Theory and Criticism Commons^™

The Death And Rebirth Of The Feminine Muse: Edgar Allan Poe And Sylvia Plath, Noha Ibrahim

Theses and Dissertations

While drawing on mythology and a literary history that associated women with death as well as creativity, Edgar Allan Poe and Sylvia Plath experimented with binary oppositions such as masculine/feminine, composition/decomposition, and death/(re)birth. They gained inspiration from the same source, the dead muse, but how do they transform traditions that derive from classical and medieval literary precedent, perhaps in ways that are inherently critical of patriarchal modes of gender dynamics? Why is Poe fixated on a feminine dead muse while Plath is inspired by what she calls her “father-sea-god muse”? How do both authors represent the female body, and how …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Whose Art Museum? Immersive Gaming As Irruption, Jason M. Cox, Lillian Lewis

Journal of Social Theory in Art Education

This paper introduces Mantles in the Museum, an immersive game that helps ameliorate student discomfort in art museums and to support discourse in, through, and around art museums. Within the game the students take on the roles of critics who use one of five interpretive frameworks, often differing from the student’s own, to select works from a real museum to go to an international exhibition. Assuming these roles empowers students to be in the museum and to assess the works, students are given leave to engage in a vigorous critique process and to examine the art-world from a new perspective.

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

Archi-Comics, Timothy Gatto

Bachelor of Architecture Theses - 5th Year

Humor in architecture is not at the forefront of architect’s minds, this comes from architects need to be deemed serious. This way of thinking is what has backed architects up into a corner banal and stagnant architecture. Architecture is the art of context, everything in architecture is referential. Humor is foundationally the exact same way, the incongruity theory makes humor possible by putting a concept into context with things and finding contradictions in the process, thus developing a joke. Each of these arts, humor and architecture, are that of context and when architecture is delivered like humor, it points out …

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Student Research and Creative Activity in Theatre and Film

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

Evaluating The Efficacy Of The Christian Reformational Transcendental Model Of Art Criticism As A Literary Theory Through Albert Camus’S The Stranger, Elizabeth Miller

Electronic Theses and Dissertations

The subfield of art criticism and theory within Christian reformational philosophy, a descendent of the neo-Calvinist theology developed through the work of Dutch Reformer Abraham Kuyper and others, is becoming increasingly diverse. Recently, scholars such as Leland Ryken, Glenda Faye Mathes, and Philip Graham Ryken have built upon twentieth-century theologian Francis Schaeffer’s worldview approach by popularizing a transcendental model of art criticism, an approach that applies the transcendentals of truth, goodness, and beauty to works of art. However, the transcendentals, while widely discussed in the fields of philosophy, theology, and, to a lesser extent, art theory, have not been explicitly …

Dorian And The Double: Repressed Homosexual Desire In The Picture Of Dorian Gray, Alexandra Wohlford

Student Research Submissions

Written for Dr. Chris Foss’s English 478 Seminar on Oscar Wilde, “Dorian and the Double: Repressed Homosexual Desire in The Picture of Dorian Gray” examines one of Wilde’s most infamous and beloved works through the lens of both psychoanalytic and queer theory. Drawing on the Romantic and Gothic traditions’ concept of the “literary double,” this research paper explores the dynamic portrait of Dorian Gray as a double for multiple characters in the text, serving as a representation of their repressed homosexual desire. Namely, Basil Hallward and Dorian Gray himself emerge as the primary focus of this analysis. In addition, …

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Something “Transcendentally Stimulating”: Resistance And Antidote To Empiricist British Culture In Sir Arthur Conan Doyle’S Sherlock Holmes, Crissy Preston, Crissy M. Preston

Master of Arts in Classical Studies

Sherlock Holmes is a name synonymous with detective and perhaps more familiar to households than his creator Sir Arthur Conan Doyle. His lasting impact as a literary figure is indisputable, but the curiosity surrounding the reasons for his longevity in popularity remain an enigma to many scholars and critics. In my thesis, I will discuss some of the reasons Holmes relates to readers from various time periods, age groups, and nationalities for more than a century. The first section of this project will establish the empiricist culture surrounding the decadent late 1800s, which compose the setting for most of Doyle’s …

Raising The Iron Curtain: Healing Collective Oppression Through Literature, Alisa Chirkova-Holland

Student Works

One Day in the Life of Ivan Denisovich, by former gulag prisoner Alexander Solzhenitsyn, is a short novel that entails an ordinary day for a prisoner, Shukhov, in a Siberian gulag. Although the work is a typical skaz, a traditional Russian narrative form, the novel was well-received by Russians at the time of publishing in 1962. This paper will explore the reason for such acclamation, understanding how Solzhenitsyn’s innovations to the skaz allowed readers to connect with their past. The paper also mentions theories such as Traumatic Realism to comprehend how such a bleak novel positively impacted post-Stalinist readers. …

Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby

Theses and Dissertations

Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.

Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …

On Curation: A Hermeneutical Approach, Elisabeth Yumin Kröber

MA Theses

Starting point of this paper is the philosophical field of hermeneutics.
Hermeneutics was established to account for different conditions of understanding
and how they shape our interpretative processes. As different times constitute
different conditions, the goal of the discipline essentially is to bridge the temporal
gap between the creation of a work and its perception at a given point in time.
Whereas traditionally, understanding was a matter of analyzing the historical
tradition of author/artist and reader/viewer, nowadays, the perception and
interpretation of art is shaped by another instance, the curator. Under the premise
that selection and arrangement, i.e. curating, cannot …

(Un)Orthodox Orient, Su Ergeneli

MA Projects

The term Orient was born from a Western-created body of knowledge, or rather discourse, with the authority of the West over the East. This paper, through historical and political analysis of the Orient, questions the reasoning and accuracy of the institutionalized Western knowledge of classical cultural archetypes of the East. Orientalism is a product of the West discovering the Orient and dominating and restructuring the Orient. Hence, it is represented by the dominating
frameworks. By taking the Orient out of the ideological discourse, this paper emphasizes Orient as an individual and evaluates the Near Eastern art market’s transformation as its …

The Artist As Surveillant: The Use Of Surveillance Technology In Contemporary Art, Claire O'Neill

MA Theses

Artists have long been called observers, voyeurs, and watchers, and with a
particular interest in human behavior and society, they frequently use unknowing
passersby as their subjects for works. Curators and scholars explored how artists put citizens under surveillance with photography and videography, which dates back to the early 1900s, years before governments deployed surveillance systems. Since the 1980s, artists have explicitly explored surveillance technology and theory to alert viewers to the rise of surveillance. Today, this genre is called artveillance, a term coined by Andrea Mubi Brighenti in 2010 to categorize art that explicitly deals with surveillance. This genre …

Spirituality And Abstract Art, Hao Zheng

MA Theses

Through a close analysis of abstract art and metaphysics (ontological and psychical), the paper examines how metaphysics might be related to abstract art, as well as the early emergence of abstract art in diverse cultures around the world, and its development from the 19th to the 20th century in the modern art world. The paper conducts an examination of some modern abstract art pioneers, as perceived by general public, such as Wassily Kandinsky and Agnes Pilton, who
experimented with the art form in the 19th and 20th centuries, and their intentions based on metaphysics: spirituality and mythology are included in …

21st Century Exhibition Rhetorics, Sabina Eastman

Pitzer Senior Theses

The desire to create a language through which reading artwork can be attainable to an inclusive audience is a relatively modern aspiration. Painting and sculpture have been longstanding ideals of elite aesthetic ambition, which are held in containers of cultural and social tradition, removed from the ebb and flow of mundane existence. These containers were initially created to encapsulate historic moments, providing insight into a creator and their ideas which were inaccessible to the audience of that era. Since the early 19th century, the conversation in art theory has turned toward the meaning, purpose, and justification for the design and …

The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral

Theses and Dissertations

This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.

Art, Work: Subsumption, Posthumanism And Artistic Responses To Surveillance Capitalism, Anna Mirzayan

Electronic Thesis and Dissertation Repository

This dissertation brings together multiple discourses, including surveillance studies, autonomist Marxism and posthumanism, as the groundwork for a novel discussion of contemporary visual art— in particular surveillance art, that is, art that addresses and problematizes the omnipresent digital monitoring now part of everyday life. Because in this dissertation contemporary art is defined as necessarily political, aesthetic (in the Kantian sense) and responsive to conditions of current history and society, I use Marxist theory to identify the particular features of contemporary capitalism that this art is responding to. I first characterize post-Fordist capitalism, focusing on the increasing reliance on extracting network …