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Articles 1 - 16 of 16
Full-Text Articles in Japanese Studies
Place-Branding In The Japanese Agricultural Industry: A Discourse Analysis Of National, Prefectural, Municipal, And Producer Perspectives, Miyu L. Owada
Pomona Senior Theses
This essay is a case study of place-based agricultural branding in Japan, particularly in the sub-urban context of Mitaka City, Tokyo. Shifting the focus from rural revitalization models typically studied in this field, this study brings sub-urban landscapes into the conversation. Although existing studies assume a top-down policy is implemented for agricultural branding in Japan, the study assesses to what extent this structure holds true for the Mitaka context, comparing narratives across four tiers: the national Ministry of Agriculture, Forestry, and Fisheries (MAFF), the prefectural Tokyo Metropolitan Government (TMG), the municipal Mitaka City and Japan Agricultural Cooperatives (JA) Tokyo Musashi …
Nothing Gets In The Way Of A Good Argument, Kai Fine
Nothing Gets In The Way Of A Good Argument, Kai Fine
CMC Senior Theses
For much of Western history, the prevailing process of creating a proof for the existence of a thing (often suggested to be God) outside the causal chain was done by following that very causal chain. One of the most well known of these theories was created by Avicenna. Through following his classification of objects, one was thought to be able to “prove” the necessity for a thing that was necessary in and of itself, and separate from all other things. In this paper I outline the strongest section of Avicenna’s argument, illustrating his classifications. I then turn to Graham Priest’s …
In Search Of Unicorns: An Analysis Of Japan's Startup Ecosystem, Kaito Komoriya
In Search Of Unicorns: An Analysis Of Japan's Startup Ecosystem, Kaito Komoriya
CMC Senior Theses
While Japan previously dominated global consumer markets in innovative electronic products, the economy has failed to live up to this performance since the burst of the asset price bubble in 1992 and the subsequent lost decades. In the modern economy, startup companies have become synonymous with innovation. Most of these companies have emerged from Silicon Valley, as well as other startup hubs around the globe. However, critics have criticized Japan for the limited number of notable startup companies from the country.
My thesis seeks to answer the two following questions: First, what is the current state of Japan’s startup ecosystem? …
Ataka, Anthony H. Chambers
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Mime Journal
No abstract provided.
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Mime Journal
No abstract provided.
Mochizuki: History And Context, Michael Watson
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Shizen Nōhō: Restoring The Relationship Between Food, Nature, And People In Japan, Katharine Graham
Shizen Nōhō: Restoring The Relationship Between Food, Nature, And People In Japan, Katharine Graham
Scripps Senior Theses
In Japan’s postwar era, agriculture has become highly industrialized, involving heavy machinery, chemical fertilizers, and pesticides, all in the name of “progress.” Through employing such practices, humans have attempted to improve upon nature’s way of doing things, and in turn have degraded the soil’s fertility, natural ecosystems, and human health. In response to this, Shizen Nōhō has emerged in Japan as an alternative way of cultivating food. Shizen Nōhō practitioners challenge the notion that we need chemical fertilizers, pesticides, and machinery to farm successfully. Rather, they advocate for a way of growing food that functions seamlessly with natural ecosystems. This …
The Question Of Remilitarization: Is Japan's Pacifist Nature In Danger Of Reform, Shanisha Coram
The Question Of Remilitarization: Is Japan's Pacifist Nature In Danger Of Reform, Shanisha Coram
Scripps Senior Theses
Though Article 9 has not been revised since it was implemented in 1947, the past two decades have seen an increase in Japanese military capability due to the government’s loose interpretation of Article 9 and its limitations to allow for Japanese involvement in collective security operations internationally. As a result, a number of Japanese political scholars and newspapers have projected the possibility of not only Japanese constitutional revision but also the re-militarization of Japan as well. Interested in finding out whether or not this projection has any likelihood of success in the future, I have posed the following question: Why …
Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos
Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos
Scripps Senior Theses
Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.
Masculinity On Women In Japan: Gender Fluidity Explored Through Literature And Performance, Jessica M. Perreira
Masculinity On Women In Japan: Gender Fluidity Explored Through Literature And Performance, Jessica M. Perreira
Scripps Senior Theses
The first half of my thesis are my translations from Yumi Hirosawa’s Onna O Aisuru Onnatachi. The first translation is excerpts from a high school girls journal documenting her realization and acceptance of being lesbian, and her time with her first girlfriend. The second translation is a report by a freelance writer on three different lesbian bars in Shinjuku Ni-Chome. The most notable bar is an onabe bar called Little Prince. Onabe in the simplest terms are women who dress and act like men. Onabe are important to the research portion of my thesis because they allowed me to research …
The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno
The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno
Scripps Senior Theses
This thesis aims to examine the ways in which women are used as vehicles within the noh and kabuki theatre traditions to perpetuate moral and religious doctrine. Using the theoretical frameworks of Michel Foucault, Judith Butler, and Jill Dolan, I examine two plays which feature a female demon as their antagonist, Momijigari and Dojoji, and focus on the ways they incorporate Buddhist and Neo-Confucian ideology in their respective noh and kabuki renditions.