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Printmaking Commons

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Articles 1 - 6 of 6

Full-Text Articles in Printmaking

I Made Some Prints, Teresa O. Tempero Aug 1971

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.


Expansion Systems In Drawing, Anna Jane Licka Jul 1971

Expansion Systems In Drawing, Anna Jane Licka

All Master's Theses

Drawing as a creative mode of expression has maintained in some artistic circles a "puristic doctrine." "Puristic doctrine" in this case means the utilization of characteristic drawing implements and techniques (ie. pen, pencil, ink, charcoal, crosshatching, shading). In contrast to this "puristic doctrine" is what can be termed an "eclectic expression" in art. As applied to drawing in this thesis, an "eclectic expression" will go beyond the traditional techniques by the application of other media such as photo-stencil, stuffed fabric, and three-dimensional tableau considerations. The purpose of this creative thesis is to expand the two-dimensional quality of drawing into a …


Images And Content, Robert C. Ellis Jr. Jun 1971

Images And Content, Robert C. Ellis Jr.

All Master's Theses

My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.


Design Of Spatial Interstices, Byron Hiroyuki Kato Jun 1971

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.


A Series Of Prints Using Selective Print Techniques And Graphic Communications, Theodore Parks Jun 1971

A Series Of Prints Using Selective Print Techniques And Graphic Communications, Theodore Parks

All Master's Theses

The primary purpose of the study was to produce a series of original prints, using several selected techniques, and in certain instances combining with these an imagery to achieve the communication of predetermined concepts.


Collograph Platemaking Techniques, Clifton A. Barrette Jan 1971

Collograph Platemaking Techniques, Clifton A. Barrette

All Master's Theses

It was the purpose of this study to investigate the techniques in the construction and production of a series of original collagraph plates and prints. These were used to portray in visual, graphic form the diverse range of collagraph printmaking techniques.