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2009

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Articles 1 - 11 of 11

Full-Text Articles in Theory and Criticism

Graduate Sessions 9: Keller Easterling, James Lucas, Mark D. Linder, Cameron Lassiter Nov 2009

Graduate Sessions 9: Keller Easterling, James Lucas, Mark D. Linder, Cameron Lassiter

School of Architecture - All Scholarship

Keller Easterling is an architect, professor, urbanist, and writer whose books Enduring Innocence: Global Architecture and Its Political Masquerades and Organization Space: Landscapes, Highways and Houses in America offer original and provocative conflations of spatial theory and contemporary design.


“The Negro Speaks Of Rivers” An African Centered Historical Study Of The Selfethnic Liberatory Education Nature And Goals Of The Poetry Of Langston Hughes: The Impact On Adult Education, Sarah E. Howard Jun 2009

“The Negro Speaks Of Rivers” An African Centered Historical Study Of The Selfethnic Liberatory Education Nature And Goals Of The Poetry Of Langston Hughes: The Impact On Adult Education, Sarah E. Howard

Dissertations

The purposes of this historical study were to 1) document the Selfethnic Liberatory adult education nature and goals of the poetry of Langston Hughes (from 1921 to 1933); and 2) to document the impact this poetry had on members of the African Diaspora. In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans.

This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education …


Mind Vs. Media: A Civil War Between Typography And The Mediated Image, Elizabeth J. Neffinger Apr 2009

Mind Vs. Media: A Civil War Between Typography And The Mediated Image, Elizabeth J. Neffinger

Senior Honors Theses

The past thirty years have marked the start of a new kind of civil war in our digitally powered American society. There is a deep chasm between the cry for the lost art of typography and the mediated power of the Image. We are a culture battling a war in our own heads, attempting to assimilate Images without replacing the need for a written text.

This thesis will argue that the mediated Image is not a death sentence to critical thinking; rather it is an undeniable, inescapable power that can be used to positively influence our culture. It will research …


Feminisms In Stanley Kubrick's Eyes Wide Shut, Emily G. Brown Apr 2009

Feminisms In Stanley Kubrick's Eyes Wide Shut, Emily G. Brown

Institute for the Humanities Theses

With Eyes Wide Shut, Stanley Kubrick examines the causes and conditions in which men are more powerful and men's production, ideas and activities are seen as having greater value and higher status than women's. Eyes Wide Shut's (EWS) renders the tension between Bill (Tom Cruise) and Alice Hartford (Nicole Kidman) in the modem struggle to find balance between the institution of marriage and their autonomous selves visible. As Bill's travels dominate the film, little beyond the first scene of Alice's disrobed body and the last scene highlighting her psychological stability are shown. We follow Bill as he meets several women; …


Jamesonian Analysis Of Contemporary American Rape Autobiographies, Michele Laaksonen Apr 2009

Jamesonian Analysis Of Contemporary American Rape Autobiographies, Michele Laaksonen

English Theses & Dissertations

Sexual assault is widespread throughout America; unfortunately, because this crime breeds shame in its victims, most sexual assault victims never tell anyone. But, as Confessional writing became popularized in contemporary society and more victims felt the need and space to speak out, the rape autobiography developed as an essential tool in understanding the epidemic of sexual violence and the ways in which victims internalize their experiences.

Since sexual assault is a societal problem, and narratives arc a tool for victims to express themselves and expose the sexual violence within a society, rape narratives should be analyzed as windows into American's …


Mr. Kurtz, I Am A Tool, Thomas Asmuth Jan 2009

Mr. Kurtz, I Am A Tool, Thomas Asmuth

SWITCH

In this review of Steve Kurtz’s Autumn lecture at the University of California Berkeley, the author reflects on his own work and self-censorship. He goes on to urge people to practice critical thought and non-conformity.


Representational Subversions And The Limits Of Postcoloniality: Shahzia Sikander's Strategic Contemporaneity, Linda Eilene Sanchez Jan 2009

Representational Subversions And The Limits Of Postcoloniality: Shahzia Sikander's Strategic Contemporaneity, Linda Eilene Sanchez

Electronic Theses and Dissertations

Transnational artist Shahzia Sikander challenges the limitations of Edward Said's postcolonial emphasis on secular humanism by deploying the heterogeneous traditions of South Asian miniature painting while strategically drawing on tradition to critique contemporaneity. Through a palimpsest process of composition, Sikander reincorporates the unknown and silenced histories implicit in the tradition of miniature painting to create social imaginaries with motifs that draw on the diverse traditions of South Asian religions and aesthetics to create a subversive politics of remembering wherein alternative images of cosmopolitanism emerge. Through a sustained analysis, this dissertation demonstrates how these alternative traditions interrogate and critique the limitations …


On Photographic Violence, Sharon Sliwinski Jan 2009

On Photographic Violence, Sharon Sliwinski

Data and Test Instruments

This paper explores the significance of photographic violence in relation to a single defaced image found during the Bosnian War. The single example of pictorial violence opens a set of questions interrogating the nature of human aggression: What is the status of violence carried out in effigy? Can this particular example of defacement open understanding into the other forms of violence that took place during the dissolution of the former Yugoslavia? How does the image come to be marked by affect but also serve as the medium of its transmission? And finally, why does photography lend itself so easily to …


The Aesthetics Of Human Rights, Sharon Sliwinski Jan 2009

The Aesthetics Of Human Rights, Sharon Sliwinski

Data and Test Instruments

This essay situates the 1755 Lisbon earthquake as an alternate origin point for human rights discourse. As one of the most destructive earthquakes in recorded history, the event had a broad effect on both scientific and philosophical thought. The quake also represents one of the first modern mass media events in which subjects throughout Europe became spectators to a distant catastrophe. Both visual and verbal representations of the event circulated throughout Europe with incredible efficiency and helped inaugurate a secular notion of human suffering as well as thoughts about its prevention. The story of the quake shows that the notion …


The Ghosts Of Our Mothers: From Oral Tradition To Written Words—A History And Critique Of Jewish Women Writers Of Iranian Heritage, Farideh Goldin Jan 2009

The Ghosts Of Our Mothers: From Oral Tradition To Written Words—A History And Critique Of Jewish Women Writers Of Iranian Heritage, Farideh Goldin

English Faculty Publications

Throughout the 2,000 years of Iranian Jewish history, women usually were either illiterate or silenced. Iranian Jewish women in exile have been making up for their foremothers by creating prose literature at a fast pace in the last two decades. Through their poetry, novels and memoirs, they validate the claim that with financial security, access to education, and freedom of speech—rarely accessible to Iranian women until the twentieth century—they can shine. This article explores the history and background of Jewish women writers of Iranian heritage.


1968/1989: Political Upheaval And Artistic Change, Claire Bishop, Marta Dziewanska Jan 2009

1968/1989: Political Upheaval And Artistic Change, Claire Bishop, Marta Dziewanska

Publications and Research

Anthology of texts proceeding from the conference "1968/1989: Political Upheaval and Artistic Change" held at the Museum of Modern Art, Warsaw, in 2008.