Theory and Criticism Commons^™

The Understanding Of The Other In Orientalist And Primitivst Art, Jasmine Groves, Jasmine A. Groves

Honors College Theses

In 1978, Edward Said published Orientalism, a seminal book that shed light on one of the “leftovers” of European colonialism. In it, he describes the West’s attempts to exotify and romanticize the non-Western world. While the Near East, the Far East, and East/Southeast Asia are geographic terms that correspond to specific countries and cultures, the “Orient” is a Euro-American fantasy that only exists to contradict the West. The term is intentionally vague in order to satisfy any and all exotic desires that a consumer may have.

A great deal of European and American artists found inspiration in the ...

Fakes, Forgeries, And Value Perception, Pearson Moore

Honors Theses

Fakes and forgeries generate a false sense of value in the art market that changes the perception of authentic works. Understanding the difference between a fake and a forgery is essential for explaining the schemes of deceivers who have fooled the art market into believing their work is of grandiose value and prestige. The creation of a forged piece or fake provenance documents requires immense artistic skill and a talent for breaking the rules. Examining famous figures and the criminal cases against them is a great way to work backwards from their “successes,” tracing the alleged origins of the piece ...

Book Review: Anna Watkins Fisher. The Play In The System: The Art Of Parasitical Resistance, Nora Almeida

Publications and Research

No abstract provided.

The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons

Undergraduate Honors Theses

Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.

Much of my analysis focuses on the ways Truitt makes her intentions ...

Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow

Honors Theses

“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by reinvigorated ...

Criticizing Past And Modern Ideology Through Twisted Comedy Series: A Case Of "Comrade Detective", Damian Winczewski, Slawomir Czapnik

Class, Race and Corporate Power

The objective of the paper is to solve the interpretative controversies around Comrade Detective, one of the most original TV entertainment productions of the recent years. This production is a pastiche of American buddy police films. The plot refers to the reality of the socialist Romania in the 1980s and presents in a satirical way the local militia’s fight against the American threat. We have attempted to prove that its not only deriding the reality of the political system, but the series constitutes also a satire on American propaganda films. Although the humour in the series seems vulgar and ...

Circulation Of Images, From Recognition To Erasure: An Artist’S Response, Lei Xie

Artl@s Bulletin

This article revolves around my practice, as an artist, which has an essential link with images and their circulation. In a subtle way, painting offers me a language allowing me to explore the polysemy of the chosen image, to experience a vocabulary both figurative and abstract. My practice could choose and process "ordinary" images, which are diffused but whose diffusion does not alter the subject, and has no consequence on the latter. It can also retain images whose strength is intrinsic to their circulation, to their popularization, to their controversy, images which will however ultimately generate paintings, and simultaneously erasing ...

Breaking The Feedback Loop: Experimental Filmmakers Confronting Everyday Surveillance Technologies, Taz Coffey

University Honors Theses

Along with shifts in how surveillance technologies work to control and capitalize on everyday life comes a need to understand and critique them. What past and present paranoid dystopian stories and other pop-culture parables seem to leave out is any thoughtful consideration of how surveillance racializes bodies and consolidates power in favor of racist hegemony, specifically in a post-9/11 context. We often fail to question in what ways popular discourse on surveillance and resistance to surveillance practices reinforce violence against--and consolidate control over--marginalized populations. Part of this almost willful negligence, I believe, is symptomatic of visibility’s status as ...

Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev

School of Arts & Sciences Theses

This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.

The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,

Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became ...

Covid-10, Healthcare Interior Design + Provider Experience - How Does Your Space Work For You?, Ruth E.P. Deibler

Graduate Research Posters

The lack of research on healthcare staff experience and interior design of the spaces they work in is evident. A focus on staff perspective is needed, particularly staff who navigated the COVID-19 pandemic. This research seeks to capture those stories to develop further research in order to improve staff experience. The initial phase of this mixed-methods approach is a survey. Hypothetically, by placing providers at the center of qualitative research related to healthcare interior design, we can better understand existing healthcare spaces. Ideally, we can develop additional evidence-based, human-centered solutions to transform interior environments in healthcare.

The 20-year Women’s ...

Oversexualization In Primitivism, Morgan Maureen Fleetwood

Student Publications

This essay examines how Primitivist artwork of the late 1800s and early 1900s by Matisse, Gauguin, and Picasso oversexualized colonized women. White European male artists viewed colonized women as the ‘other’ through a biased racialized and gendered lens. Fatimah Tobing Roby’s theory of Ethnographic Spectacle and Kimberlé Crenshaw’s theory of intersectionality are evident in these Primitivist works. Through a deeply rooted colonial mindset, European male artists exploited the image of colonized women because they are considered outside of history and unevolved. Colonized women experienced this unfair treatment due to their unique intersectional position of gender and race, as ...

The Habits Of Settlement: A Critical Phenomenology Of Settlerness, Deanna L. Aubert

Electronic Thesis and Dissertation Repository

This thesis investigates the role of settlers in maintaining settlement in Canada. I problematize settler bodies to deliberate on their potential for performing decolonization. My discussion seeks to complicate theoretical approaches that position the onto-epistemological stance of the settler as their impediment to decolonizing action. Drawing from the fields of phenomenology and affect theory, I discuss habit formation in bodies. I use case studies that discuss settler-Indigenous land relations to ground these theories of habit. I look to Indigenous leaders, artists and scholars, who offer valuable insights into the habituations of settlement as an institutionalized arrangement and a mode of ...

Norman Lewis: Linearity, Politics, And Pedagogy In His Abstract Expressionism, 1946–1964, Andrianna T. Campbell-Lafleur

Dissertations, Theses, and Capstone Projects

This dissertation focuses on Norman Lewis’s studio practice between the years 1946-1964 in particular his associations with the painters Romare Bearden, Robert Motherwell, Ad Reinhardt, and David Smith. Lewis’s influence extended far into the twenty-first century. As told by numerous contemporary art practitioners—Firelei Baez, Mark Bradford, David Kennedy Cutler, Charles Gaines, Rashid Johnson, Julie Mehretu, RJ Messineo, and Jack Whitten—Lewis was the mentor, friend, father and grandfather figure of an innovative black artist working with abstraction. In Chapter 1: An Integrative Line of Becoming, I trace Lewis’s change from Social Realism in the 1930s to ...

The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Working paper and timeline about the nomination and listing process of the UNM Zimmerman Library “Three Peoples” paintings to the National Register of Historic Places.

America’S Finest Housing Crisis: Racialized Housing & Suburban Development, Vicenta Martinez Govea

McNair Summer Research Program

U.S. Government operations between 1940-1950 brought unprecedented direct and indirect employment opportunities to San Diego, exacerbating an already growing housing shortage. To accommodate the thousands of new defense workers, the government produced the largest defense housing project to date in the small neighborhood of Linda Vista. However, this opportunity and largesse was extended primarily to a select group of white working-class families who had access to defense jobs and, consequently, subsidized housing. Military presence in San Diego during World War II shaped the design of homes and exclusively allocated housing, as both shelter and financial instrument, to white working-class ...

Painting Politics: The Anarchist Art And Lives Of Camille Pissarro And Barnett Newman, Johan Marby

School of Arts & Sciences Theses

The times in and around the Paris Commune and the Depression followed by Second World War in the United States were instances in history that greatly influenced artists’ output. This thesis investigates how anarchist thought and activities during these periods, respectively, affected the œuvres of Camille Pissarro and Barnett Newman.

Cecily Brown And Maureen Gallace: Teaching Covert Feminism In Public School, Danielle Salyers

Institute for the Humanities Theses

Feminist art consisting of explicit, provocative, and politically charged imagery is common in the university setting and the wider art world. Although this freedom from inhibition certainly functions as a valuable source of inspiration for those fortunate enough to participate in the institution of higher education, content of this nature potentially works against feminism’s goals by excluding the youngest audience at the moment they are forming ideas about gender relations; students at the K-12 level. As a public-school art educator, I am faced with strict censorship policies that make it difficult to include students in the ongoing feminist conversation ...

The People Who “Burn”: “Communication,” Unity, And Change In Belarusian Discourse On Public Creativity, Anton Dinerstein

Doctoral Dissertations

The main intellectual problem I address in this study is how everyday communication activates the relationship between creativity, conflict, and change. More specifically, I look at how the communication of creativity becomes a process of transformation, innovation, and change and how people are propelled to create through everyday communication practices in the face of conflict and opposition. To approach this problem, I use the case of communication in modern-day Belarus to show how creativity becomes a vehicle for and a source of new social and cultural routines among the independent grassroots communities and initiatives in Minsk.

On one level, I ...

Gut Feeling, Shelby Fleming

Theses and Dissertations

Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory ...

Aids Normalization, Alexandra Juhasz, Theodore Kerr

Publications and Research

Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New York’s Leslie-Lohman Museum of Art, which was on view from September 2019 to January 2020, and other contemporary AIDS culture.