Art Education Commons^™

Remixing Dialogue: A Case Study On Perceptions Of Hip Hop Pedagogy In A Professional Learning Course, Kelly J. Thelen

Dissertations, Theses, and Projects

This qualitative case study examines how teachers’ decision-making and professional autonomy shift while participating in a Hip Hop Pedagogy Professional Learning course supported by structured FIXIT (Lo & Wachter, 2023a, 2023b, 2023c, 2023d; Wachter & Lo, 2024) game-facilitated dialogue in a rural, culturally and linguistically diverse Midwest community. Grounded in Freire’s (1970) Critical Pedagogy, Ladson-Billings’ (1995) Culturally Relevant Pedagogy, Culturally Sustaining Pedagogy (Paris and Alim, 2017), and Adult Learning Theory (Knowles et al., 2005), the study explores the reclamation of agency by teachers in a time of constrained creativity and educator autonomy shaped by strict policy environments, an emphasis on …

Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges

Artizein: Arts and Teaching Journal

This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.

Showing It! Art Matters. But Why? How?, Holly Edwards

Artizein: Arts and Teaching Journal

This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”.  That show appeared in the local public library, resonating strongly with notions of “heartwork”.  My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.

Text/Ures, Kathy Mantas

Artizein: Arts and Teaching Journal

By entwining the voices of other co-creators, text and images, I share a brief site-specific photo-reverie of my life-long allure to trees—in this instance, by attending to the trees near my home. This offering is rooted in peripatetic aesthetic practices that embrace a slower creative approach and more spellbinding ways of living, learning and knowing. In essence, this is an invitation to have an artful encounter with text/ures of trees.

Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk

Artizein: Arts and Teaching Journal

A dreamscape using pastiche is used for reflecting upon the value of creative-centred practice and research. Attending to the image through reflection and circumambulation offers entry to a centring practice. In holding both, a new image emerged. The dreamscape—an unexpected scene of cranes in joyous dance—unfolds as actual dream and offers a metaphor for understanding an arc within the dreamer’s life. In this condensed yet nuanced rumination, personal and professional, poetic and haptic, participating and witnessing blur. This practice, the way of the Crane, is timely because it introduces relational pedagogy and testimonial teaching for our times—while touching the pulse …

Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair

Artizein: Arts and Teaching Journal

This essay is a reflection of an artist residency focused on the environmental legacy of California’s cinnabar mining. The mineral cinnabar is a primary source of mercury that was used to mine gold in California in the 1800s, and is still used globally. For this residency, I asked, “How can I creatively map the emotional and sensory landscapes of Cinnabar mining sites?” “How can art making serve to expose elements of an ecological crisis?” To answer these questions, I created cyanotypes made in and with the Santa Ynez River, which flowed through two abandoned cinnabar mines. Cyanotypes are made by …

Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko

Artizein: Arts and Teaching Journal

This visual essay unfolds through acts of careful noticing. Drawing from materials encountered through repeated walks across forested landscapes on Vancouver Island, it translates moss, soil, plant matter, and animal traces into immersive digital environments. Working through atmosphere, texture, and shifting forms rather than fixed representation, the project explores how perception is shaped by time spent with what is often overlooked. Digital processes are used not to stabilize or explain, but to hold uncertainty, fragility, and partial presence. The work invites readers to slow their looking and consider how learning, relation, and meaning can emerge through sustained attention.

Red Thread Projects For Placentary Peace, Nané Jordan

Artizein: Arts and Teaching Journal

Red Thread Projects are aesthetic expressions of my placental, eco-birthing philosophies as an artisteducator- scholar with lifelong roots reclaiming midwifery, and compassionate mother-centred birth care. Uplifting “birth” within embodied, feminist epistemologies, I aim to re-vision with the Mother, writ large and small. Since 1997, I have been creating textile artworks with red thread, activating these through performances in nature, where artwork, body, and place become interwoven texts, gifting gratitude to and with Mother Earth. My arts-centred research contributes to community education that empowers birth-givers, while advocating for the embodied, love-infused potentials of birth for human thriving.

Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges

Artizein: Arts and Teaching Journal

Editorial

Artizein Editorial Team: Movements And Transitions, Barbara Bickel

Artizein: Arts and Teaching Journal

Editorial overview of movements and transitions taking place with the Artizein editorial team.

About The Cover Art: Pulsing Renewal, Darlene St. Georges

Artizein: Arts and Teaching Journal

“Pulsing Renewal,” featured on the cover of this issue, is part of River’s Invocations, a creation-centred inquiry exploring River's ecologies, relationality, and creation. The painting was chosen for its close affinity with the issue theme, The Pulse of Arts-Centred Research. The visual language of Pulsing Renewal—its movement, rhythm, and emergence—echoes the vitality, responsiveness, and ongoing renewal evident across the articles, artworks, and conversations assembled in this volume. The work is presented here as a thematic point of entry into the diverse inquiries that follow.

Full Issue_Artizein Arts And Teaching Journal, Darlene St. Georges, Barbara Bickel

Artizein: Arts and Teaching Journal

Full Issue

A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He

Dissertations, 2020-current

This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …

The Hanging Sculpture Project, Barry Goldberg

College Partner Collection

The combining of disparate materials and distinct visual rhythms give these hanging sculptures an improvisational character and a jazz-like musicality.

Black And White Painting With Colored Tissue Paper, Barry Goldberg

College Partner Collection

Combining materials that have very different properties can heighten a child’s sensitivity to those properties and to the possibilities they offer. In this project, instead of the usual cups of paint containing red, yellow, blue, and white, the children are given only black and white paint.

The Entwined Shape Project, Barry Goldberg

College Partner Collection

This project is excellent for making children aware of the shape of the space between painted forms. It also provides an opportunity to point out how the shape of these spaces relates to the cardboard shapes they have painted.

The Entwined Shape project functions as a compliment to the Attached Shapes Project.

The Tall Box Sculpture Project, Barry Goldberg

College Partner Collection

A free-standing sculpture offers a completely different experience than what was true of projects which end up affixed to a wall. There is now the opportunity to create an object that occupies the same space the child’s own body occupies.

The Standing Screen Project, Barry Goldberg

College Partner Collection

In this project, children use rollers rather than brushes to paint on “scored’’ cardboard shapes. “Scored” is a term which means essentially to cut lightly. With cardboard, it means to cut the face-paper of just one side of the cardboard and not cut all the way through the material. A scored piece of cardboard folds very easily along the scored lines.

The Tube Construction Project, Barry Goldberg

College Partner Collection

There is much learning by doing in this project. Children test out ideas and continuously adjust their thinking as they gain more knowledge about the material they are using. The sculpture is the material evidence of that back-and-forth process of evolving thought.

The Venetian Blind Sculpture Project, Barry Goldberg

College Partner Collection

The slats from venetian blinds are quite stiff. When combined with cardboard tubes and glue, they allowed for new, and at times remarkable, solutions to the question of how one slat might be joined to another.

The Cardboard Construction Project, Barry Goldberg

College Partner Collection

A limitation, restriction, or constraint can force us to consider previously unimagined possibilities. In the Cardboard Construction Project, the restriction is a material one. In preparing the materials for this project, I take cardboard and cut or score* it in as many ways as I can think of.

What will quickly become apparent is the surprising variety of forms that can be generated by altering a single material.

The Divided Box Project, Barry Goldberg

College Partner Collection

For this project I use a broad variety of cardboard materials, along with some wood and paper materials, but I avoid materials with other color. The reason for doing this is to bring more attention to the different textures of the materials that are available.

The Puzzle Painting Project, Barry Goldberg

College Partner Collection

In this project, each child is given a single sheet of cardboard that has been cut to form a useable puzzle. These puzzles can be as simple or as complex as suits the age of the child. Older children may be able to draw the shapes they want. A teacher can then use a mat-knife to cut the shapes out.

The Shoe Project, Barry Goldberg

College Partner Collection

Taking an object that is generally associated with a single common purpose and using it for an entirely different purpose is more than just a mischievous, aesthetic diversion—it is a deeply liberating act with considerable implications. It demonstrates an ability to see past the conventions and mental habits that usually limit our thinking. It is an ability that goes to the very heart of invention—not just aesthetic invention, but creative thinking itself.

The Ink Drawing Project, Barry Goldberg

College Partner Collection

In this project, the children have before them a piece of paper 42” high that is pinned to the wall. A child is given a length of bamboo about as long as they are tall, to which a brush has been inserted. Because the handle of the brush is so long, even a small movement of a child’s hand can create a startlingly long mark on their large paper. This is a thrilling experience for a child, and it offers the opportunity to create a very different vocabulary of marks than they could with a small brush.

The Cut Up Painting Project, Barry Goldberg

College Partner Collection

With some projects, it is the mischievous allure of a suggested action that draws children in. The Cut-up Painting Project uses this idea to open the door onto a valuable experience: take something which you thought of as whole, complete, finished, then literally cut it to pieces, and then reassemble it to discover a completely new set of possibilities.

The Stretched Fabric Painting Project, Barry Goldberg

College Partner Collection

One of the first things children will experience is that it feels completely different to paint on fabric stretched over a frame, rather than on a piece of paper lying on a hard floor. The fabric has give to it, and texture. Most significantly, I use patterned fabrics, which is to say, before a child has even made a mark, there is something for them to consider and respond to. The heart of this project lies in the dialogue between the pattern the child encounters and the marks the child makes.

The Vertical Blind Project, Barry Goldberg

College Partner Collection

This project began with a parent donating the very flexible white slats from their vertical window blinds. In the first part of this project, the children were simply given one of the slats to physically experiment with: to explore what was possible with this new, flat, white, flexible material. In addition to getting a feel for its surface texture, weight and floppiness, they explored its capacity to bend and twist. The engagement with their bodies inspired unexpectedly inventive aspects of dance and performance. After a time, we asked them to think about the blind as a material for a sculpture …

Tools, Mats, And Methods For Cutting Materials, Barry Goldberg

College Partner Collection

The material that has been essential to many projects is cardboard. Lightweight, sturdy, inexpensive and easy to shape, cardboard is a remarkably versatile material. It can also be seen as difficult to cut. With the right tools and cutting surface, this need not be the case.

Music And Language Arts Integration And Its Impact On Reading Comprehension: A Social Action Research Study, Felisha L. Coady

Antioch University Dissertations & Theses

This action research study examines the interconnectedness of music and language arts, specifically focusing on reading comprehension. In this study, a program called Music Connections was developed and used as a pilot to improve reading comprehension skills in primary education. The targeted population of the Music Connections program was 30 third-grade students in an inner-city school in Ohio. After six weeks of reteaching concepts through the Music Connections program, students were given a second interim with these concepts to show results and mastery. Data from this study showed that students who participated in the Music Connections program (Group A) grew …