Art Education Commons^™

Assessing Multicultural Art Education: What Approaches Are Currently Being Used In Virginia Public High Schools?, Laura Nichols

Theses and Dissertations

This study utilized a survey of Virginia public high school teachers to examine how teachers understand multicultural education, how frequently they teach from this perspective, what cultures are represented, what teaching strategies they use, and what, if any incentives would encourage them to teach in this way more frequently. Through analysis of the findings, three major themes emerged which describe participants’ views of the purpose of multicultural education. These themes are “exposure” to other cultures, “understanding” of the way cultures interact and of the context surrounding a culture’s art, and promoting “equity” in the classroom environment and by encouraging students …

Enacting An Assets Pedagogy To Develop Youth Assets: Teaching K-12 Urban Youth In An After-School Visual Arts Program Using Participatory Action Research, Maureen Mccarthy

Art Education Theses

Abstract

After my first years of teaching art within a school that perpetuated a deficit paradigm, I was one of two graduate students who taught with two professors in an alternative site at a community center with urban youth from ages 7-17 years. We enacted an assets model that sought to strengthen learners' artistic thinking. Using qualitative participatory action research, I began a study of the teaching practices of Ruth, one of the art educators, to find what happens when an assets model that strengthens learner's artistic thinking is infused into the goals of an after-school visual arts program. I …

Making A Case For Arts Administrators: Maintaining Interdisciplinary Arts Programs In Public Schools, Samantha Jardon-Peppard

Graduate Theses

For decades interdisciplinary arts programs have been developed and implemented in public schools throughout our nation. Much research has been dedicated to proving the benefits of interdisciplinary arts education, results of which can be found in reports such as Champions of Change and Project Zero. However, little research has been dedicated to how an interdisciplinary arts program is maintained in a school once it has been initiated and who is responsible for its development and sustainability. Chapter one of this thesis reviews some history of arts education, why the arts have become a vital part of education, and how arts …

Evaluation Of School-Based Arts Education Programmes In Australian Schools, Jennifer Bryce, Juliette Mendelovits, Adrian Beavis, Joy Mcqueen, Isabelle Adams

Juliette Mendelovits

This report presents evaluations of four Australian school-based arts programmes: Arts@Direk (SA), Boys’ Business (NT), Indigenous Music Education Programme (NT), and SCRAYP – Youth Arts with an Edge (Vic). Arts@Direk and SCRAYP provided a focus on drama, while Boys’ Business and Indigenous Music Education Programme (IMEP) concentrated on music. There was a range of ages from Year 4 to Year 10 and a diverse range of backgrounds amongst the participating students. The study investigated the impact of each arts programme on students’ academic progress, engagement with learning and school attendance. It also considered which attributes of arts programmes were of …

Transitions To A New Museum: An Examination Of The Factors That Lead Museums Toward Education As An Institution Priority, Tanya Tobias-Tomis

MALS Final Projects, 1995-2019

This essay discusses how changes to state and federal funding, increasing competition from non-museum arts organizations and a desire to strengthen, build and diversify audiences encouraged museums to position education as an institutional priority. These factors combined with an intensifying frustration about a lack of professional standards and growing criticism of the field, encouraged museum educators to develop and adopt new, more effective ways of engaging audiences. This essay also explores how and why museums universally adopted Visual Thinking Strategies (VTS) to better position themselves to compete for participation and funding. This essay concludes with several suggestions, or a plan, …

Side By Side : An Exploration Of Family Programs In New York City And Three Pilot Family Programs At Dia : Beacon, Jeanne Parkhurst

Graduate Student Independent Studies

This independent study includes a review of literature about learning theories relevant to museum education, family learning, and family learning in museums. This exploration also includes observations done at six art museums in New York City. As a result of these observations I outline teaching techniques for "best practice" methods while also offering first-hand insight into the unique and complex dynamic of family learning in museums. Finally, I describe my process for developing and implementing three pilot family programs a Dia : Beacon, a contemporary art museum in Beacon, NY which is part of the Dia Art Foundation.

Social Themes As Reflected In Film: Scholarship, Criticism, And Theory, Leslie M. Kong

Library Faculty Publications & Presentations

As faculty, we strive to develop methodologies to make more meaningful to students the concepts and principles taught in our courses. Over the years, growing literature has developed that supports the use of popular films, as well as documentaries, in college and university curricula. This essay is not intended as an exhaustive or comprehensive study of resources in this area, but rather as a guide to works that faculty will find relevant in supporting various courses.

The Educational Role Of The Art Museum And Its Collections In The Teaching Of University Undergraduate And Graduate Student, Lanette Mcneil

Theses and Dissertations

The purpose of this study is to gain understanding of the types and purposes of art museum educational programs, services and collaborative projects that have been developed by art museum educators for university audiences. Additionally, this study examines the challenges in creating and sustaining these educational experiences. This study presents results from an exploratory qualitative web survey administered to art museum educators from public, private, and university art museums. This study provides insight into the relationships between the art museum educators and the university audiences. Additionally, this study underscores the importance of understanding theoretical differences from which art museum educators …

Collaboration In The Design Classroom, Rees E. E. Shad

Touchstone

No abstract provided.

Taking In: The Best Of Aib Photography 2010, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography, 2010. The book in your hand is the end result of a collective effort by those in the class.

Daffodil, Rebecca Saunders

Rebecca Saunders

Clio and Nadia have a fantastic trip through time and space because they picked up a daffodil from the mud and dirt in the middle of a sidewalk.

The Pedagogical Role Of Reggio-Inspired Studios In Early Childhood Education, Laura Ann Ganus

Electronic Theses and Dissertations

The influence of the Reggio Emilia philosophy has been present in early childhood programs across the United States for decades, with many programs attempting to adapt the philosophy's concept of a studio, but few studies have examined them. This study describes, interprets, and appraises two Reggio-inspired studios in the United States in order to provide an in-depth analysis and shed new light on such practices.

Four questions guided this study: 1) What is the role of a studio in a Reggio-inspired school? 2) What is happening in the studio? 3) What are children learning in this environment? 4) How does …

Evaluation Of School-Based Arts Education Programmes In Australian Schools, Jennifer Bryce, Juliette Mendelovits, Adrian Beavis, Joy Mcqueen, Isabelle Adams

Dr Jennifer Bryce (retired)

This report presents evaluations of four Australian school-based arts programmes: Arts@Direk (SA), Boys’ Business (NT), Indigenous Music Education Programme (NT), and SCRAYP – Youth Arts with an Edge (Vic). Arts@Direk and SCRAYP provided a focus on drama, while Boys’ Business and Indigenous Music Education Programme (IMEP) concentrated on music. There was a range of ages from Year 4 to Year 10 and a diverse range of backgrounds amongst the participating students. The study investigated the impact of each arts programme on students’ academic progress, engagement with learning and school attendance. It also considered which attributes of arts programmes were of …

Virtual Reality In Art Education, Sohhyoun Yoon

Theses and Dissertations

This thesis project presents possible uses of Virtual Reality for art education. To understand VR, this thesis reviews the history of using technology in educational environments and explores the concepts, definitions, and characteristics of VR in general. Then, it shows diverse purposes of VR for education and art educational environments. For an art class, the units present the use of Teen Second Life, which is a free on-line virtual world. The units demonstrate how art educators may use Teen Second life for high school art classes to build students’ understandings of their identities by creating their avatars, clothing, objects and …

Creating And Maintaining An Artists Journal, Virginia Heaven

Virginia Heaven

No abstract provided.

Text And Texture: An Arts-Based Exploration Of Transformation In Adult Learning: A Dissertation, Enid E. Larsen

Educational Studies Dissertations

This research explored the transformational and co-transformational potential of collage, assemblage and mixed media in an accelerated undergraduate adult course on imagination and creativity. The methods were qualitative and arts-based artist-teacher inquiry within a constructivist art class for ten, female adult learners. Informed by the researcher's living inquiry through visual auto-ethnography, a collagist methodology shaped the research, including syllabus construction, course delivery and data gathering. Process was an emergent and interpretative analytic tool, drawn from multiple perspectives of artwork and reflections by the students, and the multiple identities inherent to the artist-teacher researcher.

A National Labor Project: Recovering Unprecedented Numbers Of Working Class Lives And Histories Through Art, Ed Check

Journal of Social Theory in Art Education

I consider this essay an initial mapping where I reconstruct multiple ways of knowing and understanding the lived realities and plights of workers, whether they are manual workers, teachers or artists (Zandy, 2004). I use autobiography from a perspective of Standpoint Theory where I use the lives of working people as theory, method and evidence. I speak from my standpoint of my experiences as being raised white working class and my shift in salary and education to middle class.

Obstructing The View: An Argument For The Use Of Obstructions In Art Education Pedagogy, Ryan Patton

Journal of Social Theory in Art Education

Through the use of obstructions we can see how a project-based curriculum can promote very different results. The obstructions that Sandy Skoglund gave the colloquium class at Ohio State were not presented as opportunities for play. Although Bickley-Green and Phillips allowed for play in their use of obstructions, the type of play described was prescriptive and limiting. Pitri’s use of play as a form of problem solving that also allows for personal expression advocated in this paper. Clearly identifying obstructions as game-like challenges for students, they can be used for growth and critical awareness.

7th And 8th Grade Washington State Visual Arts Curriculum, Annette Lomeli

All Graduate Projects

The purpose of this project was to develop a 7th and 8th grade art education curriculum that is grade appropriate and reflective of state and national goals and standards. The National Art Standards and Washington State Standards were reviewed and applied to design an effective curriculum with standards and goals. Art education has experienced major changes in approach to curriculum and instruction due to educational accountability and recently increased educational reforms.

The Strange Horses Came, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2010 Kentucky Folk Art Center exhibition catalog for the World Equestrian Games.

Red River: The Narrative Works Of Edgar Tolson, Carl Mckenzie, Earnest Patton & Donny Tolson, Edgar Tolson, Carl Mckenzie, Earnest Patton, Donny Tolson, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2010 Kentucky Folk Art Center exhibition catalog of artists Edgar Tolson, Carl McKenzie, Earnest Patton and Donny Tolson.

The Promiscuity Of Aesthetics, Paul Duncum

Journal of Social Theory in Art Education

I contend that the concept of aesthetics lies at the very heart of the art educational enterprise, albeit significantly reconfigured. I begin by offering a highly potted, historical overview of aesthetics that while it supports Tavin’s view of aesthetics as a confused and confusing concept, demonstrates how important it remains. My intention is not to support aesthetics as part of a progressive socio-political agenda, as many art educators do, but because the word aesthetics is today used extensively beyond our specialized area of art education to conceptualize the sensuousness of contemporary cultural forms. A brief investigation of books and articles …

The Unprecedented Event: Acknowledging Badiou’S Challenge To Art And Its Education, Jan Jagodzinski

Journal of Social Theory in Art Education

In terms of this year’s journal theme, ”unprecedented,” there is no other contemporary philosopher who has a more radical notion than Alain Badiou when it comes to theorizing the new; that is, the emergence of an unprecedented Event ex nihilio—not novel or innovative, but free of the authority of any prior example—to make a truth claim. For art educators, especially for the Social Caucus, Badiou offers a challenge to what has largely captured the theoretical writing in this journal — namely aesthetics and representation. As well intentioned as these theorizations have been concerning identity politics and critical theory stemming from …

Restageactivist Art/Disruptive Technologies, Karen Keifer-Boyd

Journal of Social Theory in Art Education

In this article, I explore, with you, artists’ socio-political disruptions with communication technologies to inspire political action and social change, and how such art can be environmentally and socially useful. How does art function politically? What is activist art? What non-violent forms of dissent or disruptions to harmful practices are possible today with digital technologies, and how do artists manifest political perspectives in their practice?

Casino Capers: Exploring The Aesthetics Of Superfluidity, Mary Stokrocki, Bianne Castillo, Michael Delahunt, Laurie Eldridge, Martin Koreck

Journal of Social Theory in Art Education

Casinos are fast becoming sites for display of new Native American (NA) Arts. In such a context, casinos re-represent themselves and their communities through various visual forms and thus change their meanings. In her study of Wisconsin casinos, Stuhr (2004) challenged art educators to consider these visual culture displays as they accommodate new markets. Art in the casino phenomenon is worth investigating and how art educators can explore and/or make sense of this phenomenon is important. Casinos are using artworks as spectacles of pleasure. According to a casino gambling survey conducted by Harrah’s Entertainment, approximately 40 million Americans played slot …

(Pr)Obama Art & Propaganda: Un(Precedent)Ed Visual Collections Of Hope, Progress And Change? [Book Review], Kathleen Keys

Journal of Social Theory in Art Education

Three of these books chronicle visual collections celebrating the nomination, candidacy, and election of Barack Obama. The fourth book explores one particular image from this Obama art movement. Together they document the recent outpouring of fine art, street art, graphic design and other visual work presented and distributed by artists, exhibitions, the Internet and other digital means, and establish a foundation for socially concerned inquiry, and for creating related art education opportunities.

Podcasting Possibilities For Art Education, Melanie L. Buffington

Art Education Publications

Technological developments influence the way artists create works of art. Newer technologies associated with the Web, called Web 2.0, are changing and affecting the work of contemporary artists. One form of Web 2.0 is the development of podcasts, which are compressed files that can be shared through the Internet. Podcasts are mainstream and many art museums use them as a means to provide audio or video for visitors, virtual or real. Over the last few semesters, I worked with groups of undergraduate and graduate art education students to develop podcasts based on their interpretations of works of art. Through these …

Proposal For A New Method For Teaching Fundamental Motor Skills, Aspasia Dania, Vasiliki Tyrovola, Maria Koutsouba

Aspasia Dania

During the period of acquisition and first practice of movement skills, learning becomes more effective when various sensory channels are used. According to the Dual Coding Theory, students as learners code both visually and verbally incoming information into knowledge that can be stored and retrieved for subsequent use. The aim of the present study is the proposal of a new method for the teaching of fundamental motor skills that will be depended on a visual coding of movement information. Particularly, the morphological method for the analysis of dance is the proposed method according to which graphic visual symbols will be …

In The Absence Of Land All We Have Is Each Other: Climate Change In The Pacific (Power-Point), Cresantia Koya Vaka'uta

Cresantia Frances Koya Vaka'uta

No abstract provided.

‘Image’ / ‘I’ / ‘Nation’: A Cultural Mash-Up, Matthew Sutherlin, Amy Counts

Journal of Social Theory in Art Education

The term Un(precedent)ED conjures ‘images’ that have never been seen before in education. Too often in the classroom we focus on the classification of objects and practices. The metaphysical question “what is?” is important only in that it must be continually revisited. Through continual re-visitation, the question becomes “what can it be?” Unfortunately, the process of becoming through imagination is a practice that is often relegated to childish whimsy. Un(precedent)ED practice requires the (re)imaging of the current apparatus of education. Precedent is a standard or model that comes before a particular event or moment; components, such as sound, written text, …