Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- City University of New York (CUNY) (23)
- Virginia Commonwealth University (10)
- Indiana State University (9)
- Rhode Island School of Design (8)
- Fordham University (5)
-
- Washington University in St. Louis (5)
- Wilfrid Laurier University (5)
- LSU New Orleans (4)
- Marquette University (4)
- Southern Methodist University (4)
- Old Dominion University (3)
- Technological University Dublin (3)
- University of Louisville (3)
- University of Richmond (3)
- Chapman University (2)
- Claremont Colleges (2)
- East Tennessee State University (2)
- Purdue University (2)
- SAE Institute Australasia (2)
- University of Nebraska - Lincoln (2)
- University of New Mexico (2)
- University of Texas at El Paso (2)
- Western University (2)
- American University in Cairo (1)
- Arcadia University (1)
- Brigham Young University - Hawaii (1)
- Bucknell University (1)
- California State University, San Bernardino (1)
- Clemson University (1)
- Illinois State University (1)
- Keyword
-
- Art (12)
- Philosophy (9)
- Aesthetics (6)
- Painting (5)
- History (4)
-
- Phenomenology (4)
- Poetry (4)
- Sculpture (4)
- Architecture (3)
- Art History/Criticism/Conservation (3)
- Contemporary Art (3)
- Epistemology (3)
- Ethics (3)
- Film (3)
- Formalism (3)
- Indigenous (3)
- Modernism (3)
- Nature (3)
- Perception (3)
- Postmodernism (3)
- Semiotics (3)
- Adorno (2)
- Animation (2)
- Anthropocene (2)
- Archaeology (2)
- Beauty (2)
- Cinema (2)
- Cold War (2)
- Conceptual art (2)
- Contemporary art (2)
- Publication Year
- Publication
-
- Theses and Dissertations (25)
- All-Inclusive List of Electronic Theses and Dissertations (9)
- Masters Theses (8)
- Dissertations, Theses, and Capstone Projects (7)
- Electronic Theses and Dissertations (5)
-
- Art Theses and Dissertations (4)
- Articles and Chapters in Academic Book Collections (4)
- Graduate School of Art Theses (4)
- LSU New Orleans Theses and Dissertations (4)
- Philosophy Faculty Research and Publications (4)
- The Goose (4)
- Institute for the Humanities Theses (3)
- Philosophy Faculty Publications (3)
- Articles (2)
- Artl@s Bulletin (2)
- Open Access Theses & Dissertations (2)
- Staff Scholarship - Australia & Dubai (2)
- All Theses (1)
- Art & Art History ETDs (1)
- Bachelor of Fine Arts Senior Papers (1)
- CGU MFA Theses (1)
- Capstone Showcase (1)
- Conference papers (1)
- Data and Test Instruments (1)
- Department of English: Faculty Publications (1)
- Departmental Honors & Graduate Capstone Projects (1)
- Dissertations (1)
- Dissertations and Theses (1)
- Electronic Theses, Projects, and Dissertations (1)
- English Faculty Publications (1)
- Publication Type
Articles 1 - 30 of 130
Full-Text Articles in Theory and Criticism
An Absolute Manner Of Seeing: Flaubert, 1848, And The Development Of Modernist Style, Nicholas Olson
An Absolute Manner Of Seeing: Flaubert, 1848, And The Development Of Modernist Style, Nicholas Olson
Dissertations, Theses, and Capstone Projects
This dissertation examines Gustave Flaubert’s Sentimental Education as a key work in the emergence of literary Modernism from the tradition of Realism. I begin by exploring the intellectual background of Realism in the works of Honoré de Balzac and the ties between this aesthetic theory and the theory of representative government: here I discuss the work of François Guizot, Friedrich Schiller, Friedrich Schlegel, J.W. Goethe, and Walter Scott as well as later thinkers like György Lukács, Pierre Bourdieu, Jürgen Habermas, and Jacques Rancière. From this, I demonstrate a commonly held theory of the social as a discreet totality, which makes …
A Pot Of Gold At The End Of The Assembly Line: Jewelry, Facture, And Alienation, Jonathon A. Zalakos
A Pot Of Gold At The End Of The Assembly Line: Jewelry, Facture, And Alienation, Jonathon A. Zalakos
Masters Theses
A Pot of Gold at the End of the Assembly Line integrates icons of mass-manufacturing with signifiers of joyful work, stimulating a dialogue between industrial and craft labour. Visible traces of the making process left on these works conjure a spectral ‘maker’, implied by the fingerprints, toolmarks, assembly, and conspicuous decision making of an ‘other’. As we relate to these signifiers as opportunities for our own bodily action, this spectre speaks in our own voice. Possessed by this ghost, viewers are vicariously thrust into an imaginary context and made sensitive to the nature of this work — whether it validates …
Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du
Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du
Masters Theses
Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …
Jadughar: The House Of Magic, Dhruvi A. Shah
Jadughar: The House Of Magic, Dhruvi A. Shah
Masters Theses
Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …
The Image Falls Apart, Alexa N. Curran
The Image Falls Apart, Alexa N. Curran
Masters Theses
The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …
Somatic Prosthetics For Planetary Resonance, Disha Dharesh Kumar R
Somatic Prosthetics For Planetary Resonance, Disha Dharesh Kumar R
Masters Theses
This thesis investigates how industrial design can transcend extractive technological paradigms in favor of relational interfaces that foster planetary attunement. Framing the climate crisis as a 'crisis of imagination', the research challenges the Western bifurcation of nature and culture by drawing on Indic cosmologies- which recognize stones, plants, and ecosystems as conscious at different levels and participants in a shared cosmic field. By synthesizing research in Biosemiotics, Quantum Information Pansycishm, and Neuroscience, the project redefines intelligence as a distributed, more-than-human phenomenon.
The research materializes as a speculative design artifact: a device that functions as a somatic prosthetic for planetary resonance. …
Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery
Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery
Staff Scholarship - Australia & Dubai
This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.
The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …
Initial Type Craft, Micah Angelus
Initial Type Craft, Micah Angelus
Theses and Dissertations
What kinds of objects can still think when the self-contained aesthetic object can no longer be taken for granted? The historical ruptures that have placed painting under crisis have also brought into view the fallacy of artistic autonomy, raising questions about how value, contemplation, and meaning persist under conditions of deconstruction.
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
An Alignment Of Absences: The Medicalization Of Death And Its Implications On Archaeological Methodology, Makayla J. Bowman
An Alignment Of Absences: The Medicalization Of Death And Its Implications On Archaeological Methodology, Makayla J. Bowman
Departmental Honors & Graduate Capstone Projects
Absence describes something that is "expected, wanted, or looked for [but] is not present or does not exist," (Merriam-Webster Dictionary 2026). The archaeological discipline interacts with absence in many profound ways, largely in its study of the past dead. This paper focuses on the ways in which the medicalization of death has influenced, limited, and misaligned archaeological methodology, and how the result of those methodologies produces archaeological analysis that is absent of or misrepresents our understanding of life, personhood, and our position within a greater, interconnected biosphere. Thus, I present an anthropological critique of the ways in which death and …
Parallel Concepts Found In The Thousand And One Nights And Sufi Hagiography, Walaa Kamal Emam Kamel
Parallel Concepts Found In The Thousand And One Nights And Sufi Hagiography, Walaa Kamal Emam Kamel
Theses and Dissertations
This thesis argues that The Thousand and One Nights functions as more than mere populist entertainment; rather, it constitutes a literary corpus imbued with Sufi mystical epistemologies that reflect the spiritual quests and Sufi concepts evident in hagiographical traditions. Through discourse and intertextual analysis of two Nights stories, “The City of Brass” and “The Porter and the Three Ladies of Baghdad,” alongside Farīd al-Dīn ʿAṭṭār’s Tadhkirat al-awliyāʾ, this study demonstrates how shared rhetorical strategies—specifically David Pinault’s Leitwörter analysis and L.A. Paul’s Transformative Experience concept—reveal a narrative and rhetorical emphasis on the metamorphosis of the self from worldly attachment toward …
Science Fiction Cinema And The Technological Sublime: Spectacle And The Infinite From Early Cinema To Digital, David Jackson Dr.
Science Fiction Cinema And The Technological Sublime: Spectacle And The Infinite From Early Cinema To Digital, David Jackson Dr.
Theses and Dissertations (Comprehensive)
This dissertation examines how science fiction cinema constructs and reimagines the technological sublime in the twentieth century: the experience of awe, terror, and admiration provoked by human-made power and scale. Drawing on the philosophical foundations of the sublime in Edmund Burke and Immanuel Kant and extending through Leo Marx’s and David E. Nye’s theorization of the technological sublime, I propose an aesthetic mode in which representation inflected with affect translates technological spectacle into examinations of humanity’s role and agency in the face of overwhelming technologized worlds and in some cases, even the universe itself.
Through three distinct historical periods …
A Burlesque: The Shimmering Body Of Revealing, Lola Montgomery
A Burlesque: The Shimmering Body Of Revealing, Lola Montgomery
Staff Scholarship - Australia & Dubai
A Burlesque: The Shimmer Manuscript is a hybrid critical–creative work that examines burlesque as an embodied methodology and a mode of knowledge production. Drawing from my two decades as a performer–scholar, the work reframes glamour, desire, and adornment as epistemological practices rather than theatrical ornamentation. The project is significant in that it expands understandings of performance studies, autotheory, and feminist aesthetics by foregrounding the performer’s body as an intelligent, sensing, world-making apparatus.
The methodology is creative practice research and archive-driven, integrating backstage documentation, AI-assisted photomontage, and theoretical reflection. The work draws from poststructuralist and feminist frameworks (Irigaray, Deleuze & Guattari, …
I Don't Want To Talk About It, Margaryta Winkler
I Don't Want To Talk About It, Margaryta Winkler
Masters Theses
This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …
Cuentos De Barro, Daniel Anthony Vasquez
Cuentos De Barro, Daniel Anthony Vasquez
Theses and Dissertations
Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.
Double, Double, Toils And Troubles: Analyzing The “Magical” Relationships Between University Leaders’ Personality Traits And Their Self-Efficacy In Leadership Situations, Fay Ludvine Boudreaux
Double, Double, Toils And Troubles: Analyzing The “Magical” Relationships Between University Leaders’ Personality Traits And Their Self-Efficacy In Leadership Situations, Fay Ludvine Boudreaux
LSU New Orleans Theses and Dissertations
This present study investigated the relationship between higher education leaders’ personality traits and their self-efficacy in leadership situations. A total of 151 leaders employed across the nine institutions within the University of Louisiana System completed a survey that prompted them to identify their personal values, traits, and skill sets, as derived from the online Pottermore quiz, the official Harry Potter Hogwarts House sorting instrument. This niche personality metric was chosen to cater to higher education’s evolving landscape, as it welcomes an influx of Millennials into leadership positions. Participants’ responses were eventually recoded to “sort” them into their respective Houses: Gryffindor, …
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Electronic Theses, Projects, and Dissertations
My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.
What's The Art In Artificial Intelligence?, Emily Verla Bovino
What's The Art In Artificial Intelligence?, Emily Verla Bovino
Open Educational Resources
This workbook learns from Black and Indigenous artists working with Artificial Intelligence to confront issues of ethics and aesthetics in its technologies. It features guided learning activities with links to publicly available video lectures and online articles, and includes options for experiential learning through both a tutorial in Midjourney and a visit to the public art collection at York College in Jamaica, Queens. Featured artists include: American Artist, Rizvana Bradley, Beth Coleman, Denise Ferreira da Silva, Suzanne Kite, Sondra Perry, Mimi Onuoha and Alisha B. Wormsley. Works by Martin Puryear and Maren Hassinger are explored in the Midjourney exercise.
About …
On The Nature Of Artworks: An Argument For Artwork Universals, Emma H.B. Rosenberg
On The Nature Of Artworks: An Argument For Artwork Universals, Emma H.B. Rosenberg
Scripps Senior Theses
What kind of a thing is an artwork? Artworks are an extensive, complex category including all manner of media and content. This makes the project of determining what artworks themselves are a significant challenge. Nevertheless, there are many things we intuitively desire to say about what artworks are like and what value they offer. One underexplored theory which I will here argue successfully accommodates many of these features is that of artworks as universals.
It is not my aim in this thesis to compare this theory with other, rival theories of artworks. Rather, I will argue that the theory supports …
In Praise Of Dust, Hasler Gomez-Perez
In Praise Of Dust, Hasler Gomez-Perez
Theses and Dissertations
A desire path is a physical manifestation of where a system has failed, but also where it has been refused, where a new path has been made. The wake exists in the post, it is not a singular, untethered event, but a subtle double entendre that lives in the post-death, but also in the pre-life—not a liminal limbo, but a superposition of dying and waking.
This collection was assembled and composed over the course of two years as I navigated my practice, myself, and others. Present here are my thoughts, my experiences, and in many ways my beliefs. IN PRAISE …
The Inner Form Of Style: On Heinrich Wölfflin’S “Tactical” Formalism, Rémi Mermet
The Inner Form Of Style: On Heinrich Wölfflin’S “Tactical” Formalism, Rémi Mermet
Artl@s Bulletin
In this article, I examine the enduring relevance of Heinrich Wölfflin’s approach to style, in light of the renewed interest in it among “postformalist” art historians. By delving into the theoretical foundations of the Principles of Art History, I explore Wölfflin’s Goethean interpretation of Kantian epistemology, revealing a conception of style characterized by its dynamic and symbolic “inner form” rather than mere static formalism. This analysis not only highlights affinities with Max Weber’s thought but also uncovers a previously overlooked connection to Wilhelm von Humboldt, offering valuable insights for current discussions on style.
Dans cet article, j’étudie la pertinence …
Speculum Feminarum: Feminine Representation And Identity In Fifteenth-Century France, Karli R. Snyder
Speculum Feminarum: Feminine Representation And Identity In Fifteenth-Century France, Karli R. Snyder
Art & Art History ETDs
Late medieval views of women in Western European culture, specifically in fifteenth-century France, were predicated on the ideologies of "other." According to normative sociocultural attitudes of this period, women were immoral, lascivious, and indulged in frivolity. Their culturally acceptable and, therefore, natural roles were delineated solely as that of wife and mother. Although the origin of these views is obscured by time, there are scores of textual and visual examples of this cultural labeling. This thesis focuses on how the ideologies of feminine sociocultural roles developed and matured during the late Middle Ages. By comparatively analyzing copies of the visual …
Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman
Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman
Master's Theses
Colonialism is deeply and violently embedded in Western knowledge formation—dominant power structures produce epistemes that uphold and perpetuate colonial narratives. This kind of knowledge production forecloses other possibilities. Western discourse of truth becomes universalized to the point that other worldviews, other knowledges that do not conform to hegemonic norms, are suppressed or silenced. This thesis examines three areas of hegemony and erasure: art, gender, and land. First, the history of art clearly marks a delineation between Western elitist artistic masterpieces and non-Western ethnographic artifacts. Eurocentrism of art in the academy determines what counts as art and how art is categorized. …
Queerform/Ing, Matthew Solon-Lee Weimer
Queerform/Ing, Matthew Solon-Lee Weimer
Art Theses and Dissertations
My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom
A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom
Theses and Dissertations
This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.
Aguaaaa!!!, Cory Villegas
Aguaaaa!!!, Cory Villegas
Theses and Dissertations
“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.
Cinema's Poetic Function: Creating An Amorous Distance, William Yonts
Cinema's Poetic Function: Creating An Amorous Distance, William Yonts
Film and Media Studies (MA) Theses
The aim of this thesis is to examine how cinema can embrace its poetic function to avoid its assimilation into preexisting hermeneutic structures, which would leave it vulnerable to myth as defined by Roland Barthes, and instead be a generative force, encouraging its viewer to engage with the full potential of the text. This mode of spectatorship is termed the “amorous distance,” which Barthes describes as his simultaneous fascination with the film and that which exceeds it. The amorous distance finds further articulation through the work of Roman Jakobson and Julia Kristeva. Jakobson’s schema of six language functions describes the …
El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould
Independent Study Project (ISP) Collection
El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …
Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor
Margins (I Nvr Needed Acceptance From All U Outsiders), Jahi Lendor
Masters Theses
A comedian said, “American pie isn’t made out of apples, it’s made out of whatever you can get your fucking hands on.”1 With that, my work seeks to provide an honest representation of the infinite value of the everydayness and behavior of blackness ranging from trauma to beauty. Various mediums explore culture, class, collective memory, identity, and erasure. While resisting institutional and systemic boundaries between disciplines my practice actively seeks fluidity between media. The work often translates to (social) poetic-bricolage visualizations that combine gestures of assemblage, sculpture, installation, and painting. The work focuses on reflecting on how I see life …