Printmaking Commons^™

Temple Of Familiars, Madeleine Grace Kelly

LSU New Orleans Theses and Dissertations

My paintings, etchings, and installation explore encounters with mystery in the natural world, especially through the flora, fauna, light, and water of the swamps around the Atchafalaya Basin. My practice explores kinship, reverence, and awe as an antidote to estrangement from the spirit of the land. I am influenced by artists and scholars engaging with the places that they inhabit and that inhabit them with a reverence and mystery of approach. My work invites viewers to engage with the memory that the water carries of our interconnectedness, and to remember that we are not separate from the natural world.

Extant, Amanda Joy-Petersen

All Graduate Reports and Creative Projects, Fall 2023 to Present

On April 15th, 2022, I was diagnosed with Triple Negative Breast Cancer, the most aggressive form. Everything changed that day. My body became a specimen, inspected weekly. I decided to document the process of my treatment as a way to understand the implications and ramifications of living with the disease.

I transform my artwork into multiple iterations in response to my body’s changing landscape. The transparent layers of my abstracted poetry, transitional body photos, and MRI scans suggest the permeability of the cortex and the fluidity between the interior and exterior. Looking through the layers allows for a connection with …

Away From Keyboard: Practical Applications Of Antifascism, Amber Sarelle Easley

Electronic Theses, Projects, and Dissertations

My work sits uncomfortably between and across the disciplines of activism and art. This tension is typical of Socially Engaged Art: a social interaction proclaiming itself as art. I aim for these interactions to center antifascism in interrogating the complex interrelation between digital spaces and the streets outside our front doors, as antifascism is the only appropriate response to the blatant fascistic aspirations that is both digitally and physically present.

Things That Are Long, Frankie Gutierrez

Electronic Theses, Projects, and Dissertations

Bigfoot has become an important motif for Frankie Gutierrez, especially since his transition in 2021. The characters in this exhibition showcase the deeply personal exploration of transness and non-mainstream trans identities, the in-depth observations of others, and their interactions with transgender people. He compares transness to the likeness of bigfoot, typically an elusive and hard-to-find character that everyone suspects, but has rarely been seen. Evidence of their existence surrounds us, but only those with open minds can truly see them. The characters in this show look like you and me, and no one at all. This exhibition is not meant …

Endo/Exo, Delaney Rogers

Electronic Theses and Dissertations

The artist, Delaney Shae Rogers, discusses her Master of Fine Arts exhibition, Endo / Exo, held at the Tipton Gallery in downtown Johnson City, TN. The exhibition dates are from March 25th through April 5th, 2024, with a public reception held April 5th, 2024. The author provides insight into the concept behind the work in the exhibition and shares how the making process and specific materials impact the work. This body of work explores coping with grief, anxiety, and the state of the world through the process of making and communicating otherwise difficult topics through visually digestible symbolic language.

From Mountains To Cities: East Asian Landscapes, Catherine Haley, Conrad Martens, Cyndy Basil, Emma Wylam, Isobel Debenham, Katherine M. Tyson, Lenna Kouzoujian, Miriam Glatfelter, Molly Griffith, Noelle Muni, Yan Sun

Schmucker Art Catalogs

Under the direction of Prof. Yan Sun, student curators examine diverse depictions of landscapes from China and Japan. The selected works, including paintings on silk, ornate carvings in lapis lazuli, and prints, among others, offer meditations on nature and industrialization. Students consider the historical, material, aesthetic, and environmental significance of the works on display.

Food For Thought, Alivia Palalay

The Messenger

No abstract provided.

I’Ll Just Dip My Toes In, Eva Steinitz

The Messenger

No abstract provided.

Creating An Index To Graduate Theses To Support Their Discoverability, Ellen Petraits

Transforming Libraries for Graduate Students

As a Research and Instruction Librarian, one of the most frequent questions I'm asked is how to find past theses on a particular topic or theme. There is an active thesis culture at RISD that goes beyond writing and binding a text. An exhibition is held in the graduate gallery to celebrate a curated selection of theses at the beginning of the academic year. (See Book of Thesis Books) Theses can range in format from an artist book to a loose-leaf portfolio. Many emphasize the visual and are a bridge to the student’s studio work. They may include unusual or …

Is It Gonna Be Fun?, Kim Tomlinson

School of Art, Art History, and Design: Theses and Student Creative Work

I am a multidisciplinary artist working across digital and analog forms of printmaking, installation, playing, drawing, and writing. I incorporate elements of humor, autobiography, and nostalgic pop culture references to tell stories and facilitate connections.

At the heart of my work is the desire to be seen and feel connected. This starts with self reflection and building a personal archive of important references and symbols. Through recurring characters rooted in personal and historical pop culture references, I incorporate layers of complexity and inside jokes into the work. Humor is an essential tool to maintain levity, engage participants, and challenge traditional …

Diy Delivery Systems Rethinking Self-Sponsorship Through Extracurricular Literacy Narratives, Jason W. Luther

College of Communication & Creative Arts Departmental Research

This essay reconsiders the role of the “self-sponsored” writer in the attention economy by suggesting that contemporary do-it-yourself publishers have not only attempted to negotiate a public sphere which has linked "self-sponsored" to "entrepreneurial," but contend with a digital environment that makes it difficult to parse authorial desire from neoliberal rationality. Ultimately, this essay suggests that materialist models of circulation should be accounted for in studies of extracurricular literacies, specifically by drawing from the literacy narratives of public writers such as zine authors. It thus provides a method of analysis for understanding how these writers, who must necessarily exist within …

Place-Conscious Vs. Place-Bound, Julie Avetisyan

Theses and Dissertations

Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.

Poster, Performed: Understanding Public Opinions Of Authorship In Generative Artificial Intelligence Models Via Analogy, Wylie Z. Kasai

Dartmouth College Master’s Theses

Over the last decade, generative artificial intelligence models have advanced significantly and provided the public with several tools to create new works of art. However, the true authorship of these works has been debated due to their training on web-scraped data. Serving as an analogy to these larger models, Poster, Performed is an interactive artificial intelligence exhibition project that uses image assets submitted by the public to create poster compositions with custom image processing algorithms. During the course of a four-day exhibition, visitors were asked to identify the exhibition’s primary artist from five options: (1) participants who submitted image assets, …

Retrospective Student Projects, Sally Brown, Stewart Plein

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of student projects.

"Where Did Your Christ Come From?", Kamara V. Townes

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written document is the accompanying thesis for my Master of Fine Arts Exhibition, “WHERE DID YOUR CHRIST COME FROM?”, shown at Gallery 937 in downtown Pittsburgh, Pennsylvania (displayed April 5th-June 9th, 2024). Through painting, sculpture, and installation, I rely on an intuitive artmaking practice to create work that makes commentary on race, gender and identity. This thesis documents my research on contemporary influences, experimentation with materials and my point of view in conversation with intersectional feminism while navigating institutional racism.

Conceptually the work of my thesis is deeply influenced by womanism and Black culture, which informs my exploration …

Multitudes, Madison Otter

Master's Theses or Doctor of Nursing Practice

Identity is a fluid and layered experience enriched by contradictions, the power of interpersonal relationships, and continuous growth. Recognizing oneself as a blend of opposing traits—strong and tender, contemplative and restless—reveals that humanity is anything but black and white. With each passing day, we evolve, bringing new perspectives and insights with us. As Walt Whitman wrote, "[we] contain multitudes.''

Although no single artistic medium can fully capture this for me, using multiple modes of expression allows me to explore and approximate it. This realization was the origin of my thesis.

The process of creation itself, whether quick or deliberate, is …

Interdisciplinary Learning: How Different Ways Of Thinking Can Fuel Passion And Expand Understanding., Allison Amy Peschek

Undergraduate Theses, Professional Papers, and Capstone Artifacts

This Capstone project was created to show the profound experience resulting from an extended range of interdisciplinary learning, and how different methods, when paired together, can enhance a learning experience. This was a personal project of exploration into those different angles, and primarily focused on avenues of logical and creating learning, respectively. These methods have been implemented by this author often in the past, but this capstone will explore this concept further, as there is a lot of potential in combining these different methods and biases in learning, to both further passion and understanding as a learner, but to also …

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …

Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra

Graduate Theses/Dissertations

I knew from a young age that I never wanted children. Whenever I expressed my disinterest in motherhood, I was often met with bewilderment, disapproval, and hostility. The church I was raised in taught me that my value and worth as a woman directly correlated with the power of my birthing hips. This fundamentalist upbringing has significantly shaped my relationship with my femininity, my body, and my artwork. When I feel powerless, turning to my art gives me a sense of control and self-expression. This body of work began as a reaction to the overturning of Roe v. Wade and …

Outside Inside: Poems, Emma Jane Sullivan

Graduate Theses/Dissertations

This creative thesis includes thirty-four poems and thirteen illustrations that investigate the topic of self-exploration, creative freedom, and liberatory pleasure. My poems are souvenirs from a failed ethical standard, a trove of misogynic micro-aggressions, a spotlight on the backward- ness of gender norms, and a surprisingly strong thread that links women to the planet and to shared language, a thread humankind continuously tries to cut. The methods of research were largely a self- study and one that required consistent reflection. The results were a collection of writings that had to be revised and edited with the guidance of my thesis …

Shinners, Alexis E. Mabry

Theses and Dissertations

Shinners is a project that aims to examine the position of women in subcultures and capture conversations of women in subcultural sports. Within feminism, sociological constructs, campy horror, and personal experience I am manifesting the physical and mental obstacles faced in the subcultural sport of Bicycle Motocross (BMX) through photography, painting, collage, video, and sculpture. I interpret images posted to social media of injuries obtained while riding BMX as forms of empowerment, bodily gore as extreme evidence of participation, performative violence, valorizing the understanding of both the physical and psychological pain of failure, and the use of failure as a …

A Light On Europe. The International And Intermedial Trajectory Of A Medieval Chandelier At The Turn Of The Nineteenth Century, Eveline Deneer

Artl@s Bulletin

This article investigates the shaping of European visual culture by tracing the international and intermedial trajectory of the visual motive of a chandelier from a 15th-century Burgundian manuscript in the decades around 1800. Passing from Brussels, Paris, Lyon, Mannheim, and Vienna to Coburg, and moving from illumination to drawing, archaeological illustration, painting, engraving to the applied arts, its trajectory exemplifies the historical conditions and cultural phenomena that animated the formation of a European visual culture, at a time when historical and national consciousness were developing on the continent.

A Pursuance Of Self, Kassidy Albert

Undergraduate Honors Theses

The self portrait is a consistent aspect of art history, with many artists returning to it again and again across their lives. This project intends to explore the function of the self portrait. Through research and execution of artwork, the artist has found that the self portrait has multiple functions, including: a practice of anatomy; a display of status, skill, and likeness; an outlet for emotion; and a place for psychological confrontation. Across the life of this project, the artist completed twenty-two self portraits in a variety of styles and materials.

Don't Be Startled, My Dear Mother, Jon Quiroz

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's statement:

In Letter 66, Paul Laurence Dunbar aims to reassure his mother, Matilda Dunbar, not to be so concerned about his whereabouts. He emphasizes that he will return home as soon as he can. Within the letter, he sends a $2 bill to give financial support during his busy schedule of recitals, particularly in the South—a gesture that underscores his devotion to his family’s well-being even in his absence. Dunbar reassures his mother that after gaining great success from his writing, all the financial …

Reading Mary Margaret Stewart, Miriam Glatfelter

Schmucker Art Catalogs

Curated by Miriam Glatfelter ’24, the inaugural Susan ’77 and Joseph Biernat ‘75 Intern, this exhibition examines the literary themes in works of art from the collection of Mary Margaret Stewart (1931-2021), a beloved Professor Emerita of English at Gettysburg College (1959-1996). Reading Mary Margaret Stewart features prints of notable authors, including Virginia Woolf and Edgar Alan Poe, as well as works that allude to stories, such as Mark Twain’s “The Notorious Jumping Frog of Calaveras County.” Glatfelter not only considers these various references to fiction and poetry, but she also invites the viewer to read the works in …

Color Nirvana, Elizabeth Thomas, Chai Avery

P-12 Lesson Plans

In this art lesson for grades 6-12, students will consider how color reads differently depending on chromatic surroundings and experiment with color scheme arrangements to create their own linear collage with adhesive-backed papers. This lesson is based on the exhibition NIRVANA, Polly Apfelbaum displayed at the Zuckerman in the fall of 2023.

Beyond The Veil, Noah S. Constantino

PANDION: The Osprey Journal of Research and Ideas

The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …

Movement, Mechanization, And Coexistence, Yukyung Chung

Masters Theses

A movement is a tool that expresses the subject I pursue, ‘mechanization of human beings’. There are many technologies that replace humans these days, such as artificial intelligence. This makes me skeptical and afraid of being replaced as an artist in the future. Paradoxically, people, including myself, are enthusiastic about it, indicating that we do embrace the mechanization process as a society.

I will reveal this phenomenon of coexistence by demonstrating the possibility that machines cannot replace us, through motion experiments where rules increase, first starting with the reliance on intuition. I will explore not only the things that machines …

Metaphors In Materials And Imagery For Self Reclamation And Empowerment, Janice Lardey

Masters Theses

As an experimental multidisciplinary artist, my creative process draws inspiration from daily experiences and encounters with the mundane. I am particularly interested in West African textile cultural practices, specifically the use of symbols and basic geometric forms to communicate through materials (specifically fabrics) and the role these images and forms play in African culture. In my work, I am developing my own distinct vocabulary of symbols and patterns, inspired by these practices.

My artistic practice explores a wide range of themes related to women, sustainability, loss, everydayness, wear and tear, degeneration, the transitory nature of life, and material effects, often …

Tracing As Process, Lesley Su

Masters Theses

Tracing is a way to observe, document and translate, to be anchored in the physical working, to find personal occupancy in the built environment.

By establishing one-to-one relationships with the physical context, tracing enables us to comprehend objects in multiple dimensions. Through tracing, we can explore how two-dimensional drawings can be transformed into three-dimensional objects, and vice versa, objects can be documented through drawing to capture the essence of reality.

Based on materials and motion, research on tracing techniques guides me into how tracing could act as a process of art and architecture practice.