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Theatre and Performance Studies Commons™
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Articles 1 - 30 of 216
Full-Text Articles in Theatre and Performance Studies
Galatea Erupted (2024), Ashton Doll
My Dead Boyfriend Is A Robot (2024), Preston Crowder
My Dead Boyfriend Is A Robot (2024), Preston Crowder
Season 2023-2024
No abstract provided.
Peerless (2024), Jiehae Park
Ancestra (2024), Holly Holsinger, Chris Szajbert
Ancestra (2024), Holly Holsinger, Chris Szajbert
Season 2023-2024
No abstract provided.
Falling Westward (2024), Graciela Fernandez
Pipeline (2023), Dominique Morisseau
Cabaret (2023), Joe Masteroff
Stonewallin' (2023), Kari Barclay
Calypso (2023), Jordan Muschler
Sideways Stories From Wayside School (2023), John Olive, Louis Sachar
Sideways Stories From Wayside School (2023), John Olive, Louis Sachar
Season 2022-2023
No abstract provided.
Ophelia: A Prism (2023), Mieko Gavia
Societal Restriction And Creative Liberation: Aphra Behn, Or, And Finding Freedom Through And Within The Creative Process, Anire Kim Amoda
Societal Restriction And Creative Liberation: Aphra Behn, Or, And Finding Freedom Through And Within The Creative Process, Anire Kim Amoda
Honors Papers
No abstract provided.
Or, (2022), Liz Duffy Adams
The Practice And Purpose Of Adaptation Of Classical Texts, Cassandra J.S. Gutterman-Johns
The Practice And Purpose Of Adaptation Of Classical Texts, Cassandra J.S. Gutterman-Johns
Honors Papers
This paper focuses on two adaptations of classical texts: Off the Rails, Reinholz’s adaptation of Shakespeare’s Measure for Measure, and AtGN, Howard’s adaptation of Sophocles’ Antigone, and examines the ways in which these plays both replicate the cycles created by the original texts and seek to break from them. Taking theater as an inherently repetitive practice, this paper pulls from many sources to develop a vocabulary for discussing theatrical adaptations, then applies it to these two case studies to demonstrate that each uses a variety of strategies to create a new narrative. Whether a theater-maker is building new meaning into …
Moving Honestly - Pangalay Performance, National Identity, And Practice-As-Research, Kara Elena Nepomuceno
Moving Honestly - Pangalay Performance, National Identity, And Practice-As-Research, Kara Elena Nepomuceno
Honors Papers
Previous research analyzes the legacies of various Philippine dances in the United States. This project seeks to describe the growing impact of the dance form pangalay, given its rising popularity among Philippine performing arts groups and among individual artists in the diaspora. Pangalay’s sustained, curvilinear style supports Filipino American dancers’ needs for physical well-being, relationship to colonized land, and expression of diasporic culture. Yet when pangalay is framed as a unifying dance aesthetic of Filipino identity, it obscures ongoing internal oppression within the Philippines as Christianized upper classes embrace the dance form yet cohere wealth by displacing Muslim groups.
To …
To Love Is Human: Leonid Zorin's A Warsaw Melody Considering Concepts Love And Fate In Russian Culture Reflected In Its Theatre Tradition, Christine Louise Impara
To Love Is Human: Leonid Zorin's A Warsaw Melody Considering Concepts Love And Fate In Russian Culture Reflected In Its Theatre Tradition, Christine Louise Impara
Honors Papers
Concept and process for a director's capstone in theatre on A Warsaw Melody by Leonid Zorin.
Songs From My Mother's Seashores (New Works Festival 2019), Oberlin College Theater
Songs From My Mother's Seashores (New Works Festival 2019), Oberlin College Theater
Season 2018-2019
No abstract provided.
Same Same (New Works Festival 2019), Hanna Shykind
Same Same (New Works Festival 2019), Hanna Shykind
Season 2018-2019
No abstract provided.
The Brothers Size (2019), Tarell Alvin Mccraney
The Brothers Size (2019), Tarell Alvin Mccraney
Season 2018-2019
No abstract provided.
What We Look Like (2019), B.J. Tindal
What We Look Like (2019), B.J. Tindal
Season 2018-2019
Dramaturgy by Maansi Sahay Seth
Rapture, Blister, Burn (2019), Gina Gionfriddo
Cabaret (2018), Joe Masteroff
Copenhagen (2018), Michael Frayn
The Glass Menagerie (2018), Tennessee Williams
For Colored Girls (2017), Ntozake Shange
Melancholy Play (2017), Sarah Ruhl
Denial (2017), Peter Sagal
Twelfth Night (2017), William Shakespeare
Crafting Wendla Bergmann In Spring Awakening, Amy R. Weintraub
Crafting Wendla Bergmann In Spring Awakening, Amy R. Weintraub
Honors Papers
This paper explores one actor's approach to the role of Wendla Bergmann in Steven Sater and Duncan Sheik's musical adaptation of Frank Wedekind's Spring Awakening. It will address issues of text analysis, staging, character development, vocal performance, and mental health.
Spring Awakening (2016), Steven Sater