Printmaking Commons^™

There Was Time And Place, Mary G. O'Connor

Graduate Artistry Projects and Performances

There was Time and Place is body of work that explores the relationship between reality and imagination as it relates to themes of creativity and transformation through time and place. Inspired by surrealism, automatism, science fiction, and poetic theory, the exhibited drawing-centered lithographs create encounters with fictional designs of rendered objects, machinery, and architecture. These encounters estrange us from monotony and banality of the current moment, reminding us that there is time and place for imagination in our routines.

Antimony: The Macabre And The Punctilious: A Selection Of Prints From Special Collections, Luke Meagher, Carmen Bunch

Library Exhibits

No abstract provided.

Sweet Is The Work, Allie M. Wheeler

School of Art, Art History, and Design: Theses and Student Creative Work

Sweet is the Work is a collection of collagraph prints, collages, and sculptural artworks created through a dialogue between surface textures, colors, and imagery, sourced from personal experiences and the home environment that nurtured them. My artwork functions as a visual journal of my memories of living on a family farm in Delta, Utah, in an engaged religious lifestyle. Daily life at home was filled with responsibilities, from sweeping the floor to tending crops and livestock. Tasks like preserving food were guided less by necessity than by tradition. A history of family record keeping inspires my process of documentation. Each …

Our Bodies Are Wild And Shimmering, Marcus O’Donnell Prof

Staff Scholarship - Australia & Dubai

The installation plays with the covering and uncovering of the saint’s body and the collision of the erotic and ecstatic in Christian iconography. Saints have always been active images –used to vividly imagine sacred narratives, to awaken emotions of love and devotion. However, the role of beauty, the body and the sensuous in this process is complex. In the history of art, we witness a desire to tread what Maya Corry calls the “line between licit and illicit loveliness,” which she acknowledges “was often so thin as to be indistinguishable”. Corry also shows that the will to embrace and navigate …

The Adjacent Possible, Marcus O’Donnell Prof

Staff Scholarship - Australia & Dubai

My hybrid traditional-digital prints explore pattern, chaos and complexity at the intersection of bodies, sexuality, and landscape. The ‘Strange appearance’ series overprints photogravure key plates, (developed through layering several original images of urban gardens) onto multiple colour pigment prints of close focus details of flowers or foliage. This process creates micro landscapes and variants which change in colour and form as layers intersect. This exhibition uses three different key plates over a repeated sequence of the same twenty colour underprints. These different approaches to variation, multiplicity and adjacency speak to both possibility and mutation: the open and the determined aspects …

Accessible Art: Connecting Community Through Artistic Expression, Michaela M. Speers

Art and Art History Summer Fellows

I answered an important investigative question: How can we use art to connect our community? I illustrated, produced, and installed a “Mini Art Vending Machine” on campus to provide the Ursinus College community easy access to original works of art. I explored visual topics that would connect not only current students, but also prospective students, alumni, and members of the Collegeville community.

The Mini Art Vending Machine's permanent home is within Schellhase Commons. However, the machine will frequently move locations to further enhance events or to bring further exposure to the student artists. You can expect to see it at …

Unraveling Landscape Stories, Marcus O’Donnell Prof

Staff Scholarship - Australia & Dubai

In Silvi Glattauer’s photographic practice nothing is set, time, light and landscape are each staged in unexpected ways. An image is never singular: often literally composed from multiple exposures, always taken through multiple processes, and always opening a dialogue with the rich history of her own work and the work of other artists. For Glattauer photography, and more particularly printmaking, isn’t about fixing an image it is about opening it up. It is work marked by nimble curiosity and although it is often technically startling it is never about technique, rather, it is about an ethic of slow looking.

Illustrating Identity: Ethel Reed’S Art Posters And Women's Claims To Public Space In Fin-De-Siècle Boston, Miranda R. Knofczynski

School of Art, Art History, and Design: Theses and Student Creative Work

Much scholarship has uncovered the history of women illustrators during the late nineteenth century. The rebuilding of these lost histories calls for research which theorizes women’s contributions to the burgeoning arts scene of the fin-de-siècle. This thesis will examine the posters Ethel Reed created for different companies during the height of the 1890s poster craze and discuss how she articulated women in public space in them. Reed’s art offers an aestheticized yet feminist visualization of women engaging in leisure activities such as exploring the city, reading, or attending the theatre. Many have described the women in her posters as merely …

Syncretic Spirits / Espíritus Sincréticos, Angelica Tapia - Estrada

School of Art, Art History, and Design: Theses and Student Creative Work

Syncretic Spirits / Espíritus Sincréticos is a multimedia exhibition that invites viewers into a fantastical space where cultural identity and perception intertwine. Colorful shaped panels, sculptural installations, prints, and drawings bridge physical and metaphysical realms. Personal archetypes intuitively inspired by natural forms drive the work.

Influenced by the dualities of my upbringing as a first-generation Mexican American, I was immersed in Mexican culture through my family traditions while finding a home in the nurturing embrace of the heartland. The work has become a means of reclaiming a new layered sense of self, disentangling from my Catholic upbringing, embracing indigenous healing …

Spectre And Stem, Marcus O’Donnell Prof

Staff Scholarship - Australia & Dubai

Since 2014 Baldessin Studio has collaborated with the State Library Victoria and two generous donors[i] to offer an opportunity for printmakers to immerse themselves in the library’s extensive collection of books, objects and documents as well as accessing the facilities and expertise of Baldessin’s St Andrews Studio. The work that has emerged from these fellowships are unique examples of research-based printmaking. This article explores the practice of Sorcha Mackenzie and Nicholas Hubicki 2023 Fellows and accompanied an exhibition of their work at the Print Council of Australia

Dyslexia Resource Support K-12, Matthew Forrest

Academic Affairs

The proposed project aims to develop a comprehensive hands-on workshop focused on an art activity, accompanied by written resources designed for local school teachers. This collaborative initiative involves key stakeholders, including The Deal Center, the Department of Art, and the Department of Education, working together to create a tailored experience for educators and parents to better understand dyslexia.

Doing History With The Saints, Marcus O’Donnell Prof

Staff Scholarship - Australia & Dubai

The portfolio and practice reflection presents four pieces from, Queer Saints (2025), an evolving new series of photogravure prints. The series plays with the covering and uncovering of the saint’s body and the collision of the erotic and ecstatic in Christian iconography. Each print takes a particular saint and layers a coupling of images together, creating condensed narratives of desire. The layered images haunt one another ghosting both spirit and flesh. This reflection draws on Elizabeth Freeman’s idea of “erotohistoriography” to explore ways of doing history with the body in visual arts practice.

Uncommon Elegance: Black Women And The Abolitionist Print Market In The U.S. Civil War Era, Rachel Hooper

Curatorial Publications

No abstract provided.

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Is It Gonna Be Fun?, Kim Tomlinson

School of Art, Art History, and Design: Theses and Student Creative Work

I am a multidisciplinary artist working across digital and analog forms of printmaking, installation, playing, drawing, and writing. I incorporate elements of humor, autobiography, and nostalgic pop culture references to tell stories and facilitate connections.

At the heart of my work is the desire to be seen and feel connected. This starts with self reflection and building a personal archive of important references and symbols. Through recurring characters rooted in personal and historical pop culture references, I incorporate layers of complexity and inside jokes into the work. Humor is an essential tool to maintain levity, engage participants, and challenge traditional …

Diy Delivery Systems Rethinking Self-Sponsorship Through Extracurricular Literacy Narratives, Jason W. Luther

College of Communication & Creative Arts Departmental Research

This essay reconsiders the role of the “self-sponsored” writer in the attention economy by suggesting that contemporary do-it-yourself publishers have not only attempted to negotiate a public sphere which has linked "self-sponsored" to "entrepreneurial," but contend with a digital environment that makes it difficult to parse authorial desire from neoliberal rationality. Ultimately, this essay suggests that materialist models of circulation should be accounted for in studies of extracurricular literacies, specifically by drawing from the literacy narratives of public writers such as zine authors. It thus provides a method of analysis for understanding how these writers, who must necessarily exist within …

Retrospective Student Projects, Sally Brown, Stewart Plein

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of student projects.

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.

Arts 3403 Printmaking Introduction, Acadia Kandora

All Syllabi

No abstract provided.

Quilted Archives, Rebecca M. Gallandt

Art and Art History Honors Projects

Memory and identity are rooted in the experience of being in material spaces and the process of remembering is often prompted by associative places. Quilted Archives is a series of four collages that combine the mediums of printmaking and oil painting in the pursuit of exploring nostalgia. In each work I use brightly colored intaglio aquatint prints, sepia intaglio etchings, patterned linocut prints, and oil paint to embed memories of childhood play and pretend in the flora of the landscapes where each memory takes place. The flora is collaged in a colorful geometric style to reference quilting and is used …

The Ghosts Shed Tears, Sarah Jentsch

School of Art, Art History, and Design: Theses and Student Creative Work

Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.

Many of my formative experiences I came to understand through animals. My family home, cradled …

The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher

Library Exhibits

Selections of maps and atlases from Sandor Teszler Library’s Special Collections are presented in this exhibit to show how, over time, cartographers have represented the world as we know it.

Larry Martin Prints: Finding Aid, Bethany Latham

Finding Aids

This collection contains framed prints created by local artist Larry K. Martin. Martin is a native of Alabama and holds a Ph.D. from Tulane University. He pursued a career in tropical medicine, having researched at Walter Reed National Medical Center in Bethesda, Maryland, and in the field in the Amazon rainforests of Colombia and Brazil. He eventually began to work in wildlife conservation, and was the curator of the Anniston Museum of Natural History. He began painting circa 1976, primarily using soft acrylics. He sells his paintings and prints of said paintings through the Wren’s Nest Gallery located at 100 …

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.

"Illumination The Sculpture Of James O. Clark" Catalogue, T. Michael Martin

Faculty & Staff Research and Creative Activity

It has been a challenging journey to mine and sift through the body of work of James O. Clark to select a representation of his studio practice and 50-year career. While curating "Illumination: the Sculpture of James O. Clark," I encountered more than the common curatorial concerns such as artwork availability, scale, aesthetic and conceptual themes, transportation and presentation issues. During my conversations with Clark, we found ourselves in an unprecedented pandemic – impacting travel, shipping, and studio visits.Throughout this process, Clark and I remained flexible to ensure a representation of his career could be exhibited without compromise. Selections for …

Devastation Experienced When Two Individuals Stop Kissing One Another, Isaiah Jones

School of Art, Art History, and Design: Theses and Student Creative Work

The work in Devastation Experienced When Two Individuals Stop Kissing One Another is an excavation of the private self in relation to love and desire and an exploration of the chaos that ensues in their passage. Desire describes a state of attachment to a person, an object, or an idea. It produces a cloud of optimism between that which is desired and she who is full of desire . It presses against need, the obsessive 1 phenomena of all amorous sentiment, and in its dissolution, total devastation ensues2. With this work, I explore my own desires, observations, uncertainty, and anger, …

Study Of Native Colombian Tribes: Art As A Means Of Inspiration, Sofia Fernandez

Honors Program: Senior Projects (Public)

Study of Native Colombian Tribes: Art as a Means of Inspiration, examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project considers two Colombian tribes: Wayuu and Okaina. It emphasizes these tribes’ ancestry, history, purpose, and traditions, with the objective of giving them a voice in a community where they are underrepresented and unknown. This thesis provides a critical look into the tribe’s traditions and artistic techniques through the creation of a variety paintings, drawings, and prints. This body of work concentrates on textiles and patterns from …

The Hertzog Collection, Claudia A. Rivers

Presentations & Slide Shows

No abstract provided.

The Adventures Of Crazy Space Pigeon And Catowl, Kati Silveria

2020 Symposium Creative Works

I have been fascinated by the processes of traditional hand printmaking techniques. (Relief, Lithography, Collagraph and Etching). Comics have also been a passion of mine for over ten years. I wanted to combine these two passions, comics and printmaking, into one work of art. It is a joy to create worlds and stories that people can dive into, engage with, and enjoy. My current project, The Adventures of Crazy Space Pigeon and Catowl, is aimed at creating one such world. The three stories in the book follow my two characters and their imaginary adventures. The book platform is created using …

Study Of Native Colombian Tribes' Art As A Mean Of Inspiration, Sofia Fernandez

UCARE: Research Products

Culture is one of the most important aspects of a human being, it shapes our behavior and identity since we are born. It is our lifestyle and it refers to many aspects such as the language we use, our values, traditions, beliefs, etc. Cultural diversity is one of the aspects communities nowadays emphasize the most, they want people to be mindful and respectful of the different cultures represented within the community itself. This creative project examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project aims to …