Theory and Criticism Commons^™

Graduate Sessions 3: Juan Herreros, Mark D. Linder, Beth Mosenthal

School of Architecture - All Scholarship

Juan Herreros is the founder and principal of Abalos and Herreros Architects in Madrid and teaches internationally as a Doctor of Architecture, Senior Professor and head of Teaching Unit Q at the Escuela Tecnica Superior de Arquitectura de Madrid, as well as a Visiting Professor most recently at Princeton University and the Illinois Institute of Technology

The work of Abalos and Herreros ranges from published works including Tower and Office: From Modernist Theory to Contemporary Practice and Recycling Madrid to critically-acclaimed built work including apartment and office towers in Vitoria and the Woermann complex in Las Palmas de Gran Canaria. …

The Healing Potential Of Art: A Psychobiographical Study Of Three Artists, Amy Reahard

EVMS School of Health Professions Theses & Dissertations

The statement that art in itself is healing may not always be true as demonstrated by the destructive, often short lives of many artists. This may appear to contradict the fundamental belief, held by many art therapists, that art is healing. Studying the fields of creativity and art history could help understand this apparent contradiction.

One way to combine the studies of creativity, the healing power of art, and art history is through the practice of psychobiography. The psychobiographer who studies the life of a prominent artist combines various psychological approaches with the literary records, art history, and visual evidence …

Graduate Sessions 4: Transdisiplinary Applications, Mark D. Linder, Joseph Sisko

School of Architecture - All Scholarship

This issue of Graduate Sessions combines the panel discussions of Transdisciplinary Applications, a symposium featuring designers and researchers who studied the discipline of architecture and now are expanding the field of the discipline by applying specifically architectural techniques to problems and projects outside of, or marginal to, the proper domain of the profession.

From Reproduction To Reproducibility: Creativity And Technics In Benjamin And Arendt, Graham Macphee

English Faculty Publications

No abstract provided.

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Jacob Lawrence, Birth, 1948, Sande Robinson

Office of the Provost Research and Publications

No abstract provided.

Jean-Baptiste Carpeaux, Figaro, 1873, Richard O. Lewis

Office of the Provost Research and Publications

No abstract provided.

Pieces Of Virginia: Post-Impressionaism And Cubism In The Works Of Virginia Woolf, Corie Dias

Undergraduate Review

No abstract provided.

Rembrandt Workshop, The Philosopher, Ca. 1660, Sebastian Luft

Philosophy Faculty Research and Publications

No abstract provided.

Railroads And The American Industrial Landscape: Ted Rose Paintings And Photographs, Curtis Carter

Philosophy Faculty Research and Publications

No abstract provided.

Rudolph Ernst, A Moor Robing After The Bath, Curtis L. Carter

Philosophy Faculty Research and Publications

No abstract provided.

Carle Van Loo, The Resurrection (La Resurrection Du Christ), 1734, John Donnelly

History Faculty Research and Publications

No abstract provided.

Otto Dix, From The Catacombs In Palermo I, Ca. 1923-24, Irene Guenther

History Faculty Research and Publications

No abstract provided.

Marie D'Orleans, Joan Of Arc, Ca. 1830, Steven Millen Taylor 1941-

French and Francophone Languages and Literatures

No abstract provided.

Steven Weinberg, Blue Square, 2000, James Courtright

Biological Sciences Faculty Research and Publications

No abstract provided.

Georges Rouault, Head Of Christ, 1937, Joseph G. Mueller

Theology Faculty Research and Publications

No abstract provided.

Nicolas De Largillierre, Portrait Of The Young John Bateman As Cupid, Ca. 1728-29, Sarah Gendron

French and Francophone Languages and Literatures

No abstract provided.

Salvador Dali, Madonna At Port Lligat, 1949, Anne Pasero

Spanish Languages and Literatures Research and Publications

No abstract provided.

Helen Frankenthaler, Untitled, 1991, Sharon K. Chaplock

College of Education Faculty Research and Publications

No abstract provided.

Andy Warhol, Marilyn, 1967, Phillip Naylor

History Faculty Research and Publications

No abstract provided.

Nicolaes Maes, Portrait Of Three Children As Ceres, Ganymede And Diana, 1673, Annemarie Sawkins

Haggerty Museum of Art Faculty Research and Publications

No abstract provided.

Ralph Steiner, The Cloud Series, 1981-82, Zbigniew Sorbjan

Physical Therapy Faculty Research and Publications

No abstract provided.

Gustave Caillebotte, La Machine De Marly, Co. 1875, Janet Matthews

College of Education Faculty Research and Publications

No abstract provided.

Nam June Paik, Cage In Cage, 1994, Michael Gillespie

English Faculty Research and Publications

No abstract provided.

Pol Cassel, Friedhof (Cemetery), 1921, C. J. Hribal

English Faculty Research and Publications

No abstract provided.

Barbara Morgan, Martha Graham - Letter To The World (Kick), 1940, Angela Sorby

English Faculty Research and Publications

No abstract provided.

Ian Mckeever, Index No. 6a (Door), 1993, Gregory Robert Frederick

College of Education Faculty Research and Publications

No abstract provided.

Participation, Claire Bishop

Publications and Research

An anthology of key writings on the topic of participation in art, from the 1950s to the 2000s.

Karl Priebe, Young Woman At The Seashore, 1940, Stephen L. Franzoi

Psychology Faculty Research and Publications

No abstract provided.

Henry Toulouse-Lautrec, Divan Japonais, 1892-93, Sheila Webb

College of Communication Faculty Research and Publications

No abstract provided.