Art Education Commons^™

Emotional Intelligence Documentary - The Journey, Not The Destination: A Spain Reflection, Elise I. Palacios

Cultivating Emotional Intelligence through the Humanities in Spain

The Journey, Not the Destination follows my study abroad experience in Madrid and Toledo, Spain through a Medical Humanities course. Through art, history, culture, and personal reflection, I explore how travel broadened my understanding of the human experience and shaped my perspective as a future physician. More than a story about a place, this documentary is about growth, empathy, and the lessons we learn along the journey.

Using Research-Focused Llms, David Farnsworth, Elizabeth Stone

Faculty Presentations on AI

This hands-on workshop introduces university faculty to practical AI tools that support the full academic research workflow, from initial discovery to synthesis and writing. Participants explore the “Big 5” research tools—Perplexity.ai, Scite.ai, Elicit.com, ResearchRabbit, and SciSpace.com—along with Google’s Gemini extensions and NotebookLM, a source-grounded AI designed to analyze uploaded documents while maintaining privacy and providing live citations. The session demonstrates how these tools can accelerate literature reviews, fact-checking, visual mapping of citations, and deep synthesis of complex sources. Faculty also learn strategies for integrating AI responsibly into teaching, including helping students manage bibliographies, using AI for rubric-based feedback, and creating …

Ai Strategies For Effective Teaching & Learning, Dr. Jared Johnston, Prof. Adrian Caraballo

Faculty Presentations on AI

This presentation discusses strategies for effectively integrating artificial intelligence into college classrooms, with a focus on developing AI literacy among students and faculty. Core principles highlight AI as a tool for augmentation rather than replacement, with faculty maintaining oversight while supporting learner preparation, clinical reasoning, and reflective practice. The session stresses the need to rethink course and activity design in the AI era, training students to strategically offload tasks without cognitively offloading thinking. Practical guidance includes questions for intentional integration, experiential learning approaches, and real-world classroom examples from operational leadership courses in which students apply AI within authentic educational leadership …

Ai In The Classroom, Dr. Adrian E. Hinkle, Dr. Amanda Wilson, Dr. Jan H. R. Wörner

Faculty Presentations on AI

This presentation examines how educators can thoughtfully integrate artificial intelligence into the classroom while upholding academic integrity, ethical engagement, and the core mission of education. It draws on historical parallels—from ancient concerns about writing to later fears surrounding typing—to frame AI as a double-edged sword that can offload routine cognitive tasks yet risks eroding the mental discipline and critical thinking essential for deep learning. Centered on the guiding question of what students truly need to learn and how technology can help them achieve it, the session offers practical assignment frameworks, such as designing an AI-supported ministry plan and developing a …

Ai In Scholarship, Dr. Tim Hart

Faculty Presentations on AI

This presentation explores the appropriate role of artificial intelligence in scholarly work, distinguishing between uses that support academic rigor and those that undermine intellectual responsibility. While cautioning against reliance on AI for original argumentation, unverified literature reviews, data interpretation, and normative judgments, it highlights practical applications across the research lifecycle, including ideation, literature exploration, argument refinement, structural analysis, reviewer simulation, and manuscript preparation.

The Hanging Sculpture Project, Barry Goldberg

College Partner Collection

The combining of disparate materials and distinct visual rhythms give these hanging sculptures an improvisational character and a jazz-like musicality.

Black And White Painting With Colored Tissue Paper, Barry Goldberg

College Partner Collection

Combining materials that have very different properties can heighten a child’s sensitivity to those properties and to the possibilities they offer. In this project, instead of the usual cups of paint containing red, yellow, blue, and white, the children are given only black and white paint.

The Entwined Shape Project, Barry Goldberg

College Partner Collection

This project is excellent for making children aware of the shape of the space between painted forms. It also provides an opportunity to point out how the shape of these spaces relates to the cardboard shapes they have painted.

The Entwined Shape project functions as a compliment to the Attached Shapes Project.

The Tall Box Sculpture Project, Barry Goldberg

College Partner Collection

A free-standing sculpture offers a completely different experience than what was true of projects which end up affixed to a wall. There is now the opportunity to create an object that occupies the same space the child’s own body occupies.

The Standing Screen Project, Barry Goldberg

College Partner Collection

In this project, children use rollers rather than brushes to paint on “scored’’ cardboard shapes. “Scored” is a term which means essentially to cut lightly. With cardboard, it means to cut the face-paper of just one side of the cardboard and not cut all the way through the material. A scored piece of cardboard folds very easily along the scored lines.

The Tube Construction Project, Barry Goldberg

College Partner Collection

There is much learning by doing in this project. Children test out ideas and continuously adjust their thinking as they gain more knowledge about the material they are using. The sculpture is the material evidence of that back-and-forth process of evolving thought.

The Venetian Blind Sculpture Project, Barry Goldberg

College Partner Collection

The slats from venetian blinds are quite stiff. When combined with cardboard tubes and glue, they allowed for new, and at times remarkable, solutions to the question of how one slat might be joined to another.

The Cardboard Construction Project, Barry Goldberg

College Partner Collection

A limitation, restriction, or constraint can force us to consider previously unimagined possibilities. In the Cardboard Construction Project, the restriction is a material one. In preparing the materials for this project, I take cardboard and cut or score* it in as many ways as I can think of.

What will quickly become apparent is the surprising variety of forms that can be generated by altering a single material.

The Divided Box Project, Barry Goldberg

College Partner Collection

For this project I use a broad variety of cardboard materials, along with some wood and paper materials, but I avoid materials with other color. The reason for doing this is to bring more attention to the different textures of the materials that are available.

The Puzzle Painting Project, Barry Goldberg

College Partner Collection

In this project, each child is given a single sheet of cardboard that has been cut to form a useable puzzle. These puzzles can be as simple or as complex as suits the age of the child. Older children may be able to draw the shapes they want. A teacher can then use a mat-knife to cut the shapes out.

The Shoe Project, Barry Goldberg

College Partner Collection

Taking an object that is generally associated with a single common purpose and using it for an entirely different purpose is more than just a mischievous, aesthetic diversion—it is a deeply liberating act with considerable implications. It demonstrates an ability to see past the conventions and mental habits that usually limit our thinking. It is an ability that goes to the very heart of invention—not just aesthetic invention, but creative thinking itself.

The Ink Drawing Project, Barry Goldberg

College Partner Collection

In this project, the children have before them a piece of paper 42” high that is pinned to the wall. A child is given a length of bamboo about as long as they are tall, to which a brush has been inserted. Because the handle of the brush is so long, even a small movement of a child’s hand can create a startlingly long mark on their large paper. This is a thrilling experience for a child, and it offers the opportunity to create a very different vocabulary of marks than they could with a small brush.

The Cut Up Painting Project, Barry Goldberg

College Partner Collection

With some projects, it is the mischievous allure of a suggested action that draws children in. The Cut-up Painting Project uses this idea to open the door onto a valuable experience: take something which you thought of as whole, complete, finished, then literally cut it to pieces, and then reassemble it to discover a completely new set of possibilities.

The Stretched Fabric Painting Project, Barry Goldberg

College Partner Collection

One of the first things children will experience is that it feels completely different to paint on fabric stretched over a frame, rather than on a piece of paper lying on a hard floor. The fabric has give to it, and texture. Most significantly, I use patterned fabrics, which is to say, before a child has even made a mark, there is something for them to consider and respond to. The heart of this project lies in the dialogue between the pattern the child encounters and the marks the child makes.

The Vertical Blind Project, Barry Goldberg

College Partner Collection

This project began with a parent donating the very flexible white slats from their vertical window blinds. In the first part of this project, the children were simply given one of the slats to physically experiment with: to explore what was possible with this new, flat, white, flexible material. In addition to getting a feel for its surface texture, weight and floppiness, they explored its capacity to bend and twist. The engagement with their bodies inspired unexpectedly inventive aspects of dance and performance. After a time, we asked them to think about the blind as a material for a sculpture …

Tools, Mats, And Methods For Cutting Materials, Barry Goldberg

College Partner Collection

The material that has been essential to many projects is cardboard. Lightweight, sturdy, inexpensive and easy to shape, cardboard is a remarkably versatile material. It can also be seen as difficult to cut. With the right tools and cutting surface, this need not be the case.

V.1 Fall 2025, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2025 issue contains articles on the intersection of the natural world and human experience, technology, identity, immigration, activism, divestment, institutional history, political resistance, decolonization, and the digital vs. physical realms. The issue contains experimental poetry, visual essays, and reflections on the "nature of publication".

Aproximaciones A La Cultura Contemporánea: Un Encuentro De La Visualidad, La Narrativa, La Semiótica Y Su Didáctica, Romano Ponce-Díaz Phd, Iván Ávila-González Phd, Emilce Beatriz Sánchez Castellón Phd, Gabriel Segundo Iguarán Montiel Msc, Juan Carlos González Vidal Phd, Ximena Díaz-Santillán B.A., Andrea Alejandra Echeverría Barrios B.A, Diana Estefanía Martínez Dagnino B.A, Edgar Ávila González Phd, Diana Esperanza Álvarez Campos B.A, Aurora Mariazell Romero Martínez Msc, José Abraham Mitre Lázaro Msc

STEM for Success Resources

Este volumen reúne reflexiones críticas y propuestas analíticas que convergen en tres ejes:

La voz, la identidad y el cuerpo.

Producto de la colaboración entre la Uniguajira y la Facultad de Letras de la Universidad Michoacana de San Nicolás de Hidalgo, Aproximaciones a la Cultura Contemporánea: un encuentro de la visualidad, la narrativa, la semiótica y su didáctica articula un corpus interdisciplinario que examina fenómenos culturales actuales desde perspectivas semióticas, literarias, pedagógicas y visuales.

A través de una estructura rizomática, el libro desborda los límites tradicionales de los campos académicos para ofrecer una cartografía flexible de lectura, en la que …

Pod 20th Anniversary Publication 2025, Project Open Door

Publications + Documents + Videos

RISD Project Open Door (POD) is celebrating 20 years and its commitment to supporting access to art education.

In early June community members gathered at Woods-Gerry to view work by current POD students and alums in an exhibition that featured paintings, sculptures, photographs and other works.

Professor Emeritus Paul Sproll, founder of the program, spoke at the June event about POD’s inception in 2005. “This show reflects the strong community behind Project Open Door,” he said. “Thank you RISD, thank you students, thank you alums and thank you supporters. This work is important, and I hope it will continue for …

V.1 Spring 2025, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2025 issue has the theme "Take It as a Sign" and features pieces on baby fever, spreadsheets and recording information, aura and technology, a trip to Horseshoe Bend, the new Art and Computation department at RISD, home and belonging, Illustration student projects related to sensitive experiences, red brick architecture in Providence, and technology and the English language, along with interviews of students in their studios, poetry, and other creative writing.

La Música Que Nos Une: Prácticas Y Expresiones Musicales Rurales De Tracidión Oral, Rosa Delia Acosta León, Ana Betina Morgante Combariza, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin

Ciencias Sociales, Humanidades y Ciencias Políticas

La Música que nos une surge como una herramienta de mediación cultural concebido como producto del proyecto de investigación Etnomusicología de expresiones musicales rurales de tradición oral cundinamarquesas como elementos de educación y cultura, desarrollado por el programa de Música de la Universidad de Cundinamarca. Su propósito es reconocer y preservar las prácticas musicales de los artistas regionales, así como sus historias de vida para contribuir a la preservación de la identidad cultural de las nuevas generaciones de la región. establecer conexiones significativas entre el material recopilado durante el trabajo de campo, enfocado en las prácticas musicales. de los artistas …

Evolving Design Critique For A Changing Industry, Sejin Hwang, Amy Ai, Leo Bang, Yuchen Chen, Kathryn Chen, Tiffany Chang, Stephen Jiang, Chloe Jo, Eileen Lee, Nicole Lu, Ray Liu, Kevin Wei, Elaine Zhang, Ellano Zhou

Student Work

This class serves as an exploratory practice in response to existing studies evaluating critique environments in the design industry. Previous studies identified three key limitations in the critique process: (1) a lack of experience for novice designers working with non-designers when reviewing their work, (2) an ineffective final review structure, and (3) a need for a more constructive and engaging feedback-sharing environment.1 To address these challenges, the course was designed to “critique” critique activities and develop strategic solutions to transform the way design work is reviewed, analyzed, and critiqued. The course was part of a pilot fall semester program called …

Indigenous Artists Working With Digital Materials, Luke A. Meeken

Teaching Resource Archive

This is a static PDF version of the online resource found here: https://www.gildedgreen.com/indigital This document contains the five thematic curricular modules from the online resource but does not contain the always-growing online database of contemporary Indigenous digital artists, who can be found at the above link.

This resource includes several thematic modules designed for use by educators of preservice art teachers, which can be adapted for use in graduate and undergraduate level courses (and parts of which will be deployed in my own elementary and secondary methods courses). These could be used in whole or in part, and are designed …

Glitched Humanity: A Digital Media Arts Advocacy Project, Shelly Maloney

Teaching Resource Archive

This lesson includes an original sample project and website that directs students towards learning how to utilize digital glitch art to create advocacy or raise awareness for the social, cultural, environmental, or political issue of their choice. It is designed to engage students in critical thinking skills, cross-curricular connections, reflective writing, digital art making, group discussion, and peer review.

Artists can use video and other media sources to explore the self-destructive tendencies of human nature (i.e. violence/war, consumption, and/or carelessness/environmental neglect) or other social, cultural, or political issues using digital manipulation, layered imagery, sound, and video.

Layers Of Identity, Elizabeth Toffel

Teaching Resource Archive

Students explore identity, specifically that identity is layered, shaped by personal experience, cultural background, community ties, and unique traits. Students conduct interviews with peers, reflect on identity components, both individually and collectively, and create a layer artwork on transparent acetate sheets. When stacked the layers visually showcase the layers of the student’s identity and represent how identity is complex, constructed, and always shaped by multiple influences.