Theory and Criticism Commons^™

Sexism In Art: From The Fundamentals To Art Critiques, Debbie Nuno

Art 525/Art History 5290 Papers

No abstract provided.

A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin

Oswald Research and Creativity Competition

Japanese contemporary artist Yayoi Kusama has developed her career through the continued use of the infinitely repeated polka-dot motif, an element that has not only persisted throughout the entirety of her work, but has also become a fundamental aspect of her self-presentation. Kusama has long suffered from a mental affliction called cenesthopathy, which results in intense hallucinations and anxiety attacks. Her use of the polka dot is not only a way for her to visualize her hallucinations, but also an example of the physical commitment (identified by Kusama as self-obliteration) she has to her work—her repeated application of small motifs …

Consciousness Engendered Throughout Lena Dunham's "Girls" : Female Subjectivity Vs The Problem Of Post-Feminism, Heeyeon Kim

Legacy Theses & Dissertations (2009 - 2024)

The inequality between genders is an idea still endorsed in everyday life throughout media, political discourse, and relationships. Gender discrimination spurs feminists to strive for equity and has become the motivation for the changing and progressive message in their writings and artworks. Lena Dunham’s HBO TV series Girls is such a work and is distinctly unique when compared to Hollywood’s presentation of the standard image of women, and thus, has been used as an initiation into the study of post-feminism and the contemporary media. Dunham’s attitudes and ideas shown in Girls has the same vigorous feminist movement resembling the rebelliousness …

Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu

Scripps Senior Theses

In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally agree with …

Drawings For Paintings In The Age Of Rembrandt, Saskia Beranek

Art Inquiries

No abstract provided.

Walter De Maria: Meaningless Work, Amanda Dalla Villa Adams

Art Inquiries

Book review of Walter De Maria: Meaningless Work, by Jane McFadden.

Front Matter

Art Inquiries

No abstract provided.

An Interview With Eloisa Guanlao, Karissa Bushman

Art Inquiries

No abstract provided.

American Women Artists, 1935-1970: Gender, Culture, And Politics, Lucy Curzon

Art Inquiries

Book review of American Women Artists, 1935-1970: Gender, Culture, and Politics, edited by Helen Langa and Paula Wisotzki.

Dispatches, Sunny Spillane

Art Inquiries

No abstract provided.

Public Art Between Authoritarianism And Democracy (The Case Of The Maidan Protest In Ukraine), Asia Bazdyrieva

Dissertations and Theses

This thesis explores the spatial organization and public art of Kyiv’s Independence Square to address broader social and political realities after the Maidan protests of 2013-14. Using theories of power and ideology, this study demonstrates how the discourse on public art reflects the political situation of post-revolutionary Ukraine, and how public engagement with urban space signals a paradigmatic shift in the developing country’s process of self-identification. The purpose of this thesis is threefold: first, to identify the Soviet ideological approach embedded in the spatial organization of Kyiv’s administrative center (including the Maidan); second, to examine artistic interventions at the site …

Monstrous Allure: Polyphemus In Pompeii, Glenda Swan

Art Inquiries

No abstract provided.

Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani

Art Inquiries

No abstract provided.

Art Inquiries, Xvii:2, Full Issue

Art Inquiries

No abstract provided.

Shattered Landscapes: Revolutionary Ruins In The Virginian Watercolors Of Benjamin Henry Latrobe, Julia A. Sienkewicz

Art Inquiries

No abstract provided.

The West Virginia New Deal: Blanche Lazzell’S Mural In Morgantown, Kendall J. Martin

Art Inquiries

No abstract provided.

Insecurities: Tracing Displacement And Shelter, Elizabeth Berkowitz

Art Inquiries

No abstract provided.

Architecture And Memory In Jacques-Louis David’S Sabine Women, Heidi E. Kraus

Art Inquiries

No abstract provided.

After Caravaggio; Caravaggio And The Creation Of Modernity, Donald Schrader

Art Inquiries

Book review of After Caravaggio, by Michael Fried, and of Caravaggio and the Creation of Modernity, by Troy Thomas.

Artemisia Gentileschi E Il Suo Tempo (Artemisia Gentileschi And Her Times), Marjorie Och

Art Inquiries

No abstract provided.

Cross Country: The Power Of Place In American Art, 1915-1950, Naomi Slipp

Art Inquiries

No abstract provided.

Arts: A Guide For Conservators, Curators, And The Curious, Kari Rayner

Art Inquiries

Book review of Arts: A Guide for Conservators, Curators, and the Curious, by Roy S. Berns.

Back Matter

Art Inquiries

No abstract provided.

Marilyn Minter: Pretty/Dirty, Susan Richmond

Art Inquiries

No abstract provided.

Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.

The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …

The Practice Of Cartography: Imagining World Art Studies After Eurocentrism, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

As the discipline of art history becomes increasingly global, the prevalence of European systems of thought and the supremacy of European systems of value in the way that we record, synthesize, teach, and preserve history have become increasingly apparent. This primacy of European systems of value, what we may call Eurocentrism, can be reduced to a problem of singularity: the belief in a single canon, a single timeline, or a single hegemonic center. Taking as subject; the theoretical infrastructure of the discipline itself, the Eurocentrism that has shaped it, and the past twenty years of postcolonial discourse, this paper seeks …

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Marsilio Ficino's Music Theory, Eoin A. Trimble

Oglethorpe Journal of Undergraduate Research

This paper explores the musical theory of Marsilio Ficino, a 15th century Italian philosopher. Examining his own work and those works which inspired him this paper attempts to explain his theory and understand its place in the world today. Looking at modern examples of the Renaissance philosopher's ideas shows that he may not have been too far from discovering the truth.

It Could Have Been Great: An Examination Of Kandinsky's Bauhaus Paintings And The Great Synthesis Of The Arts, Deanna Brooks

Institute for the Humanities Theses

When Nazism descended upon the German art world in the late 1920s and throughout the 1930s, artists were treated as an expendable group of "political undesirables." Among them was Russian painter Wassily Kandinsky (1866-1944), who experienced firsthand the political pressure placed on his career, as he attempted to visualize a weltanschauung or "world view," that involved the marriage of different types of art, media, and practices. For Kandinsky the "Great Synthesis of the Arts" revealed the collective historical narrative, to which all artists contributed, and he strove to actualize this lifelong goal over the course of his teaching career at …