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2011

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Articles 1 - 14 of 14

Full-Text Articles in Theory and Criticism

Why Not Kinkade? An Evaluation Of The Conditions Effecting An Artists Exclusion From Academic Criticism., Kelly Drum Moran Dec 2011

Why Not Kinkade? An Evaluation Of The Conditions Effecting An Artists Exclusion From Academic Criticism., Kelly Drum Moran

Electronic Theses and Dissertations

Though prevalent in non-academic debate, the subject of Thomas Kinkade and his artwork is discernibly absent from the realm of academic discourse. This paper is an investigation into that condition and the circumstances for its perpetuation. Central to the issue is Kinkade's art theory and practice, which establishes his coexistence in both the art and business domains, creating inherent contradictions. Further explication is revealed through an evaluation of the contemporary criticism of four posthumously canonized artists: William Blake, Phillip Otto Runge, Vincent van Gogh, and Henri Rousseau. Consistencies among them correlate to the treatment of Thomas Kinkade, suggesting a common …

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Teachers’ Perceptions Toward Enhancing Learning Through Multiple Intelligences Theory In Elementary School: A Mixed Methods Study, Nouf I. Al-Wadi Dec 2011

Teachers’ Perceptions Toward Enhancing Learning Through Multiple Intelligences Theory In Elementary School: A Mixed Methods Study, Nouf I. Al-Wadi

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study was to investigate the effects of multiple intelligences theory on elementary students’ academic achievement and to investigate teacher perceptions of multiple intelligences theory. The multiple intelligences school that was chosen for this study was Edwin Rhodes Elementary School. The study examined Edwin Rhodes Elementary School performance via the California Academic Performance Index. Edwin Rhodes School scores were compared with similar traditional school scores and with gifted and talented scores. The study found that the multiple intelligences school performance was between traditional and gifted and talented school performances. The study also explored teachers’ perceptions at Edwin …

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The Smoke Of Battle Pressing, Matthew Bodett Dec 2011

The Smoke Of Battle Pressing, Matthew Bodett

Boise State University Theses and Dissertations

the smoke of battle pressing engages the reader by requiring a sacrifice similar to that experienced in the game of chess. During a famous chess match in 1912 between Marshall and Levitsky, Marshall sacrificed his queen, the most powerful piece, in a counter-intuitive way that led to an immediate victory for Marshall. A sacrifice of similar gravity is made when the reader resigns presumptions or expectations in order to have a more meaningful experience. A sacrifice on my part is made when I remove myself from the artwork and give up my authority over the image in much the same …

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A Model Of Human Scale Tested On Rural Landscape Scenes, Richard K. Sutton Oct 2011

A Model Of Human Scale Tested On Rural Landscape Scenes, Richard K. Sutton

Great Plains Research: A Journal of Natural and Social Sciences (through 2013)

Landscapes such as the Great Plains have been described as lacking human scale. This study developed a quantitative model of human scale and compared it with viewers' perceptions of visual structure. Visual structure was selected from the physical features of Otoe County, NE, forming boundaries, found as ground textures, vegetative screens, and topographic breaks and was depicted in photographs of landscape scenes. The model used and tested nine classes of scale based on grain and extent of the photos rated by viewers against those from the model. Viewers identified boundaries representing grain and extent that were synthesized into a viewer-perceived …

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Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck Sep 2011

Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck

Psi Sigma Siren

Collective memory studies as a field has always been the interdisciplinary study of how and why memories have been created. The difference between collective or cultural memory studies and that of a strictly historical study is often discussed and debated as people question whether memory or history is more valuable regarding past events. Jan Assmann explains that “in the context of cultural memory, the distinction between myth and history vanishes. Not the past as such, as it is investigated and reconstructed by archaeologists and historians, counts for the cultural memory, but only the past as it is remembered.” Assmann has …

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Corot's "Lyrical" Landscapes After 1850: Inspiration And Interpretation, Eileen Leila Turan Sep 2011

Corot's "Lyrical" Landscapes After 1850: Inspiration And Interpretation, Eileen Leila Turan

Theses and Dissertations

Jean-Baptiste Camille Corot was a prolific painter of the French landscape in the nineteenth century. Corot's landscape style had two distinctive periods: a classically inspired period prior to 1850, and then the dramatically different style after 1850. Characterized by the emphasis on light and atmosphere through a painterly approach, Corot's late landscapes have been neglected by scholars who routinely emphasize the early landscapes and his role in the development of Impressionism. This research clearly defines the late landscape style, details the existing scholarship, and offers new interpretation of the landscape style of Corot after 1850. Considering the stylistic influence of …

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Mythic Narratives: The Chronicling Of Conceptual Art, Ana A. Iwataki May 2011

Mythic Narratives: The Chronicling Of Conceptual Art, Ana A. Iwataki

Pitzer Senior Theses

An exploration of the mythologized narratives that the work and lives of Conceptual artists Bas Jan Ader, Ana Mendieta, and Francis Alÿs have created and inspired. By virtue of their biographies, the fetishization of their personalities, and the ways in which this anecdotal information can be read in their work, mythologized narratives have been constructed, allowing for a prolonged interest existing within and without the confines of the art world.  These mythologies come together as part of the oral tradition of the art world, a chronicling of narratives that incites continued interest for future generations.

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Graduate Sessions 6: Televisuality, Jon Yoder, James L. Hepokoski, James Utterback Apr 2011

Graduate Sessions 6: Televisuality, Jon Yoder, James L. Hepokoski, James Utterback

School of Architecture - All Scholarship

The Televisuality symposium was organized by Jon Yoder and the students of Architectural Theory + Design Research, a core component to the graduate curriculum in the School of Architecture.

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Exhibition Catalog For Blind Corners, Portals And Turning Points, Ronald Mills De Pinyas, Brian Winkenweder Jan 2011

Exhibition Catalog For Blind Corners, Portals And Turning Points, Ronald Mills De Pinyas, Brian Winkenweder

Exhibition Catalogs, Essays, and Related Materials

This catalog features work from the exhibit Blind Corners, Portals and Turning Points by Ronald Mills de Pinyas. Blind Corners, Portals and Turning Points was presented by the Linfield Gallery and the Department of Art and Visual Culture at Linfield College from October 10 through November 12, 2011. Brian Winkenweder's essay "Painting to Be" is included in the catalog.

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The Gaze Called Animal: Notes For A Study On Thinking, Sharon Sliwinski Jan 2011

The Gaze Called Animal: Notes For A Study On Thinking, Sharon Sliwinski

Data and Test Instruments

Over the course of several days in1997, JacquesDerrida delivereda long lecture to attendees of a conference in Cerisy called “The Autobiographical Animal.” As part of his opening remarks, the philosopher recounted a curious little scene that served to introduce the central theme of the larger address that followed. The scene begins when Derrida reports that each morning, with an almost ritualistic regularity, he is followed from his bedroom into the bathroom by his cat, an unnamed feline, he insists, that is a real little cat, not the mere figure of a cat: “It doesn’t silently enter the bedroom as an …

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Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski Jan 2011

Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski

Data and Test Instruments

This chapter examines the so-called "Falling Man" photograph: Richard Drew's infamous image of an anonymous man in free fall, following his jump from the World Trade Center on September 11, 2001. Using Aby Warburg's iconographical method, I read this figure as a latter-day Icarus, putting Drew's photograph in dialogue with other representations of Icarus as a way to explore the image's unconscious force.

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Kandinsky's Nonrepresentational Art: Finding Meaning Through Aesthetic Experience, Kandice Nikkole Diaz Jan 2011

Kandinsky's Nonrepresentational Art: Finding Meaning Through Aesthetic Experience, Kandice Nikkole Diaz

Open Access Theses & Dissertations

The art world is not one in which much scholarship has been conducted from a communication perspective. As such, this study attempts to add to the very little body of work that exists in the realms of both art and visual rhetoric. Abstract art, such as that of Wassily Kandinsky, is full of meaning despite the fact that it is nonobjective, and therefore considered meaningless. Using a rhetorical method, I argue that by examining the artwork of Wassily Kandinsky in certain contexts, it is possible to discover the meaning embedded in his abstract paintings, in particular his Compositions and Improvisations.

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Typothesis: A Study Of Warde's Crystal Goblet, Leeuwen's Typographic Meaning And How It Relates To The Bible, Ryan Mercer Jan 2011

Typothesis: A Study Of Warde's Crystal Goblet, Leeuwen's Typographic Meaning And How It Relates To The Bible, Ryan Mercer

Senior Honors Theses

The way readers interpret the written word is changing. We look for information almost as much in between the lines as we do in the words themselves. The internet and its tools offer ways for readers to engage the text like never before — can the printed word keep up? This thesis will look at the history of print through the eyes of typography and decide if multimodal methods of arranging type are appropriate or even possible in the modern book. Specifically, it will look at the Christian Bible and it’s already present use of multimodalism. This study will bring …

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Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts Jan 2011

Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts

USF Tampa Graduate Theses and Dissertations

In this thesis I provide analysis of several nineteenth-century artworks in order to elucidate the connections between place and identity as expressed in visual representations of Paris. I utilize Bakhtin's idea of the dialogical as a means of identifying multiple subject positions that might be accessed by particular individuals who live in socially constructed spaces specific to fin-de-siècle Paris. I discuss the construction of three performed identities unique to nineteenth-century Paris: the Flâneur, the bohemian, and the primitivist. In each chapter I will parse out the social construction of the spaces where these identities existed and were performed, and link …

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