Raisin Fingers, 2024 Washington University in St. Louis
Raisin Fingers, Sophia Hatzikos
Graduate School of Art Theses
I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.
Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …
Uncanny Bodies, 2024 Washington University in St. Louis
Uncanny Bodies, Samantha Neu
MFA in Visual Art
In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. I delve into how the uncanny challenges traditional views and societal norms about the body. My artwork emphasizes the fluid and often unsettling experiences of physical existence, blurring the boundaries between personal and collective perceptions. Through distortions and manipulation of scale, the familiar is rendered alien in my sculptures, prints, and paintings. Through this ambiguity, I hope to offer space for the viewer to navigate their body’s emotional and physical relationship to the unknown.
Fine Art: Sam Lucas, 2024 University of Sunderland
Fine Art: Sam Lucas, Sam J. Lucas
Ought: The Journal of Autistic Culture
Sam Lucas
Sam creates ambiguous figurative objects predominantly in clay. Her creative practice draws on her experience of being a neurodivergent woman today, by exploring aspects of her own unique neurotype.
The visceral glaze exploration pieces were the precursor to the final forms for her body of work called ‘Strange stranger’ where she is exploring the weight and awkwardness of being in the body, the pain this alienation can cause, and ironically the beauty and humour that results from this diversity.
The surfaces of the pieces were attempting to describe the interoceptive, exteroceptive and alexithymic confusion that can occur at …
Fragmented Bodies, 2024 Southern Methodist University
Fragmented Bodies, Lauren Careese Alexander
Art Theses and Dissertations
Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, 2024 Whittier College
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
Understanding Clay And Its Media Properties Through The Expressive Therapies Continuum, 2024 Southern Illinois University Edwardsville
Understanding Clay And Its Media Properties Through The Expressive Therapies Continuum, Anne Geisz
Art Therapy Counseling Final Research Projects
For centuries, clay has been used by civilizations to hold food, memories, and records of history. To this day, it is used by engineers, hobbyists, artists, art therapists and many more. This art based, heuristic study explores clay through the researcher’s ongoing practice with the material, within the framework of the Expressive Therapies Continuum (ETC) and examines how its unique media properties make it such a versatile material for both ceramic artists and art therapists. Results exhibit these unique media properties and clay’s ability to reach all levels of the ETC through collected data of images, journals, critiques, and notes. …
Squaring The Circle, 2024 Utah State University
Squaring The Circle, Carter Pasma
All Graduate Reports and Creative Projects, Fall 2023 to Present
“Squaring the circle” is often used as a metaphor for trying to do the impossible. In many ways, this relates directly to my life and the path I have chosen as a ceramic artist. Living in a world of mass production, people often overlook and under appreciate handmade objects. The pots I create are designed to make the person using them notice and appreciate the thoughtfulness of something handmade.
It is comforting to make objects that will ultimately be used to enhance someone’s daily routine. Reflecting on this as a ceramic artist is what drives me to create pots that …
Groundswell, 2024 East Tennessee State University
Groundswell, Ursula Gullow
Electronic Theses and Dissertations
The artist discusses the artwork of her Master of Fine Arts exhibition, Groundswell, held at Tipton Gallery in Johnson City, March 11 – 22, 2024. The exhibition includes wall pieces, sculpture, plaster, and ceramic objects that explore the traditional parameters of painting and its presentation.
Ideas discussed include the philosophy of history, and the origin of European art tropes such as odalisques, flowers, and birds. Framing devices, deconstructed paintings, fiber arts, ceramics, 18th Century decorative art, plaster, the studio practice, Walter Benjamin, David Lowenthal, Gustave Courbet, Jean Honoré Fragonard, Titus Kaphar, Valerie Hegarty, and maximalism are also surveyed.
Fragments Of Forgiveness, 2024 California State University, San Bernardino
Fragments Of Forgiveness, Sarah Hayashi
Electronic Theses, Projects, and Dissertations
Trauma lives in the body, with or without conscious memory of the events that placed it there. To cope with the pain of trauma we might disconnect from our bodies, choosing to view ourselves as some separate entity living within the body. Disconnection offers a sense of protection by allowing compartmentalization of pain, grief, and trauma, but the harder these emotional fragments are fought, the more they demand acknowledgment.
Referencing my torso for size, I handbuild biomorphic sculptures from clay, finishing them with glaze that mimics the dewy texture of raw clay, using a palette derived from my skin tone …
10-5, 2024 Collin College
2024 Forces, 2024 Collin College
Finding The Perfect Purple: An Exploration Of Glaze Making And Chemical Safety In The Pottery Studio, 2024 Bridgewater College
Finding The Perfect Purple: An Exploration Of Glaze Making And Chemical Safety In The Pottery Studio, Kara Eppard, Michael Hough
ASPIRE 2024
This project was undertaken as an IDS-100H course linkage between ceramics and chemistry. Through time spent reviewing literature and time in the studio, a project was developed that allowed the application of technical skills of each discipline in a creative fashion. The creative focus of the project was to find a suitable purple glaze to utilize on a previously thrown pottery collection. During the project techniques in glaze making were explored. Over 25 glazes were tested, and two firing techniques were explored. Additionally, safety within the pottery studio was increased through aspects such as the development of an MSDS, and …
The Drip Effect, 2024 Cedarville University
The Drip Effect, Gabriela M. Bush
Cedarville Review
Two bowls created for the kitchen table, with a glaze effect to represent waves.
In His Hands, 2024 Cedarville University
In His Hands, Nina Friess
Cedarville Review
A ceramic sculpture of a sparrow held by two human hands.
Truths & Lies Mugs, 2024 Cedarville University
Truths & Lies Mugs, Kaitlyn D. Davis
Cedarville Review
Four mugs with different inscriptions:
Mug #1: brown, "I'm worthless"
Mug #2: white, "I am wonderfully made"
Mug #3: brown, "I have to fix myself"
Mug #4: white, "made whole by Christ"
Creating An Index To Graduate Theses To Support Their Discoverability, 2024 Rhode Island School of Design
Creating An Index To Graduate Theses To Support Their Discoverability, Ellen Petraits
Transforming Libraries for Graduate Students
As a Research and Instruction Librarian, one of the most frequent questions I'm asked is how to find past theses on a particular topic or theme. There is an active thesis culture at RISD that goes beyond writing and binding a text. An exhibition is held in the graduate gallery to celebrate a curated selection of theses at the beginning of the academic year. (See Book of Thesis Books) Theses can range in format from an artist book to a loose-leaf portfolio. Many emphasize the visual and are a bridge to the student’s studio work. They may include unusual or …
Radical Youth Work: A Community Based Approach To Working With Youth, Young Adults And Families, 2024 Georgia Southern University
Radical Youth Work: A Community Based Approach To Working With Youth, Young Adults And Families, Weston J. Robins
National Youth Advocacy and Resilience Conference
Radical Youth Work: A Community Based Approach to Working with Youth, Young Adults and Families
A focus on experiential mentoring, humanistic counseling and community engagement as a way to work with youth, young adults and families to provide true holistic therapeutic support and guidance.
Suffering Juicebox, 2024 Northern Illinois University
Suffering Juicebox, Janelle O'Malley
Graduate Artistry Projects and Performances
Suffering Juicebox investigates the confluences of nostalgia, trauma and identity making by means of sculpture and performance. Creating pieces with built layers of material and found objects Suffering Juicebox takes shape through collecting, forming, layering, petrifying, erasing and reimagining. Pieces are assembled into scenes attempting to rebuild what cannot be obtained. The objects collected and used are metaphors for the memories we accumulate.
Suffering Juicebox explores how gender and identity are created through layers of memory, nostalgia and trauma. Nostalgia’s etymology comes from the greek words nostos meaning “return home” and algos meaning “pain”, and together the word means homesickness. …
Ripe Spoils, 2024 City University of New York (CUNY)
Ripe Spoils, Yan Cynthia Chen
Theses and Dissertations
Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.
Chinese-English Dictionary Enable Select Search …
The Development And Impact Of Jingdezhen’S Ceramic Live Streaming, 2024 Sotheby's Institute of Art
The Development And Impact Of Jingdezhen’S Ceramic Live Streaming, Yiyi Wang
MA Theses
Jingdezhen is a renowned ceramic capital in China and abroad. Its porcelain
production dates back to the Tang Dynasty, reached its peak in the Song Dynasty, and continued to thrive during the Ming and Qing Dynasties, solidifying its status as one of the primary production areas for Chinese porcelain. Over time, Jingdezhen underwent social upheavals during the Republic of China period. After the founding of the People's Republic of China, the porcelain industry underwent nationalization and modernization reforms, ensuring its sustained maintenance and development. Since the reform and opening-up, the porcelain industry in Jingdezhen has progressively embraced market mechanisms, incorporating …