Printmaking Commons^™

Together | Apart: Printmaking And The Space Between, Monique Bosshard Curby

Theses

In this practice-led creative research, being both artist and identical twin, I examine sameness and difference in the relationships between two people and between multiple objects/creative works. Through the inherent ability of printmaking processes to produce multiples and the attendant installation opportunities created by punctuated space, I unfold and re-tell a doubled and ambiguous understanding of being in the world. Martin Heidegger’s notion of Being-in-the-world (Dasein) underpins and situates my understanding of being in the world, thrown into a world as an individual, and my existence as a double: being in the world with others. I relate his thinking through …

Typemaking, Rebekah Sorensen

Williams Honors College, Honors Research Projects

The objective of this project is an exploration of typemaking—an analysis including the development of letterforms to the various methods in printing these forms, including the rich history behind these developments—which ultimately results in the form of communication known as graphic design. Research begins with the history of print processes and evolving typographic styles, providing a comprehensive understanding of how typography has been applied as a means of communication, and the benefits to society throughout time. The information is then applied through the digital design of letterpress type, followed by the physical production of these pieces using a range of …

Replicant, John Grabko

All Graduate Theses, Dissertations, and Other Capstone Projects

Artist Statement

This body of work explores technology throughout modern history into today, and how it affects society and the people within. There are many sides to technological innovation, and as time goes on it also changes our own priorities; even how we choose to either reject reality or intensify the effects of mass consumerism. Technology can also change the way we look at currency itself, surprise us with an unexpected reality or change what we view as beauty. Within this work I utilize drawing, printmaking, and collage to visualize our observed reality, the implications of the decisions we make, …

The Hertzog Collection, Claudia A. Rivers

Presentations & Slide Shows

No abstract provided.

Q&A With Adrian Vinluan (Bfa Printmaking), Adrian Vinluan

Q & A Interviews with Art Students

No abstract provided.

Artist Spotlight, Ben Schoenburg

Hemisphere: Visual Cultures of the Americas

No abstract provided.

(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Introduction To Volume Xiii, Laura Golobish, Andrea Quijada, Amy C. Hulshoff, Eleanor Kane, Breanna Reiss, Jeannette Martinez

Hemisphere: Visual Cultures of the Americas

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Table Of Contents

Hemisphere: Visual Cultures of the Americas

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Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Disciplinary Frontier(S) Between The “Americas”, Helen B. K. Marodin

Hemisphere: Visual Cultures of the Americas

No abstract provided.

Mexico And The People: Revolutionary Printmaking And The Taller De Gráfica Popular, Carolyn Hauk, Joy Zanghi

Schmucker Art Catalogs

During its most turbulent and formative years of the twentieth century, Mexico witnessed decades of political frustration, a major revolution, and two World Wars. By the late 1900s, it emerged as a modernized nation, thrust into an ever-growing global sphere. The revolutionary voices of Mexico’s people that echoed through time took root in the arts and emerged as a collective force to bring about a new self-awareness and change for their nation. Mexico’s most distinguished artists set out to challenge an overpowered government, propagate social-political advancement, and reimagine a stronger, unified national identity. Following in the footsteps of political printmaker …

For The Love Of Existence, Paul Joseph Vogeler

Theses and Dissertations

In this thesis, artist Paul Joseph Vogeler discusses his influences and current art practice. He covers topics like Catholicism and mortality, BDSM and erotic art, Tarot, spirits and the afterlife, photography and painting, and bones and relics.

Life's Adventures, Emily Zurbuchen

Graduate Medical Education Research Journal

No abstract provided.

Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green

Dissertations, Theses, and Capstone Projects

Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …

In The Garden, Clare Samani

LSU Master's Theses

My work has focused largely on identity and self-expression, primarily through clothing, pattern, and color as a symbolic content. Having heavily investigated historical costume and clothing from various periods, my attention is drawn to the highly sculptural and ornamented garments of the Middle Ages, the Renaissance, the rococo, and the baroque. In these colorful and puffed garments, I am attracted to the similarities that I see in nature. How we adorn ourselves mimics various flowers, plants and animals in the pursuit of desire and procreation. Focusing on fabric manipulation, printmaking and sculpture, In the Garden coalesces into ambiguous sculptures that …

Being In The Place Of Possibility, Laura Domencic

MFA in Visual Arts Theses

This paper explores my art practice as a phenomenological search for understanding how to be in the world. It begins with a description of my practice as a way to access the place of possibility that exists between faith and doubt. I examine materiality in art making to encourage consideration of both the physical and temporal nature of experience and to find balance with the increasingly incorporeal experience of the digital world. I discuss the materials and processes of drawing, sewing, and printmaking within their historical contexts. This paper connects my practice with artists who consider the act of perception …

The International Rise Of Afro-Brazilian Modernism In The Age Of African Decolonization And Black Power, Abigail Lapin Dardashti

Dissertations, Theses, and Capstone Projects

Two competing artistic representations of Brazilian blackness emerged from 1966 to 1988. The first began in 1966 when the Brazilian government positioned itself as a leading diplomatic partner for newly independent African nations by showcasing black Brazilian art in West Africa. Through exhibitions, the Brazilian Foreign Ministry aimed to highlight the country’s presumed homogeneous identity and absence of racism. The second definition arose through the work of artists inspired by U.S. social rights activism, who founded Brazil’s civil rights movement in 1975. Brazilian artist-activists combined symbolism from U.S. Black Power, African liberation movements, and Afro-Brazilian culture to denounce racism in …

Rootless, Lilla Szekely

Masters Theses

This thesis is an attempt to understand the relationship of my art to nature and my sense of rootlessness. I have been imprinted by the places I have lived in yet disconnected from them as well. I am often situated on the 'other side' and as my perspective has learned to shift between the global and the local, between the outsider and insider gaze, I have come to describe this ability as being 'rootless'. I believe this condition is more common in America, the country of immigrants than anywhere else. Our memories are often re-told in the form of stories …

Recipes, Camille Chew

Masters Theses

Ingredients and materials can be manipulated and combined to create something new-a transformation akin to alchemy. Vegetables are chopped and brewed into soup; clay is glazed and fired into sculpture; flour. sugar. butter and eggs bake into a cake; ink is pressed into paper to make prints. These processes are acts of magic that are performed in kitchens and studios every day.

After spending all day working in the print shop, I always feel most refreshed and contented once I've cooked a meal and sat down to enjoy it. This past year I began bringing baked goods to class crits …

The Things Of Mind, Yini Luo

Masters Theses

My thesis research shows my thinking and reflection on environmental changes around me in the past and especially the past two years. Through the experience between the city and nature, my research has clarified my different perspectives and explored the expression and reproduction through the print media and glass media.

How To Be Simultaneously Precise And Nondescript, Mckinzie Trotta

Masters Theses

As I stood by my car, I kept coming back to the phrase. It is more difficult to hit a moving target. This time, it was not just a passing platitude. I thought more. Just as it is more difficult to intentionally hit a moving target, a moving target is simultaneously more difficult to intentionally miss. It might be easier to hit a moving target if what one is really trying to do is miss it. Isn’t this why car accidents happen? People hit the thing they are by all means trying to avoid. Everyone is in motion and despite …

Things That Grew While I Looked At The Ground, Heather Mcmordie

Masters Theses

Broadly speaking, I am interested in the role of fine arts in translating the complexities of natural systems. This particular body of work explores the relationship between printmaking and soil science—just one of the many possible relationships between arts and sciences—with a focus on salt marsh soil systems. Generating public interest soil systems and other hidden ecological systems can be difficult due to the opaqueness of language and concepts surrounding these systems and a perceived distance (physically or conceptually) from the general public. Printmaking—with its inherent multiplicity, mediation, and readability—offers opportunities for making the seeming abstraction of soils evocative and …

Storytelling In Arts, Lindi Shi

Masters Theses

People and narratives are the core of my art practice. Compared with only exploring the subject matter, I am more excited about the characters and narratives around it. My media gradually shifts from flat drawings or prints to installation, performance, and even explosions. Perhaps as a human myself, I like people a lot. There are always interesting stories where people go. The thesis discusses four stories, including an oral tale from my grandma, my personal experience, stories about bodies, and a story in the imagination. This writing reflects my research on the relationship between types of storytelling and various art …

Art Beside A Single Handshake : Can You Believe It?, Tongji Qian

Masters Theses

Although I was familiar with works by both McKinzie and Phil, their prints still caught my attention during the Printmaking Graduate Biennial at Rhode Island School of Design in January 2019. In contrast to the numerous talented artists who employed strategies to affirm the relevancy of printmaking in a contemporary discourse, McKinzie and Phil seemed to desire something different. Their collaboration series of Ten Identical Prints was predictably “printerly” and perilously unexciting, betraying a fraught and commonplace relationship between an expressive artist and a scrupulous master printer. How could these two artists showcase such mundanity? What was the stake of …

The Adventures Of Crazy Space Pigeon And Catowl, Kati Silveria

2020 Symposium Creative Works

I have been fascinated by the processes of traditional hand printmaking techniques. (Relief, Lithography, Collagraph and Etching). Comics have also been a passion of mine for over ten years. I wanted to combine these two passions, comics and printmaking, into one work of art. It is a joy to create worlds and stories that people can dive into, engage with, and enjoy. My current project, The Adventures of Crazy Space Pigeon and Catowl, is aimed at creating one such world. The three stories in the book follow my two characters and their imaginary adventures. The book platform is created using …

Alternative Methods, Hunter Stabler

LSU Master's Theses

ABSTRACT

In the realm of precognitive artmaking, the artist’s role is that of an antenna. One must be receptive to the subtle, invisible flow of creative novelty in order to participate in the involuntary channeling of new ideas, new processes, and alternative methods of creative production. Carving out new territory within the realm of static art is a primary objective for my artistic process. By utilizing digital fabrication tools, paired with my affinity for intricate craft and optical metagrobolization, I have created a body of work that invents alternative processes and unique aesthetic languages.

Digital imaging, digital modeling and digital …

Art Of Darkness, Sarah Roper

Honors Theses

This paper describes the process, production, and explanation of Art of Darkness, an artistic expression of the struggle with anxiety. All of the work is inspired by literature and art from the English Romantic and Victorian eras, and focuses on quotes about the mind, emotions, and other thought processes. As each piece highlights a different aspect of anxiety, it also portrays the struggles of anxiety through color palette, printing process, and symbolism. These printed pieces consist of letter-press printed materials, with ink-wiped backgrounds and hand-stitched details. Also included are large-scale prints with silkscreened foregrounds, a selection of bookmarks, a …

I Hear You Now, I See You Then, Quinn Hunter

Art + Design Masters Theses

In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …

Study Of Native Colombian Tribes' Art As A Mean Of Inspiration, Sofia Fernandez

UCARE: Research Products

Culture is one of the most important aspects of a human being, it shapes our behavior and identity since we are born. It is our lifestyle and it refers to many aspects such as the language we use, our values, traditions, beliefs, etc. Cultural diversity is one of the aspects communities nowadays emphasize the most, they want people to be mindful and respectful of the different cultures represented within the community itself. This creative project examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project aims to …