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Passages Through The Ordinary: Human Pyramid, Daniel Dean 2018 Marshall University

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Daniel Dean

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully ...


Splitting Water With Wood, Matthew Smith 2017 University of Colorado, Boulder

Splitting Water With Wood, Matthew Smith

Art Practices MFA Theses

My thesis project Splitting Water with Wood is an installation consisting of a handmade boat and projected video of a durational performance that engaged the boat in unconventional ways. Throughout the project and paper, I employ conceptions of faith as a crucial lens to begin to understand my current body of work; a handcrafted boat as an exploratory apparatus, the labor surrounding it as an act of devotion, and a resulting performance that experiments with ideas about baptism. By challenging presupposed notions of how a boat traditionally functions, I rely on the lively materiality of the object and its environment ...


Motive Through Automotive Compassionately Criticizing The Desires Of Car Culture, Erika R. Lehrmann 2017 University of New Orleans

Motive Through Automotive Compassionately Criticizing The Desires Of Car Culture, Erika R. Lehrmann

University of New Orleans Theses and Dissertations

My artwork represents my admiration and criticisms of car culture I have gathered throughout my personal experiences beginning at a very early age. The work exists in the form of drawings, paintings, prints, collage and sculpture. This work is created through the elements of personal narrative, desires, obsessions, and questions surrounding car culture and its influences. My intention to refurbish the icons of this culture has involved creating work that is both obsessive and critical for personal exploration and understanding of past memories.


Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead 2017 The University of San Francisco

Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead

Master's Projects and Capstones

In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks ...


Invisible Invisibility, Eugina Song 2017 CUNY Hunter College

Invisible Invisibility, Eugina Song

School of Arts & Sciences Theses

White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.


A Chair In The Woods, Victoria Dolloff 2017 CUNY Hunter College

A Chair In The Woods, Victoria Dolloff

School of Arts & Sciences Theses

Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.


Forged By Fire: Glassblowers Take Crafting To A Whole New Level, Zac Neuendorf, Madison Finney, Sam Greene 2017 Iowa State University

Forged By Fire: Glassblowers Take Crafting To A Whole New Level, Zac Neuendorf, Madison Finney, Sam Greene

Ethos

After shaping, the glassblower takes a jackline, which is like a pair of huge tweezers meant to manipulate the glass, puts the line in the neck of the piece, and cools it by putting water on it. Then they take a metal rod called a punty, which is tipped with hot glass, and use it to transfer the glass work. The glassblower attaches the punty to that end of it and breaks it off at the neck of the piece, which is called a transfer.


Deboer's "Visual Arts In The Worshiping Church" (Book Review), Darcy Gullacher 2017 Alberta Bible College

Deboer's "Visual Arts In The Worshiping Church" (Book Review), Darcy Gullacher

The Christian Librarian

No abstract provided.


Murphy, Ruby Bradford, 1909-1995 (Sc 3142), Manuscripts & Folklife Archives 2017 Western Kentucky University

Murphy, Ruby Bradford, 1909-1995 (Sc 3142), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3142. Short article about Nellie Verne Walker, a sculptor from Iowa, titled “Little Lady With a Big Idea,” accompanied by 11 photographs.


Leonard Baskin: Imaginary Artists, Kathya M. Lopez, Erica M. Schaumberg 2017 Gettysburg College

Leonard Baskin: Imaginary Artists, Kathya M. Lopez, Erica M. Schaumberg

Schmucker Art Catalogs

Leonard Baskin (1922-2000) was an American sculptor, illustrator, and printmaker. He is perhaps best known as a figurative sculptor and a creator of monumental woodcuts. The Gehenna Press, Baskin’s private press, operated for over 50 years (1942-2000) and produced more than 100 volumes of fine art books. His most prominent public commissions include sculpture for the Franklin Delano Roosevelt Memorial and the Woodrow Wilson Memorial, both in Washington D.C., and the Holocaust Memorial in Ann Arbor, MI. Baskin received numerous honors, among them a Guggenheim Fellowship, the Gold Medal of the National Academy of Arts and Letters, and ...


Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel 2017 York University

Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel

The Goose

Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.


Community Based Project: The Block Beautification Project: One Artist’S Work To Help Make West Baltimore Beautiful, Kenneth Clemons 2017 University of North Georgia

Community Based Project: The Block Beautification Project: One Artist’S Work To Help Make West Baltimore Beautiful, Kenneth Clemons

International Social Science Review

Kenneth Clemons, lead artist in a public artwork/beautification project in Baltimore, Maryland, shares his experience creating public art for the community.


Never Forgets: Traumatic Trace Within Public Space, Jan Descartes 2017 The Graduate Center, City University of New York

Never Forgets: Traumatic Trace Within Public Space, Jan Descartes

All Dissertations, Theses, and Capstone Projects

This paper will interrogate the ways in which ephemera from events affects the human and non- human environment and how the absence, manipulation or presence of traumatic trace weaves itself into the atmosphere of the past, present and future. It will look at space and the ways that trace manifests itself in hierarchal spaces and Lebbeus Woods’ concept of heterarchial spaces, which are organic and/or horizontally organized. A thread throughout is the question that if trace from trauma can exist in the visual field, i.e. the physical or digital landscape, in a way that maintains a discourse without ...


Dragon Mask, Leah C. Nofsinger 2017 Gatton Academy of Mathematics and Science

Dragon Mask, Leah C. Nofsinger

Sierpinski’s Square

No abstract provided.


Cranes And Lamppost, Leah C. Nofsinger 2017 Gatton Academy of Mathematics and Science

Cranes And Lamppost, Leah C. Nofsinger

Sierpinski’s Square

No abstract provided.


Going Home, Emily Susannah Budd 2017 Missouri State University

Going Home, Emily Susannah Budd

MSU Graduate Theses

I continue to explore the space that exists between worlds and ideology in an attempt to blur the demarcation between them. Using the everyday, I attempt to show features of the uncanny and sublime nature of common objects by including fantastic elements while maintaining an illusion of reality. Rather than showing the audience one true meaning, I offer them a lens to one of the infinite possibilities. The story is left for the observer to complete, each narrative unique and valid. As the Western viewer tends to seek out absolutes and categorical placements, I try to create a venue that ...


Building Bridges Through Meaningful Occupation, Jennifer Fortuna 2017 Western Michigan University

Building Bridges Through Meaningful Occupation, Jennifer Fortuna

The Open Journal of Occupational Therapy

Mary Block, MS, OTR/L, an occupational therapist and artist based in Illinois, provided the cover art for the Summer 2017 issue of The Open Journal of Occupational Therapy (OJOT). Generations is a sculpture made from concrete that measures 240 x100 in. (6.096 x 2.54 m). The piece was commissioned by Mary’s home town, the Village of Deerfield, IL. Mary always knew she wanted to be an artist. When competing paradigms altered Mary’s career path, the field of occupational therapy helped her to shape a new worldview. In uncertain times, meaningful occupation empowered Mary to start ...


La Vida Y Andanzas De Un Libro Antiguo En Nueva España Y La Península Ibérica. Cultura Escrita En La Obra Hierofánica Del Doctor Don Alonso Alberto De Velasco, Raul Manuel Lopez Bajonero 2017 The University of Western Ontario

La Vida Y Andanzas De Un Libro Antiguo En Nueva España Y La Península Ibérica. Cultura Escrita En La Obra Hierofánica Del Doctor Don Alonso Alberto De Velasco, Raul Manuel Lopez Bajonero

Electronic Thesis and Dissertation Repository

In 1688 a legal text, Renovación, was printed in Mexico City, the capital of the Viceroyalty of New Spain, that explains a twelve year trial that focuses on determining if a 16th century sculpture miraculously renewed itself. The final decision came from the Archbishop of Mexico City. A year after the book’s publication, the sculpture was recognized as miraculous. In 1699, ten years after this event, the author of Renovación wrote another book that narrates the same sculpture's history, Exaltación, but addressed a wider audience, and from a religious and pious perspective. The Exaltación was republished a ...


Prevail: In The Moment..., Nicole Stahl 2017 California State University - San Bernardino

Prevail: In The Moment..., Nicole Stahl

Electronic Theses, Projects, and Dissertations

This body of work is composed of sculptural mixed media objects and scenes that heavily utilize cast glass. These pieces are physical representations of my quest to seek mental balance by focusing on what brings me happiness and comfort while still honoring mortality.

Moldmaking and repetition of process innate within casting and other aspects of this work makes me focus and revisit an idea, repetitively, like a meditation or a prayer. The intense focus required helps combat my anxiety and translates anxious energy into more positive, productive, balanced way of living.

Part of this balance requires the acknowledgment of the ...


Anthropo-Scenes, Ibel M. Sinohuiz 2017 California State University, San Bernardino

Anthropo-Scenes, Ibel M. Sinohuiz

Electronic Theses, Projects, and Dissertations

ARTIST

My work is a melding of mythology and personal experience. Growing up in the harsh desert of the Coachella Valley, I found refuge in music and art. My desire to become a drummer has leaded me to create a persona called Baby Lamb. Baby Lamb is a symbolic representation, as well as a physical manifestation of this desire and she is slowly evolving, eventually becoming my alter ego. Currently, the artwork that I create is a chapter in the life story of Baby Lamb.

BABY LAMB

Baby Lamb's art shows have included a collection of relics that have ...


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