Getting Located: Queer Semiotics In Dress, 2019 The Graduate Center, City University of New York
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
All Dissertations, Theses, and Capstone Projects
The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what ...
Why Do They Sew? Women’S Motivations To Sew Clothing For Themselves, 2019 Georgia Southern University
Why Do They Sew? Women’S Motivations To Sew Clothing For Themselves, Addie Martindale, Ellen C. Mckinney
Apparel, Events and Hospitality Management Publications
Garment sewing is undergoing a resurgence in participation, with a growing number of women choosing to sew their clothing instead of buying readily available fast fashion. The purpose of this qualitative study was to understand the current motivations of an ethnically diverse sample of women who sew garments for themselves. The in-depth interview data from 15 interviews revealed personal fulfillment to be the overarching reason for participation. Personal fulfillment was achieved through main emergent themes of investment, control, and empowerment with 10 subthemes. Theoretical perspectives of prosumerism, craft and do-it-yourself consumption, and uses and gratification theory were applied to the ...
Spanning, 2019 The University of Western Ontario
Spanning, Mary Katherine Carder-Thompson
Electronic Thesis and Dissertation Repository
This dossier consists of three chapters. Chapter 1 is a comprehensive artist statement describing my system for spirit communication that leverages the latent power of wool processing tools. This system borrows strategies from varied sources including living history, paraconceptualism, and bricolage. Chapter 2 visually documents my studio practice over the two years of my MFA candidacy at Western University. Chapter 3 is a case study of Luanne Martineau’s 2009 drawing, Who are they you salute, and that one after another salute you. This case study addresses Martineau’s engagement with Modernism’s legacy and discusses how her work builds ...
Christopherson, Kathryn Kendall (Donley) "Katy," 1921-2017 (Mss 672), 2019 Western Kentucky University
Christopherson, Kathryn Kendall (Donley) "Katy," 1921-2017 (Mss 672), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Collection 672. Correspondence, articles, interviews, photographs, and printed matter relating to the work of Katy Christopherson, Louisville, Kentucky, as a maker, curator, judge, lecturer and writer on quilts and quilting. Includes material relating to her involvement with the Kentucky Heritage Quilt Society and the Louisville Nimble Thimbles, Inc.
Jennifer Tshab Her, 2019 DePaul University
Jennifer Tshab Her, Allison Bautista
Asian American Art Oral History Project
Artist Bio: My work demonstrates and complicates the politics of displacement through my experience as a second-generation Hmong-American woman. As a nation-less ethnic minority from Southeast Asia, I fear cultural extinction. I create work that reveals the diaspora of the Hmong, questioning the roles of site and place, and instead looking in-between. My work engages political and cultural space through multidisciplinary practices such as embroidery, installation, and social practice. I use color as a dialogue–a tool for bringing attention to space, claiming space and recognizing how spaces are claimed. I interpret the question of ownership, whether land or body ...
Sculpture As Souvenir: Reportable And Repeatable, 2019 Southern Methodist University
Sculpture As Souvenir: Reportable And Repeatable, Ashlyn Lee
Art Theses and Dissertations
In this paper, an analysis of the site as material, process, and concept for an artwork results in an understanding of the art object as a souvenir. Reportable and repeatable experiences are discussed and remembered in the six works of the Qualifying Thesis Exhibition at the Pollock Gallery. Of the six works is an installation, Catfish Fence, and five small works displayed on the gallery window sill: Bundle, Posted: No Trespassing, Sling, Right Recipe, and Margie Ruth’s Swing Where the Wasp Bit Me. Susan Stewart’s discussion of souvenirs from On Longing (1984) serves as a tool for considering ...
A Journey Into My Mind, 2019 Missouri State University
A Journey Into My Mind, Shen Chen Hsieh
MSU Graduate Theses
During my time as a student in the MFA in Visual Study Program, I have been interested in creating imagery that expresses my inner world that is based on my emotional experience. I believe my identity is influenced by my multi-cultural background, relationships, daily moments and my own introverted personality. I continue to experiment with various mediums and visual styles to communicate these feelings. Drawing, silk-screen printing, mixed media, and three-dimensional sculpture are the main mediums in my artwork. Exploring diverse mediums provides me opportunities to develop my self exploration in my images. I seek to express and understand the ...
Journey To My Roots, 2019 Missouri State University
Journey To My Roots, Ainura Ashirova Barron
MSU Graduate Theses
This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.
Universe Of Things: A Human Presentation Of Food-For-Thought., 2019 Washington University in St. Louis
Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern
Bachelor of Fine Arts Senior Papers
I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I ...
Examination Of Two Decades In Used Clothing Trade: The Case Of The United States And Selected Developed Economies, Youngji Lee, Ling Zhang, Elena E. Karpova
This research examined two decades of the U.S. used clothing exports to the world. All countries (209) were classified into four groups based on the level of economic development. Between 1996 and 2012, U.S. used clothing exports shifted away from low-income economies to high-income economies. For the first time, our research demonstrated that the majority of used clothing discarded by American consumers is exported to high-income economies instead of poorest nations of the world. Next, used clothing exports and imports by volume and value in seven high-income countries were analyzed. The high-income countries not only exported but also ...
Eternal Perspective: Synthesis Of Faith And Digital Printing In Creative Apparel Design, 2019 Central Michigan University
Eternal Perspective: Synthesis Of Faith And Digital Printing In Creative Apparel Design, Augusta Overy, Ling Zhang
This apparel design collection combines origami techniques and digital printing to create an inspiring and faith-filled line entitled Eternal Perspective. The line was inspired by the designer's faith and the importance of always maintaining an eternal perspective. Flat patterning techniques were used to create origami garments which fold into a vortex, spiral, and diagonal stair steps in the completed garments. Two different digital prints were inspired by eternal ideas represented by images which were modified in Adobe Photoshop. The main print motif used is an altered image of stained glass windows on the San Diego LDS temple. A sunflower ...
From Chinese Painting To Wearable Art: The Development Of Wearable Art Design Process Model And Evaluation Methods For Wearable Art Designers, Ling Zhang, Brent Holland, Eulanda Sanders
Applying design process model as the framework during the creative process facilitates documenting the process in a method easy to interpret and replicate for other wearable artists or designers. Thus, the purpose of this research were to: (a) fuse the techniques of Chinese painting and art philosophy with contemporary garment silhouettes to create three lines of wearable art that are inspired by the three most prominent motifs found in Dafang Zhang’s (the researcher/designer’s father) Xie Yi painting, (b) propose a model outlining a design system for creating wearable art useful to other designers and artists based on ...
Wish You Were Here, 2019 Washington University in St. Louis
Wish You Were Here, Janie Stamm, Janie I. Stamm
Graduate School of Art Theses
The State of Florida is under threat from the effects of climate change. Rising sea levels are creeping up on to Florida’s coast, eroding the beaches and encroaching on heavily populated cities. Over my lifetime I will watch the water spill over the streets of my home town. I will watch the water flood the Everglades, pushing saltwater into freshwater habitats. I will watch the water begin to drown the state, taking Florida’s many little known histories along with it. This thesis serves as a document of Floridian life during the Anthropocene.
Within this thesis, I tell the ...
Kiddush Levana, The Moon Is Your Handheld Mirror, 2019 CUNY Hunter College
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
School of Arts & Sciences Theses
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
Millennials' Acceptance Of Voice Activated Shopping, 2019 University of Nebraska-Lincoln
Millennials' Acceptance Of Voice Activated Shopping, Katelyn Nicole Sorensen
Textiles, Merchandising and Fashion Design: Dissertations, Theses, & Student Research
The rise of voice technologies has changed the way individuals complete tasks and interact with their devices. Retail companies are now offering voice features to shop for products, but there is a gap in literature about consumers’ acceptance of using voice technology to make purchases. Previous studies have compared the different brands of voice technologies, investigated privacy issues, or explained the acceptance of voice technology. Millennials’ acceptance and shopping through voice technologies have not been researched before. Kääriä (2017) calls for future studies to focus on voice technologies, since the technology is constantly improving, and new forms are entering the ...
All The Better To See You With., 2019 University of Louisville
All The Better To See You With., Monica Stewart
Electronic Theses and Dissertations
All the Better to See You With is a body of work that deals with the inherently complex relationships between fairy tales and feminism. Consisting of an installation of hand-embroidered life-size or larger, papier-mâché female body parts and a series of six mixed media works on paper, this collection of work uses the imagery of fairy tales to address the violence of female experience. Through an exploration of the role of women in both the writing and literary function of fairy tales, we can see connections between the truth and fiction of women’s work and violence against women.
(Un)Bound : Disrupting Notions., 2019 University of Louisville
(Un)Bound : Disrupting Notions., Reid Broadstreet
Electronic Theses and Dissertations
(un) bound: disrupting notions is a selection of art work that explores gender identity through the act of interpellation and the semiotics of clothing. The project aims to clearly define how concepts of “gender” and “sex” function in our language and, in turn, how the binary terms of these concepts (man/woman; male/female) enforce our genders rather than express them. Clothing is a particularly productive form for this investigation because clothing is often the way we express our gender, and yet it is also often produced for us along strict, socially-prescribed gender lines. Typically, conversations around gender are very ...
An Echo From The Living Room, 2019 University of Arkansas, Fayetteville
An Echo From The Living Room, Makayla Nichole Songer
Theses and Dissertations
We are unable to interface with reality as it is. Everything that encompasses our understanding of reality and ourselves—from our physical perceptions to our memories—are subject to innate flaws that make a complete grasp of reality impossible. an echo from the living room is invested in the idea that reality itself is malleable, taking influence from altered states of reality such as dreams, nightmares, and memory. Drawing from the personal experiences of recurring nightmares and living in a haunted house, as well film, the uncanny, and the multiple, an echo from the living room strives to create space ...
Costume Design For "Life Is A Dream" By Pedro Calderon De La Barca, 2019 University of Arkansas, Fayetteville
Costume Design For "Life Is A Dream" By Pedro Calderon De La Barca, Kelsey Looney
Theses and Dissertations
The following thesis explains the process used to create and implement the costume design for the production of Life is a Dream produced at the University of Arkansas in the spring of 2018. In this thesis I will detail the process of moving from research, to renderings, to finished costumes. This design process includes a script analysis, inspiration collages, portrait gallery, sketches, renderings, production photographs, and an assessment of the success of the process overall.
Costume Design For Qui Nguyen’S She Kills Monsters, 2019 University of Arkansas, Fayetteville
Costume Design For Qui Nguyen’S She Kills Monsters, Tanner Neal Mcalpin
Theses and Dissertations
The following thesis details the process of creating costume designs and implementing them in the production of She Kills Monsters which was produced at the University of Arkansas Black Box Theatre in the Fall of 2018. Throughout this thesis I will explain how the costumes went from initial research and conversations with the director to the final products on the stage. The account of this includes an analysis of the script, collages of photos used for inspiration, portrait gallery, research, rough sketches, renderings with fabric swatches, production photos, and my evaluation of the process as a whole.