Day Gone, 2020 Louisiana State University and Agricultural and Mechanical College
Day Gone, Matthew D. Zorn
LSU Master's Theses
As an exploration of the natural world and the otherworldly, Day Gone seeks to define the relationships between disparate places. Through the use of ceramic and supporting materials, the objects serve as a portal to a terra incognita of color, texture, and language. The installation is a catalog of experiences and feelings I hold consciously or unconsciously.
Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, 2020 Washington University in St. Louis
Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight
Graduate School of Art Theses
In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary ...
Alternative Methods, 2020 Louisiana State University and Agricultural and Mechanical College
Alternative Methods, Hunter Stabler
LSU Master's Theses
In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.
Digital imaging, digital modeling and ...
I Hear You Now, I See You Then, 2020 Ohio University
I Hear You Now, I See You Then, Quinn Hunter
Art + Design Masters Theses
In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry ...
The Healing Properties Of Interactive Art: Creating A Proposal For Art Within A Hospital Environment, 2020 University of Nebraska at Omaha
The Healing Properties Of Interactive Art: Creating A Proposal For Art Within A Hospital Environment, Alexandra Chase
The consumption of art and interaction with it can be beneficial to individuals in many different ways. Play and exploration engage the mind and can have positive effects, no matter how small. Within a medical setting, this type of interactive art can promote healing within patients by engaging their bodies and minds. With these ideas in mind, the Children’s Hospital and Medical Center (CHMC) put out a call for an interactive sculpture piece to be created for their upcoming building expansion. My piece, Garden Lanterns, was then conceptualized in order to fulfill their requirements and embrace the idea of ...
Dunidedcudigunadie, 2020 East Tennessee State University
Dunidedcudigunadie, Lawrence Reid
Electronic Theses and Dissertations
The artist discusses his Master of Fine Arts exhibit, titled DUNIDEDCUDIGUNADIE. The exhibit is to be held at the Tipton Gallery in downtown Johnson City, TN, from April 2nd to April 10th, 2020. A live reception will be held the evening of April 3rd, featuring a performance with the work, titled Look at You!
The following thesis explores the artist’s formative years – investigating how childhood experiences combine with artistic and theoretical influences to inform his art-making process.
Skin And Bones: A Sculptural Exploration Of Form And Structure, 2020 William & Mary
Skin And Bones: A Sculptural Exploration Of Form And Structure, Evan Broennimann
Undergraduate Honors Theses
I explored the ways in which sculpture can be used to evoke human traits of emotion, personality, and vulnerability. My work focuses on both the literal interior and exterior of the work, as well as other conflicting elements which can be created through the language of sculpture. I gained a newfound understanding of how to create works which confront and relate to the viewer, and a deepening of my understanding of the concepts that I addressed. My work addresses issues of size and scale, of strength and fragility, of damage and exaltation. The animal forms I create speak to something ...
Karli Steinbruegge, 2020 Murray State University
Karli Steinbruegge, Karli Steinbruegge
No abstract provided.
I Poked You Where We Were Connected, 2020 University of Nebraska-Lincoln
I Poked You Where We Were Connected, Sophia Ruppert
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
Life leaves behind physical and mental residue. Some of these remnants are precious while others are tragic. Regardless of its origin, this residue can be made beautiful. Remnants of the objects that surround us chronicle our history as complex individuals. My sculptures investigate my own physical and mental residue to dissect and examine my personal history.
I unravel experiences that are residually prominent in my memories. Of particular importance are events and objects that have shaped my perception of self.
stories told by my grandmothers
a dysfunctional family dynamic
objects that provide visual touchstones to my childhood
These fragments are ...
Rockhounding, Seafaring, And Other Material Tales For The End Of The World, 2020 Concordia University, Montreal
Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin
In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate ...
Apology Dice - Collaborative Conversation About Reconciliation, 2020 Thompson Rivers University
Apology Dice - Collaborative Conversation About Reconciliation, Clement Yeh
Teaching Practices Colloquium
The Apology Dice is an interactive art performance that engages small groups in conversation—about Indian Residential Schools, colonialization, and possibilities of reconciliation— through the rolling of large, custom-made cedar dice. Each die is cast one at a time to form a sentence. The words on the first die read: “I am” / “We are” / “They are”. The second reads: “so” / “fairly” / “really” / “not” / “somewhat” / “deeply”. The third die displays “sorry” on five sides and “tired of this” on the remaining side. The participant reads the sentence aloud and interprets its meaning, in the context of First Nations reconciliation in Canada ...
Feminism And The Staged Uncanny, 2020 CUNY Hunter College
Feminism And The Staged Uncanny, Jessica C. Mensch
School of Arts & Sciences Theses
In my Thesis, I work towards a new definition of the uncanny and show the transformation of its sense in the modern period. I will then show how this transformed sense appears in the media of mechanical reproduction—stage theatrics, photography and film—and, then, specifically in my art practice.
Not Much ∆, 2020 CUNY Hunter College
Not Much ∆, Patrick C. Mohundro
School of Arts & Sciences Theses
In the paper, Patrick Carlin Mohundro processes his relationship to the loss of his father, painting, and mythologies filtered through his mother and female-identifying conceptualist, artists, and theorists.
Resilience, Resistance And Revival In 20th-Century Yoruba Art, 2020 Hope College
Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andy Near
Kruizenga Art Museum Exhibition Catalogs
Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. No reproduction or use of any material, in whole or in part, without the written permission of Hope College. Charles Mason, author; Andrew Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.
Memory Bread, 2020 Ohio University
Memory Bread, Nisiqi
Art + Design Masters Theses
Memory Bread, constituting a daily performance ritual and the post-action objects, seeks to address the generational decline of mother language use in Inner Mongolia Autonomous Region, a post-colonized province of China. I chose to eat sliced white bread in the performance and later casted concrete sculptures as the extension of the action for both substances’ capitalistic nature. Being an invasive material that took over the traditional architectural lifestyle, the use of concrete mirrors the pervasive cultural and ethnic assimilation in China. Meanwhile, the materiality of concrete being a mixture of various substances also metaphors the mixed culture that Chinese-Mongolians are ...
...And Yet The Devil Exists, 2020 Virginia Commonwealth University
...And Yet The Devil Exists, John Hee Taek Chae
Theses and Dissertations
...And Yet the Devil Exists is a project that explores the ways in which ideology determines reality. It is an installation that plots and connects the historical and personal narratives that have defined my sense of identity–narratives in which perceptions of reality shatter, mutate, or hybridize when confronted with power, opportunity, or coercion. The installation component of the project consists of three parts. The first is an infrastructure made of wooden beams upon which paintings and images are installed; I call this the lantern. In the center of this is a round table on top of which is a ...
I Hope My Black Skin Don't Dirt This White Tuxedo, 2020 Virginia Commonwealth University
I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche
Theses and Dissertations
I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.
Grayscale Portfolio, 2020 Eastern Washington University
Grayscale Portfolio, Brandon D. Chambers
2020 Symposium Creative Works
This collection is intended to evoke the sensory details that are intensified by grayscale photography. Although photography is a visual arts medium, it possesses the potential to engage the viewers’ auditory, tactical, and olfactory senses. The color symbolism theory argues that through natural association and psychological symbolism, colors have specific connotations and therefore, elicit certain emotions. If this is, in fact, the case, what then can be gained from an image that is void of color? I feel that color often distracts the viewer from the intimate details of the images and prevents them from fully immersing themselves in the ...
Dredge The Foundry | For Dirt And Era, 2020 Fort Hays State University
Dredge The Foundry | For Dirt And Era, Woody Stauffer
Billions of years are past us and billions of years await. Shaping earthen material into sculptural abstractions is my way to sense and convey the lethargic natural progression of the planet. Fossilization, rot, dirt, plant growth, animal existence, and rust are aesthetics I endow with new perspectives and form through mold making and casting. The dichotomy between the eons of time behind us and the endless possibility of a technological future has inspired the addition of a science fiction aesthetic. To rust these computerized constructed geometric forms demonstrates how futuristic ideals will also wither away. In many ways we are ...
Fabrications, 2020 University of Montana
Fabrications, Molly V. Rivera
Graduate Student Theses, Dissertations, & Professional Papers
The objects that surround us tell a story of our past, and act as physical stand ins for a person, place, or experience no longer present. My work explores the significance of objects and how we use them to preserve our memories and make them tangible. Memory is ephemeral and changes over time, simultaneously growing weaker and stronger. I use clay to accentuate this relationship, visually depicting both preservation and decay.
Inspired by my personal narrative, I recreate specific objects of significance by hand. This results in subtle variations of the original, much like the changes in our memory over ...