Dissonant Forms: Landscape, Nature-Love, And Art, 2021 University of Massachusetts Amherst
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. In this way, the Former ...
Sometimes Like Butterflies, 2021 Rhode Island School of Design
Sometimes Like Butterflies, Edward Steffanni
Perhaps the most radical thing to do is to embrace the tension, being between the heavens and earth. Maybe regardless of identity, sometimes the earth is not enough but there are moments I’ve experienced where the distance between heaven and earth blurs. These are instants where my troubles do melt like lemon drop: the smell of freshly cut hay in a field nearby, seeing a baby goat’s tail wiggle while he nurses his mother, or making love behind the barn. These are moments on earth when something else comes into focus.
Sapping, Smudging, Staining: A Feminized Body, 2021 Rhode Island School of Design
Sapping, Smudging, Staining: A Feminized Body, Breslin Shea Bell
This book—of poetry, prose, and lists—muses on the effects of liquidity and leakiness of a feminized body. By bringing echo narrative, illegibility, de-telling, and that which is continuously wet to the viewer’s body and space, this book and accompanying multimedia installation provides a lens to consider reproductive rights, body autonomy, and gender-based aggression and violence. Work of matter and color investigates interiority, both bodily and spatial, as it relates to surface, access, and space-making.
El Suelo En Duelo, 2021 Rhode Island School of Design
El Suelo En Duelo, Mariana Ramos Ortiz
This is a thesis about colonialism.
When I was seven years old I interrogated my mom about the consequences of Puerto Rico achieving its independence from the United States. I remember asking her “If Puerto Rico gains its independence, would that mean that we would no longer be able to purchase apples at the store?” The warm climate prohibits apples from growing in Puerto Rico. I never liked apples, and would much rather have had oranges, but I guess that concerned me at that time. She looked at me with a funny look. With that funny look that any parent ...
All Bodies Wander, 2021 Rhode Island School of Design
All Bodies Wander, Haley Mackeil
This thesis describes how aspects of the environment can evoke the presence of a living organism. It discusses several projects by Haley MacKeil that are based on research within the natural world that includes documentation of sites, processes, installations, and artifacts made through video, glass, and papermaking. MacKeil’s practice forms a threshold between two worlds, two bodies, two different understandings—it creates sites for connections with something, someone, or a place that cannot be directly accessed.
Prepositions, 2021 Rhode Island School of Design
Prepositions, Alexis Hill
My work is a conscious engagement with traditions of process art that emphasize making over outcome and the desire to create art that cannot be predetermined. The art objects are primarily a by-product of engagement with my material reality. This is hard to pin down and harder to talk about. Historian Kim Grant’s introduction to the circular and sometimes impenetrable creative process is a good summation of one of the essential problems of my art [school] experience: “The artist’s hard work often takes place without a clearly denied goal, thereby rendering the artist’s labors endless, and any ...
The Art Of Heritage And Mortality, 2021 University of New Orleans
The Art Of Heritage And Mortality, Barbara Johanna Mileto
University of New Orleans Theses and Dissertations
Through my art I explore the formation of cultural and personal identity addressing the importance of heritage, ancestors, and religion in Latin-American culture, while I develop my unique deities and spiritual space, creating my own iconography. The pieces are strongly autobiographical, using my family members, and frequently lived experience as a subject. Furthermore, I am drawn to the circle of life and productive failures - beginnings, deaths, and transitions. - My work integrates two-dimensional and three-dimensional mediums, ranging from photography and printmaking to assemblage and textiles, video and digital.
And There I Was, 2021 University of New Orleans
And There I Was, Jennifer K. Jones
University of New Orleans Theses and Dissertations
Working with found imagery and objects, I explore sculptural processes and manipulated photographic methods as a metaphor for mental and physical transformation. Creating large scale cyanotypes that are exposed on painter’s linen, I have developed a unique process for stretching and coating linen that allows me to make images that feel more like paintings than photographs. Reflecting and analyzing aspects of my adult life, I present images and objects that challenge traditional gender roles that were impressed upon me throughout my up-bringing. My process is defined by experimentation. During the exposure of the image, dramatic shifts occur that allow ...
Power Structures, 2021 Louisiana State University
Power Structures, Michael A. Whitehead
LSU Master's Theses
Power Structures is a series of drawings and prints inspired by my fixation with the intricate utilitarian architecture and dystopian atmosphere of Louisiana’s petrochemical corridor. The architectural forms within this body of work juxtapose components of disparate industrial sites to form ruinous monuments to power and progress. The Power Structures are composites of photographs, technical drawings, and memories I have made in my time studying Cancer Alley. I introduce machined aircraft components, gate valves, and various fasteners into the architectural forms of petrochemical plants as elements of misdirection, blurring the line between reality and memory, fact and fabrication.
Hello Again يا اهلا A Study Of Grief, 2021 Louisiana State University
Hello Again يا اهلا A Study Of Grief, Diana Abouchacra
LSU Master's Theses
Grief is an unwanted visitor who we all come to know throughout our lifetime. Although every person reacts differently to bereavement of a loved one, almost always the lost other becomes etched into our being for the remainder of our lives (McClocklin & Lengelle, 2017). In today’s society, we are encouraged to say “Good-bye”, but what if instead, we allow ourselves to keep those who have passed on close to our hearts and say hello again? Hello Again يا اهلا is a body of work that explores my experience with grief. The artworks made for this exhibition investigate my process ...
Isolation Of The Introvert, 2021 Olivet Nazarene University
Isolation Of The Introvert, K Hope Tarleton
TYGR: Student Art and Literary Magazine 2018-present
No abstract provided.
Cosmic Desert Art, 2021 South Valley Academy
Cosmic Desert Art, Mike Graham De La Rosa
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.
My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes ...
Devastation Experienced When Two Individuals Stop Kissing One Another, 2021 University of Nebraska-Lincoln
Devastation Experienced When Two Individuals Stop Kissing One Another, Isaiah Jones
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
The work in Devastation Experienced When Two Individuals Stop Kissing One Another is an excavation of the private self in relation to love and desire and an exploration of the chaos that ensues in their passage. Desire describes a state of attachment to a person, an object, or an idea. It produces a cloud of optimism between that which is desired and she who is full of desire . It presses against need, the obsessive 1 phenomena of all amorous sentiment, and in its dissolution, total devastation ensues2. With this work, I explore my own desires, observations, uncertainty, and anger, finding ...
The Infinite Crisis: How The American Comic Book Has Been Shaped By War, 2021 Chapman University
The Infinite Crisis: How The American Comic Book Has Been Shaped By War, Winston Andrus
War and Society (MA) Theses
This thesis project argues that war has been the greatest catalyst for the American comic book medium to become a socio-political change agent within western society. Comic books have become one of the most pervasive influences to global popular culture, with superheroes dominating nearly every popular art form. Yet, the academic world has often ignored the comic book medium as a niche market instead of integrated into the broader discussions on cultural production and conflict studies. This paper intends to bridge the gap between what has been classified as comic book studies and the greater academic world to demonstrate the ...
Weather Permitting, 2021 University of Arkansas, Fayetteville
Weather Permitting, Acadia Kandora
Graduate Theses and Dissertations
Weather Permitting is an exhibition of objects and printed matter, primarily in the form of publicationsthat examine my relationship to nature and the idea of nature as both sanctuary and armor. At a young age, my parents would take my on a hike every Sunday instead of going to church. The hikes acted as a weekly pilgrimage deep into the woods and a ritual instilling the idea of nature being a place of spiritual refuge and retreat. A sanctuary - of course, weather permitting.
As I grew up and experienced hardship, my first instinct has always been to go hide in ...
Turning Tides, 2021 University of Arkansas, Fayetteville
Turning Tides, Lauren Whitmore
Graduate Theses and Dissertations
Synthesizing personal narrative, sociological phenomenon, and art historical analysis, Turning Tides examines the relationship between power dynamics and sexual assault. Inequities and injustices with regard to the handling of sexual assault, and the norms that allow this issue to be pervasive, are woven throughout the cultural fabric of the United States. Feminists and feminist activist artists in the 1970s brought the matters women, and other marginalized groups, were facing to the forefront of political and social dialogue. The resulting work left an indelible mark on public perceptions and allowed for other activists and artists to build upon the foundations; creating ...
The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, 2021 William & Mary
The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons
Undergraduate Honors Theses
Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.
Much of my analysis focuses on the ways Truitt makes her intentions ...
Iterative Screen Printing: Finding Tactile Respite Within Remote Collaboration, 2021 Western Washington University
Iterative Screen Printing: Finding Tactile Respite Within Remote Collaboration, Mercedes Schrenkeisen, Rae Baitx, Robin Goodwin
WWU Honors Program Senior Projects
This presentation details the formation of “Good Baloney”— a non-exclusive print club motivated by burn-out and the need for fulfilling forms of remote collaboration. Our solution was a generative design ‘machine’ fit for printmaking that leaves the initial ideation procedure up to chance. This project is an ongoing exploration and love-letter to collaborative printmaking and was founded on principles of resource-sharing, remote process, tactile modes of creation.
Study Of Native Colombian Tribes: Art As A Means Of Inspiration, 2021 University of Nebraska - Lincoln
Study Of Native Colombian Tribes: Art As A Means Of Inspiration, Sofia Fernandez
Honors Theses, University of Nebraska-Lincoln
Study of Native Colombian Tribes: Art as a Means of Inspiration, examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project considers two Colombian tribes: Wayuu and Okaina. It emphasizes these tribes’ ancestry, history, purpose, and traditions, with the objective of giving them a voice in a community where they are underrepresented and unknown. This thesis provides a critical look into the tribe’s traditions and artistic techniques through the creation of a variety paintings, drawings, and prints. This body of work concentrates on textiles and patterns ...
Drawing With Light: Mezzotint Prints From The Rossof Collection, 2021 Hope College
Drawing With Light: Mezzotint Prints From The Rossof Collection, Kruizenga Art Museum, Lisa Barney
Kruizenga Art Museum Posters
A poster advertising a mezzotint exhibition held January 19-June 26, 2021. Prints from the Rossof Collection.