Bee Work | Departure,
2016
Editor
Bee Work | Departure, Anne Simpson
The Goose
How do we get closer to the nature of the bee’s, or any non-human's, experience, mystery that it is? This essay is a lyrical meditation on the power (and challenges) of poetry and language to access non-human worlds.
The Discreet Charm Of The Megafauna,
2016
Wilfrid Laurier University
The Discreet Charm Of The Megafauna, Tanis Macdonald
The Goose
Poetry by Tanis MacDonald
2 Poems,
2016
Wilfrid Laurier University
Martha,
2016
Wilfrid Laurier University
Rewriting The Goose,
2016
Schumacher College, UK
Gooseworld,
2016
Royal Anthropological Institute, UK
Two Poems,
2016
University of British Columbia
In The Loves Of Barnacles,
2016
Birkbeck, University of London
Counteredpoint,
2016
Niagara Regional Rhyme Gland Laboratory
Two Poems,
2016
Nottingham Trent University
Bell In The Rain,
2016
falmouth university
Gory,
2016
Winnipeg International Poetry Factory
Three Poems,
2016
Wilfrid Laurier University
Petrography, The Tar Sands Paradise, And The Medium Of Modernity,
2016
University of Manitoba
Petrography, The Tar Sands Paradise, And The Medium Of Modernity, Warren Cariou, Jon Gordon
The Goose
This article engages with the artistic practice of petrography, the art of creating photographic images through the action of sunlight upon bitumen, the heavy-oil material that is the source of the petroleum in the Athabasca tar sands. It presents several examples of petrographs that document the process of industrial bitumen mining itself. Further, it theorizes the ways in which both the process of producing petrographs and the act of engaging with them as a viewer require a degree of collaboration normally absent from our consumption of petroleum as the medium of modernity. A key argument of the paper is the …
Neanderthal Dig,
2016
Wilfrid Laurier University
Neanderthal Dig, Don Mckay
The Goose
"Neanderthal Dig" is from McKay's chapbook Larix.
Branches Over Ripples: A Waterside Journal,
2016
Wilfrid Laurier University
Branches Over Ripples: A Waterside Journal, Brian Bartlett
The Goose
Branches Over Ripples: A Waterside Journal is a fifty-entry plein-air writing project drafted between April 2013 and October 2014 by various bodies of water—rivers, brooks, lakes, bays, marshes, waterfalls, a vernal pond, a Japanese koi pond. Most of the writing was done in Nova Scotia locations, but some entries were drafted in New Brunswick, Montreal, Missouri, Manhattan, and London, England. I often walked from an hour to four or five hours, then sat down on bare earth, grass, sand, stone, or wood, and wrote, keeping attuned to my surroundings but also letting my mind and memory wander.
Northern Planing Mills,
2016
Wilfrid Laurier University
Editor’S Notebook: Ten Years Of The Goose,
2016
Editor
Editor’S Notebook: Ten Years Of The Goose, Lisa Szabo-Jones, Paul Huebener
The Goose
Editorial introduction to The Goose Volume 14, Issue 2 (2015): Tenth Anniversary Issue.
Excerpts From The Names,
2016
Wilfrid Laurier University
Excerpts From The Names, Tim Lilburn
The Goose
A new poetry collection, The Names, from which these excerpts come, will appear spring, 2016.
Magnetic North, Pyramiden, Svalbard,
2016
Wilfrid Laurier University
Magnetic North, Pyramiden, Svalbard, Jenna Butler
The Goose
excerpts from Magnetic North Pyramiden, Svalbard
