Printmaking Commons^™

This Body Held Others, Mia I. Pons

LSU Master's Theses

The exhibition this body held others examines the body's invisible depths, the unseen, and its interpersonal memories. These ideas are explored through printmaking, book arts, and papermaking, with a focus on their connection and response to the materiality and nature of the body. Through the examination of my personal archive this work explores the collection, reconstruction, and recycling of imagery. The exhibition explores an unfolding story that examines how the ephemeral and corporeal survival and legacy of self and maternal lineage. These ideas are explored through the exhibitions three sections; emergence, body merger / departure, and the return. The attention …

Within These Walls, Nicholas J. Roberts

LSU Master's Theses

I was raised to understand home through labor. In the working-class household I grew up in, in rural Southeastern Pennsylvania, value was earned through work, identity took shape through trade, and rest was often an afterthought. That framework was not chosen. It was inherited. And it has not been easy to see it clearly from the inside.

The Exhibition, Within These Walls, examines that inheritance through printmaking and sculpture, using the material and spatial language of domestic construction as both subject and method. Through fragile paper structures that resemble wood but cannot hold weight, a staircase that cannot be climbed, …

Parts That Cannot Be Found, Amber Baggette

LSU Master's Theses

Parts That Cannot Be Found is a body of work where I use imagery of trees that are sick or injured, to show my struggles as a person who has been in survival mode their whole life. I use the facts I found in the book “The Hidden Life of Trees,” by Peter Wohlleben, where he describes what trees do and how and why they feel. Since I hold trees in high regard, I started researching how they function. Trees are living beings, and ignoring their presence is tragic. Throughout this paper, I contextualize my work by exploring specific printmaking …

Overlay: Language Uncovered, Cecelia A. Moseley

LSU Master's Theses

Overlay: Language Uncovered presents a series of installations that address my experience navigating learning challenges during my formative years, and strategies I have developed for thriving within those educational settings. This body of work represents three years of introspection and research, leading to a deeper acknowledgement and understanding of the obstacles I faced in learning. The installations feature large-scale sculptures made from a range of materials including, vinyl, styrofoam, acrylic, paper, silk screen mesh, metal and light. The immersive and vibrant colors within these installations invite viewers to playfully explore and interact with language, all rooted in my personal experiences …

Eve Leaving The Garden, Norma L. Colby Ms.

LSU Master's Theses

This body of work serves as an investigation into the concepts and burdens that, as a female millennial, impact me regularly. As the door to my education closes, I turn to a much bigger world with endless possibilities and responsibilities. With these overwhelming prospects, I find myself reflecting on how our society has progressed and worsened to arrive here today. I continue to question the passing down of systemic burdens, politics, and gender roles of women in the 21^st century. Eve Leaving the Garden is a collection of textile works, photographs, and sculptures that serve as an exploration of …

Tiempo De Hibridos, Paul Acevedo Gomez

LSU Master's Theses

Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.

The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects …

Power Structures, Michael A. Whitehead

LSU Master's Theses

Power Structures is a series of drawings and prints inspired by my fixation with the intricate utilitarian architecture and dystopian atmosphere of Louisiana’s petrochemical corridor. The architectural forms within this body of work juxtapose components of disparate industrial sites to form ruinous monuments to power and progress. The Power Structures are composites of photographs, technical drawings, and memories I have made in my time studying Cancer Alley. I introduce machined aircraft components, gate valves, and various fasteners into the architectural forms of petrochemical plants as elements of misdirection, blurring the line between reality and memory, fact and fabrication.

Hello Again يا اهلا A Study Of Grief, Diana Abouchacra

LSU Master's Theses

Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process …

In The Garden, Clare Samani

LSU Master's Theses

My work has focused largely on identity and self-expression, primarily through clothing, pattern, and color as a symbolic content. Having heavily investigated historical costume and clothing from various periods, my attention is drawn to the highly sculptural and ornamented garments of the Middle Ages, the Renaissance, the rococo, and the baroque. In these colorful and puffed garments, I am attracted to the similarities that I see in nature. How we adorn ourselves mimics various flowers, plants and animals in the pursuit of desire and procreation. Focusing on fabric manipulation, printmaking and sculpture, In the Garden coalesces into ambiguous sculptures that …

Alternative Methods, Hunter Stabler

LSU Master's Theses

ABSTRACT

In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.

Digital imaging, digital modeling and digital …

Taking (Birth) Control: Empowerment Through Contraceptive Education, Meghan Saas

LSU Master's Theses

TAKING (birth) CONTROL is a body of work that educates women on their options for contraceptives, and empowers them to claim their right to choose if—and when—to have a child. Utilizing graphic design and letterpress printing processes, I created a visual system consisting of carefully honed typographic, color, and graphic styles. The bulk of the materials make up an educational toolkit for use at Delta Clinic of Baton Rouge, one of only three remaining abortion providers in Louisiana. Delta Clinic was in need of comprehensive and affordable materials for their patients on the subject of contraception. The toolkit consists of …

Moments Of Metanoia, Mariah Anne Pickett

LSU Master's Theses

The term ‘metanoia’ embodies a climactic moment on the precipice—an instance where one is confronted by the tremendous threshold between youth and maturation. Moments of Metanoia explores these experiences that create an overwhelming division between the way things were and the way things will be. They are the crystallizing moments of metamorphosis or the shattering moments of undoing. As evidenced by their thematic appearances in ancient mythology, these dramatic episodes of transformation have existed as a part of the human condition for millennia. By using Greek mythology to explore metanoia, the universality of the human experience is emphasized. Each piece …