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Full-Text Articles in Printmaking
I Made Some Prints, Teresa O. Tempero
I Made Some Prints, Teresa O. Tempero
All Master's Theses
In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.
Expansion Systems In Drawing, Anna Jane Licka
Expansion Systems In Drawing, Anna Jane Licka
All Master's Theses
Drawing as a creative mode of expression has maintained in some artistic circles a "puristic doctrine." "Puristic doctrine" in this case means the utilization of characteristic drawing implements and techniques (ie. pen, pencil, ink, charcoal, crosshatching, shading). In contrast to this "puristic doctrine" is what can be termed an "eclectic expression" in art. As applied to drawing in this thesis, an "eclectic expression" will go beyond the traditional techniques by the application of other media such as photo-stencil, stuffed fabric, and three-dimensional tableau considerations. The purpose of this creative thesis is to expand the two-dimensional quality of drawing into a …
Images And Content, Robert C. Ellis Jr.
Images And Content, Robert C. Ellis Jr.
All Master's Theses
My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.
Design Of Spatial Interstices, Byron Hiroyuki Kato
Design Of Spatial Interstices, Byron Hiroyuki Kato
All Master's Theses
It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.
A Series Of Prints Using Selective Print Techniques And Graphic Communications, Theodore Parks
A Series Of Prints Using Selective Print Techniques And Graphic Communications, Theodore Parks
All Master's Theses
The primary purpose of the study was to produce a series of original prints, using several selected techniques, and in certain instances combining with these an imagery to achieve the communication of predetermined concepts.
Collograph Platemaking Techniques, Clifton A. Barrette
Collograph Platemaking Techniques, Clifton A. Barrette
All Master's Theses
It was the purpose of this study to investigate the techniques in the construction and production of a series of original collagraph plates and prints. These were used to portray in visual, graphic form the diverse range of collagraph printmaking techniques.