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Full-Text Articles in Japanese Studies
Within My Glass Doors, Natsume Sōseki, Iwao Matsuhara, Edwin T. Iglehart
Within My Glass Doors, Natsume Sōseki, Iwao Matsuhara, Edwin T. Iglehart
Zea E-Books Collection
During his last years (1915–1916) Natsume Sōseki was often troubled by the stomach ailment that eventually took his life at age 49. Constrained by his illness to remain at his home in Waseda, a Tokyo suburb, he nevertheless continued to work on his novels and to write columns for publication in the Asahi Shimbun newspaper.
Within My Glass Doors collects those 39 columns; in them he discusses his visitors, his illness, memories of his childhood and family, and interactions with colleagues new and old. The most autobiographical and revealing of all his writings, this collection of essays displays his remarkable …
Hanakatsura: The Works Of Famous Literary Women In Japan, Tei Fujiu (Trans.), Kaho Miyake, Ichiyo Higuchi, Usurai Kitada, Otsuka Kusuo, Paul Royster (Ed.)
Hanakatsura: The Works Of Famous Literary Women In Japan, Tei Fujiu (Trans.), Kaho Miyake, Ichiyo Higuchi, Usurai Kitada, Otsuka Kusuo, Paul Royster (Ed.)
Zea E-Books Collection
Originally published in Tokyo in 1903, Hanakatsura (literally “garland of flowers”) features a biographical sketch of the activist and author Kishida Toshiko (Baroness Nakajima) plus four short stories by Japanese women writers of the Meiji era:
Akebonozome: A Cloth Dyed in Rainbow Colors, by Kaho Miyake
Ōtsugomori: The Last Day of the Year, by Ichiyo Higuchi
Onisenbiki: The Thousand Devils, by Usurai Kitada (Mrs. Kajita)
Shinobine, by Otsuka Kusuo
Compiled and translated by Tei Fujiu, four memorable and affecting stories depict women experiencing the frustrations of traditional family roles within an emergent commercial society at the turn of the century. …
When I Was A Boy In Japan, Sakae Shioya
When I Was A Boy In Japan, Sakae Shioya
Zea E-Books Collection
Japanese children in the 1870s and 1880s were offspring of a centuries-old traditional order who faced a world suddenly dominated by foreign science and commerce. As a child in Meiji Japan, Sakae grew up among survivors of the shogunate and observed their samurai culture displaced by Western morals and practices. Meanwhile the traditional values of Japanese life still exerted a strong influence over his family and education and played a large part in shaping his experience, as recounted with charm and tenderness in this simple and reflective reminiscence.
Sakae Shioya (1873–1961) attended Tokyo’s First Imperial College and came to the …
I Am A Cat, No. Ii, Natsume Sōseki, Kan-Ichi Ando
I Am A Cat, No. Ii, Natsume Sōseki, Kan-Ichi Ando
Zea E-Books Collection
What would the neighbors say about you if they didn’t know your cat was listening?
What if it was “The Cat With No Name”? The one who claims “I have, as a cat, attained the highest pitch of evolution imaginable. … My tail is filled with all sorts of wisdom and, above all, a secret art handed down in the cat family, which teaches how to make fools of mankind. … I am a cat, it is true, but remember I am one who keeps in the house of a scholar who reads the Moral Discourses of Epictetus and bangs …
Kokoro: Hints And Echoes Of Japanese Inner Life, Lafcadio Hearn, Koizumi Yakumo
Kokoro: Hints And Echoes Of Japanese Inner Life, Lafcadio Hearn, Koizumi Yakumo
Zea E-Books Collection
The works of Lafcadio Hearn (Koizumi Yakumo) played a critical role in introducing his adopted Japan to a worldwide audience. In Kokoro: Hints and Echoes of Japanese Inner Life, he writes, “The papers composing this volume treat of the inner rather than of the outer life of Japan, — for which reason they have been grouped under the title Kokoro (heart). This word signifies also mind, in the emotional sense; spirit; courage; resolve; sentiment; affection; and inner meaning, — just as we say in English, ‘the heart of things.’” After centuries of isolation Meiji-era Japan was forced to adjust …
I Am A Cat, Natsume Sōseki
I Am A Cat, Natsume Sōseki
Zea E-Books Collection
This English version of 吾輩は猫である (Wagahai-wa neko de aru: I Am a Cat), Chapters I and II, written by Natsume Sōseki, pseudonym of Natsume Kinnosuke (1867–1916), and translated by Kan-ichi Ando (1878-1924), was published by Hattori Shoten, Tokyo, in 1906.
It begins: "I am a cat; but as yet I have no name." Its sardonic feline narrator describes his origins, his settlement in the household of a Meiji teacher-intellectual, and the goings-on and conversations among the cats and humans about the neighborhood. Of the men he concludes: "They are miserable creatures in the eyes of a cat."
Japanese novelist Natsume …
Making Japan Great Again: The Imperial Rescript On Education, Ayoung Kang, Alistor Skabelund, Matthew Stephenson
Making Japan Great Again: The Imperial Rescript On Education, Ayoung Kang, Alistor Skabelund, Matthew Stephenson
FHSS Mentored Research Conference
The Meiji government used the Imperial Rescript on Education in order to develop nationalism and respond against the dominating presence of Western Imperialism by standardizing Meiji education and interpreting it to justify militarism.