Theory and Criticism Commons^™

Hieronymus Bosch’S Dismantled Triptych As A Moralizing Guide For Reforming The Catholic Church, Heather Thurston

Institute for the Humanities Theses

This thesis expands on the current interpretation of a dismantled triptych by the Dutch painter Hieronymus Bosch, which includes four extant panels: Ship of Fools, Allegory of Intemperance, Death and the Miser, and The Wayfarer. Current scholarship claims that the paintings warn viewers against various sins. This thesis argues that the triptych was specifically directed toward the Catholic Church and functions as a commentary on the potential consequences of their sins. This new reading will become clear by examining and connecting its unorthodox iconography to the tumultuous religious climate at the turn of the sixteenth century …

Cecily Brown And Maureen Gallace: Teaching Covert Feminism In Public School, Danielle Salyers

Institute for the Humanities Theses

Feminist art consisting of explicit, provocative, and politically charged imagery is common in the university setting and the wider art world. Although this freedom from inhibition certainly functions as a valuable source of inspiration for those fortunate enough to participate in the institution of higher education, content of this nature potentially works against feminism’s goals by excluding the youngest audience at the moment they are forming ideas about gender relations; students at the K-12 level. As a public-school art educator, I am faced with strict censorship policies that make it difficult to include students in the ongoing feminist conversation by …

Titian’S Poesie: The Visual Allegories Of Morality And Religion, Holli M. Turner

Institute for the Humanities Theses

Venetian painter Tiziano Vecellio, more commonly referred to as Titian, created a cycle of mythological paintings based on scenes from Ovid’s Metamorphoses for King Philip II of Spain. These works are often viewed through an eroticized lens due to this inclusion of nude mortals and goddesses. This thesis argues for the cycle’s moral and religious significance for Philip by utilizing comparative iconography, scholarly texts, and translated allegorical material.

It Could Have Been Great: An Examination Of Kandinsky's Bauhaus Paintings And The Great Synthesis Of The Arts, Deanna Brooks

Institute for the Humanities Theses

When Nazism descended upon the German art world in the late 1920s and throughout the 1930s, artists were treated as an expendable group of "political undesirables." Among them was Russian painter Wassily Kandinsky (1866-1944), who experienced firsthand the political pressure placed on his career, as he attempted to visualize a weltanschauung or "world view," that involved the marriage of different types of art, media, and practices. For Kandinsky the "Great Synthesis of the Arts" revealed the collective historical narrative, to which all artists contributed, and he strove to actualize this lifelong goal over the course of his teaching career at …

Feminisms In Stanley Kubrick's Eyes Wide Shut, Emily G. Brown

Institute for the Humanities Theses

With Eyes Wide Shut, Stanley Kubrick examines the causes and conditions in which men are more powerful and men's production, ideas and activities are seen as having greater value and higher status than women's. Eyes Wide Shut's (EWS) renders the tension between Bill (Tom Cruise) and Alice Hartford (Nicole Kidman) in the modem struggle to find balance between the institution of marriage and their autonomous selves visible. As Bill's travels dominate the film, little beyond the first scene of Alice's disrobed body and the last scene highlighting her psychological stability are shown. We follow Bill as he meets several women; …

Duchampian Authenticity And The Readymade Consumer, Terra D' An Rudisill

Institute for the Humanities Theses

The goal of this work is to define the term Duchampian authenticity. I focus primarily on the artist Marcel Duchamp's works and philosophies in relation not only to traditional philosophies regarding authenticity but also in relation to his effect on authenticity's metamorphosis in popular culture and the mass market. I propose that the monumental paradigm shifts produced by Duchamp's conceptual and aesthetic experiments within the realm of visual art spread into our cultural bedrock, ultimately defining the consumer's ability to attain authenticity and identity through inauthentic and ephemeral commodities. Marcel Duchamp challenged traditional notions of the authentic experience and translated …

The Appropriation Of Nietzschean Thought By Donald Kuspit In The Critic Is Artist: The Intentionality Of Art And The Existential Activist Painter: The Example Of Leon Golub, Frederic S. Bayersdorfer

Institute for the Humanities Theses

The prolific scholar and art critic, Donald Kuspit has frequently cited the works of Friedrich Nietzsche as a means to elucidate his art critical theories. This paper is an investigation of these citations in two of his most important works, The Critic is Artist: The Intentionality of Art, published in 1984, and The Existential Activist Painter: The Example of Leon Golub, published in 1986. In each of these two works many citations revolve around two Nietzschean concepts, the will to power and ressentiment. This paper first explores the relevance of using the philosophical work of Nietzsche as a point of …

Meaning In The Historic And Artistic Milieu Of The Jacobean Court Masque, John R. Bledsoe

Institute for the Humanities Theses

The seventeenth-century masque is usually remembered as one of several kinds of entertainment that contributed to the evolution of staged drama and its allied forms, opera and ballet. It is not generally appreciated, however, that the tradition of masqueing was a rite of homage to the reigning monarch. This study shows how the Jacobean court masque served a ceremonial purpose.

Most studies of the English masque begin and end with analyses of liberetti and tell little about performance practices. This paper demonstrates how poetry, music, dance, and scenic design were employed by masque writers to further King James' concept of …

Valuing In The Arts, Nonna B. Runner

Institute for the Humanities Theses

The topic of this thesis, valuing in the arts, involves the fine and performing arts, cultural values, kinds of education, and the quality of life. The purpose in talking about the value of the arts is to show how and why they have been valued throughout recorded history, to present an approach to art which fosters personal growth and enjoyment in the interaction with the arts, and to present arguments for the continued support by the present society for their encouragement and preservation. I will discuss false impressions about art which have limited the general public's enjoyment of arts, then …

"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck

Institute for the Humanities Theses

Many scholars have discussed the meaning of Hieronymous Bosch's The Garden of Earthly Delights concluding that Bosch's works were of a conscious nature relating to the real world. By contrast, this study, using the theories of Carl Jung, fragments Bosch's work and sees the milieu of his art through the eyes of the collective unconscious. Accordingly, a number of explanations of Jungian ideas are presented with the view to better understanding Bosch: Jung's theory of the archetypes, his view of Christianity, his analysis of medieval alchemy, as well as matrix archetypes and symbolic forms relating to The Garden. Through this …

Faust In His Study: The Paradox Of Visual Representations And Poetic Possibilities, Donna Ramsey

Institute for the Humanities Theses

The Faust theme has inspired individuals to creative endeavors over the years. While many of the resulting literary works are widely recognized and highly valued, few of the pictorial efforts have been similarly acknowledged. This investigation treats this apparent paradox as it applies to the soliloquy in the first scene of Part I of Goethe's poetic drama. The first part of the study compares the written word with its graphic interpretation, utilizing twenty-seven portrayals of Faust in his Study. The second section traces the iconography of the scene in a broader context, using twenty-eight prototypes which correspond to the depictions. …