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Full-Text Articles in Theory and Criticism

The European Diary Of Fred And Lillian Lear, Patricia Newman Jul 1978

The European Diary Of Fred And Lillian Lear, Patricia Newman

The Courier

This article describes the journals and sketches of Frederick and Lillian Lear, now housed in Syracuse University Special Collections. The couple toured Europe just a few years before the dawn of World War I. Frederick, an architecture professor at Syracuse University, critiqued the style of European art and architecture of the time, while Lillian offered interesting observations of Eueopean culture.


Faust In His Study: The Paradox Of Visual Representations And Poetic Possibilities, Donna Ramsey Jul 1978

Faust In His Study: The Paradox Of Visual Representations And Poetic Possibilities, Donna Ramsey

Institute for the Humanities Theses

The Faust theme has inspired individuals to creative endeavors over the years. While many of the resulting literary works are widely recognized and highly valued, few of the pictorial efforts have been similarly acknowledged. This investigation treats this apparent paradox as it applies to the soliloquy in the first scene of Part I of Goethe's poetic drama. The first part of the study compares the written word with its graphic interpretation, utilizing twenty-seven portrayals of Faust in his Study. The second section traces the iconography of the scene in a broader context, using twenty-eight prototypes which correspond to the depictions. …


Three Essays On The Reality Of Art, Brent A. Sparlin Jan 1978

Three Essays On The Reality Of Art, Brent A. Sparlin

Masters Theses

Three essays make up the main body of the thesis. The essays, “Can Art Really Be Real?,” “The Artist's Role” and “The Artist's Role in Society, Part II; Silence,” each deal with specific subjects which when combined, explain the thesis' title, The Reality of Art.

The first essay, “Can Art Really Be Real?” is an attempt to clarify what is real from what is unreal in art. The essay deals first with representational realism (such as is found in the work of Thomas Eakins), and defines artists who strive for exact renderings of objects as being illusionistic and not …