Printmaking Commons^™

Motive Through Automotive Compassionately Criticizing The Desires Of Car Culture, Erika R. Lehrmann

LSU New Orleans Theses and Dissertations

My artwork represents my admiration and criticisms of car culture I have gathered throughout my personal experiences beginning at a very early age. The work exists in the form of drawings, paintings, prints, collage and sculpture. This work is created through the elements of personal narrative, desires, obsessions, and questions surrounding car culture and its influences. My intention to refurbish the icons of this culture has involved creating work that is both obsessive and critical for personal exploration and understanding of past memories.

3d Printing – An Insider’S Perspective, Siddharth Sah

The Transdisciplinary STEAM+ Journal

The 3D printing market globally is still at its infancy, - or some might argue that there isn’t really a market yet. The knowledge of 3D printing design is still largely limited to engineering design – not product design. At MakeWhale, we are constantly pushing the boundaries of the application of 3D printing technology to consumer products resulting in a beautiful mix of technology and art.

Parlance, Carolyn Mcintyre Norton

Electronic Theses and Dissertations

The richly-colored screenprints displayed in Parlance are explorations into sound-inspired imagery created through the blending of two divergent approaches: 1) drawing made by meditative inspiration and 2) printing driven by the execution of a predetermined plan.

Considered representationally, each print is a chorus of layered interpretive drawings of natural sound. My intent is to bring into view ethereal concepts through responsive mark making.

Considered technically, the printing process employs a predetermined set of formulas that produce a mathematically-finite set of prints. This systemized method causes common visual elements to disperse among the prints, resulting in a set of uniquely layered …

Stereotypes: What We Perceive Vs Actuality, Ricder Ricardo

DHI Digital Projects Showcase

Stereotypes: What We Perceive Vs Actuality

Its important to bring awareness to the different minorities that are being affect by today’s turmoil that is our government system. We need work that exposes what we stand for as young artists without the modesty or fear of being direct, aggressive, or explicit. We need to make our voices be heard and enlarge the number of people who care about human rights and diversity.

Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young

Art & Art History ETDs

Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print medium to share their histories, heritage, and culture amongst each other and with the larger world. Because print artists number in the hundreds, and print editions in the thousands, this dissertation takes a socio-cultural approach to understanding the purposes for the medium’s production and circulation. First, it analyzes the deep histories of reproduction in the North American art world and in Northwest Coast Indigenous communities, asserting that reproduction within coastal communities serves to perpetuate history from …

Leonard Baskin: Imaginary Artists, Kathya M. Lopez, Erica M. Schaumberg

Schmucker Art Catalogs

Leonard Baskin (1922-2000) was an American sculptor, illustrator, and printmaker. He is perhaps best known as a figurative sculptor and a creator of monumental woodcuts. The Gehenna Press, Baskin’s private press, operated for over 50 years (1942-2000) and produced more than 100 volumes of fine art books. His most prominent public commissions include sculpture for the Franklin Delano Roosevelt Memorial and the Woodrow Wilson Memorial, both in Washington D.C., and the Holocaust Memorial in Ann Arbor, MI. Baskin received numerous honors, among them a Guggenheim Fellowship, the Gold Medal of the National Academy of Arts and Letters, and the Jewish …

Commonthought (2017), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Nicola Lopez: Notes For Docents, Roger A. Lohmann

Faculty & Staff Scholarship

This article consists of notes prepared for docents at the West Virginia University Art Gallery in September, 2017. They discuss and analyze a collection of five prints by the artist Nicola Lopez in a series called Elements. The individual works are Earth, Air, Fire, Water and an unnamed fifth "satellite" work.

Matter Under Mind, John F. Lause

Electronic Theses and Dissertations

The artist discusses the work for his Masters of Fine Arts exhibition, Mind under Matter, held at the Tipton Gallery in downtown Johnson City, Tennessee. Exhibition dates are from March 27th through April 5th 2017. ‘Matter under Mind’ explores the balance of control and non-control within the art-making process. This technique creates an automatic dialogue resulting in abstraction guided by the subconscious. The title ‘Matter under Mind’ is a slight play on the phrase ‘mind over matter’ emphasizing how matter/material is manipulated by the mind through the making of artwork, and within the mind’s eye or imagination.

The video installation …

Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi

Lawrence University Honors Projects

“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.

Na'aseh : Ritual In Practice, Anna Henrick Karpatkin Benjamin

Masters Theses

This body of work is an exploration of Jewish identity through pattern and ritual. Pattern is used as a tool to question and reinterpret these actions. Drawings, prints and papercuts are created through repetitive and evolutionary actions performed over time.

Every Change, Ruhan Feng

Masters Theses

After being away from home for six years, distance and time make me reconsider: “Who am I?”

This thesis is an honest memoir, which records my reflections about life through my struggles, confusion with cultural identities, and conflicts with my mother in a one-child family. In a two-year graduate program, I continue to explore my identities as Chinese, an international student, an expatriate, and a daughter.

The text, accompanied by illustrations, interprets personal artistic changes. Printmaking in my work is not just a tool to make multiples. The ideas of layering and repeating are also applied to my three-dimensional installations …

Lamination Of Reality : Ever-Thickening And Thinning Space, Leekyung Kang

Masters Theses

Since 2014, my work has navigated question of surface and through this search in order to redefined conventional understandings of space. Often times, my imagery draws on architectural infrastructure (such as construction sites and scaffolding), exposing the underlying structural framework within these landscapes. Through the recent installation, I establish a correlation between the bone/skeleton of the location to expose a more raw and unseen space, which is present but never fully revealed.

In Google Earth, the camera eye traverses different surfaces from the urban streetscape to the underground to the cosmos. Within this virtual landscape, glitches exist that are virtual …

My Fish Hat Kingdom, Mei Fung Elizabeth Chan

Masters Theses

This thesis book documents my personal and artistic research. As a Chinese contemporary printmaker, I consider my artworks embedded in Eastern and Western elements to revitalize my printmaking practice. T shape my art to reveal my Hong Kong identity by creating self-portraits. Instead of trying to capture a single moment and place in one image, I create multi-dimensional images in terms of both space and time. Inspired by Italian Early Renaissance altarpieces, I break up the images to suggest a narrative sequence. All of my prints are printed in large scale so that my viewers will be engaged in each …

Catherine Cajandig Interview, Rebecca Murphy

Asian American Art Oral History Project

Bio:

Catherine Cajandig is a painter, printmaker, muralist and curator. At an early age, she showed an interest in art that was encouraged by her parents and teachers. She attended classes in the SAIC Junior School. In 1960, she was juried into The Chicago Society of Artists and has remained an active member. She has served as a board member that included various committees and was the President for one year. She is the committee chairwoman that publishes the yearly CSA Print and Drawing Calendar.

Her images are of personal topics and observations, developed through series and recurring themes. She …

Between Rock And Breeze, Lena Schmid

Theses and Dissertations

My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.

Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers

Theses and Dissertations

Roseate and bodacious, the hand formed surfaces of Christian Rogers' paintings explore gay culture and history though a quasi-fictional lens. While utilizing folk like imagery, Christian depicts dramatic moments of love, lust, sex and violence as he takes us to queer realms.

Flesh And Blood, Clayton Petras

Graduate School of Art Theses

In my work, I look for ways to visualize and document the degenerative mental disease of Parkinson’s and transform it into portrayals of the disease itself, its effects, and those it afflicts. Being a physical breakdown of the body, both popular culture and my own corporal understanding influence my interpretation and representation. This document outlines those influences and their buildup towards a shared understanding of the interests behind the work, as well as implies what the work does through these contexts.

How do we give identity to a disease that is difficult to diagnose or view on medical technology, currently …

Untitled Print, Madeline Cochran

Studio One

No abstract provided.

Everything, Everything Seemed Once-Upon-A-Time, Denisse Leung Liu

CGU MFA Theses

The pleasant feeling of being relaxed is what I want the viewer to feel with my work. The art I make is the source of peacefulness and tranquility I treasure, in a way that there is tranquility and absence of noise, yet it whispers quietly to the viewer.

Sublime Memories: Bones As A Medium For Cyanotype Printing And Indigo Dying; The Strength Derived From Connection To The Environment; And The Power Of The Color Blue, Alexis R. Bernstein

All College Thesis Program, 2016-2019

This project attempts to portray how connections to the environment provide strength and opportunities for growth. By printing cyanotype images of landscapes and plant life on bones, my work links the ecological world with a representation of mortality. The symbolism of bones provide concepts of strength and life, while the symbolism of blue evokes emotions of distance and longing that create a dreamy memory-inspired image quality throughout the series. The historic processes of cyanotype printing and indigo dying were successfully modified for the medium of bones, allowing both artistic techniques to work together in harmony.

Bleeding Ink: Creativity In Grief For Resilience, Gabriel E. Sayre

Senior Honors Projects

A venomous void pierces the present.

Emanating from the past, echoing to the future.

Seething sensations burrowing beneath the bone.

Seek a road, to not corrode.

Scribe or scribble, Scavenge salvation.

Settle cement of a new foundation.

Faceless fears fading,

weakening woes waning,

mending mentality.

Internally Inspired.

Transformation Transpired.

Cycles Of Growth And Decay, And Changing The Beautiful To The Grotesque: Installation Through The Lens Of Printmaking, Madeline R. Cochran

All College Thesis Program, 2016-2019

The intention of this project is to create an installation informed by printmaking processes and to explore the tension between what is fragile and delicate and what is decaying and visceral. Specifically, I am working with materials I find delicate and beautiful including: fine Japanese paper, lace, yarn and embroidery floss. I am coating and manipulating these materials with wax, epoxy-resin and baby oil to give the work a fleshy and unsettling feel. Through the process of working with these materials, I have created paper sculptures made from a mold cast from my own torso, miniature books made from monoprints …

To The Moon And Back, Michael Tyler Pennekamp

Graduate Theses and Dissertations

Almost fifty years after the Apollo 11 mission, the moon landing remains one of humankind’s most remarkable technological achievements. On the lunar surface, the Eagle’s flight crew left behind an American flag, mementos honoring those who lost their lives in the quest for such an achievement, and a plaque reading, “Here men from the planet Earth set foot upon the moon. July 1969 A.D. We came in peace for all mankind.” Despite overwhelming proof of this achievement—radio transmissions, photographs, film, rock and soil samples—a sizable minority of Americans continue to view the Apollo 11 moon landing as a hoax. To …

Two-Faced And Vulnerable, Stephanie Wright

School of Art, Art History, and Design: Theses and Student Creative Work

A helpless calf suspended by a balloon. A dog attempting to focus through a set of blinders. Vultures circling over an abandoned bed. The situations in which these animals find themselves might seem, at first glance, quirky or ambiguous. But we can easily empathize with their perceivable state. Through fables, myths, religion, everyday interaction, and animal husbandry, we have made animals and emotions recognizable metaphors for humankind. These animals address broader human experience; certainly the notions of “human nature” and culture are themselves human constructs. We self-consciously work to define our existence through the separation of the concept of “society” …

The Living Chain: An Applied Exploration Of Mythological Narrative And Traditional Printmaking Techniques, Jordan M. Gillenwater

Undergraduate Honors Theses

The Living Chain is a body of work built to apply and analyze mythological narrative and traditional printmaking techniques. The work is a collection of prints telling an original narrative that derives much of its visual and thematic style from the works of the Baroque and Medieval periods, as well as significant influence from the prints of Gustave Doré. The purpose of this paper is to explore the ideas, mythologies, histories, and symbols found in and inspiring the work, in order to better understand the work’s purpose and its technical challenges. Additional focus is given to the historical significance and …

A Hazy Bliss, Anna Joo

Bachelor of Fine Arts Senior Papers

There were tangerines and apples stained with strawberry pink. Some yellow pears, smooth as silk, some white grapes covered with a silver bloom and a big cluster of purple ones. These last she had bought to tone in with the new dining-room carpet. Yes, that did sound rather far-fetched and absurd, but it was really why she had bought them. She had thought in the shop: "I must have some purple ones to bring the carpet up to the table." And it had seemed quite sense at the time.

When she had finished with them and had made two pyramids …

Mourning A Menagerie Of Martyrs, Sarah Jentsch

Undergraduate Research Conference

As we enter 2017, animals only face more challenges from climate change and shrinking habitat. The endangerment of these species often puts their entire ecosystem at risk. I wanted to highlight this issue by creating a series of prints focusing on a few species threatened by the habitat loss and climate change that comes with our modern way of life.

Equus Through The Artist: A Look Into The Expression Of The Horse Through Personal Connection, Caylin Marie Barnes

Undergraduate Distinction Papers

A review of the work completed by artists George Stubbs, Henri de Toulouse-Lautrec, Franz Marc, and Anthony Alonso as it relates to their studies of the horse.Their studies focused on the fine detail of emotional expression seen through the position and movement of the horse. The focus of this project relates to their previous work and ties personal connection to the horse through its expressive communication.

The Artist As A Revolutionary: A Portrait Of The Life Of William Morris, Bethany E. Mcdonald

Senior Honors Theses

William Morris became an artistic revolutionary, reacting against the academic views of art held in the Victorian Era and the Industrial Revolution. This thesis will deal with his reaction against the expectations of his family and the events of his childhood, showing their effect upon his future role as a revolutionary. This thesis will then cover his response against the Royal Academy’s academic art, the Industrial Revolution, and how his art ideologies clashed against the common norm of his time. Finally, this thesis will look at how each of his reactions led to his influential role in the Arts and …