New Commandments,
2023
Rhode Island School of Design
New Commandments, Jacob Sussman
Masters Theses
I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.
The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.
As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …
Curiosity Beyond The Hidden,
2023
Rhode Island School of Design
Curiosity Beyond The Hidden, Yi Young Kim
Masters Theses
What lies beneath the surface of vessels? This captivating thesis explores the hidden world within, drawing inspiration from traditional Korean ceramics and employing coil-built sculptures. By focusing on the hollowness of vessels, this study unveils their profound interconnectedness and inherent uniqueness.
Through spontaneous stacking of claylike glazes and textured elements, the artwork reveals mysterious processes and transformations within these vessels. Exposing the intricacies of hollow spaces, viewers are invited to contemplate the mesmerizing realms concealed within.
Intertwining elements of Korean heritagewith intricate structures, this artistic endeavor
sheds light on the hidden and challenges preconceived notions of everyday existence. The work …
Green + White = Pink,
2023
Rhode Island School of Design
Green + White = Pink, Dora Chen
Masters Theses
My thesis seeks to explore the unknown forces that are constantly shaping our lives. I am intrigued by the intangible connections that link people, objects, and places together, and how they manifest across space and time. As a ceramicist emphasizing both interiority and tactility, my work will dissect layered ideas of closeness and disruption in order to reveal a nuanced understanding of how we exist in perpetuity with what can’t be seen. I wish to explore this topic through carefully directed installations that emphasize intimacy and engagement among audience members. Through inspiration from my past experience, childhood memories, as well …
A Typological And Chemical Analysis Of Roman Oil Lamps From Poggio Del Molino,
2023
The Graduate Center, City University of New York
A Typological And Chemical Analysis Of Roman Oil Lamps From Poggio Del Molino, Brandon Tejo
Dissertations, Theses, and Capstone Projects
Terracotta lamps, known to the Romans as lucernae, are small, handheld, often decorated objects which provided ancient people light. To modern researchers, they serve as tools for dating stratigraphy and iconographic studies. Beyond their immediately apparent aesthetic and symbolic value, the chemical compositions of the clay of these lamps reflect their origin. This study complements archaeological typologies with chemometric analyses to describe 16 Late Republican and Imperial Roman lamps recovered from the villa at Poggio del Molino (PdM), Tuscany. These finds were recovered from the 2021 and 2022 PdM excavations. The combined approach of typology with X-ray Diffraction (XRD) …
Spaces Of Wait And Their Weight,
2023
Rhode Island School of Design
Spaces Of Wait And Their Weight, Eman Alhashemi
Masters Theses
i have been exploring, researching and observing what influences affect a space within the traditions, rituals, food, thoughts and behavior. what happens when that space of comfort disappears and changes? through a series of work that waits, melts, merges, and exaggerates in am attempt to find its place. as i borrow objects and movements from daily life observing my surroundings and extracting mundane things that take on different forms whether exaggerated or unidentifiable. this recent culmination of work over the two years at risd look at objects and spaces of waiting, discomfort, longing and sharing. our behavior is affected by …
The Hospitality Of Doubt,
2023
Southern Methodist University
The Hospitality Of Doubt, Ian Grieve
Art Theses and Dissertations
This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …
Heretic Territories: Spells For Fracture,
2023
James Madison University
Heretic Territories: Spells For Fracture, Mia Greenwald
Masters Theses, 2020-current
This monograph accompanies the MFA thesis exhibition, Heretic Territories: spells for fracture. The show uses video, weaving, clay, and bacterial/fungal bodies in three main bodies of work: Inter; Lost, remain, fracture; and For, Of Them. The pieces, and the relationship between them, explore themes of magic, the body, and land in contradiction and opposition to colonial and capitalist structures. I approach the artificial hierarchies that subjugate people, non-human creatures, and land while trying not to replicate the mistakes of posthumanist scholarship that bypasses the fact that not all people are afforded full access to the category …
Dulce Sueños De Tierra, Sweet Dreams Of Earth,
2023
CUNY Hunter College
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
Contact Sheet,
2023
City University of New York (CUNY)
Contact Sheet, Jiwoong Jang
Theses and Dissertations
Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860,
2023
CUNY Hunter College
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Theses and Dissertations
This thesis argues that the rise of the consumer market toward the end of the eighteenth century led to the production of decorated fine ceramics that became powerful modes of popularizing new ideas in the United States regarding independence, national symbols, and abolitionism.
Silhouette,
2023
University of Nebraska-Lincoln
Silhouette, Andy Bissonnette
School of Art, Art History, and Design: Theses and Student Creative Work
As a potter, I am deeply interested in the union between form, surface, and function. I believe these elements are intrinsically connected and the most successful pots are able to balance all three in a way that is both aesthetically pleasing and practical. From the proportional relationship between the foot and rim, to the way a glaze breaks or pools across an articulated surface, each detail is crafted with intention and care. Silhouette is a metaphor for how I conceptualize and conceive each of my pieces. It’s a way to explore form through both an aesthetic and practical approach. My …
Second Nature: Impressions Of Place.,
2023
University of Louisville
Second Nature: Impressions Of Place., Trish Korte
Electronic Theses and Dissertations
For my art practice, I grow and forage my art materials for eco printing, a direct contact printing method that reveals leaf shapes and hidden imagery through heat and pressure. I take specific cues from surrounding materials, objects, and environments. Tree systems and compelling textures of fungus are interpreted through ceramic and fiber. With an ongoing collaboration of natural materials and eco printing processes, my art speaks symbolically and metaphorically through imagery and materials. This thesis and accompanying exhibition present an examination of current work in context with an ongoing investigation of natural materials and eco printing.
The Day Before The Day,
2023
Utah State University
The Day Before The Day, Marlaina Lutz
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
The reason any particular moment has the potential to change the course of your life is because of the accumulation of meaningful moments that happened in between. The in between is where care happens. It’s where acts of kindness are done without witnesses and where vulnerability is met with an unconditional reception. It’s where trust is built and where our darkest and brightest parts become exposed. Can you remember what you did the day before you decided someone was your best friend? Or what you did the day before you spoke to a parent for the last time? What about …
Tea Time With The Devil,
2023
Utah State University
Tea Time With The Devil, Hamish Jackson
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
Tea time with the Devil
Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its rocks, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite. This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.
Why this place and material?
The wild …
Through The Kaleidoscope,
2023
California State University, San Bernardino
Through The Kaleidoscope, Andrea Simpson
Electronic Theses, Projects, and Dissertations
Andrea Simpson, a California-based artist with a BA and MA from the California State University of San Bernardino, draws inspiration from the transformative power of psychedelics. Her artistic style merges vibrant colors, rhythmic patterns, and abstract forms, showcased across diverse mediums including ceramics, glass, and painting. Simpson's dynamic and experimental approach to art invites viewers on a mesmerizing journey that merges music, psychedelia, and contemporary art, providing a unique and immersive encounter.
Qualia,
2023
University of Nebraska-Lincoln
Qualia, Maxwell Henderson
School of Art, Art History, and Design: Theses and Student Creative Work
In this thesis, I examine the transformative potential of pottery through the lens of "qualia," the subjective experiences, emotions, and perceptions that shape our conscious lives. Stemming from my personal journey, which includes a childhood of poverty in Arizona and a biracial identity, I advocate for inclusivity and diversity in art and society by challenging material hierarchies and conventional artistic practices.
I delve into the vibrant aesthetics of Japanese Kutani porcelain, the fluidity and balance in ceramic vessels, and the impact of my background on my artistic approach. My experiences foster a rejection of painterly language and arbitrary hierarchies, prompting …
A Different Perspective On Christmas,
2023
Collin College
Tiny Details,
2023
Collin College
Valuation,
2023
Macalester College
Valuation, Tobias Gilbert
Art and Art History Honors Projects
My Studio Art honors project seeks to question the delineation between art, craft, and design and the lack of value placed on most everyday objects. While in our society homes are seen as an investment to be maintained and passed down, almost none of the objects that fill said home receive this level of care leading to mass consumerism of objects made merely to fit a function, not to last or hold their value. Valuation is a set of dining room furniture made of red oak and white ash accompanied by a full set of ceramic dinnerware and napkins. The …
Good Luck—You Don’T Need It,
2023
Cedarville University
Good Luck—You Don’T Need It, Madelaine L B Smith
Cedarville Review
Good Luck—You Don’t Need It is a functional ceramic tea set. This piece was inspired by the work of Mariana Baquero, and her use of text in ceramics. It was made using stoneware and fired to Cone 10. The writing that spans the set is from a letter given to the artist by her father before she started her freshman year at Cedarville University.