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Articles 1 - 13 of 13

Full-Text Articles in Theory and Criticism

Cuentos De Barro, Daniel Anthony Vasquez May 2025

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.


Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee Dec 2022

Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee

Theses and Dissertations

Linking ideas and imagery of the Australian Outback, Hauntology and Orphism, my practice highlights myth-making and rituals surrounding mourning, celebration and commemoration. Operating as visual love letters and epitaphs, my paintings coalesce figuration and abstraction to conjure spaces where I can commune with the deceased and contend with future loss.


It Won’T Be Easy, Allison Arkush Apr 2022

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …


Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern May 2019

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …


Towards Telepathic Ecologies: A Presentation Of Sources For Image Production Within Information, Lewis A. Longino May 2017

Towards Telepathic Ecologies: A Presentation Of Sources For Image Production Within Information, Lewis A. Longino

Theses and Dissertations

Telepathy through information systems, Yutaka Matsuzawa,with Ilya Prigogine, Roger Caillois, Susan Howe, Sueyeun Juliette Lee, Aase Berg, images and artists today form telepathic ecologies through information,Aaron Flint Jamison, Dora Budor, Sb Fuller, Andrea Crespo.


Recovering The Beauty Of Medusa, Alexander M. Schlutz Oct 2015

Recovering The Beauty Of Medusa, Alexander M. Schlutz

Publications and Research

This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …


The Visual Poetry Of Marc Chagall's White Crucifixion, Janis Stair Aug 2015

The Visual Poetry Of Marc Chagall's White Crucifixion, Janis Stair

Theses and Dissertations

Marc Chagall (1887-1985), was a Russian-Jewish artist who created a prolific body of work during the tumultuous era of the twentieth-century. While his artwork came under the influence of modernist trends, Chagall developed his own unique style that has often been described in terms of its "visual poetry." This paper examines how this term applies to one of his most important works of art, the 1938 painting White Crucifixion. Four key ways in which the various forms of art and poetry intersect in this painting are discussed in the context of the historical and cultural conditions that had a profound …


On The Origin And Future Of Poetry: Notes Towards An Investigation, Carlos Aguasaco Oct 2014

On The Origin And Future Of Poetry: Notes Towards An Investigation, Carlos Aguasaco

Publications and Research

An exploration on the historical and material conditions that allowed the emergence of metaphors and poetry alongside language. This article analyzes the historical relation between poetry and technology across history. It discusses the so-called ontological crisis of poetry and opens the conversation on its future.


Decollations, Joseph Mcbirnie Jan 2014

Decollations, Joseph Mcbirnie

Open Access Theses & Dissertations

The following presents the critical preface to the unpublished manuscript, Decollations. Through the tapestry metaphor, the author describes the process of creating the collection through the lenses of aesthetics, psychology and mythology.


The Smoke Of Battle Pressing, Matthew Bodett Dec 2011

The Smoke Of Battle Pressing, Matthew Bodett

Boise State University Theses and Dissertations

the smoke of battle pressing engages the reader by requiring a sacrifice similar to that experienced in the game of chess. During a famous chess match in 1912 between Marshall and Levitsky, Marshall sacrificed his queen, the most powerful piece, in a counter-intuitive way that led to an immediate victory for Marshall. A sacrifice of similar gravity is made when the reader resigns presumptions or expectations in order to have a more meaningful experience. A sacrifice on my part is made when I remove myself from the artwork and give up my authority over the image in much the same …


Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich Jan 2006

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.


"A Terror And A Dream": Domestic Imagery In The Poetry Of Anne Sexton, Frances S. Waters Jul 1984

"A Terror And A Dream": Domestic Imagery In The Poetry Of Anne Sexton, Frances S. Waters

English Theses & Dissertations

Women writers often experience a conflict between traditional feminine roles and the less traditional role of the female writer. And for those writers, like Anne Sexton, who choose not to choose between roles, the result is conflict. This conflict, recognized by previous critics and evident in Sexton's biography and poetry, results in a domestic imagery expressing this vacillation. In this study, submitted in partial fulfillment for the M. A. degree in English, I provide an in-depth study of Sexton's domestic imagery. I concern myself with two imagery patterns: one, in which the symbolic image's meaning changes randomly with no controlling …


The A.E. Coppard Papers At Syracuse, Arsiné Schmavonian Apr 1972

The A.E. Coppard Papers At Syracuse, Arsiné Schmavonian

The Courier

Some of the most choice collections in the Manuscript Department of Syracuse University Libraries are also among the most modest in extent. The papers of English author and poet A.E. Coppard fit into both categories. Housed comfortably in a single box, fifty-five letters, three short stories in holograph and one speech provide a close look at Coppard's literary theories, criticism, opinions of his own work and that of a few others, reaction to approaches regarding dramatizing, filming or televising his prose works, dealings with publishers, and his activities on behalf of world peace through the Authors' World Peace Appeal in …