Japanese Studies Commons^™

Anti-Art In Postwar Korea And Japan, Emma Patterson

MA Projects

Emerging from the traumatic devastation of World War II and the economic upheaval that followed, artists in Japan and South Korea adopted similar creative strategies and addressed parallel themes in their artistic responses to the postwar period. Anti-Art in Postwar Korea and Japan brings together artists from the two nations—which share a complex socio-political history—to introduce a new lens through which to understand contemporary East Asian art. Seung-taek Lee, Ha Chong-Hyun, Kim Tschang-Yeul, Lee Ufan, and Nobuo Sekine were few of a number of Korean and Japanese artists who developed comparable practices across the media of painting, sculpture, installation, and …

Compulsory Conformity In Modern Japanese Culture: An Exploration Of Asexuality In The Works Of Murata Sayaka, Kawakami Mieko, And Kamatani Yuki, Nicholas Colecio

Electronic Theses and Dissertations, 2020-2023

This thesis investigates the representation of asexual individuals in the works of Murata Sayaka, Kawakami Mieko, and Kamatani Yuki, all of whom are contemporary Japanese writers that portray near–suffocating social environments in their depictions of modern-day Japan. Their texts illustrate the augmented demands Japanese society places upon a cross-section of asexual and neurodivergent individuals. Despite the thematic and character–related similarities in their works, I argue that each author presents a unique interpretation of how these asexual individuals interact with—and try to integrate into—wider Japanese society and mainstream culture. Murata's texts demonstrate an unapologetically radical separatism by invoking an idealized queer …

In Search Of Unicorns: An Analysis Of Japan's Startup Ecosystem, Kaito Komoriya

CMC Senior Theses

While Japan previously dominated global consumer markets in innovative electronic products, the economy has failed to live up to this performance since the burst of the asset price bubble in 1992 and the subsequent lost decades. In the modern economy, startup companies have become synonymous with innovation. Most of these companies have emerged from Silicon Valley, as well as other startup hubs around the globe. However, critics have criticized Japan for the limited number of notable startup companies from the country.

My thesis seeks to answer the two following questions: First, what is the current state of Japan’s startup ecosystem? …

Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho

The Coastal Review

This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …

Yoshitsune And The Gendered Transformations Of Japan’S Self-Image, Sachi Schmidt-Hori

Dartmouth Scholarship

This essay traces the transformations of Japan’s self-image through the figure of Minamoto no Yoshitsune. As Japan in the late 600s replaced its name granted by China—“the land of dwarfs”—with “the land of harmony,” its desire to positively repackage its smallness illuminates how the “short and ugly” Yoshitsune in Heike monogatari (fourteenth century) morphed into a “small but beautiful” youth by the fifteenth century. Furthermore, the modern imperial regime repurposed the child Yoshitsune (Ushiwaka-maru) for propaganda by inundating children’s media with the image of Ushiwaka-maru fighting Benkei, which symbolized the “small but mighty” Japan subjugating the massive “West.”

Botchan, Natsume Sōseki, Yasotaro Morri , Trans.

Zea E-Books Collection

This English translation of 坊っちゃん (1906) was published in Tokyo by Ogawa Seibundo in 1918. It is a first-person narrative of a young man’s two-month tenure as assistant mathematics teacher at a provincial middle school in 1890s Japan. A native son of Tokyo, with all its traits and prejudices, he finds life in a narrow country town unappealing — with its dull and mischievous students, scheming faculty, bland diets, stifling rules, and gossipy inhabitants. Impulsive, combative, committed to strict ideals of honesty, honor, and justice, he is quickly enmeshed in the strategems of the head teacher, “Red Shirt.” His sufferings …

Kokoro: Hints And Echoes Of Japanese Inner Life, Lafcadio Hearn, Koizumi Yakumo

Zea E-Books Collection

The works of Lafcadio Hearn (Koizumi Yakumo) played a critical role in introducing his adopted Japan to a worldwide audience. In Kokoro: Hints and Echoes of Japanese Inner Life, he writes, “The papers composing this volume treat of the inner rather than of the outer life of Japan, — for which reason they have been grouped under the title Kokoro (heart). This word signifies also mind, in the emotional sense; spirit; courage; resolve; sentiment; affection; and inner meaning, — just as we say in English, ‘the heart of things.’” After centuries of isolation Meiji-era Japan was forced to adjust …

Language Learning Through Interaction: Online And In The Classroom, Andrew J. Demil, Rachel Kozikowski

The Coastal Review

Online language teaching has become a popular alternative to classroom learning (Liu et al; Warschauer and Meskill). This led to research comparing the two learning environments (Young). Regardless of the learning environment, in order to be effective, the second language classroom must be designed to lead learners to acquisition. Studies suggest that collaborative tasks that push learners to negotiate meaning lead to acquisition (Leeser; Loewen and Erlam; Mackey and Philp; Stafford, Bowden, Sanz). Participants in this study were in two environments; a second language classroom in the typical in person classroom format, and a language learning course in an online …

La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez, Jaime Chavez

The Coastal Review

This paper explores the concepts of "Border Culture" and "Borderlands" by Gloria Anzaldúa in Soy la Avon Lady and Other Stories, Homicide Survivors Picnic and Other Stories, by Lorraine López and the novel Mijito Doesn’t Live Here Anymore by Jaime Martínez. The paper argues that the Mexican American character in the southeast of the United States lives in the "Borderlands" and practices a "Border Culture" because they don't follow the traditional stereotypical role of the Mexican American character within the literary canon of both the dominant culture and Chicana/o literature.

The Dark Realism Of Miyazawa Kenji: Social Activism In The Science-Fiction Children's Story, The Life Of Gusukō Budori, And Its Precursor Work, Elsiemae Ann Ito

Dissertations and Theses

Miyazawa Kenji (1896-1933) is widely known in Japan as a children's story writer and poet, but he was also grounded in real life as a teacher, soil scientist, and farmer. Recognizing the harsh realities for farmers in his native Iwate, he nonetheless dreamed of an ideal world, as seen in his stories. To better understand the dark realities of life in Iwate, Japan, Miyazawa changed his occupation from teacher to farmer, focusing more on social activism that would better the lives of the people in his community. His late children's story, The Life of Gusukō Budori (Gusukō Budori no …

I Am A Cat, Natsume Sōseki

Zea E-Books Collection

This English version of 吾輩は猫である (Wagahai-wa neko de aru: I Am a Cat), Chapters I and II, written by Natsume Sōseki, pseudonym of Natsume Kinnosuke (1867–1916), and translated by Kan-ichi Ando (1878-1924), was published by Hattori Shoten, Tokyo, in 1906.

It begins: "I am a cat; but as yet I have no name." Its sardonic feline narrator describes his origins, his settlement in the household of a Meiji teacher-intellectual, and the goings-on and conversations among the cats and humans about the neighborhood. Of the men he concludes: "They are miserable creatures in the eyes of a cat."

Japanese novelist Natsume …

Remembering Two Titans Of Manga: Shirato Sanpei And Saitō Takao, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

What follows is a pair of recent tributes Natsume Fusanosuke wrote for Japanese newspapers, concerning the pioneering cartoonists Saitō Takao and Shirato Sanpei, who died, respectively, on September 24, 2021, and October 8, 2021. The two articles are here presented in English for the first time.

Translated by Jon Holt & Teppei Fukuda

Celebrating And Practicing Aspects From Eastern- And Western-Centric Animation Styles, Alissa Annette Standerwick

All Theses

Animation styles in a modern world end up influencing the animation of other regions. This project, through animation, celebrates Eastern and Western differences in their animations. Rather than analyzing story differences, aspects of the habits formed by the region’s animators are analyzed and practiced. The formation of animation in respective cultures represents the local history of these regions. So to understand the aspects & technicalities of how animators animate per region, it is useful to understand how film, TV, & comic styles of an entire community impacted that area’s animation

Takahashi Rumiko And The Turning Point In The History Of Manga And Anime, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Takahashi Rumiko’s entry onto the manga scene represented the turning point in the history of manga and anime. This turning point signifies the emergence of the genre of romantic comedy (rabukome = “love comedy”)—a romantic relationship-centered genre certainly common to shōjo (girls’) comics category at the time—now beginning to appear in shōnen (boys’) comics, too.

Translated by Jon Holt & Teppei Fukuda

Haiku, Mary Hohlman

The Tuxedo Archives

No abstract provided.

Tanka And Micropoetry, Mary Hohlman

The Tuxedo Archives

No abstract provided.

Lc 308: Digital Fashion Show, Chisato Kojima

Departmental Initiatives

No abstract provided.

Charlie Brown And Me, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Charles Schulz’s Peanuts turned 71 years old on October 2, and we celebrate the anniversary of this world-famous comic strip with a love letter from Japan. Natsume Fusanosuke originally wrote this essay[1] about his connection to Peanuts in 1999 for a supplement issue of Bungei Shunjū magazine: a special on one of the gods of comics, Tezuka Osamu, with whom Charles Schulz stands in great company. Natsume is a voracious reader and a global observer of both manga and world comics. Here, he describes the appeal of Peanuts for Japanese readers and how it compares to a similarly beloved Japanese …

"Writing Unspeakable Things: Speechlessness, Abjection, And The Ethics/Aesthetics Of (Not) Representing Sexual Violence In Three Korean American "Comfort Women' Novels", M Laura Barberan Reinares

Publications and Research

This article analyzes “comfort women” novels by the Korean American authors Therese Park, Nora Okja Keller, and Chang-rae Lee in terms of the ethics and aesthetics of representing sexual violence through language. I specifically look at these authors’ stylistic strategies to describe rape in writing and how they (more or less successfully) avoid voyeuristic portrayals of the “comfort women” by controlling the narrative point of view and relying on traumatic “speechlessness” and abjection. Building on relevant notions from the fields of photography, cinematography, philosophy, and psychoanalysis, this analysis suggests that in-progress representations of rape in language become a futile project …

Transnational Japanese Literature: Diversity And Diaspora In Modern Japanese Literature (Jpns 073) Syllabus, William O. Gardner

Japanese Faculty Works

Transnational Japanese Literature: Diversity And Diaspora In Modern Japanese Literature course description:
This course will challenge the myths of Japanese ethnic homogeneity and cultural isolation and explore how modern “Japanese” literature crosses national and cultural borders. Topics to be examined include Japanese writers writing from abroad, colonial and postcolonial literatures, migration and writing in the Japanese diaspora, and the writings of ethnic minorities in Japan, including writers from Okinawa and Japan’s resident Korean community.

The Fall Of The Ikko Ikki: The Demise Of The Honganji In The Late Sengoku Period, Alexander M. Remington

Student Publications

During the late Sengoku Period Japan witnessed the fall of the Honganji, a sect of Pure Land Buddhism. The Honganji was a significant military, political, and economic power and commanded armies of commoners known as Ikko Ikki. The Honganji fell because it challenged the traditional social order of Japan, lacked unity, and stood against warlord Oda Nobunaga during his bid for hegemony. The fall of the Honganji resulted in consequential policies and impacted Japanese society going into the Tokugawa period.

Striking Chords: Music In Ukiyo-E Prints (2021), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"The book “Striking Chords: music in ukiyo-e prints” is a student version of a scholarly catalog that accompanies the RISD Museum’s ukiyo-e prints exhibition of the same title. ... This exhibition is a culmination of an ukiyo-e art history course taught at RISD in the fall of 2021. The project was generously accommodated by the RISD Museum. With the help of Wai Yee Chiong, Associate Curator of Asian Art, fifteen prints were selected from the collection of the RISD Museum. For the exhibition’s online component, which is still under construction, additional prints were chosen – two more from the RISD …

Making It Just In Time: Author-Creator Matsumoto Taiyō, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Translated by Jon Holt and Teppei Fukuda

The first time I can remember encountering Matsumoto Taiyō’s work was probably when he released his short story collection, Blue Spring (Aoi haru - Matsumoto Taiyō tanpenshū [stories published from 1990 to 1993; Shōgakukan, 1993]). All of the stories concern a bunch of young dudes -- full of desires, frustrations, and violent tendencies -- and no chance they can ever get past those things. I thought to myself at that time, “Ah, I bet this stuff means a lot to readers in their teens, but they don’t really do anything for me.” …

Review: André Van Der Braak, Reimagining Zen In A Secular Age: Charles Taylor And Zen Buddhism In The West., James Mark Shields

Other Faculty Research and Publications

No abstract provided.

Time To Re-Evaluate Taniguchi Jiro's Pace In Manga, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Natsume Fusanosuke is Emeritus Professor of the Graduate Program of Cultural Studies in Corporeal and Visual Representation, Gakushūin University. Despite his recent retirement from Gakushūin in March, he is still very active in manga criticism and scholarship. Originally a manga artist himself in the 1980s, by the 1990s he began doing more writing about manga, although he often still employs his cartooning skills to assist in his analysis and explanation of his subjects, much like his American contemporary Scott McCloud. It is not a stretch to compare the latter’s Understanding Comics to Natsume's work in the classic How to Read …

The Functions Of Panels (Koma) In Manga: An Essay By Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Natsume Fusanosuke presents in this essay the core ideas of his formal ‘theory of expression’ (manga hyōgen-ron) that focuses on three basic elements of manga: words, pictures, and frames. In the 1990s, Natsume emerged as a seminal scholar of Manga Studies, whose influential works include Manga no yomikata (coauthored, 1995) and Manga wa naze omoshiroi no ka: sono hyōgen to bunpō (1997), where the present essay is found. Here, Natsume describes the central aspects of panel constructions in manga: creating a sense of order for the reader by segmenting time; shaping the reader’s mental perceptions by panel compression (asshuku) and …

Politeness Strategies Used In Invitations In Japanese, Natsuko Llewellyn

Dissertations and Theses

This study explored how Japanese as Foreign Language (JFL) utilize politeness strategies compared to native speakers of Japanese (J1) in invitation discourses within the framework of Interlanguage Pragmatics (ILP). Invitation is one of the speech acts that requires careful consideration when conveying speakers' intentions through speech. It is assumed that JFL will struggle with appropriately inviting friends in different cultures while utilizing the politeness strategies in their invitation discourse in Japanese. Szatrowski (1993) revealed that there are thoughtful utterances to each other, the discernment utterance by the inviter and considerate utterance by the invitee, in the Japanese invitation discourse. Native …

Sumi-E Anniversary, Mary Rodning

Sumi-e

The Anniversary write up about the history of the Sumi-e Group in Mobile, AL

Mary Rodning's History, Mary Rodning

Sumi-e

Mary Rodning provided a written document of her life story and her work with the Sumi-e group in Mobile, Alabama

Going Glocal In A Pandemic: Can Japan Offer Lessons For Others?, Masaaki Takemura

Markets, Globalization & Development Review

This Dialogue contribution draws some lessons from the Japanese countermeasures against the COVID-19 pandemic. It approaches this issue from a social point of view. Specifically, it focuses on social and cultural understanding process of an uncertainty event – in this case the COVID-19 pandemic, but also early instances – by the Japanese.