Printmaking Commons^™

Baby Boy, Elysa Adams

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Baby Boy is a tribute to friends lost in 2022 and 2023. he crown of flowers within the artwork serves as a metaphor, for the symbolic crucifixion of Black men. The piece reveals the harsh reality that numerous Black boys face challenges that prevent them from reaching adulthood. It emphasizes the lack of protection, highlighting a world that targets and jeopardizes their well-being. he narrative is represented through a woodcut of a young Black man.

My creative journey is inspired by the untold stories and vibrant spirits that permeate my community. I am motivated by a profound drive …

Beyond The Veil, Noah S. Constantino

PANDION: The Osprey Journal of Research and Ideas

The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …

Creating; Kind, Jordan Boutelle

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

As a printmaker, I use the versatility of the medium to create diverse representations of the environment and society each of us are placed in. These contexts are the “tool kit” we are provided to forage together our own identities and relationships. The piece Creating; Kind represents the individual in a moment of time. A set of rigid assets are used to create unique combinations of layered textures, objects, and color that are then cut down to create the element needed for the composition. The contrast between the finite nature of the matrices and substrates used and the …

I Bloomed In The Dark, Izzy (Kiara) Narvais

PANDION: The Osprey Journal of Research and Ideas

We come from different places and different backgrounds. Our lives are a constant trial and error. Our past lives on and makes us bloom into the people that we are today. I want to share my story to create a safe place to talk about our trajectories. In a place of darkness and sadness that I sat in for so long, a bright light and a flower grew through it all within me. I have been bullied, abused, and sexually assaulted. I take that as not a place of weakness but a place of strength. I stand strong to be …

The Anxiety Of Presenting Identity, Savannah Fleming

PANDION: The Osprey Journal of Research and Ideas

This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.