Ceramic Arts Commons^™

Tethered, Samantha Jean Dixon

Graduate Theses and Dissertations

Tethered addresses the innate fear of forgetting where an individual's family originates, both physically and historically. Not long after discovering that part of my family was almost completely annihilated during the Holocaust, I produced Tethered as visual documentation of the long-term effects of families of survivors. The exhibition is also influenced by my grandmother's experiences as a Mauthausen concentration camp survivor and my own experiences being raised by a survivor.

The knowledge of the imminent loss of memory initiates an instinct to repetitively record and remember personal history. Numerous memories have been forcefully buried in the darkest recesses of the …

2013 Forces, Scott Yarbrough

Forces

No abstract provided.

Clay Culture: A Burning Question, Wesley L. Smith

Art & Design Faculty Publications

No abstract provided.

David Lucas, David Lucas, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.

Rediscovering The Wheel, Brooke Hodge, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

What does architecture have to do with pottery? For Adam Silverman BArch 88, these two seemingly disparate creative practices are inextricably intertwined.

Brooke Hodge, director of exhibitions and publications at the Hammer Museum in Los Angeles, writes frequently about architecture and design for major publications. This text is excerpted from a longer essay in the new book Adam Silverman Ceramics, published this fall by Skira/Rizzoli.

Memory Scapes, Michael Lee Mccarty

Electronic Theses and Dissertations

Through use, pots can become an intimate part of daily ritual, special celebrations, or moments of stillness. Not only can they can act as vehicles that connect the user to the greater meanings of life, but they do so "under the radar," below conscious awareness. They perform their task, waiting to be noticed and enrich their user's life. I make pots in an attempt to connect to others through quiet, useful forms with beautiful, subdued surfaces. Part of my goal in making pots is to elevate moments of daily life, to augment the time spent consuming coffee, eating, or having …

Offerings, Norma Acord

Electronic Theses and Dissertations

As people we learn through observation. I observed at a young age the importance of using food as a means of celebration, gatherings, and comfort. At a young age, I saw that roles were given to the family members: my grandmother and mother were accepting of their roles as providers of food and my grandfather and father accepted their roles as providing through work. I made a conscious decision about the role I wanted to play. The role of providing through food and serving was more appealing to me. I have a lot of the same views on domesticity as …

2012 Forces, Scott Yarbrough

Forces

No abstract provided.

The Well And The Huaca: Ceremony, Chronology, And Culture Change At Huaca Cao Viejo, Chicama Valley, Peru, Jeffrey Quilter, Regulo Franco J., Cesar Galvez M., William Doonan, Catherine Gaither, Victor F. Vasquez S., Teresa Rosales Tham, Jaime Jimenez S., Hal Starratt, Michele L. Koons

Andean Past

No abstract provided.

Moche Architectural Vessels: Small Structures, Big Implications, Juliet Wiersema

Andean Past

No abstract provided.

Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of artist Linvel Barker.

2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of the twenty finest working folk artists.

Technofile: Viscosity, Tina M. Gebhart

Art and Art History Faculty Publications

The article focuses on the effect the viscosity of a glaze or slip has on a piece of pottery. The article explains the term and provides tests that can be performed to determine the viscosity of a substance. It goes on to describe how one can manipulate the viscosity of a glaze or slip through the addition of water or other aids and includes step-by-step instructions for making a slip.

Techno File: Glaze Unity Formula, Tina M. Gebhart

Art and Art History Faculty Publications

There are many approaches to modifying a glaze recipe, and different approaches can meet different needs. Some modifications change the colorant level while others change the colorant type altogether. Some may directly replace one material with another add a few weight unit more (or less) of one of the base ingredients in the recipe, or add an amount of an entirely new ingredient. These strategies we use to alter glazes tent to parallel how we cook and modify recipes in the kitchen, but adjustments to the base glaze using the kitchen method do not always give us the results we …

2011 Forces, Scott Yarbrough

Forces

No abstract provided.

A Typology For Fremont Figurines, Adreanne Potts

Student Works

Many scholars and observes have noted the similarities between Fremont-attributed rock art and Fremont anthropomorphic clay figurines. An established Fremont rock art typology has been recognized yet no typology has been created to categorize and describe Fremont figurines. Although some of the characteristics utilized to describe Fremont rock art apply to Fremont anthropomorphic clay figurines, the limits of unfired clay as a medium to represent the human figure, give the figurines unique characteristics distinct from the rock art types.

Krause & Spellmann: Scenes From Lost America, Jo Neace Krause, Charles Spellman, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artists Jo Neace Krause and Charles Spellman.

Robert Morgan: The Age Of Discovery, Robert Morgan, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artist Robert Morgan.

2010 Forces, Scott Yarbrough

Forces

No abstract provided.

The Strange Horses Came, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2010 Kentucky Folk Art Center exhibition catalog for the World Equestrian Games.