Printmaking Commons^™

Light And Unseen, Daša Kulikova

Theses and Dissertations

This thesis is a body of paintings and two poetic fragments. Shaped by distance and displacement, the work finds its ground in the tension between the desire to be free from the past and heal, and longing for home and connection. Painting practice becomes an event of contact with what is lost, or unclear, or in the process of becoming through accumulating layers, marks, erasures, and traces of the process of its making.

Sensory Constellations, Madaline K. Gardner

Theses and Dissertations

This thesis situates neurodiversity within the field of fine arts by integrating disability studies, institutional critique, and material practices in painting and printmaking. Through visual analysis and studio-based research, the project examines how tactile engagement, color relationships, and repetitive mark-making can articulate embodied experiences of neurodivergence. It challenges dominant institutional frameworks that pathologize neurodivergent behaviors by reframing stimming as a generative and communicative practice. The resulting body of work includes both image-making and the creation of tactile objects designed to facilitate sensory interaction. The thesis proposes alternative ways of understanding artistic practice and accessibility within art institutions.

Post Opera, Suzy Lykins

Theses and Dissertations

Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.

¡Bip Bip!, Diego Pablo Málaga Beckhart

Theses and Dissertations

¡Bip Bip! is a body of work that investigates the car as it exists in the American imagination, a metaphorical and physical object where culture, identity, and power intertwine. This work uses painting, printmaking, collage, video, and installation to explore the car as a space of expression, interiority, and understanding the world through a marginalized lens.

Central to my practice is my personal vehicle, Guadalupe, which functions as both muse and metaphor, the main driver of the framework within ¡Bip Bip! My practice examines the different but congruent contexts intersections of this iconic American symbol, the car. In my paintings, …

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …

Shinners, Alexis E. Mabry

Theses and Dissertations

Shinners is a project that aims to examine the position of women in subcultures and capture conversations of women in subcultural sports. Within feminism, sociological constructs, campy horror, and personal experience I am manifesting the physical and mental obstacles faced in the subcultural sport of Bicycle Motocross (BMX) through photography, painting, collage, video, and sculpture. I interpret images posted to social media of injuries obtained while riding BMX as forms of empowerment, bodily gore as extreme evidence of participation, performative violence, valorizing the understanding of both the physical and psychological pain of failure, and the use of failure as a …

...And Yet The Devil Exists, John Hee Taek Chae

Theses and Dissertations

...And Yet the Devil Exists is a project that explores the ways in which ideology determines reality. It is an installation that plots and connects the historical and personal narratives that have defined my sense of identity–narratives in which perceptions of reality shatter, mutate, or hybridize when confronted with power, opportunity, or coercion. The installation component of the project consists of three parts. The first is an infrastructure made of wooden beams upon which paintings and images are installed; I call this the lantern. In the center of this is a round table on top of which is a nonsensical …

Graphic Content Warning; Personal And Political Traumas, Emily K. Wardell

Theses and Dissertations

The written portion of this thesis work is meant to address and further investigate the visual work created using mediums of print and found video. This artistic research has been interested in examining varying associations with truth, recollection, and evidence. This includes the recollection of public histories and news-media narratives as well as my own history and trauma. Through this work my aim was to create a deconstruction and revolt against how associations are formed, and how to understand imagery as information. This thesis first discusses my relationship to appropriated imagery, then connects and examines it through the addition of …

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …

William Bernard Cooke, George Cooke, And J.M.W. Turner: Business Of The Topographical Print Series, Saskia C. Turpijn

Theses and Dissertations

The organization of eighteenth and nineteenth-century British printmaking and publishing was based on economic principles and occurred in the collaborative sphere of the engraver’s studio. Print designers, engravers, printers, and publishers formed a professional network that operated on economic principles, publishing prints that served to generate income for its participants. These ventures faced great challenges in the lengthy and laborious processes of engraving and publishing, and in financing the project for the duration of that time.

This project examines the economic structure of early nineteenth-century prints. Using comprehensive accounting records, it analyzes two well-known topographical print series. The profitable Southern …

[You Are With] Kin And [You Can Be At] Ease, Abdul Azim Al Ghussein

Theses and Dissertations

This thesis is an exploration of hospitality, sharing and acclimation within a studio art practice as a means of fostering consideration of others. I employ a practice whereby I disrupt the typical gallery context, and through the production and dissemination of consumable items from the Middle East, I examine how resources can be used, valued, and shared to accommodate various and unspecified others and provide opportunities for crossing thresholds of guest and host relationships.

Recovery From Design, Cassandra J. Ellison

Theses and Dissertations

Through research, inquiry, and an evaluation of Recovery By Design, a ‘design therapy’ program that serves people with mental illness, substance use disorders, and developmental disabilities, it is my assertion that the practice of design has therapeutic potential and can aid in the process of recovery. To the novice, the practices of conception, shaping form, and praxis have empowering benefit especially when guided by Conditional and Transformation Design methods together with an emphasis on materiality and vernacular form.

Art In Translation: A Cross-County Collaboration, Lili Un, Rana Rwaished

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

Lili Un, a Painting and Printmaking major at VCU’s Monroe Park Campus in Richmond, collaborated with Rana Rwaished, an Interior Design graduate from VCU in Qatar, to explore the translation of two-dimensional painting into three-dimensional interior design elements. Since they were physically separated, Un and Rwaished maintained a vigorous dialogue through Skype. Once one collaborator finished a project, she would send detailed images to the other, who would then create a new work based on those designs. The paintings were scanned into Adobe Illustrator, and the lines were extracted to form a separate file. Both the qualities of these lines …

In Search Of The Meandering Absolute: The Prints Of Mitzi Humphrey, Mitzi Humphrey

Theses and Dissertations

Art is more than just a bridge to (or a reflection of) the natural world; it is a natural force in itself. The author is a strong advocate of "artist's prints," prints which are conceived and printed by the artist. She believes that there is a natural sequence of actions and thoughts which cannot be approximated by the substitution of an artist/printer collaboration unless the artist is truly involved with the printer or assistant in every step of the decision-making and mark-making processes.

The prints of this series are not about realistic pictorial space; they are about interior space--that of …

On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1990) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Christopher Silliman and Javier Tapia; many notable fixtures of the Richmond scene (Wolfgang Jasper, Andras Bality, Diana Detamore, Davi Det Hompson); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.

On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1989) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as James Bradford, Reni Gower, Richard Carylon, and Richard Kevorkian; and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery, such as Clemens Weiss. The September issue features a discussion on the controversy around the National Endowment for the Arts (NEA) as it came under pressure from Senator Jesse Helms. Authorship was at the time anonymous.

On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1988) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Barbara Tisserat, Gerald Donato, James Bradford, Joe Seipel; many notable fixtures of the Richmond scene (Mary Holland, Joan Gaustad, Donald Crow); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.