Printmaking Commons^™

Frontiers In Printmaking Conference, School Of Art

Normal Editions Workshop Programming

The Frontiers in Printmaking conference at Illinois State University took place October 3-5, 2007. The conference featured the 30th anniversary celebration of Normal Editions Workshop (NEW) and was held in conjunction with the sesquicentennial year of the University. Frontiers in Printmaking featured discourse on various historical topics, highlighted current developments, and explored future directions while focusing attention on the contemporary contributions and rich heritage of printmaking and related subjects to the overall visual culture.

Jerry Bywaters: Lone Star Printmaker, Ellen Buie Niewyk

eBooks

Jerry Bywaters – Lone Star Printmaker chronicles the printmaking career of Texas regionalist artist Jerry Bywaters (1906 – 1989). In 1935, Bywaters began recording the prints he made, primarily lithographs, when he noted ‘“Gargantua” First litho made (1935)’ on the first page of his print notebook. This study is based on that notebook and places Bywaters’s printmaking career within the context of art developments in Dallas through the 1940s. It includes a catalogue of his prints, information regarding the history of each print, and reproductions of his known illustrations and ephemera.

Bywaters played a major role in establishing the Texas …

Ilgim Veryeri-Alaca: Recent Prints And Drawings, University Of Richmond Museums

Exhibition Brochures

Ilgim Veryeri-Alaca: Recent Prints and Drawings

January 16 to March 25, 2007

Joel and Lila Harnett Museum of Art

Introduction

Most Turkish names have functional meanings. By an auspicious quirk of chance, occasionally by determinism, some names provide an apt characterization of the bearer's talents or personality. So it is with the artist llgim Veryeri-Alaca, whose given name signifies "mirage" and married name denotes "speckled" or "spectral." Her variegated pieces, embracing such norms and techniques as collage, lacework, engraving, ebru (marbled paper), and watercolor, wondrously integrate her Middle Eastern (or specifically Turkish) aesthetics with her mastery of Western craftsmanship.

Although …