Printmaking Commons^™

Poster, Performed: Understanding Public Opinions Of Authorship In Generative Artificial Intelligence Models Via Analogy, Wylie Z. Kasai

Dartmouth College Master’s Theses

Over the last decade, generative artificial intelligence models have advanced significantly and provided the public with several tools to create new works of art. However, the true authorship of these works has been debated due to their training on web-scraped data. Serving as an analogy to these larger models, Poster, Performed is an interactive artificial intelligence exhibition project that uses image assets submitted by the public to create poster compositions with custom image processing algorithms. During the course of a four-day exhibition, visitors were asked to identify the exhibition’s primary artist from five options: (1) participants who submitted image assets, …

A Light On Europe. The International And Intermedial Trajectory Of A Medieval Chandelier At The Turn Of The Nineteenth Century, Eveline Deneer

Artl@s Bulletin

This article investigates the shaping of European visual culture by tracing the international and intermedial trajectory of the visual motive of a chandelier from a 15th-century Burgundian manuscript in the decades around 1800. Passing from Brussels, Paris, Lyon, Mannheim, and Vienna to Coburg, and moving from illumination to drawing, archaeological illustration, painting, engraving to the applied arts, its trajectory exemplifies the historical conditions and cultural phenomena that animated the formation of a European visual culture, at a time when historical and national consciousness were developing on the continent.

Home In The Dawnland: Sense Of Place And Eco-Cultural Relations In The Penobscot River Valley, Kate Kemper

Honors College

In a world where a deep disconnect between humans and nature is commonplace, this thesis is motivated by a personal interest in reconnecting with the more-than-human world. The purpose of this project is to explore my own sense of place and lived experience on the land we’ve called Maine and the Dawnland, and to strengthen my relationship to this land through a co-creative artistic practice. It draws on the historic context of the land, as it has been stewarded by Penobscot people, to investigate existing human-land relationships in the area, and attempts to honor Indigenous perspectives. The praxis for the …

A Pursuance Of Self, Kassidy Albert

Undergraduate Honors Theses

The self portrait is a consistent aspect of art history, with many artists returning to it again and again across their lives. This project intends to explore the function of the self portrait. Through research and execution of artwork, the artist has found that the self portrait has multiple functions, including: a practice of anatomy; a display of status, skill, and likeness; an outlet for emotion; and a place for psychological confrontation. Across the life of this project, the artist completed twenty-two self portraits in a variety of styles and materials.

Don't Be Startled, My Dear Mother, Jon Quiroz

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's statement:

In Letter 66, Paul Laurence Dunbar aims to reassure his mother, Matilda Dunbar, not to be so concerned about his whereabouts. He emphasizes that he will return home as soon as he can. Within the letter, he sends a $2 bill to give financial support during his busy schedule of recitals, particularly in the South—a gesture that underscores his devotion to his family’s well-being even in his absence. Dunbar reassures his mother that after gaining great success from his writing, all the financial …

Color Nirvana, Elizabeth Thomas, Chai Avery

P-12 Lesson Plans

In this art lesson for grades 6-12, students will consider how color reads differently depending on chromatic surroundings and experiment with color scheme arrangements to create their own linear collage with adhesive-backed papers. This lesson is based on the exhibition NIRVANA, Polly Apfelbaum displayed at the Zuckerman in the fall of 2023.

Beyond The Veil, Noah S. Constantino

PANDION: The Osprey Journal of Research and Ideas

The philosophy behind my work is accented by this process in the sense of its micro-complexity. The idea of reshaping a flat surface to mimic complex topography coincides with the question I’ve been asking myself throughout making this work: What is outside of our structured and contrived reality and what does that look like? The complexity of depth within the process and the constant re-evaluation of the surface of the print is a parallel attempt to answer this fundamental question. To answer this, the fear of the unknown will always be present, but we must not let its complexity distract …

Movement, Mechanization, And Coexistence, Yukyung Chung

Masters Theses

A movement is a tool that expresses the subject I pursue, ‘mechanization of human beings’. There are many technologies that replace humans these days, such as artificial intelligence. This makes me skeptical and afraid of being replaced as an artist in the future. Paradoxically, people, including myself, are enthusiastic about it, indicating that we do embrace the mechanization process as a society.

I will reveal this phenomenon of coexistence by demonstrating the possibility that machines cannot replace us, through motion experiments where rules increase, first starting with the reliance on intuition. I will explore not only the things that machines …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Tracing As Process, Lesley Su

Masters Theses

Tracing is a way to observe, document and translate, to be anchored in the physical working, to find personal occupancy in the built environment.

By establishing one-to-one relationships with the physical context, tracing enables us to comprehend objects in multiple dimensions. Through tracing, we can explore how two-dimensional drawings can be transformed into three-dimensional objects, and vice versa, objects can be documented through drawing to capture the essence of reality.

Based on materials and motion, research on tracing techniques guides me into how tracing could act as a process of art and architecture practice.

Metaphors In Materials And Imagery For Self Reclamation And Empowerment, Janice Lardey

Masters Theses

As an experimental multidisciplinary artist, my creative process draws inspiration from daily experiences and encounters with the mundane. I am particularly interested in West African textile cultural practices, specifically the use of symbols and basic geometric forms to communicate through materials (specifically fabrics) and the role these images and forms play in African culture. In my work, I am developing my own distinct vocabulary of symbols and patterns, inspired by these practices.

My artistic practice explores a wide range of themes related to women, sustainability, loss, everydayness, wear and tear, degeneration, the transitory nature of life, and material effects, often …

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …

Rotten And Falling, Khwanchira Chindamanee

Masters Theses

Abstract

I am an artist printmaker fascinated by the theme of impermanence as manifested through the cycle of birth, aging and death. Death is not the end of the cycle, however. Death begets transformation, via decay, of one form into another or perhaps others.

During my time at RISD, I received a scholarship to study Japanese paper making in Iowa. The experience was transformative for both my printing and soft sculpture. Later, I learned about mycelium, and began incorporating this living element into my work.

This thesis reflects on my primary source of artistic inspiration, the hup taem murals of …

Translational Placemaking: The Diasporic Archive, Alia Varawalla

Masters Theses

Globalization and mass migration has propelled a hybrid existence, as individuals that occupy multiple geographies we live in a constant state of translation. Our museums and cultural institutions are in opposition to this; static, preserved and de-contextualized. At the intersection of printmaking and architecture, this thesis proposes a living archive to document the collective migratory journey across sites, materials, and hybrid identities. A network of centers for knowledge sharing and production centered on India and its diaspora. As art practices and people migrate, cultural production evolves with its context, gaining new meaning as it changes hands generationally and globally.

A Presence Of P____ And W__Th, Riley Wilson

Masters Theses

This body of work examines the involvement of association as it relates to our cultural interpretations of natural phenomena. Flowers and animals, both real and imagined, have been used as symbols for human morality since the beginning of human history. Two sources with which I drew inspiration from are medieval bestiaries and the Victorian practice of flower language. By combining elements from these references, I aim to pair this idea about the human need for classification with my own considerations about my identity. In combination, I also aim to highlight the responsibility that is intrinsic to curiosity. When faced with …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

A Room Full Of Pigeons And Three Spectators, Dina Khorchid, Dina Nazmi Khorchid

Masters Theses

My work explores themes of identity politics, domesticity, land and memory access - in relation to my own lived experiences as a Palestinian refugee, a daughter of a missing war casualty and an artist.

In this thesis book, I present a cumulation of thoughts, emotions and findings, along with a selection of works from the last two years.

During my time at the Rhode Island School of Design, messenger pigeons took over my studio, channeling physical and mental realms of grief and remembrance. By looking closely at the bird’s aesthetics and behaviorisms in my first semester, their resting deceased bodies …

One More Time, I Love You —— 我有所念人，隔在远远乡, Jingjing Yang

Masters Theses

"One More Time, I Love You ——我有所念人，隔在远远乡" is a thesis project that delves into the profound nature of "obsession," which surpasses the boundaries of life and death, as well as the mortal world and the underworld. The interpretation of this type of obsession varies among individuals, and my understanding of it originates from the traditional Chinese myth concerning the afterlife journey. According to this myth, upon departing from the mortal realm, the deceased traverse the Bridge of Helplessness, cross the Forgotten River, peruse their past, present, and future lives on a Three Lives Stone, and then partake in the Soup …

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …