Printmaking Commons^™

Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md

Masters Theses

In my Master of Fine Arts thesis in Printmaking at the Rhode Island School of Design, I examine the intersection of my dual practices as a general surgery resident and artist. Both disciplines require precision, incision, and tactility to navigate the human condition. My art practice is a method of processing the emotional toll of surgical training and the simultaneous societal erosion of scientific authority. My thesis work focuses on challenging the rise of medical pseudoscience and anti-intellectualism. The focal piece in this installation, In Tallow We Trust, consists of three woodblock relief prints at the scale of an …

Through You I Will Feel, Mitchell L. Poon

Masters Theses

Through You I Will Feel is an installation exploring my family’s archive and my relationship with my ancestral heritage. An abstracted simulation of my childhood home’s dining room, it examines how revisiting the family archive can reveal new information not only about the past, but also about the present and the future. The installation consists of five works which integrate printmaking and print-adjacent processes: a set of four lithographic prints, cyanotype and natural toning on fabric, inkjet-printing on shrink plastic, UV dye-printing on polymer clay tiles, and digitally printed wallpaper.

The written thesis is a culmination of my time at …

If The Sun Were As Big As My Heart, What Would Be The Distance Between The Sun And The Earth? Or How To Domesticate The Sun, Catalina Martinez, Catalina Martinez Rojas

Masters Theses

If the Sun were as big as my heart, what would be the distance between the Sun and the Earth? Or how to domesticate the Sun is a multidisciplinary installation project that explores how emotional, spiritual, and perceptual experiences can be translated into material form. Beginning from a speculative mathematical proposition that reduces the scale of the Sun to the size of the artist’s heart, the project investigates distance not only as a physical condition, but also as an emotional and domestic one.

Drawing from Colombian vallenato traditions, everyday observations of sunlight, and references ranging from Agnes Martin and Wayne …

This Body Held Others, Mia I. Pons

LSU Master's Theses

The exhibition this body held others examines the body's invisible depths, the unseen, and its interpersonal memories. These ideas are explored through printmaking, book arts, and papermaking, with a focus on their connection and response to the materiality and nature of the body. Through the examination of my personal archive this work explores the collection, reconstruction, and recycling of imagery. The exhibition explores an unfolding story that examines how the ephemeral and corporeal survival and legacy of self and maternal lineage. These ideas are explored through the exhibitions three sections; emergence, body merger / departure, and the return. The attention …

There Was Time And Place, Mary G. O'Connor

Graduate Artistry Projects and Performances

There was Time and Place is body of work that explores the relationship between reality and imagination as it relates to themes of creativity and transformation through time and place. Inspired by surrealism, automatism, science fiction, and poetic theory, the exhibited drawing-centered lithographs create encounters with fictional designs of rendered objects, machinery, and architecture. These encounters estrange us from monotony and banality of the current moment, reminding us that there is time and place for imagination in our routines.

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

Nasty, Mya L. Correa

Electronic Theses, Projects, and Dissertations

I am exploring artwork about women’s power and sexuality, centering on hair. I’m interested in how hair carries history and how it has been used to control and frighten women. I’ve been reading feminist artists’ books and researching their findings alongside my own work. Drawing on my personal history, my mother’s story, and the experience of raising my daughters, I consider how my children’s lives differ from mine and my mother’s, and what those differences reveal.

Hair has long been wielded as a weapon to enforce expectations on women’s bodies by a society afraid of losing control. As creators of …

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Transmission/Reception, Ma'ayan Noy

MA Projects

From the 1940’s to the 70’s the California-based artist Wallace Berman produced a wide-spreading oeuvre, encompassed drawing, collage, assemblage, single channel video, and three dimensional object making. His practice was deeply informed by his interest in Jazz, Kabbalah and Jewish mysticism, film, and poetry, and more. The transmission and reception of an everflowing stream of references which informs Berman’s creative intake and output adopts a mystical undertone in his grand oeuvre. The unifying theme for Transmission/Reception asserts the centrality of Kabbalistic influences on Berman’s practice, his affinity and spiritual regard for the act of creating. Transmission/Reception underscores Berman’s underlying belief …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Silent Veins, Yinghan Zhang

Masters Theses

My art is founded on the scholar stones in my home in China. These are rocks once collected by ancient scholars and poets, who admired their natural forms for their aesthetic beauty and philosophical qualities. These silent creations of nature are at the heart of my creative inspiration. They serve as spiritual vessels, connecting natural philosophy with personal memory. I listen to the whispers of time within the textures of stone and paper through the contemporary expression of traditional techniques such as rubbing and water-based woodcut, allowing otherwise silent materials to speak a language spanning centuries. In this thesis, Silent …

Parts That Cannot Be Found, Amber Baggette

LSU Master's Theses

Parts That Cannot Be Found is a body of work where I use imagery of trees that are sick or injured, to show my struggles as a person who has been in survival mode their whole life. I use the facts I found in the book “The Hidden Life of Trees,” by Peter Wohlleben, where he describes what trees do and how and why they feel. Since I hold trees in high regard, I started researching how they function. Trees are living beings, and ignoring their presence is tragic. Throughout this paper, I contextualize my work by exploring specific printmaking …

How Much Touch Can The Paper Withstand?, Aldrin Regina Valdez

Theses and Dissertations

Between embodiment and disembodiment, Aldrin Regina Valdez’s works on paper map histories of care, violence, and mourning, both personal and collective. They ask: how much touch can the paper withstand?

Inner Bonds, Caitlin M. Maltbie

Electronic Theses and Dissertations

The artist, Cait Maltbie, discusses their Master of Fine Arts exhibition, Inner Bonds, which was installed at Slocumb Galleries in Johnson City, TN, from March 24, 2025, through April 4, 2025, with a public reception held on March 27, 2025. The exhibition consisted of multi-disciplinary work: zines, screenprints, and a sculptural installation mimicking the scenery and emotional environment of the imaginary Inner Bonds world. Inner Bonds refers to their comic series about feelings and how they are handled, from which all the content for this exhibition is derived. The work is focused on deconstructing the artist’s feelings so that they …

Shapes That Hide Their Shadows, Jennifer Blaine

Theses and Dissertations

shapes that hide their shadows concerns itself with the mutability of memory. The complexities of girlhood to womanhood, and the way we are shaped by place and space, are explored through the artist recounting childhood memories connected to her grandparents' hometowns. Divided into three different sections, the artist discusses drawing as medium, creating a lexicon through using visual symbols, and the logistics of building your own archive.

A New Perspective

DePaul Magazine

The DePaul Art Museum foregrounds inclusiveness, partnership and social justice to reframe the role of cultural institutions.

La Creatividad En Peligro: Como La Inteligencia Artificial Es Un Reto Para Los Artistas., Nathaly Cisneros

Capstones

Los artistas digitales han creado obras maestras que nos han dejado sin aliento con sus pinceles digitales, lápices y pinturas. Desde retratos que parecen saltar de la pantalla hasta paisajes que nos transportan a mundos desconocidos, su arte ha sido una fuente constante de inspiración.

Pero en los últimos años, una nueva fuerza ha comenzado a cambiar el juego. La inteligencia artificial ha estado avanzando a pasos agigantados y ahora se perfila como una amenaza para el futuro de los artistas digitales. ¿Qué significa esto para el arte y la creatividad?

Link: https://docs.google.com/document/d/1xe8UxDMekX_SwiIppyt_JppK8M-lB-YWNWGyeyShlJM/edit?usp=sharing

Uncommon Elegance: Black Women And The Abolitionist Print Market In The U.S. Civil War Era, Rachel Hooper

Curatorial Publications

No abstract provided.

Uncanny Bodies, Samantha Neu

MFA in Visual Art

In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. I delve into how the uncanny challenges traditional views and societal norms about the body. My artwork emphasizes the fluid and often unsettling experiences of physical existence, blurring the boundaries between personal and collective perceptions. Through distortions and manipulation of scale, the familiar is rendered alien in my sculptures, prints, and paintings. Through this ambiguity, I hope to offer space for the viewer to navigate their body’s emotional and physical relationship to the unknown.

Touch By Angels Café Rebrand, Hailey Choi

Graphic Communication

Touch By Angels, a local Korean-dessert café in San Luis Obispo, CA, specializing in bingsoo, taiyaki, and specialty teas, has struggled since its December 2023 opening to establish a cohesive visual identity across its B2C interaction spaces, including its website, social media pages, and on-site signage. This rebranding project aims to develop a comprehensive visual identity for Touch By Angels by enhancing its logo design, color palette, typography, and photography, revamping its social media, and on-site signage to create a unified and appealing brand image. The expected outcome is improved customer engagement, enhanced brand recognition, and business growth, positioning Touch …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Away From Keyboard: Practical Applications Of Antifascism, Amber Sarelle Easley

Electronic Theses, Projects, and Dissertations

My work sits uncomfortably between and across the disciplines of activism and art. This tension is typical of Socially Engaged Art: a social interaction proclaiming itself as art. I aim for these interactions to center antifascism in interrogating the complex interrelation between digital spaces and the streets outside our front doors, as antifascism is the only appropriate response to the blatant fascistic aspirations that is both digitally and physically present.

Things That Are Long, Frankie Gutierrez

Electronic Theses, Projects, and Dissertations

Bigfoot has become an important motif for Frankie Gutierrez, especially since his transition in 2021. The characters in this exhibition showcase the deeply personal exploration of transness and non-mainstream trans identities, the in-depth observations of others, and their interactions with transgender people. He compares transness to the likeness of bigfoot, typically an elusive and hard-to-find character that everyone suspects, but has rarely been seen. Evidence of their existence surrounds us, but only those with open minds can truly see them. The characters in this show look like you and me, and no one at all. This exhibition is not meant …

Diy Delivery Systems Rethinking Self-Sponsorship Through Extracurricular Literacy Narratives, Jason W. Luther

College of Communication & Creative Arts Departmental Research

This essay reconsiders the role of the “self-sponsored” writer in the attention economy by suggesting that contemporary do-it-yourself publishers have not only attempted to negotiate a public sphere which has linked "self-sponsored" to "entrepreneurial," but contend with a digital environment that makes it difficult to parse authorial desire from neoliberal rationality. Ultimately, this essay suggests that materialist models of circulation should be accounted for in studies of extracurricular literacies, specifically by drawing from the literacy narratives of public writers such as zine authors. It thus provides a method of analysis for understanding how these writers, who must necessarily exist within …

Don't Be Startled, My Dear Mother, Jon Quiroz

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's statement:

In Letter 66, Paul Laurence Dunbar aims to reassure his mother, Matilda Dunbar, not to be so concerned about his whereabouts. He emphasizes that he will return home as soon as he can. Within the letter, he sends a $2 bill to give financial support during his busy schedule of recitals, particularly in the South—a gesture that underscores his devotion to his family’s well-being even in his absence. Dunbar reassures his mother that after gaining great success from his writing, all the financial …

Color Nirvana, Elizabeth Thomas, Chai Avery

P-12 Lesson Plans

In this art lesson for grades 6-12, students will consider how color reads differently depending on chromatic surroundings and experiment with color scheme arrangements to create their own linear collage with adhesive-backed papers. This lesson is based on the exhibition NIRVANA, Polly Apfelbaum displayed at the Zuckerman in the fall of 2023.

Metaphors In Materials And Imagery For Self Reclamation And Empowerment, Janice Lardey

Masters Theses

As an experimental multidisciplinary artist, my creative process draws inspiration from daily experiences and encounters with the mundane. I am particularly interested in West African textile cultural practices, specifically the use of symbols and basic geometric forms to communicate through materials (specifically fabrics) and the role these images and forms play in African culture. In my work, I am developing my own distinct vocabulary of symbols and patterns, inspired by these practices.

My artistic practice explores a wide range of themes related to women, sustainability, loss, everydayness, wear and tear, degeneration, the transitory nature of life, and material effects, often …

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …

One More Time, I Love You —— 我有所念人，隔在远远乡, Jingjing Yang

Masters Theses

"One More Time, I Love You ——我有所念人，隔在远远乡" is a thesis project that delves into the profound nature of "obsession," which surpasses the boundaries of life and death, as well as the mortal world and the underworld. The interpretation of this type of obsession varies among individuals, and my understanding of it originates from the traditional Chinese myth concerning the afterlife journey. According to this myth, upon departing from the mortal realm, the deceased traverse the Bridge of Helplessness, cross the Forgotten River, peruse their past, present, and future lives on a Three Lives Stone, and then partake in the Soup …