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Articles 1 - 18 of 18
Full-Text Articles in Theory and Criticism
A Modern Cabinet Of Curiosities: Patronage, Narrative, And The Foundations Of American Art At Crystal Bridges Museum Of American Art, Amelia Quinlen
A Modern Cabinet Of Curiosities: Patronage, Narrative, And The Foundations Of American Art At Crystal Bridges Museum Of American Art, Amelia Quinlen
School of Art Undergraduate Honors Theses
This thesis examines the 2025 reinstallation of the “Foundations of American Art” galleries at Crystal Bridges Museum of American Art in Bentonville, Arkansas as a case study through which to analyze how museum narratives are constructed, negotiated, and presented in the twenty-first century. Drawing on the historiography of museum display, from early modern cabinets of curiosity to nineteenth-century salon-style exhibitions, it argues that galleries function not as neutral containers for objects, but as interpretive frameworks shaped by curatorial decisions, spatial organization, and institutional context. While the reinstallation positions itself as a reconsideration of the “foundations” of American art through thematic …
A Boy Born On Wednesday, Charles Krampah
A Boy Born On Wednesday, Charles Krampah
Graduate Theses and Dissertations
My relocation to America has presented an unprecedented space for self-examination. The components of my identity and personality have been laid bare before me; My blackness in the face of racism and white hegemony, my African heritage in the face of post-colonialism and imperialism, and my faith in the face of an increasingly secular western culture.
Am I who thought I was? Am I more or less? Why do I feel like a different person, and what does this mean for my future?
My research and art practice serve as a form of introspection. I tell an internal story in …
As The Sun Yellows The Green Of The Maple Tree, Adam Fulwiler
As The Sun Yellows The Green Of The Maple Tree, Adam Fulwiler
Graduate Theses and Dissertations
As the Sun Yellows the Green of the Maple Tree is a body of paintings investigating communication, improvisation, play, and painting’s capacity for transformation.
Reflecting on my childhood spent with my brother, Austin, who experiences sensory differences due to autism, I establish a painted space that is both forcibly disjointed and meaningfully connected, invoking the uncertainty and complexity of perception and communication. Through chromatic nuance, physicality, representational ambiguity, and visual tempo, I invite the viewer into the act of slow looking—to encounter each work as a living, breathing, individual entity.
In the studio, I invent rules and aleatoric devices, mimicking …
Nba: No (Anti-) Blackness Allowed, Rontaye M. Butler
Nba: No (Anti-) Blackness Allowed, Rontaye M. Butler
Graduate Theses and Dissertations
This paper serves as the foundational pillar in my art practice. This paper combines my experiences, influences, motivations, hopes, dreams, methodologies, historical research and contemporary analyses into a single document ripe for revisions. This document lives and breathes; its contents are constantly evolving, and should be continually challenged and evaluated for relevancy and validity. Part memoir, part manifesto, and part artist statement, it establishes where my work sits in the canon of fine art, even as I don’t know yet what that means. My writings, visual artworks and all other creative actions are tethered to this document and vice versa. …
Anthropomorphism In Architecture: An Investigation Into Anthropomorphism Through Ancient Greco-Roman Religious Structures, Emily Wilcox
Anthropomorphism In Architecture: An Investigation Into Anthropomorphism Through Ancient Greco-Roman Religious Structures, Emily Wilcox
Architecture Undergraduate Honors Theses
This paper will outline and detail an investigation into religious Greco-Roman structures of antiquity through the lens of anthropomorphism. Through defining anthropomorphism, three lenses of thought have presented themselves as means of inquiry: metaphor, scale and proportion, and ergonomics. Previous research into these structures and cultures has shown that there was indeed consideration for the human body in designing in construction; this project hopes to solidify these claims and present new supporting information regarding specific relationships to the body using anthropomorphism. Many contemporary buildings approach the relationship to the human body as a mask or an afterthought, disregarding what reflecting …
The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre
The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre
Graduate Theses and Dissertations
"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.
From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …
In-Between Spaces, Trinity Kai
In-Between Spaces, Trinity Kai
Graduate Theses and Dissertations
In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.
Gut Feeling, Shelby Fleming
Gut Feeling, Shelby Fleming
Graduate Theses and Dissertations
Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …
Do You Wanna Go Dancing?, Anthony Kascak
Do You Wanna Go Dancing?, Anthony Kascak
Graduate Theses and Dissertations
The transdisciplinary art work within Do you wanna go dancing? unpacks the experience and perception of my interpersonal relationships, as well as the role that touch and introspection has in my visual arts practice and everyday life. I am interested in pairing the act of looking with the sensation of touching through specific installation and arrangement of intimate imagery, ceramic fragments and frames, and manual or digitally fabricated surfaces. The negotiation of these installations orient the viewer to consider their positionality within space, as well as the extent in which distance, intimacy, and vulnerability fluctuate inside these psychological spaces.
The …
Liable To Change, Jody Travis Thompson
Liable To Change, Jody Travis Thompson
Graduate Theses and Dissertations
Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …
Good Dyke Art, Sam M. Mack
Good Dyke Art, Sam M. Mack
Graduate Theses and Dissertations
The work in good dyke art visually expands upon conversations about institutional critique and its contradictions, specifically questioning who dictates the boundaries between institutions and bodies: how divisions are made between them and who enacts or receives force. One’s participation in this critique, however, indicates a participation in the problematics of the institution and by extension, a desire to critique may also be considered a desire to participate in that system.
Ceramic, glaze, and found objects manifest an allegorical formalism that utilizes coded languages of institutional spaces, traditions of queer-coding, and charged word-play. The ceramic vessel forms reference the Ancient …
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
Architecture Undergraduate Honors Theses
Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …
Offside, Maryamsadat Amirvaghefi
Offside, Maryamsadat Amirvaghefi
Graduate Theses and Dissertations
OFFSIDE highlights the parallels between artists and athletes, as well as the professional communities in which both operate. Through the use of sports related imagery, the artwork explores notions of ethnicity, gender, and politics. While much of the work is autobiographical, OFFSIDE is able to consider the political and personal views surrounding a young Muslim woman while lives with constant uncertainty in the United States and trying to start a career in one of the most competitive cultural fields.
Dinner, Daniel Reuben Baskin
Dinner, Daniel Reuben Baskin
Graduate Theses and Dissertations
Dinner is an interactive exhibition which presents appropriated works of art collected and hung in a clustered salon style, as well as a fully realized recreation based on a 16th century Dutch banquet still-life, which presents guests with meats, cheeses, fruits, vegetables, breads, and wine to share and imbibe. Dining ware is provided for guests at the entrance to the exhibit, as are suggested topics of conversation, which are presented on slips of paper for guests to carry with them throughout their time in the space. Within the collection of wall-mounted works are references to ancient Greek and Roman marble …
The Life And Work Of George Dombek, Jeffrey Scott Ramsey
The Life And Work Of George Dombek, Jeffrey Scott Ramsey
Graduate Theses and Dissertations
George Dombek is an accomplished artist who graduated from the University of Arkansas with degrees in Architecture and Painting. His career as both professor and painter has taken him around the world and produced a substantial body of work. This work seeks to examine his art in a larger art historical context and consider the development of the subjects and style of his paintings over the span of his career.
Portrayal, Kathryn A. Wilson
Portrayal, Kathryn A. Wilson
Graduate Theses and Dissertations
This thesis is in addition to my thesis series, Portrayal, a group of selected photographs. In this essay I outline the contents and developments of the series of photographs by the same name. It includes information on the artistic techniques employed, concepts and considerations taken into account when making the photographs including the relationship with and presentation of the subject, the exhibition of the photographs, and influences on the specific composition and tone of the photographs.
The images in Portrayal are not candid or objective views. Each is constructed based upon the negotiations with the subject and represent an edited …
Cultural Atrocity Expressed In Cultural Art, Marlie Mcgovern
Cultural Atrocity Expressed In Cultural Art, Marlie Mcgovern
Inquiry: The University of Arkansas Undergraduate Research Journal
Some of the most horrific chapters in human history have involved an ethnic dimension, notably the centuries-long obliteration of traditional Nigerian cultures by European colonizers, the attempted destruction of European Jews in the Holocaust, and the World War ll decision to assault the Japanese with atomic bombs. The consequences of the above atrocities are not contained within temporal or cultural barriers, but hold profound and pervasive ramifications within contemporary society in its entirety. More recent conflicts in Africa, Southeast Asia and the Balkans reemphasize the horror and suffering brought about by cultural collisions. One of the most potent reactions to …
Journeys: The Interpretation Of Modern Myth Through Art, Karen V. Dick
Journeys: The Interpretation Of Modern Myth Through Art, Karen V. Dick
Inquiry: The University of Arkansas Undergraduate Research Journal
"Journeys" primarily investigates the interpretation of one form of expression to another; i.e., the visual interpretation of myth through an in terms of the contemporary individual's psychological voyage. The basis for this study comes from the writings of noted scholar Joseph Campbell and others who place myth in the position of the inward, not the outward journey in the quest for human discovery. As Bill Moyers so eloquently states in The Power of Myth. "myths are the stories of our search through the ages for truth, for meaning, for significance. We all need to tell our story and to understand …