Theatre and Performance Studies Commons^™

The Ugly Duckling, Parkland College

Parkland Theatre

A Story by Hans Christian Anderson

Adapted and Directed by Chris Guyotte
Musical Direction by Wendy Michels
Chroreographer: Katherine Smart Hughes
Lighting Designer and Technical Director: David G. Dillman
Costume Coordinator: Nikki Broadrick
Original Lyrics and Music by Chris Guyotte, Joshua Neds-Fox, Kelly Boczek,
Oliver Pookrum, Mathew Talbot, Catherine Worth

April 10, 11,12 at 7 p.m.
April 12, 13 at 3 p.m.
Parkland College Theatre
2003

Snow Red Sleeping (2003), Seth Stewart

Season 2002-2003

No abstract provided.

Blackfriars Theatre Dance Concert 2003 Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre Dance Concert 2003 press release

April 2003

Hyronomous A. Frog: The Frog Prince, April 11-12, 2003, Theatre Arts Discipline

Theatre Programs

University of Minnesota, Morris production of Hyronomous A. Frog: The Frog Prince by Edith Weiss directed by Kimberly Gamradt.

Synopsis: Hyronomous, an inept and lonely frog prince, lives in a bog in the kingdom of Spamelot. Hyronomous is bored and unhappy as a frog. He’s larger than the other frogs and hates the taste of flies. One day, the good witch Gloria appears to tell him he was once a human prince and it was a spell that turned him into an amphibian. To break this croak-filled wizardry, Hyronomous must be kissed by a maiden. In a hysterical scene, he …

A View From The Bridge Poster [2003], University Of Southern Maine Department Of Theatre

Posters 2002-2003 Season

Written by Arthur Miller

Directed by William Steele and Thomas Power

Also included: A View From the Bridge 2003 Postcard

Poster Dimensions: 11" x 17"

Postcard Dimensions: 5.5" x 8.5"

Letter From The Providence College Department Of Theatre, Dance & Film To The Dominican Fathers And Brothers, Providence College Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Providence College Department of Theatre, Dance & Film to the Dominican Fathers and Brothers inviting them to The Blackfriars Dance Concert.

April 2, 2003

The Murderers: Agamemnon & Electra Promotional Card, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

The Murderers: Agamemnon & Electra, adapted by John Barton and Kenneth Cavander

April 10-13, 2003

Director, John Garrity

Music, Mary Casale

Scenic Design, Jeremy Woodward

Costume Design, Jane Lewis '03

Lighting Design, Deb Sullivan

The Murderers: Agamemnon & Electra Rehearsal Calendar, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Murderers: Agamemnon & Electra rehearsal calendar

The Murderers: Agamemnon & Electra Audition Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Murderers: Agamemnon & Electra audition form

Blackfriars Dance Concert 2003 Ticket Order Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert 2003 ticket order form

Blackfriars Theatre Banquet Hat And Invitation, Providence College

Promotion Materials

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

Blackfriars Theatre Banquet

Saturday, May 3, 2003, 6pm

Waiting For Godot Ticket Order Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Waiting for Godot ticket order form

Letter From John Garrity, John Garrity

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

General letter from John Garrity thanking people for their attendance to The Murderers: Agamemnon & Electra.

The Murderers: Agamemnon & Electra Ticket Order Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Murderers: Agamemnon & Electra ticket order form

Dance Usm! Program [2003], University Of Southern Maine Department Of Theatre

Programs 2002-2003 Season

Directed by Maria Tzianabos

Machinal Poster [2003], University Of Southern Maine Department Of Theatre

Posters 2002-2003 Season

By Sophie Treadwell

Directed by Ariel Francoeur

Dimensions: 8" x 14"

The Cutting Edge, March/April 2003, Vol. 13 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Dance Usm! Characters & Space Poster [2003], University Of Southern Maine Department Of Theatre

Posters 2002-2003 Season

Nancy Salmon, artistic director

Dimensions: 11" x 17"

Postcard included, dimensions 8.5" x 11"

Review Of Fantasies Of Fetishism: From Decadence To The Post-Human, By Amanda Fernbach, C. Jason Smith

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Time Wounds All Heels: Duncan, Ballet, And Bataille, Joanne Pearson

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Any study of the birth of modern dance draws upon the work of Isadora Duncan and for too long her dance has been placed in opposition to ballet. Even today the contemporary Duncan dancer reifies the image of Duncan as natural, harmonious, unique and rounded [1]. This opposition of free dance versus ballet presents a two-dimensional portrait of past representations of femininity. I aim to re-think Duncan's disdain for the pointe shoe and her belief that barefoot dancing would encourage a liberated movement that would in turn free woman from her disgraceful position in dance and …

Animation Studies, Disciplinarity And Discursivity, Paul Ward

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Addressing how knowledge grows, develops and fits together is arguably one of the most testing tasks facing scholars. In a world where knowledge is increasingly viewed as a commodity -- and the teaching of that knowledge is often done in an instrumentalist fashion -- we need to come to a fuller understanding of how knowledge areas inter-relate. Such a mapping needs to move beyond simplistic models of disciplinarity (and its bolted-together variants, such as interdisciplinarity, multidisciplinarity, and the like) and explore the ways that a wide range of people in an equally diverse set of contexts might constitute …

“A Midsummer Night's Dream”: A Director's Notebook, Natasha Bunnell

Institute for the Humanities Theses

This manuscript is an analysis of artistic growth as well as an attempt to document the creative process during this stage of growth. The production herein discussed was an excerpted version of A Midsummer Night's Dream ; however, the process of conceiving and staging the piece was identical to the process of producing an interpretation of the complete text. It is difficult to document all aspects of the theatre artist's creative process in writing and still photographs, thus, I have only included what I consider to be the most straightforward and significant elements for illustrating and analyzing the conclusions drawn: …

Memo From John Garrity To Cast And Crew, Tdf Faculty And Staff, John Garrity

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Memo from John Garrity to cast and crew, TDF faculty and staff regarding The Murderers: Agamemnon & Electra.

March 28, 2003

"Such Nonsense": Performance Art Parody, Ellen Mueller

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Hadivadlo In Chattanooga : A Critical Assessment Of The Process Of Producing School For Fools, Ben Williams

Honors Theses

The goal of this project was to create an experimental theatre production called School for Fools in the Studio Theatre of the UTC Fine Arts Center in February of 2003. Spanning nearly an entire year, the process for me was one of compiling a dramaturg's notebook ofresearch and materials related to the play, adapting and revising the text from the original, written by Belgian playwright Michel de Ghelderode in 1937, creating costume and set designs, appropriating a cast, raising funds for the production, and then directing the play. Particularly important to this production was the idea of style. In essence, …

The Season Ticket, March 2003, Columbia College Chicago

Season Ticket

Columbia College Chicago Theater Department newsletter. 6 pages. Faculty, articles, production, student news.

Memo From The Blackfriars Theatre Box Office To Theatre Faculty & Staff, Blackfriars Theatre Box Office

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Memo from the Blackfriars Theatre Box Office to Theatre Faculty & Staff regarding tickets to The Murderers: Agamemnon & Electra.

March 18, 2003

Letter From The Providence College Department Of Theatre, Dance & Film To The Dominican Brothers, Providence College Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Providence College Department of Theatre, Dance & Film to the Dominican Brothers inviting them to The Murderers: Agamemnon & Electra.

March 18, 2003

Memo From The Box Office To Cast And Crew Of The Murderers: Agamemnon & Electra, Box Office

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Memo from the Box Office to cast and crew of The Murderers: Agamemnon & Electra regarding complimentary tickets.

March 18, 2003

A Guy, A Girl, And Gershwin!, Otterbein University Theatre And Dance Department

2002-2003 Season

No abstract provided.