Theory and Criticism Commons^™

The Death And Rebirth Of The Feminine Muse: Edgar Allan Poe And Sylvia Plath, Noha Ibrahim

Theses and Dissertations

While drawing on mythology and a literary history that associated women with death as well as creativity, Edgar Allan Poe and Sylvia Plath experimented with binary oppositions such as masculine/feminine, composition/decomposition, and death/(re)birth. They gained inspiration from the same source, the dead muse, but how do they transform traditions that derive from classical and medieval literary precedent, perhaps in ways that are inherently critical of patriarchal modes of gender dynamics? Why is Poe fixated on a feminine dead muse while Plath is inspired by what she calls her “father-sea-god muse”? How do both authors represent the female body, and how …

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

Garden Etiquette, Kai Wasikowski

Masters Theses

Garden Etiquette is an ongoing project concerned with landscape photography, environmental conservation, and the way they have both served the settler colonialist agenda. I focus specifically on the conservation ideologies shaped in New South Wales (NSW) Australia and New England, United States of America (USA) in the late nineteenth century and the settler visualities that underwrote them. Both countries’ histories were marked by photography and conservation’s common function of mythologising land as empty space—to be invaded, extracted and occupied, and wilderness—to be territorialized and protected, albeit, in distinct ways.

With British, German and Polish settler ancestry, born and raised on …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

A Part Apart, Spenser Atlas

Masters Theses

I am fascinated by connections. Things that click, snap, slide, and hold. I care about the ways in which objects meet, looking for answers in the space between. What binds one thing to another?

I believe the world is presented to us in pieces. It’s hard to say how it all comes together. It's easy to believe things are shapeless and detached from each other. Connection is a bridge, a way of linking one thing to another that reveals interdependence, and eventually moves outwards to express a correlation between pieces, once assumed to be discrete and isolated.

This work is …

Becoming George Lucas: From Avant-Garde, Auteur, Independent Artist To Studio Executive, Ryan Thompson

Dissertations, Theses, and Capstone Projects

Because of the unprecedented popularity of Star Wars, George Lucas, the creator of the multi-media franchise, is one of the most well-known filmmakers in history. What makes Lucas’s relationship with Star Wars unique is that because the franchise has continually been exploited rather than left as a single unchanging, static text, its artistic value, along with Lucas’s legacy, is in constant flux and is often misunderstood. In other words, depending on Star Wars’s position in the public zeitgeist at a given time, Lucas is either revered, detested, or considered incompetent as a filmmaker. While there is no denying …

Whose Art Museum? Immersive Gaming As Irruption, Jason M. Cox, Lillian Lewis

Journal of Social Theory in Art Education

This paper introduces Mantles in the Museum, an immersive game that helps ameliorate student discomfort in art museums and to support discourse in, through, and around art museums. Within the game the students take on the roles of critics who use one of five interpretive frameworks, often differing from the student’s own, to select works from a real museum to go to an international exhibition. Assuming these roles empowers students to be in the museum and to assess the works, students are given leave to engage in a vigorous critique process and to examine the art-world from a new perspective.

Speak Now To Forever Hold Your Piece: On Aesthetic Ownership And Interpretation, Spencer Heitman

Honors Theses

The primary objectives of this research are to describe ways in the interpretation of art-objects is shaped by their ownership and to endorse fan culture participation as a mechanism through which people might be led to aesthetic value. This analysis shall be grounded in an understanding of trust and shall point the reader toward care, noting that these phenomena positively correlate and help interpreters to receive meaning of more abundance and depth. It will be initially claimed that art interpretation is itself contribution to aesthetic dialogue with artists. This claim is grounded in an understanding of art’s communicative capacities and …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

Archi-Comics, Timothy Gatto

Bachelor of Architecture Theses - 5th Year

Humor in architecture is not at the forefront of architect’s minds, this comes from architects need to be deemed serious. This way of thinking is what has backed architects up into a corner banal and stagnant architecture. Architecture is the art of context, everything in architecture is referential. Humor is foundationally the exact same way, the incongruity theory makes humor possible by putting a concept into context with things and finding contradictions in the process, thus developing a joke. Each of these arts, humor and architecture, are that of context and when architecture is delivered like humor, it points out …

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Student Research and Creative Activity in Theatre and Film

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

Evaluating The Efficacy Of The Christian Reformational Transcendental Model Of Art Criticism As A Literary Theory Through Albert Camus’S The Stranger, Elizabeth Miller

Electronic Theses and Dissertations

The subfield of art criticism and theory within Christian reformational philosophy, a descendent of the neo-Calvinist theology developed through the work of Dutch Reformer Abraham Kuyper and others, is becoming increasingly diverse. Recently, scholars such as Leland Ryken, Glenda Faye Mathes, and Philip Graham Ryken have built upon twentieth-century theologian Francis Schaeffer’s worldview approach by popularizing a transcendental model of art criticism, an approach that applies the transcendentals of truth, goodness, and beauty to works of art. However, the transcendentals, while widely discussed in the fields of philosophy, theology, and, to a lesser extent, art theory, have not been explicitly …

Dorian And The Double: Repressed Homosexual Desire In The Picture Of Dorian Gray, Alexandra Wohlford

Student Research Submissions

Written for Dr. Chris Foss’s English 478 Seminar on Oscar Wilde, “Dorian and the Double: Repressed Homosexual Desire in The Picture of Dorian Gray” examines one of Wilde’s most infamous and beloved works through the lens of both psychoanalytic and queer theory. Drawing on the Romantic and Gothic traditions’ concept of the “literary double,” this research paper explores the dynamic portrait of Dorian Gray as a double for multiple characters in the text, serving as a representation of their repressed homosexual desire. Namely, Basil Hallward and Dorian Gray himself emerge as the primary focus of this analysis. In addition, …

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Something “Transcendentally Stimulating”: Resistance And Antidote To Empiricist British Culture In Sir Arthur Conan Doyle’S Sherlock Holmes, Crissy Preston, Crissy M. Preston

Master of Arts in Classical Studies

Sherlock Holmes is a name synonymous with detective and perhaps more familiar to households than his creator Sir Arthur Conan Doyle. His lasting impact as a literary figure is indisputable, but the curiosity surrounding the reasons for his longevity in popularity remain an enigma to many scholars and critics. In my thesis, I will discuss some of the reasons Holmes relates to readers from various time periods, age groups, and nationalities for more than a century. The first section of this project will establish the empiricist culture surrounding the decadent late 1800s, which compose the setting for most of Doyle’s …

Raising The Iron Curtain: Healing Collective Oppression Through Literature, Alisa Chirkova-Holland

Student Works

One Day in the Life of Ivan Denisovich, by former gulag prisoner Alexander Solzhenitsyn, is a short novel that entails an ordinary day for a prisoner, Shukhov, in a Siberian gulag. Although the work is a typical skaz, a traditional Russian narrative form, the novel was well-received by Russians at the time of publishing in 1962. This paper will explore the reason for such acclamation, understanding how Solzhenitsyn’s innovations to the skaz allowed readers to connect with their past. The paper also mentions theories such as Traumatic Realism to comprehend how such a bleak novel positively impacted post-Stalinist readers. …

(Un)Orthodox Orient, Su Ergeneli

MA Projects

The term Orient was born from a Western-created body of knowledge, or rather discourse, with the authority of the West over the East. This paper, through historical and political analysis of the Orient, questions the reasoning and accuracy of the institutionalized Western knowledge of classical cultural archetypes of the East. Orientalism is a product of the West discovering the Orient and dominating and restructuring the Orient. Hence, it is represented by the dominating
frameworks. By taking the Orient out of the ideological discourse, this paper emphasizes Orient as an individual and evaluates the Near Eastern art market’s transformation as its …

Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby

Theses and Dissertations

Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.

Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …

21st Century Exhibition Rhetorics, Sabina Eastman

Pitzer Senior Theses

The desire to create a language through which reading artwork can be attainable to an inclusive audience is a relatively modern aspiration. Painting and sculpture have been longstanding ideals of elite aesthetic ambition, which are held in containers of cultural and social tradition, removed from the ebb and flow of mundane existence. These containers were initially created to encapsulate historic moments, providing insight into a creator and their ideas which were inaccessible to the audience of that era. Since the early 19th century, the conversation in art theory has turned toward the meaning, purpose, and justification for the design and …