Through The Eyes Of The Animator, 2016 Vocational Training Council
Through The Eyes Of The Animator
SIGNED: The Magazine of The Hong Kong Design Institute
Few non-native animators have found international success in America quite like Raman Hui. We speak with the Hong Kong creative about his work in Hollywood and his new-found fame in China.
Get Out The Vote 2016, 2016 University of Texas at El Paso
Get Out The Vote 2016, Anne M. Giangiulio
Anne M. Giangiulio
Ouachita To Host Senior Art Exhibit By Lauren Teague Nov. 1-15, 2016 Ouachita Baptist University
Ouachita To Host Senior Art Exhibit By Lauren Teague Nov. 1-15, Sarah Davis, Ouachita News Bureau
Ouachita Baptist University’s Rosemary Adams Department of Visual Arts will host Lauren Teague in her senior art exhibit, “Converge.” The exhibit will be on display in Moses-Provine Hall’s Rosemary Gossett Adams Gallery from Nov. 1-15. A reception will be held Saturday, Nov. 5 at 3 p.m.
Teague is a senior graphic design major from Jonesboro, Ark. She describes her work as either bright and full of color or dark and twisted. For her senior show, Teague wanted to portray the two extremes as a spectrum.
The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, 2016 SIT Study Abroad
The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey
Independent Study Project (ISP) Collection
This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19th and early 20th century India and Ravi Varma’s role within it, I gained a clearer understanding of the ...
Testing The Viability Of A 3d Workflow Using Only Adobe Creative Cloud, 2016 Cal Poly State University San Luis Obispo
Testing The Viability Of A 3d Workflow Using Only Adobe Creative Cloud, Matthew D. Oakes
To determine whether or not a design team or individual designer can create 3D prototypes and the subsequent finished product in a more economically sound and timely manner by purchasing and utilizing Adobe Creative Cloud applications as opposed to the standard workflow that has been established in the past 20-25 years.
A 15-question qualitative survey was submitted to twenty (20) 3D product designers/engineers that currently work in the established industry. Questions were asked to determine what the standard industry professionals are using in their 3D design workflows and if they are open to newer methods that are becoming available ...
Feedback In Concept Development: Comparing Design Disciplines, 2016 Iowa State University
Feedback In Concept Development: Comparing Design Disciplines, Seda Yilmaz, Shanna R. Daly
Design feedback is an essential pedagogical tool to promote student design progress, yet little research has focused on what instructor feedback looks like, especially across design disciplines. In this paper, we analyzed feedback provided in dance choreography, industrial design, and mechanical engineering to explore variation in feedback type across disciplines as well as how feedback type encouraged students to take convergent or divergent paths in their design processes. Many common feedback types were observed across the three disciplines, regardless of variance in context and expectations, as well as some notable distinctions. With regards to feedback directing convergent and divergent thinking ...
Leap Of Imagination: Design Heuristics Help Students Think Outside The Box And Devise Novel, More Diverse Solutions., 2016 University of California - Berkeley
Leap Of Imagination: Design Heuristics Help Students Think Outside The Box And Devise Novel, More Diverse Solutions., Julia Kramer, Shanna Daly, Seda Yilmaz, Colleen Seifert, Richard Gonzalez
Innovations depend on creative-concept generation, but engineering students often struggle to come up with ideas. They typically proffer a handful and fixate either on their first idea or existing solutions. As a result, students explore only a narrow subset of possible solutions.
Visual Brand Identity Of Food Products: A Customer’S Perspective, 2016 International Hellenic University
Visual Brand Identity Of Food Products: A Customer’S Perspective, Panagiota Moutaftsi Ms, Panagiotis Kyratsis Dr
Journal of Applied Packaging Research
Purpose – The aim of this research is to explore the benefits of a customer based approach on food packaging design. A case study of a small production honey brand is used.
Design/methodology/approach – For the design process, a survey that involved visual elements was conducted as an online questionnaire. The final size of the sample consists of 285 questionnaires.
Findings – The research findings indicate that packaging is a great influencer for consumers and the synergy of consumers with companies can be a catalyst for the product design process resulting in package designs, which engage potential customers and drive sales ...
Campfire Delights, 2016 Winthrop University
Campfire Delights, Tarah Catalano
Light Univers, 2016 Winthrop University
Light Univers, Savannah Holder
Full Issue, 2016 Winthrop University
Full Issue, The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
All Tied Up, 2016 Winthrop University
All Tied Up, Rhiannon Bode
Full Issue, 2016 Winthrop University
Full Issue, The Anthology
This is the entirety of the 2014 Winthrop Anthology issue.
How-To Understand And Create Hip-Hop Art, 2016 California Polytechnic State University, San Luis Obispo
How-To Understand And Create Hip-Hop Art, Joshua Wolcott
Typography is an essential component of Graphic Communication. The purpose of this study was to bridge typography with hip-hop art. To bridge the two disciplines, hip-hop art was presented in the context that it is actually practiced by these artists. The use of a questionnaire and a drawing lesson was intended to bring the subject within its true context. Presenting the art form in its true context enabled participants involved in the study to understand the art form with the perspective that the discipline, like typography, involves the use of lettering. Participants that were interested in drawing were able to ...
Wanderlust, 2016 Western Oregon University
Wanderlust, Jen Bracy
A collage of images found by Jen Bracy. This design uses a wide variety of objects, from cellular to geologic structures and patterns, to reference the earth. There are numerous ways to travel to other cultures, literally or metaphorically through stories and research. One who is curious and open truly experiences the richness and diversity of life on this planet.
The Operational Interface, 2016 Rhode Island School of Design
The Operational Interface, James Wheaton
The operational interface is an examination of the effects exerted by interface environments predicated on a genealogical analysis of their form and structure as a mediating apparatus. Through leveraging the embedded logic of these spaces, I develop a self-reflexive inquiry into the various ways interfaces model the cognitive faculties of its users. This inquiry is divided into a tripartite program: the application of interface logic to aesthetic tool systems, it’s modes of representation in formal terms and the appropriation of these structures for novel (re)application.The Operational
Dimensional Flatland: Beamer, Drone, Flash Drive, 2016 Rhode Island School of Design
Dimensional Flatland: Beamer, Drone, Flash Drive, Scarlett Xin Meng
The impact of the Internet and digitization is pervasive and pervious. Users constantly interface with a constructed virtual world of worlds, simulated by signs and representations. The web content appears to exist but only fades into oblivion. Digital imageries promise the HD real but can never be as phenomenal as our physical experience, and instead render an alternative fantasy of deceptive factuality. This is a hyperlinked network of data and pixel information that takes no solid permanent shape, and claims zero responsibility for altering and molding our consciousness in this technological fiction.
Dimensional Flatland: Beamer, Drone & Flash Drive responds to ...
Hyphen Nation: A Reconciliation, 2016 Rhode Island School of Design
Hyphen Nation: A Reconciliation, Lynn Amhaz
As a transnational living between Beirut, Lebanon, and Providence, Rhode Island, in the United States, I use my design practice to negotiate, reconcile and inform a cultural identity defined through an equation of two different nations. I am open to what comes from this reality between. Linguistically, a hyphen simultaneously binds and divides a compound term. As a designer, I view the hyphen as a shifting axis for telling stories. In the process, I approach the hyphen as an indeterminate zone — a productive site for authoring systems and suggesting narratives linking two nations — their cultures, languages, times and geographies.
Live Edges: All Possible Adjacencies, 2016 Rhode Island School of Design
Live Edges: All Possible Adjacencies, Rebecca Leffell Koren
Edge is a deceptive word. It suggests lines, borders, designations—a kind of certainty. I see edge instead as a porous adjacency—the noise at the intersection of planes that adds meaning, rather than separation. Live Edges is a design research practice that is hyperobservational and multi-planar. Equal parts training ground and methodology, what began as an effort to derive graphic form from the intangible qualities of place developed into an approach to parsing complexity.
Setting locality as my origin point, signifiers of place—materiality, behavior, orientation, architectural form—serve as catalysts for graphic response. I interpret landscape in order ...
Traversing Languagescapes, 2016 Rhode Island School of Design
Traversing Languagescapes, Desmond Pang
To maneuver is to design. As a multilingual graphic designer, I maneuver across different languages and their respective scripts. My work invites my audience to take a leap with me into unknown languagescapes.
Through sampling, analyzing similarities and differences, switching applications and contexts, challenging functions, inserting and overlaying recognizable visual systems as well as combining disparate language scripts, I become a guide for my audience, assisting them, regardless of mother tongue, to attain a degree of understanding when faced with an unfamiliar language.
My thesis asserts the critical role graphic designers play in demystifying and cracking language barriers. Every graphic ...