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Full-Text Articles in Printmaking
Our Bodies Are Wild And Shimmering, Marcus O’Donnell Prof
Our Bodies Are Wild And Shimmering, Marcus O’Donnell Prof
Staff Scholarship - Australia & Dubai
The installation plays with the covering and uncovering of the saint’s body and the collision of the erotic and ecstatic in Christian iconography. Saints have always been active images –used to vividly imagine sacred narratives, to awaken emotions of love and devotion. However, the role of beauty, the body and the sensuous in this process is complex. In the history of art, we witness a desire to tread what Maya Corry calls the “line between licit and illicit loveliness,” which she acknowledges “was often so thin as to be indistinguishable”. Corry also shows that the will to embrace and navigate …
The Adjacent Possible, Marcus O’Donnell Prof
The Adjacent Possible, Marcus O’Donnell Prof
Staff Scholarship - Australia & Dubai
My hybrid traditional-digital prints explore pattern, chaos and complexity at the intersection of bodies, sexuality, and landscape. The ‘Strange appearance’ series overprints photogravure key plates, (developed through layering several original images of urban gardens) onto multiple colour pigment prints of close focus details of flowers or foliage. This process creates micro landscapes and variants which change in colour and form as layers intersect. This exhibition uses three different key plates over a repeated sequence of the same twenty colour underprints. These different approaches to variation, multiplicity and adjacency speak to both possibility and mutation: the open and the determined aspects …
Unraveling Landscape Stories, Marcus O’Donnell Prof
Unraveling Landscape Stories, Marcus O’Donnell Prof
Staff Scholarship - Australia & Dubai
In Silvi Glattauer’s photographic practice nothing is set, time, light and landscape are each staged in unexpected ways. An image is never singular: often literally composed from multiple exposures, always taken through multiple processes, and always opening a dialogue with the rich history of her own work and the work of other artists. For Glattauer photography, and more particularly printmaking, isn’t about fixing an image it is about opening it up. It is work marked by nimble curiosity and although it is often technically startling it is never about technique, rather, it is about an ethic of slow looking.
Spectre And Stem, Marcus O’Donnell Prof
Spectre And Stem, Marcus O’Donnell Prof
Staff Scholarship - Australia & Dubai
Since 2014 Baldessin Studio has collaborated with the State Library Victoria and two generous donors[i] to offer an opportunity for printmakers to immerse themselves in the library’s extensive collection of books, objects and documents as well as accessing the facilities and expertise of Baldessin’s St Andrews Studio. The work that has emerged from these fellowships are unique examples of research-based printmaking. This article explores the practice of Sorcha Mackenzie and Nicholas Hubicki 2023 Fellows and accompanied an exhibition of their work at the Print Council of Australia
Doing History With The Saints, Marcus O’Donnell Prof
Doing History With The Saints, Marcus O’Donnell Prof
Staff Scholarship - Australia & Dubai
The portfolio and practice reflection presents four pieces from, Queer Saints (2025), an evolving new series of photogravure prints. The series plays with the covering and uncovering of the saint’s body and the collision of the erotic and ecstatic in Christian iconography. Each print takes a particular saint and layers a coupling of images together, creating condensed narratives of desire. The layered images haunt one another ghosting both spirit and flesh. This reflection draws on Elizabeth Freeman’s idea of “erotohistoriography” to explore ways of doing history with the body in visual arts practice.