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Full-Text Articles in Theory and Criticism

Retracing The Novel: Amatory Fiction And The Novel's Rise, Sarah Elizabeth Alderfer Oct 2002

Retracing The Novel: Amatory Fiction And The Novel's Rise, Sarah Elizabeth Alderfer

English Theses & Dissertations

Arguing against. Ian Watt's The Rise of the Novel and other academically accepted accounts of the history of the novel, this thesis positions amatory fiction at the forefront of novel's traditional genealogy by comparing amatory fiction with the Gothic novel in order to link the two genres outside of realistic fiction such as Pamela. Using Love in Excess by Eliza Haywood and The Monk by Matthew Lewis as representative examples of amatory fiction and Gothicism, respectively, this thesis ultimately establishes a connection between the three genres. It examines the similarities in amatory fiction and Gothicism through their use of …


The Use Of Free Indirect Discourse In Burney, Austen, And Eliot, Elizabeth H. Harlan Oct 2002

The Use Of Free Indirect Discourse In Burney, Austen, And Eliot, Elizabeth H. Harlan

English Theses & Dissertations

Free indirect discourse, a narrative technique used in third-person novels, occurs when the private thoughts of a character are voiced in a narrative passage and no indicator such as "she thought" is present. This technique, also known as represented thought or style indirect libre, is a blurring of the line between the character and the narrator. Although popularized in the works of Jane Austen, free indirect discourse can be traced back even further to Fanny Burney and it first appears as third person narratives are beginning to replace epistolary and journal-like novels. Some have attributed the development to a growing …


When Artists Fail: A Reply To Trivedi, Sheila Lintott Jan 2002

When Artists Fail: A Reply To Trivedi, Sheila Lintott

Faculty Journal Articles

In a recent article, ‘An Epistemic Dilemma for Actual Intentionalism’, Saam Trivedi argues that the way we ought to interpret artworks is best understood using the model proposed by hypothetical intentionalism. Trivedi alleges that actual intentionalism faces a serious dilemma, the upshot of which is that actual intentionalists must choose between redundancy and indeterminacy. Largely on the basis of this dilemma, he concludes that even if actual intentionalism is descriptively accurate, it is prescriptively untenable. In this essay, I focus on this alleged dilemma and argue that, contra Trivedi, it fails to undermine the prescriptive legitimacy of moderate actual intentionalism. …