Theory and Criticism Commons^™

Afinidad Biológica En Una Población Contemporánea De Izamal, Yucatán A Través De La Morfología Dental, Lucy Concepción Chan Miss, Rubén Darío Lezama Carvajal, Roger Mario Moo Yah

Journal of Maya Heritage

Resumen. Este estudio describe la variación de rasgos morfológicos dentales no métricos en una muestra de 173 estudiantes de 11 a 16 años de la escuela secundaria Tiburcio Mena, ubicada en Izamal, Yucatán. Mediante modelos dentales y el sistema de registro ASUDAS se estimaron las frecuencias de distintos rasgos y se realizaron comparaciones exploratorias de biodistancia con conjuntos de referencia regionales y extrarregionales. Entre los rasgos más frecuentes destacan la rotación de los incisivos (90.59 %; 154/170), la forma en pala (81.87 %; 140/171), la doble pala (78.95 %; 135/171) y la sexta cúspide (71.03 %; 103/145). La medida …

On Stage: Startling Visibility, Operatic Drama, And George Tooker’S Un Ballo In Maschera, Alex Del Dago

Art Inquiries

As a part of its centennial advertising campaign, the Metropolitan Opera in New York commissioned the American figurative painter George Tooker (1920-2011) to create a fine art image inspired after Giuseppe Verdi’s 1859 opera, Un Ballo in Maschera. Within the artist's composition, themes around masquerading, skepticism, and surveillance arise, all of which are common threads within both Tooker’s and Verdi’s work. Primary questions that can be asked from looking at this type of subject matter include: who is truthfully themselves, who may be someone other than they initially say they are, and most importantly, how does the ambiguity of gendered …

The Southwest Black Artists Collective: Afro-Modern Ecology, Kinship, And Collectivity In The Desert Southwest, Bradley L. Petty

Art History Theses and Dissertations

This thesis examines the Southwest Black Artists Collective (SBAC) as a site of

Afro-diasporic kinship, artistic production, and spatial intervention within the Desert

Southwest. Operating within a region where Black populations are comparatively small

and institutional support is diffuse, SBAC emerges as both a response to and a

reconfiguration of the regional artistic landscape. The Collective constructs an affirming

community through shared artistic practice, exhibitions, and the maintenance of The

Projects/Space in Tucson, Arizona, where public engagement and private creative

exchange coexist.

Drawing on theories of human ecology, this study expands existing frameworks

by introducing the concept of Afro-modern ecology, …

A Modern Cabinet Of Curiosities: Patronage, Narrative, And The Foundations Of American Art At Crystal Bridges Museum Of American Art, Amelia Quinlen

School of Art Undergraduate Honors Theses

This thesis examines the 2025 reinstallation of the “Foundations of American Art” galleries at Crystal Bridges Museum of American Art in Bentonville, Arkansas as a case study through which to analyze how museum narratives are constructed, negotiated, and presented in the twenty-first century. Drawing on the historiography of museum display, from early modern cabinets of curiosity to nineteenth-century salon-style exhibitions, it argues that galleries function not as neutral containers for objects, but as interpretive frameworks shaped by curatorial decisions, spatial organization, and institutional context. While the reinstallation positions itself as a reconsideration of the “foundations” of American art through thematic …

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Harriet Hosmer: Femininity And Stone, Savannah V. Parrish

Undergraduate Theses

Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …

Fugitive Formalisms: Strategies Of Dissemblance And Dissent In The Work Of Queer-Identifying Artists, 1970–Present, Rowan Diaz-Toth

Theses and Dissertations

Utilizing case studies of works by Hélio Oiticica, Scott Burton, and Felix Gonzalez-Torres as points of departure, this thesis puts forth a speculative historical framework for reconsidering queer art practices up through the present day in opposition to regimes of visibility and transparency, exploring the subversive, fugitive potential of non-representational formalisms.

Still Life As A Photographer: Visual And Mnemonic References To Photography In Yasuo Kuniyoshi’S 1944 Broken Objects And Room 110, Tara A. Attanasio

Scripps Senior Theses

This thesis examines Yasuo Kuniyoshi (1889-1953) and his still life paintings titled Broken Objects and Room 110 as modes of implicit portraiture, self-declaration, and self-reclamation. Following the attack on Pearl Harbor on December 7th, 1941, government authorities deemed Kuniyoshi an “enemy alien” and confiscated his photographic equipment. Painted two years following his camera’s confiscation, Broken Objects and Room 110 contain references that recall Kuniyoshi’s prewar photographic practice and visualize his response to the loss of his camera. I foreground my analysis with Kuniyoshi’s Self-Portrait as a Photographer from 1924 and his photography from the 1930s to detail his metacritical relationship …

Erasing The Artist, Policing The City: Michael Stewart And New York’S War On Graffiti, Vladislav Kirilov

Anthós

The 1983 death of Michael Stewart, a young Black graffiti artist, exposes the violent logic at the center of New York City’s War on Graffiti. Under Mayor Ed Koch and the rise of broken windows policing, graffiti was framed as a racialized symbol of disorder used to justify intensified control of public space. Rather than becoming political in this moment, graffiti is understood here as an already politicized form of expression shaped by racial and spatial inequality. The article examines how Stewart’s killing made police violence visible, provoking responses from artists, activists, and graffiti writers while revealing the human costs …

John Frederick Kensett & Lotus-Eating, Elizabeth Montfort

Dartmouth College Master’s Theses

This thesis examines Lotus-Eating: A Summer Book (1860) by George William Curtis, with illustrations by John Frederick Kensett. Situating the work within the broader culture of the nineteenth-century travel literature, it analyzes the text’s intermedial construction across memoir, poetry, and visual imagery. By considering each of these modes both independently and in relation to one another, the thesis argues that Curtis and Kensett collaboratively produce a hierarchical framework for viewing and experiencing nature.

Drawing on intermedial and ecocritical methodologies, this project demonstrates how the book does not simply depict landscape but actively instructs its audience in how to see it. …

Ghost Highway: De-Touring Albuquerque's Route 66, Madison A. Garay

Art & Art History ETDs

Route 66 was a U.S. Numbered Highway stretching from Chicago, IL to Santa Monica, CA, rising to fame through music and popular culture. In Albuquerque, New Mexico, Route 66 has a troublesome twin life as Central Avenue, a highly politicized space where bodies are contested. In this thesis, the function of public arts and architecture of Albuquerque’s main street thoroughfare, Central Avenue, will be analyzed as visual devices of U.S. Highway 66, or known in popular culture as “Route 66.” I employ a critical Derridean framework through Mark Fisher’s theorization of hauntology and Gerald Vizenor (White Earth Ojibwe)’s theory of …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

The Horror Of Memory In The Southern Gothic, Caelainn Robertson

Undergraduate Research Symposium

Scenes of expansive cotton fields and rotting Manor houses lined by moss covered oaks where strange fruit once hung induce an acute sense of horror from an audience familiar with these relics. The genre of “Southern Gothic” spans literature, film and music and is built on themes of cultural repression in the Southern United States. This tradition explores fears rooted in lingering memories of human enslavement and patriarchal domination. In a culture marked by racial violence and class oppression, evil is, often, identifiable by markers of wealth and white skin. Historical memories only exacerbate suffering. Many contemporary works use the …

Artistic Interventions In The Public Sphere: Keith Haring & Jenny Holzer, Matilde Sirolli

MA Theses

This thesis investigates the intersection of art and the public sphere in late 1970s and 1980s New York, a period characterised by significant socio-political and cultural transformations. Grounded in Jürgen Habermas’ conception of the public sphere, the study examines how the unique historical phenomena of the period yielded unprecedented opportunities for artists to intervene in the public sphere. The research provides a comprehensive analysis of the period’s political, economic, cultural and sociological landscapes. It then delves into case studies of Keith Haring and Jenny Holzer, exploring their distinct approach to public engagement: Haring’s blend of art, commerce and populism, and …

Preserving The Stolen: Cultural Appropriation And The Case Of Seattle's Totem Pole, Olga S. Koutroulis

Scripps Senior Theses

This thesis investigates the cultural appropriation and conservation of the Chief-of-All-Women totem pole, originally stolen by Seattle businessmen from the Tlingit village of Tongass in 1899 and later reinstalled in Pioneer Square as a symbol of the city. By framing the totem pole as a site of both physical and cultural displacement, I trace its journey from sacred object to public monument, and ultimately to federally funded replica. Drawing on conservation theory, oral history, archival research, and an interview with Haida artist Sondra Segundo, I argue that the pole’s removal, replication, and continued display reflect broader patterns of settler colonialism …

Shifting Forms: Queer Placemaking Amidst Neoliberalism In New York City Through Art, Colin J. Donnelly

Geography Undergraduate Senior Theses

This project explicates how queer people produce space for themselves through art in New York City amidst the prevalent neoliberal frameworks that have existed since the 1980s. Drawing on semi-structured interviews with queer artists and nonprofit workers, participant observation in art spaces, and close reading of art compiled through archival work, I explore sites of presentation (places in which art is displayed) and modes of presentation (how specific artists decide to present their art). I analyze museums and nonprofit spaces, and engage with queer artists that create what I consider to be site-specific art. I zoom in on spatial art …

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

[Archive] Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Stephen Antonakos: The Spiritual Tenets Of Neon, Seville Partida

Undergraduate Research Symposium

Working without paint or brushes, Stephen Antonakos (1926—2013) created murals of neon light. These sweeping gestures of buzzing color achieve a meditative and spiritual quality yet remain accessible in their communal and urban settings. Douglas Crimp's 1981 essay, “The End of Painting '' argues that the most promising art of the time mounts a thorough critique on the myths of humanism, and consequently the cherished tropes of expressive painting. Antonakos’s career spans this period of upheaval, fraught by fears over the looming death of modernist painting as well as critical and curatorial activity that interrogated art’s structures. Although Antonakos seems …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

Lutz Bacher: 1975-2019, Jeremy Gloster

Theses and Dissertations

"Lutz Bacher: 1975-2019" is a monographic study of the artist Lutz Bacher (1943-2019), detailing the artist's trajectory from participant in the Bay Area photography scene of the mid-1970s to an established figure in the art world. Alongside this exposition, the thesis contends theoretically with Bacher's work, turning toward the theorist Peter Osborne's recent writings to examine Bacher's multifarious engagements with the photographic image and her own stagings of contemporaneity.

The Course Of Empire: An Analysis, Devyn Woodard

Emerging Writers

This essay delves into the themes of and motivations for Thomas Cole’s series of paintings, The Course of Empire. Through an analysis of the different rhetorical appeals and fallacies employed by Cole in the series of paintings, the deeper meaning behind the works comes to light. This analysis serves as a bridge between the environment the paintings were created in almost two hundred years ago, and the contemporary global landscape, which is still in need of its lessons, even so many years later.

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

A Part Apart, Spenser Atlas

Masters Theses

I am fascinated by connections. Things that click, snap, slide, and hold. I care about the ways in which objects meet, looking for answers in the space between. What binds one thing to another?

I believe the world is presented to us in pieces. It’s hard to say how it all comes together. It's easy to believe things are shapeless and detached from each other. Connection is a bridge, a way of linking one thing to another that reveals interdependence, and eventually moves outwards to express a correlation between pieces, once assumed to be discrete and isolated.

This work is …

Archi-Comics, Timothy Gatto

Bachelor of Architecture Theses - 5th Year

Humor in architecture is not at the forefront of architect’s minds, this comes from architects need to be deemed serious. This way of thinking is what has backed architects up into a corner banal and stagnant architecture. Architecture is the art of context, everything in architecture is referential. Humor is foundationally the exact same way, the incongruity theory makes humor possible by putting a concept into context with things and finding contradictions in the process, thus developing a joke. Each of these arts, humor and architecture, are that of context and when architecture is delivered like humor, it points out …

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.