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Articles 1921 - 1950 of 4248
Full-Text Articles in Art Education
Failure To Operationalize: Investing In Critical Multicultural Art Education, Joni Boyd Acuff
Failure To Operationalize: Investing In Critical Multicultural Art Education, Joni Boyd Acuff
Journal of Social Theory in Art Education
ProPublica (2015) completed a study looking at three decades of federal data on fatal police shootings and found that Black males are 21 times more likely to be shot dead by police than White males the same age. The deaths of unarmed Black males by armed White males and police officers has moved America into a tense racial divide in many areas of the United States. With this data in mind, the author makes a call for art educators to assume an educational framework that guides the destabilization of institutional power and places equity at the forefront of art teaching. …
My Failure With An Ojibwe Artist: Reflections On Initial Intercultural Relationships, Kevin Slivka
My Failure With An Ojibwe Artist: Reflections On Initial Intercultural Relationships, Kevin Slivka
Journal of Social Theory in Art Education
In this article, I examine a first meeting with Ojibwe artist, Terry Kemper, during which I failed to initiate our meeting with the gift of tobacco. I explore failure in a relational event with Kemper and discuss the intentions of my ethnographic research, my researcher-identity, and my mistake of initially neglecting Ojibwe protocol during my first meeting with the artist, in addition to the role of tobacco in Ojibwe communities. Through aesthetic inquiry I reframe failure in an installation entitled, "Toward Reconciliation” that has potential pedagogical implications, with hope that it avoids a static and impotent result. I intend the …
The Failure Of Whiteness In Art Education: A Personal Narrative Informed By Critical Race Theory, Sunny Spillane
The Failure Of Whiteness In Art Education: A Personal Narrative Informed By Critical Race Theory, Sunny Spillane
Journal of Social Theory in Art Education
This article explores failure from the perspective of a white art educator interested in social justice and educational equity. Interconnected notions of failure are explored, including: the author’s learning from personal failure as a process of professional growth over the course of her career; the specter of “school failure” and its impact on K-12 students’ educational opportunities and experiences; entrenched, systemic inequities in public schools and their failure to serve marginalized students and communities; and the potential complicity of the author’s individual professional failures – if left unaddressed – in perpetuating racialized inequities in art education. Whiteness, or white power, …
On Being Naïve: A Queer Aesthete In Art Education, Adam Greteman
On Being Naïve: A Queer Aesthete In Art Education, Adam Greteman
Journal of Social Theory in Art Education
In this article, the author utilizes the work of Quentin Crisp to explore the possibility of cultivating the naïve as a way to reframe failure. To be “naïve” is perhaps a form of failure; a failure to be worldly or knowledgeable in one’s doing and becoming. Accusations of naïveté are used, after all, to distinguish the work one is doing from others that have not “gotten it right” or fail to see what you as a scholar see in a more critical, less naïve, vein. What I ponder here then is this thing called “naïveté?” How might the “naïf” help …
Failure To Be A “Real American”? → Challenging Failure: An Impetus To Shape Scholarship And Teaching, Christina Chin
Failure To Be A “Real American”? → Challenging Failure: An Impetus To Shape Scholarship And Teaching, Christina Chin
Journal of Social Theory in Art Education
The author reflects on personal experiences, highlighting vignettes of her perceived “failure to be a ‘real American,’” and recounts these stories through her own voice. With the hopes that her journey might inspire, inflame empathic frustrations with an inegalitarian status quo, and remind others of how important it is for us to participate in fighting for justice, she shares her experiences and developing understandings as she has learned to embrace more counterhegemonic scholarship and practices. She describes how her childhood experiences and daily life experiences as an adult have shaped her work as a researcher and teacher of art education. …
Failed Paper: Skirting The Call For And About Failure Through Failure., Jorge R. Lucero
Failed Paper: Skirting The Call For And About Failure Through Failure., Jorge R. Lucero
Journal of Social Theory in Art Education
No abstract provided.
(Re)Constructing Erased Narratives: Unearthing Strange Fruit, Maria D. Leake
(Re)Constructing Erased Narratives: Unearthing Strange Fruit, Maria D. Leake
Journal of Social Theory in Art Education
This article focuses on the artistic practices of Vincent Valdez, who (re)constructs hidden narratives regarding the lynching of Mexicans and Mexican-Americans in South Texas from 1848 until 1928. Valdez counters the historical gaps and omissions of Latino history from textbooks as a form of failure which he addresses not as a historian, but as an artist looking at the past through a contemporary lens. The conceptual framework of this research references critical race theory and its relationship with culturally sustaining pedagogies to challenge exclusionary practices that selectively privilege the histories of some groups over others. Implications for confronting the master …
Toward A Poor Exhibition: The Fail(Lure) Of Curare And Currere, Laura Lee Mccartney
Toward A Poor Exhibition: The Fail(Lure) Of Curare And Currere, Laura Lee Mccartney
Journal of Social Theory in Art Education
This article offers a look at a/r/tographic inquiry designed to interrogate curator fail(lures) in Dress Stories, an exhibition of 150 personal clothing objects rendered in the Cora Stafford Gallery at the University of North Texas from September 25-28, 2012. The article presents opportunities to linger with the four steps for experimenting with currere, outlined by William F. Pinar and Madeleine R. Grumet in Toward a Poor Curriculum (1976) to consider the benefits of allowing for uncertainty in curating the curriculum of my lived experiences. A poor exhibition allowed me to become lost so I might be found as a …
Reflective Communities: Mentoring Teacher Candidates During The (In)Between Spaces Of The Practicum, Joana Hyatt
Reflective Communities: Mentoring Teacher Candidates During The (In)Between Spaces Of The Practicum, Joana Hyatt
Journal of Social Theory in Art Education
This article critiques traditional student teaching formats that fail to examine the social conditions of the spaces between the time of becoming and the place of being educators during practicum fieldwork. The lack of negotiable spaces for student teachers to resolve problematic situations, myths, cultural differences, and relational aspects of teaching have been documented. Exploring the methods of arts-based inquiry, a group of teacher candidates illustrated their experiences of becoming art educators by producing artwork, videos, and narratives. Student teachers then reflected on their shared roles, making other avenues of collaboration available. When the affective domains of learning to teach …
Access And Failure, Beth Balliro
Access And Failure, Beth Balliro
Journal of Social Theory in Art Education
Many art education advocates call for expanded arts offerings in schools, particularly in urban settings. These calls for greater and more equitable arts access are presented as efforts toward racial and social justice, yet often lack a vision for a culturally affirming pedagogy. Through the dialogue of the author and her former student, this article explores how more arts access, without significant pedagogical revamping, may in fact reinforce the persistent failure of urban schools to provide purposeful education, particularly for Black male artists.
Reframing New Art Teacher Support: From Failure To Freedom, Christina Hanawalt
Reframing New Art Teacher Support: From Failure To Freedom, Christina Hanawalt
Journal of Social Theory in Art Education
In order to support new art teachers and encourage them as leaders of contemporary art education curricula, those invested in the preparation and development of beginning art teachers must examine the forces at play in new teachers’ professional lives, as well as the problems with existing support structures. In this article, I present seven perspectives on the new art teacher experience, ranging from feelings of failure, to problems inherent in preparation and induction practices, to issues of teacher identity and socialization, to the pursuit of professional agency within school cultures. I suggest readers view these perspectives as seven artworks hanging …
Editorial: Reframing Fail(Ure): Failure To See? Failure To Connect? Failure To Be?, Sharif Bey
Editorial: Reframing Fail(Ure): Failure To See? Failure To Connect? Failure To Be?, Sharif Bey
Journal of Social Theory in Art Education
No abstract provided.
The Viewer Completes The Piece, Ashley Lothyan
High Quality Visual Arts Education K-8, The Student, The Principal, And The Teacher, Patricia A. Hayes
High Quality Visual Arts Education K-8, The Student, The Principal, And The Teacher, Patricia A. Hayes
Education Dissertations
The national infrastructure of arts education shows continued rhetorical support, updated visual art standards, attributes in 21st century learning frameworks, and research affirming arts disciplines as a core subject still valued today. Concerns from the past, however, show and continue to portend a cloudy future for visual arts education against high profile national standards and high stakes assessments focused on mathematics, language arts, and science. This study provides four views of visual arts education: (a) current research, advocacy, and national and state standards supporting sustained high-quality visual arts education (HQVAE); (b) a renewed look at the Discipline-Based Art Education …
Basic Printmaking, Brandon Scott
Imagination: Active In Teaching And Learning, Christopher Cunningham
Imagination: Active In Teaching And Learning, Christopher Cunningham
Department of Teaching, Learning, and Teacher Education: Theses and Other Student Research
This autoethnography tells the story of the author’s endeavor to examine my teaching during a sculpture lesson in three 2nd grade art classes in a mid-western suburban Title I elementary school. I analyze my planning, teaching, reflecting through the lens of Stuart Richmond’s Characteristics of Imaginative Teaching as well as noted educational theorists’ conceptions of imagination and imaginative teaching and learning. These theorists include but are not limited to Maxine Greene, Kieran Egan, John Dewey, and The Lincoln Center Institute’s Capacities for Imaginative Learning. I conclude that imaginative teaching is an intentional act and that there is no …
Art Workshop: Zen Doodle, Community-Based Art
Abstract Expressionism, Community-Based Art
Art Foundations, Cesia Ortiz
The Abc's Of Art Teacher Professional Identity: An A/R/Tographic Investigation Into The Interstitial Spaces, Sarabeth G. Berk
The Abc's Of Art Teacher Professional Identity: An A/R/Tographic Investigation Into The Interstitial Spaces, Sarabeth G. Berk
Electronic Theses and Dissertations
Teachers are more than teachers, however, they do not often discuss, define or identify their multiple professional identities they possess. Likewise, society narrowly perceives and categorizes the conception of teacher, and disregards practices teachers perform that do not fit neatly into established constructs within the profession. This research study explores the multiple professional identities of teachers, specifically art teachers, to understand how they perceive themselves as professionals, and furthermore, to investigate what happens when professional identities intersect, overlap, and create hybrid spaces. Teacher professional identity, multiple identity, intersectionality, and developmental evolution of self are key constructs within this research.
To …
John Spaghotte, Peter C. Schuler
John Spaghotte, Peter C. Schuler
Electronic Theses, Projects, and Dissertations
Author Peter Schuler discusses his thoughts on how ideas of creativity, literature, and pedagogy helped to develop into his first novel, John Spaghotte of Crumb. Schuler is a native of the Coachella Valley in Southern California and writes from a middle-class appreciation of working and living in an area where everything is catered to the wealthy class. Through personal injury and his experience in undergraduate and graduate studies he fought to develop a healthy critical mind and a grasp as to the true nature of identity. As a result, his riveting debut novel about a young, nerdy California version …
Practices In Designing A Scholarly Journal And Its Style Guide, Monique Martinez
Practices In Designing A Scholarly Journal And Its Style Guide, Monique Martinez
Graphic Communication
The purpose of this project was to create a method for designing a scholarly journal by managing all design and print aspects of a Volume II, student produced, journal. The journal, Paideia, included student research papers and alumni successes in the workplace from California Polytechnic State University’s Political Science Department. Responsibilities included inserting text and photos from the Political Science committee, and making a cohesive layout and design with all elements given. Since a new volume of the journal will be assembled each year, a style guide was also produced alongside the journal, for future students to refer to when …
The Benefits Of Art For Children With Special Needs : A Guidebook For Teachers, Rachel Rothberg
The Benefits Of Art For Children With Special Needs : A Guidebook For Teachers, Rachel Rothberg
Graduate Student Independent Studies
This thesis gives information to educators about the benefits of art with children, specifically those who require special education. It will examine different lessons and activities that can help achieve positive results for children. It includes specific lesson plans, sample artwork of children, brief assessment of these sample works, a personal narrative of individual experience, and interviews with an occupational therapist and art therapist.
What Is Art?, Crystal Herrera, Hugo Bocanegra
Storytelling In Art Museums, Hayley P. Trinkoff
Storytelling In Art Museums, Hayley P. Trinkoff
Seton Hall University Dissertations and Theses (ETDs)
Storytelling, in the context of art museums, is a method of communicating the qualities and attributes of art through a story. It helps the visitor bring the work of art to life and understand something the eye cannot see, a compelling narrative. It is important for visitors to discuss art and share stories on tours and through virtual media. We learn and form our own meanings from stories. These interactions will help build more relationships within communities. It is the museum’s job to take visitors on a journey and introduce them to new objects and perspectives.
This thesis addresses what …
Museum Activism And Social Responsibility: Building Museum Education Programs For Juvenile Offenders, Elizabeth E. Sirhall
Museum Activism And Social Responsibility: Building Museum Education Programs For Juvenile Offenders, Elizabeth E. Sirhall
Seton Hall University Dissertations and Theses (ETDs)
Museums are important to their communities and serve many significant purposes to society. The traditional viewpoint of a museum’s function is that they are there to preserve and interpret collections for the sake of facilitating deeper understanding and education for museum audiences. However, museums are also viewed as institutions that can bring people in the community together, promote social activism, and develop programs aimed towards creating positive changes within communities. In today’s world, museums are finding this task increasingly difficult due to financial challenges and struggling to stay socially relevant for diversified audiences. In facing this challenge, it is imperative …
"Through The Ages: Images That Communicate" : A Medieval Art Museum Curriculum, Flannery Santos
"Through The Ages: Images That Communicate" : A Medieval Art Museum Curriculum, Flannery Santos
Graduate Student Independent Studies
The museum curriculum proposed here utilizes the Princeton University Museum of Art's collection of medieval art to explore the ways in which images communicate. The curriculum is designed to help middle school students explore the concept that art represents the values and ideas of a culture.
The Gendered Image : An Art And Literature Based Curriculum For High School Audiences, Emily Erwin-Mcguire
The Gendered Image : An Art And Literature Based Curriculum For High School Audiences, Emily Erwin-Mcguire
Graduate Student Independent Studies
This curriculum uses images, artwork, literature and media to facilitate conversations to build knowledge and understanding about feminism and self-identity. It is designed to be used by educators of high school students in school, museum or after school settings.
Art And..., Dayna J. Kriz
Art And..., Dayna J. Kriz
Graduate School of Art Theses
Almost anything goes in this time of contemporary artistic production as long as an artist can ‘back’ their ideas and the position they operate from. This expanding territory of production and engagement is an exciting potential for working artists, providing freedom to self-determine ones modus operandi within an expanding support system to engage the world with. While this is an exciting growth it is also potentially dangerous. The un-named and historically ambiguous position that Art1 operates from has created a rootless position to the production of culture. This rootlessness or, universal position has historically established itself as the gatekeeper and …
Taking Art To The Next Level: Integration Of Advanced Placement Studio Art, 2-D Design, Krystal Kingsley
Taking Art To The Next Level: Integration Of Advanced Placement Studio Art, 2-D Design, Krystal Kingsley
Masters Theses
Teaching High School art has brought me great joy. Along the way I have been challenged with many difficult questions. One that beckoned me to direct and intentional action is “how do I help students take their art work to the next level?” This project is the result of my personal discovery and development of an Advanced Placement Studio Art 2-D Design course. My research of multiple sources led to the development of an Advanced Placement (AP) approved course which includes: a syllabus, multiple breadth lessons, project rubrics, critiques, sketchbook assignments, summer homework, and a guide for helping students develop …