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Space To Breathe, 2017 Vocational Training Council

Space To Breathe

SIGNED: The Magazine of The Hong Kong Design Institute

Green, edgy and playful, Oslo's new architecture brings joy in a city where nature has a profound effect on life, attitude and building design.


Hkdi Gallery, 2017 Vocational Training Council

Hkdi Gallery

SIGNED: The Magazine of The Hong Kong Design Institute

Technology as the solution: For anyone eager to explore the essential role that design innovation and technology play in improving our modern lifestyle and shaping our shared future, this exhibition is a must-see

Silk from the past to now: A collaboration with largest silk musum in the world, this exhibition will explore the world of silk and contemporary fashion.

Contemporary Swiss accessory and watch design: The latest innovations in jewellery, watch and accessory design from Switzerland


Bulletin, 2017 Vocational Training Council

Bulletin

SIGNED: The Magazine of The Hong Kong Design Institute

Furniture show at home square

Fashion archive revitalisation

Fashion league

Calendar


Contents, 2017 Vocational Training Council

Contents

SIGNED: The Magazine of The Hong Kong Design Institute

No abstract provided.


Publisher's Note, 2017 Vocational Training Council

Publisher's Note

SIGNED: The Magazine of The Hong Kong Design Institute

No abstract provided.


Cover, 2017 Vocational Training Council

Cover

SIGNED: The Magazine of The Hong Kong Design Institute

No abstract provided.


Issue Sixteen Full Text, 2017 Vocational Training Council

Issue Sixteen Full Text

SIGNED: The Magazine of The Hong Kong Design Institute

No abstract provided.


Synæsthesia, Vanessa Cruz, Sheila Goloborotko 2017 University of North Florida

Synæsthesia, Vanessa Cruz, Sheila Goloborotko

Vanessa B. Cruz

Jax symphony presents music composed by Glass and Bach accompanied by visual projections—product of artistic collaboration between Vanessa B. Cruz and Sheila Goloborotko. The artists created an elaborate video projection for each composition in an effort to create a unique visual environment to these evocative compositions. With the combination of live music and projections the audience experiences music as abstract imagery that travels and transmutes the physical space and the realm of all senses. The tying thread that will move throughout all three sections will be the energy of Nature. Visuals will move from a water environment to land ...


Murphy, Ruby Bradford, 1909-1995 (Sc 3142), Manuscripts & Folklife Archives 2017 Western Kentucky University

Murphy, Ruby Bradford, 1909-1995 (Sc 3142), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3142. Short article about Nellie Verne Walker, a sculptor from Iowa, titled “Little Lady With a Big Idea,” accompanied by 11 photographs.


Intgrt, John Cecil (Industrial Design), Veronica Reguero Cadilla (Industrial Design), Keaghan Caldwell (Sustainability Design), Emmalee Vansciver (Interior Design) 2017 Thomas Jefferson University

Intgrt, John Cecil (Industrial Design), Veronica Reguero Cadilla (Industrial Design), Keaghan Caldwell (Sustainability Design), Emmalee Vansciver (Interior Design)

Nexus Maximus

We are a non-profit organization with the goal to resettle refugees into a small-scale community with opportunities of education, employment, and housing. With the focus on cities between a 5,000 to 60,000 population, refugees have the chance to utilize their skill sets to improve and evolve a current community without being strongly labeled as a “refugee.”

Nexus Maximus IV

The Challenge: Innovation for Refugees and Displaced Populations

One of the great challenges of our time is how to help refugees and displaced populations, and how to prevent the causes in the first place. Every minute, 24 people around ...


Sheltify, Adam Hecht (Industrial Design) 2017 Thomas Jefferson University

Sheltify, Adam Hecht (Industrial Design)

Nexus Maximus

Modular, collapsible, community building, and mental health enhancing refugee shelter.

Nexus Maximus IV

The Challenge: Innovation for Refugees and Displaced Populations

One of the great challenges of our time is how to help refugees and displaced populations, and how to prevent the causes in the first place. Every minute, 24 people around the world are forced to flee their homes. That’s 34,000 people a day who leave everything behind in the hope of finding safety and a better tomorrow. The impact of war, political, racial and religious conflict, and environmental crises of famine and climate change, have caused ...


Solar Stove, Julia Strange (Interior Design), Alaina Mcihenney (Physicians Assistant), Zachary Quain (Industrial Design), Adam Beauchner (Industrial Design), Irene Ghattas (Occupational Therapy) 2017 Thomas Jefferson University

Solar Stove, Julia Strange (Interior Design), Alaina Mcihenney (Physicians Assistant), Zachary Quain (Industrial Design), Adam Beauchner (Industrial Design), Irene Ghattas (Occupational Therapy)

Nexus Maximus

PEOPLE'S CHOICE AWARD WINNER!

We designed a solar powered hot plate that also functions as a light source. This allows refugees to cook food without burning wood or using toxic fuels and provides a portable light source.

Nexus Maximus IV

The Challenge: Innovation for Refugees and Displaced Populations

One of the great challenges of our time is how to help refugees and displaced populations, and how to prevent the causes in the first place. Every minute, 24 people around the world are forced to flee their homes. That’s 34,000 people a day who leave everything behind in ...


Amicus: Communication Across Languages, Brian Cipperly (Industrial Design), Rosario Herrera (Graphic Design), Mike Savarie (Sustainable Design) 2017 Thomas Jefferson University

Amicus: Communication Across Languages, Brian Cipperly (Industrial Design), Rosario Herrera (Graphic Design), Mike Savarie (Sustainable Design)

Nexus Maximus

MOST INNOVATIVE SOLUTION AWARD

Our project is designed to serve as a means for speakers of different languages to communicate using pictorial icons, particularly to serve basic needs such as food and water. At a refugee camp or other first point of contact, a volunteer or aid worker can be wearing a t-shirt, giving away blankets, or using flash cards with the symbols printed on them and the refugee can communicate their needs.

Nexus Maximus IV

The Challenge: Innovation for Refugees and Displaced Populations

One of the great challenges of our time is how to help refugees and displaced populations ...


The Trade Exchange, Emily Monath (Industrial Design), Caroline Whittemore (Occupational Therapy), Wa’ed Ibrahim (International Design Business Management), Michael Taffe (Finance), Bridget Sax (Interior Design) 2017 Thomas Jefferson University

The Trade Exchange, Emily Monath (Industrial Design), Caroline Whittemore (Occupational Therapy), Wa’Ed Ibrahim (International Design Business Management), Michael Taffe (Finance), Bridget Sax (Interior Design)

Nexus Maximus

The Trade Exchange program changes the meaning of "refugee" from burden to asset. This job placement organization reduces depression and other mental health factors by capitalizing on refugees skills by placing them in countries with labor shortages.

Nexus Maximus IV

The Challenge: Innovation for Refugees and Displaced Populations

One of the great challenges of our time is how to help refugees and displaced populations, and how to prevent the causes in the first place. Every minute, 24 people around the world are forced to flee their homes. That’s 34,000 people a day who leave everything behind in the ...


Virtual Archaeology, Virtual Longhouses And "Envisioning The Unseen" Within The Archaeological Record, William M. Carter 2017 The University of Western Ontario

Virtual Archaeology, Virtual Longhouses And "Envisioning The Unseen" Within The Archaeological Record, William M. Carter

Electronic Thesis and Dissertation Repository

We are of an era in which digital technology now enhances the method and practice of archaeology. In our rush to embrace these technological advances however, Virtual Archaeology has become a practice to visualize the archaeological record, yet it is still searching for its methodological and theoretical base. I submit that Virtual Archaeology is the digital making and interrogating of the archaeological unknown. By wayfaring means, through the synergy of the maker, digital tools and material, archaeologists make meaning of the archaeological record by engaging the known archaeological data with the crafting of new knowledge by multimodal reflection and the ...


The Musicality Of The Water Lilies/La Musicalité Des Nymphéas (Library Resources), Holy Cross Libraries 2017 College of the Holy Cross

The Musicality Of The Water Lilies/La Musicalité Des Nymphéas (Library Resources), Holy Cross Libraries

Library Resources for Campus Events

A bibliography of resources available through the Holy Cross Libraries which provide additional information related to the Iris and B. Gerald Cantor Art Gallery exhibition “Gabrielle Thierry: The Musicality of the Water Lilies/La Musicalité des Nymphéas” from Aug. 30 through Oct. 7.

Thierry’s series of eight large-scale paintings were inspired by her rediscovery of the “Water Lilies” landscapes by Claude Monet on view at the the Musée de l’Orangerie in Paris. With special permission from the museum, Thierry painted in front of Monet’s originals over a period of 18 months from 2010 to 2012, where she ...


Well Played -- Vol. 6, No. 3, Drew Davidson 2017 Carnegie Mellon University

Well Played -- Vol. 6, No. 3, Drew Davidson

ETC Press

  • Agency, Identity, Sex, Gender, and Pokémon Go Allison Bannister
  • So Close You Can Feel Her: Prostitution, Proximity & Empathy in Grand Theft Auto5 Elena Bertozzi, Amelia Bertozzi-Villa
  • Learning at the Farm: Developmental Psychology in Peekaboo Barn Carly A. Kocurek, Jennifer L. Miller
  • Taking Over the World, Again? Examining Procedural Remakes of Adventure Games Anastasia Salter


Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel 2017 York University

Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel

The Goose

Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.


Design And Planned Obsolescence. Theories And Approaches For Designing Enabling Technologies, Matteo Zallio, Damon Berry 2017 Dublin Institute of Technology

Design And Planned Obsolescence. Theories And Approaches For Designing Enabling Technologies, Matteo Zallio, Damon Berry

Articles

We are currently living in a decade where smart objects and Internet of Things (IoT)-based devices are becoming part of daily life in different contexts. This research seeks to investigate and verify, by using a formal literature review methodology, the most visible aspects of technological development, within the Industry 4.0 and IoT scenario, in relation to the theories of the so called “Planned Obsolescence”.

This study covers a defined number of works on Design theories and practices on how to face the issue of built-in obsolescence of devices in the era of the Connected Devices. The majority of ...


Multifractal Structure In Nonrepresentational Art, Jonas R. Mureika, C. C. Dyer, G. C. Cupchik 2017 Loyola Marymount University

Multifractal Structure In Nonrepresentational Art, Jonas R. Mureika, C. C. Dyer, G. C. Cupchik

Jonas Mureika

Multifractal analysis techniques are applied to patterns in several abstract expressionist artworks, painted by various artists. The analysis is carried out on two distinct types of structures: the physical patterns formed by a specific color (“blobs”) and patterns formed by the luminance gradient between adjacent colors (“edges”). It is found that the multifractal analysis method applied to “blobs” cannot distinguish between artists of the same movement, yielding a multifractal spectrum of dimensions between about 1.5 and 1.8. The method can distinguish between different types of images, however, as demonstrated by studying a radically different type of art. The ...


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