—previously overshadowed by the Craig-Cranach Press Hamlet in the scholarly literature—adds to our understanding of Craig’s theories of print as performance. He also offers a nuanced reading of the way that Craig ...


Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, Jennifer A. Buckley, Anne Holt 2017 University of Iowa

Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, Jennifer A. Buckley, Anne Holt

Mime Journal

A roadmap to this Special Issue of Mime Journal. This issue emphasizes the tissue of influences that shaped Craig’s own work and continue to impact contemporary theater and performance. By focusing on the historical contexts in which his ideas were developed and those in which they have been received, the essays counter the widely held perception of Craig as the solitary genius of the “Art of the Theatre.” His claims of originality and singularity have too often obscured the connections between his work and that of other artists—especially the dancer Isadora Duncan, upon whom two of the pieces ...


The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor 2017 Pomona College

The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor

Mime Journal

Taylor considers the role that book arts may play in Craig’s theories of the new theatre, or the Art of the Future. He expands our understanding of Craig’s design work to include print culture, examining his engravings for the monumental editions of Hamlet published by Count Harry Kessler’s Cranach Press in 1929–30. Taylor explores the relationship of Craig’s designs for the 1912 Moscow Art Theatre production of Hamlet to his engravings for the German and English-language Cranach Press editions of the play. He suggests that it was only with this print publication that Craig finally ...


San Francisco City Of Crime 6, Fred Rinne, Scott Williams 2017 Selected Works

San Francisco City Of Crime 6, Fred Rinne, Scott Williams

Scott Williams

This book is illustrated with stencils and acrylic paint. Edition limited to 10 copies. Library copy is number 5 0f 10. Library copy is signed by both the author and the artist.


San Francisco City Of Crime 4, Fred Rinne, Scott Williams 2017 Selected Works

San Francisco City Of Crime 4, Fred Rinne, Scott Williams

Scott Williams

This book is illustrated with stencils and acrylic paint. Edition limited to 10 copies. Library copy is number 5 0f 10. Library copy is signed by both the author and the artist.


San Francisco City Of Crime 3, Fred Rinne, Scott Williams 2017 Selected Works

San Francisco City Of Crime 3, Fred Rinne, Scott Williams

Scott Williams

This book is illustrated with stencils and acrylic paint. Edition limited to 10 copies. Library copy is number 5 0f 10. Library copy is signed by both the author and the artist.


San Francisco City Of Crime 5, Fred Rinne, Scott Williams 2017 Selected Works

San Francisco City Of Crime 5, Fred Rinne, Scott Williams

Scott Williams

This book is illustrated with stencils and acrylic paint. Edition limited to 10 copies. Library copy is number 5 0f 10. Library copy is signed by both the author and the artist.


San Francisco City Of Crime 2, Fred Rinne, Scott Williams 2017 Selected Works

San Francisco City Of Crime 2, Fred Rinne, Scott Williams

Scott Williams

This book is illustrated with stencils and acrylic paint. Edition limited to 10 copies. Library copy is number 5 0f 10. Library copy is signed by both the author and the artist.


San Francisco City Of Crime 1, Fred Rinne, Scott Williams 2017 Selected Works

San Francisco City Of Crime 1, Fred Rinne, Scott Williams

Scott Williams

This book is illustrated with stencils and acrylic paint. Edition limited to 10 copies. Library copy is number 5 0f 10. Library copy is signed by both the author and the artist.


Strange Bodies: Hybrid, Text, And The Human Form. Prints From The Sheldon Museum Of Art, Alison G. Stewart , editor 2016 University of Nebraska-Lincoln

Strange Bodies: Hybrid, Text, And The Human Form. Prints From The Sheldon Museum Of Art, Alison G. Stewart , Editor

Zea E-Books

Catalogue for the Sheldon Museum of Art’s exhibition “Strange Bodies: Hybrid, Text, and the Human Form," selected and curated by Professor Alison Stewart’s “History of Prints: New Media of the Renaissance” class during the fall semester of 2016 in the School of Art, Art History, & Design at the University of Nebraska–Lincoln. Each of the eleven prints offers a different understanding or take on the body. Some are grounded in the physical and social aspects of humanity, while others present the body as a site for fantastic imagination and performance. Still others reference the printed page as a ...


Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary 2016 CUNY Hunter College

Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary

School of Arts & Sciences Theses

The goal of this paper and Kickstarter project is to enable the production of my last semester’s work and thesis exhibition, and also to aid in the post-graduation transition to a sustainable art practice that does not rely on the current gallery structure.


Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez 2016 Kennesaw State University

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a time where one ...


Mathew Carey Papers Names Index Database, American Antiquarian Society 2016 University of Pennsylvania

Mathew Carey Papers Names Index Database, American Antiquarian Society

The Magazine of Early American Datasets (MEAD)

Mathew Carey (1760-1839), publisher, economist, and humanitarian, was born in Dublin, Ireland. He came to the United States in 1784 after involvement in Irish revolutionary activities and took up his trade as a printer, publishing the Pennsylvania Herald and the periodical, The American Museum. His book publishing ventures prospered and his firm was a leader in American printing and publishing in the period 1795 to 1835. Carey was an active proponent of the protective tariff, as well as an ardent champion of oppressed minorities in Europe, especially after his retirement from business in 1821. His business was thereafter conducted by ...


Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch 2016 Cedarville University

Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch

Musical Offerings

The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency ...


We Are Cells Living In The World While The World Lives In Us, Tara Law 2016 University of Maine Orono

We Are Cells Living In The World While The World Lives In Us, Tara Law

Electronic Theses and Dissertations

What has been called the Anthropocene epoch is the first period of time in which human activities and technological advances have measurably contributed to climate changes. It is common to live in the shadow of industrial architecture. The landscapes we live in and the changes to our air, soil, and water quality are interconnected. Our bodies are made up of cells moving through the world, but the world also moves through us. I’m interested in how our environment changes us and what we can do to change our environment.

An exploration of book forms and by extension the many ...


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