Art Education Commons^™

No One Flunks Museum: An Overview Of Learning Theory And Its Implementation In Formal And Informal History Education, Nichole D. Smith

Seton Hall University Dissertations and Theses (ETDs)

The transition of museums from institutions for the knowledgeable to places for those seeking knowledge has brought about a need for those educating in museums to better understand the ways in which people learn. This paper introduces and explains theories, psychological and educational, that are applicable to learning such as Constructivism, Multiple Intelligences, and the Contextual Model of Learning. Observations of informal and formal history and social studies lessons or programs presented to students ages 3-16 provide the framework for understanding how well these theories of learning are being implemented in the museum. Comparison of history museum programs (informal education) …

The Study Of Music: A Valuable Part Of School Education, Melanye Crayton

Senior Honors Theses

Music has been a part of human experience since the existence of man. It has been studied throughout the ages by philosophers and students, laymen and courtesans. When America was settled, it became a part of a student's education, eventually becoming part of the curriculum of public schools. In the twentieth century, the study of music experienced a decline in the public educational systems.

The study of music is beneficial for all students. It provides students with an opportunity to excel in school work, the benefit of learning in a constructive and positive atmosphere, and the opportunity to learn about …

Mixed Media September 22, 2006, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The September 22, 2006 issue includes articles on departmental isolation at RISD, a Balls winning streak, visiting artist Laurie Rosenwald, a profile of a ceramics student, a planned public art piece for Boston's South Station, and ethnic hair products, along with student creative work, event notices, and other announcements.

A Choice-Based Art Curriculum For Eighth Graders At A Public Charter School, Elisa Hirvonen

Graduate Student Independent Studies

In a choice-based art curriculum students select units of study, explore ideas, and choose specific elements of their projects to develop, e.g., media. The goal is to provide a more authentic artistic experience. Surveys conducted at the beginning and end of the year-long program indicate that students are enthusiastic about choice, and that attitudes towards art improved.

The Power Of Visuals: Picture Books As Invitations To Literacy, Mary Jo Skillings

Journal of Critical Issues in Educational Practice

When young children are exposed to picture books, they are building important bridges to literacy. Picture books are sometimes defined as a storybook with a dual narrative. That is, the illustrations and text work interdependently, the integration of the visual and the verbal tell the story. The illustrations add a new dimension that extends beyond the words on the page; together, the text and pictures make the story stronger. A well crafted picture book is a feast for the eyes of a young child. The illustrations awaken and develop the child’s visual, mental, and verbal imagination.

Aesthetic Knowing: Essential To The Development Of Heart And Mind., Laura Howzell-Young, Susan Daniels

Journal of Critical Issues in Educational Practice

Children are biologically wired to experience their world through rich sensory, affective, aesthetic, and imaginal experiences. Children thirst for art, music and movement, and these modes are utilized widely to learn the varied languages of literacy: the alphabet, numbers, vocabulary, body-sense and more. Yet, in response to meeting higher and more prescribed standards at the elementary and secondary levels, there is a tendency to narrow the curriculum, to consider art and music expendable, to view social-emotional development as external to the schoolhouse. This narrowing is happening just as our global culture is moving again toward multiple kinds of communication: toward …

Taking In: Aib Photography 2006, Aib Students

Taking In

This book is our fourth edition of Taking In:...a collection, a celebration really, of the best photography created by the students of The Art Institute of Boston at Lesley University. Students came together in the class, taught by Gretjen Hargesheimer, and dedicated themselves to all facets of this yearly publishing event...including design, fund raising, jury selection, editing, layout, and print production. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir …

On February 2006, Students Of Risd, Risd Archives

All Student Newspapers

On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. The February 2006 issue is the publication's first issue and features essays on the theme of space. Essays are on a variety of topics within this theme, including commentaries on RISD and explorations of student work.

Muffin January 2006, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The January 2006 issue is the first since the February-March issue from 2004. It was revived by the Straight and Gay Alliance and features a "gay timeline," articles on freshman lesbians, female pirates Anne Bonny and Mary "Mark" Read, lesbians who look straight, why straight people are needed in RISD's Straight and Gay Alliance, a Jewish student's struggle to reconcile his homosexuality with his faith, and cheap and corny date ideas, along with a book review of "Women's Barracks" …

Reframing Artopia, One Girls Journey Through The Ins And Outs Of A Large Art Organization, Megan Rains

Graduate Student Independent Studies

It was my goal to make the most of my Independent Study personally, professionally and academically. I wanted to further my skills as a teacher and supervisor while at the same time express my artistic side and get my name out into my community. I volunteered and became a committee member of a large art organization called Artopia. It comprised of local artists, arts administrators, and community activists who work together to help develop a forum to build institutional connections; linking public and private schools, universities and other organizations to create a stronger art community in the City X Metropolitan …

I Sing The Body Electric: Description Of An Innovative Health Promotion And Fine Arts Program For Adolescents, Kathleen Phillips, Julie Deitz, Mark Borzi, Gaye Harrison

Faculty Research and Creative Activity

I Sing the Body Electric (BODY ELECTRIC) is a fine arts and health promotion program that supports communication of healthy lifestyle choices among youth. BODY ELECTRIC connects youth in 27 high schools with health and education communities in the largest rural geographic education region in a Midwestern state. The three-phase prevention plan designed to increase resiliency and reduce risk behaviors among adolescents begins with biennial regional administration of the Youth Risk Behavior Survey, with added questions designed to identifying the top health concerns of area youth. In the second phase, these health concerns are crafted into prevention messages by youth, …

The Elements Of Filmmaking, James Patrick Hilliard

Theses Digitization Project

Presents an educational multimedia development project created to teach novice learners about the various elements of the film making process. The multimedia web site designed for this project was created using Macromedia Flash 8. The process involved surveying people to determine learner needs and alpha and beta testing the final project to gather data regarding functionality and learner satisfaction.

Bursting The Grad School Bubble, Melanie L. Buffington

The Melanie Buffington Papers

Buffington writes about how she is trying to align the theories and ideas that she encountered and learned as a graduate student (at a renowned doctoral 1 university) with the reality of actually teaching pre-service teachers.

E(Raced) Bodies In And Out Of Sight/Cite/Site, Wanda B. Knight

Journal of Social Theory in Art Education

In the social sphere there are numerous unmarked and unexamined categories. Heterosexuality, maleness, and middle classness are some of the apparent ones. However, Whiteness is perhaps the foremost unmarked and thus unexamined category in art education. And like other unmarked categories, White is assumed to be the human norm. Moreover, when Whiteness goes unexamined, racial privilege associated with Whiteness goes unacknowledged. In this article, I use the metaphor of sight or vision to examine race through a framework of bodies. My focus is, specifically, on the preparation of the authoritative White body of the art teacher to teach in classrooms …

2006-2007 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.

Deconstructing The Frame: Siting Absence, Jason Wallin

Journal of Social Theory in Art Education

Our contemporary social landscape is increasingly inscribed and articulated through images. With the proliferation of televisual mediums, the image has become the primary vehicle mediating social relationships, impinging on our experience of both self and other (Debord, 1978). As Virilio (2002) avers, the drive of capitalism seeks to appropriate the imagistic code as a bid for mastery over the symbolic order. In this manner, the media/ted images that flood the social terrain are often cites of ideological del sign. In other words, signs are often ideologically 'stabilized' as connotations of other signs, forming an abstract, positive calculus of signification. In …

Front Cover

Journal of Social Theory in Art Education

Front cover for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

Multicultural Reservations, Hybrid Avenues: Reflecting On Culture In Art Education, David Gall

Journal of Social Theory in Art Education

This paper examines the role of hybridity in culture as it relates to art education. Curriculum strategies in art education are based essentially on pluralist premises. Such strategies recognize diversity, honor differences, and try to redress the inequitable Eurocentric models of the past. Nevertheless, even in their most critical forms they reproduce a scheme of culture that subtly confirms the established order of Modern hierarchies, and fail to capture the fluid, hybrid, and uneven character of culture. Margaret Archer's theories of culture, society, and change are among the most insightful to date. Taking them on board will ensure that our …

Art - A Tool For Teaching English To Esl Level I Students, Allison G. Duvall

Theses and Dissertations

Today's classrooms are filled with an ethnically and linguistically diverse population of students. In order for Limited English Proficient (LEP) high school students to be academically successful and meet the goals of No Child Left Behind 2001, they must learn academic English. As an art teacher, I understand the importance of art in a student's general education. However, could a high school art class, also, act as a tool for teaching LEP students the English language? My goal, through the use of action research, is to find an effective way to set up an English as a Second Language (ESL) …

Fostering Imaginative Expression In Elementary Art Students: A Descriptive Study Of Teacher Strategies, Julia Robinson Bargo

Theses and Dissertations

The students in my elementary art classes did not seem to be creating for themselves. They seemed to have the understanding there was only one correct answer in art class, and the art teacher knew what that answer was. By way of research I have found ways to create an atmosphere in my art room that promotes imagination and self expression in children, thus fostering a free and creative reaction from my students. Through understanding how and why one uses their imagination, an art teacher can enhance a student's ability to build and use his or her knowledge base. I …

Editorial 1: Unpacking The Complexity Of The Homonym Site/Sight/Cite, Jan Jagodzinski

Journal of Social Theory in Art Education

We invite essays that explore visual regimes that have become established in our public schools or art departments. "Out of sight" might interrogate current ideals, territories, and debates concerning visual cultural education, since this was a distant horizon first discussed in JSTAE in 1980 and is now looming closer in mainstream art education. "Out of sight" might provide us with concerns over our televised, cinematic images that come at us through popular culture. For Lacan, sight was always a form of misrecognition, a form of "ignorance" as brilliantly explored by Magritte. We are all framed by images. So, we invite …

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

Contributors

Journal of Social Theory in Art Education

Contributors for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

Editorial 2: Voice, Sight, Marginalization And Psychoanalytic Frames, Bill Wightman, Wanda Knight

Journal of Social Theory in Art Education

All of the essays that make up the 26th edition of The Journal of Social Theory in Art Education reflect varied critical stances and approaches based on the homology site/ sight/ cite. In the spirit of the call for papers, a select number of authors chose to resolve their topics by addressing imagery, ideas, and practices that have been (or remain) out of site, sight, or cite. Others presented their topics more indirectly, thus leading the reader to shape or reshape the possibilities of context. And it's true; as we read these essays we are in a position to continually …

The Permeable Classroom Or The Tilted Arc Revisited, Karen E. Frostig

Journal of Social Theory in Art Education

"The Permeable Classroom or the Tilted Arc Revisited" reviews the author's various roles as artist, community activist, art educator and art therapist, in the design and implementation of a large, sequential community-based ''Tree Memorial" project. Using the Tree Memorial Project as a compelling example of the "permeable classroom," the paper delivers an overview of the project that takes place in and around the public school setting, featuring collaboration between teachers, students, parents, administrators, community residents, and city officials.

From Out Of Sight To 'Outta Sight!' Collaborative Art Projects That Empower Children With At-Risk Tendencies, Debrah Sickler-Voight

Journal of Social Theory in Art Education

Children with at-risk tendencies are often left out of sight/ site/ cite because of their potential for academic and social failure. Like all children, children with at-risk tendencies have something of value to contribute to society and yearn for opportunities to show of their talents. This article discusses how three different groups of children with at-risk tendencies in Florida and Tennessee participated in site specific community art projects that targeted their needs. Although each student population worked a different theme, the children expressed similar learning outcomes when describing their involvement with the project. This study demonstrates how collaborative community art …

Mars Rising: Icons Of Imperial Power, Miriam Cooley, Michelle Forrest, Linda Wheeldon

Journal of Social Theory in Art Education

Political and news media imagery saturate the culture of our classrooms as thoroughly as the popular culture imagery that deliberately targets children and youth. Media images such as those of US president G. W. Bush's visit to Canada that we discuss in this paper have become ubiquitous in our culture. In our view they constitute a primary mechanism through which the powerful political and economic forces exert an unrelenting threat on populations around the world. We (1 + 1 + 1)* enter this discussion from the point of view of Canadians, one of whom holds duel Canadian / US citizenship, …

Performance Art As A Site For Learning: Queer Theory And Performance Studies In The Art Classroom, G. E. Washington

Journal of Social Theory in Art Education

Today, performance art is one of the most useful mediums for helping individuals see themselves differently. In this of "Out of sight" article, I explore the experience of participating in a student's performance art project. This work was a performance of crossing the road. Here, I discuss the inclusion of overtly queer articulations of personal experience within the art classroom. How can performance art construct learning experiences that engage a dynamic process of self-critique? How are classrooms organized differently when students become actively involved in the development of the art curriculum? And, how might a performative investigation of the sociality …

God, The Taboo Topic In Art Education, Terry Barrett, Valora Blackson, Vicki Daiello, Megan Goffos

Journal of Social Theory in Art Education

A serendipitous match of this journal's call for imagery "that lies outside art educators' accepted sphere"-"out of site/ sight/ cite" - and a (too) rare discussion among art educators talking about God within a secular classroom prompts this article. Concepts of God are generally withheld from the site of public school art classrooms in the United States; many teachers express wariness and fear of bringing artists' sights of God into their public school art rooms, although God and Gods are a frequent subject for artists through time and across place. Further, the topic of God is rarely cited in art …