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Articles 1 - 4 of 4
Full-Text Articles in Theory and Criticism
Graduate Sessions 5: Johnston Marklee, James Degennaro, Amanda Jones
Graduate Sessions 5: Johnston Marklee, James Degennaro, Amanda Jones
School of Architecture - All Scholarship
Sharon Johnston, AIA & Mark Lee are the principal founders of Johnston MarkLee Associates. Sharon currently teaches at UCLA's Department of Architecture and Urban Design and has directed visiting critics studios throughout the country. Mark Lee is an integral faculty member at UCLA and is currently the Vice Chair.
Founded in 1998, Los Angeles-based Johnston MarkLee & Associates designs and develops distinvtive architectural environments that are responsive to the variable intermix of specific conditions of site, program and economics. Recent projects include an exhibition design at the Los Angeles County Museum of Art entitled nano, numerous award-winning houses that are …
Duchampian Authenticity And The Readymade Consumer, Terra D' An Rudisill
Duchampian Authenticity And The Readymade Consumer, Terra D' An Rudisill
Institute for the Humanities Theses
The goal of this work is to define the term Duchampian authenticity. I focus primarily on the artist Marcel Duchamp's works and philosophies in relation not only to traditional philosophies regarding authenticity but also in relation to his effect on authenticity's metamorphosis in popular culture and the mass market. I propose that the monumental paradigm shifts produced by Duchamp's conceptual and aesthetic experiments within the realm of visual art spread into our cultural bedrock, ultimately defining the consumer's ability to attain authenticity and identity through inauthentic and ephemeral commodities. Marcel Duchamp challenged traditional notions of the authentic experience and translated …
'How It Works': Stroke, Music, And Minimalism In Robert Ryman's Early Paintings, Vittorio Colaizzi
'How It Works': Stroke, Music, And Minimalism In Robert Ryman's Early Paintings, Vittorio Colaizzi
Art Faculty Publications
Robert Ryman's white paintings have, not surprisingly, been associated with minimalism, but the sensuality of his work and his disassociation from minimalism's critical discourse have also been emphasized. Art historian James Meyer's concept of the “minimal field,” or terrain of difference, allows us to forgo a debate about whether Ryman is or is not a minimalist, and instead to closely examine this painter's motivations and achievements. While Ryman shares the rigid anti‐illusionism of many artists of his generation, his work also has important connections with the jazz music that brought him to New York in the first place and with …
The Function Of Dysfunction, Dore Bowen